'The Vampire's Ghost' stumbles at the end

The Vampire's Ghost (1945)
Starring: John Abbott, Charles Gordon, Grant Withers, Peggy Stewart, Adele Mara, Roy Barcroft, Martin Wilkins, and Emmett Vogan
Director: Lesley Selander
Rating: Seven of Ten Stars

An isolated trading post in Africa becomes the latest hunting ground of a world-weary vampire (Abbott).

"The Vampire's Ghost" is an interesting film that I think managed to transcend its quick-cash-grab roots. According to an interview given by screenwriter Leigh Brackett, this production was launched in response to Universal's successful revival of its 1930s horror characters--the Mummy, Dracula, and Frankenstein--and the popularity of their new kid, the Wolf Man. Tone- and style-wise, the film occupies a middle-ground between Val Lewton's atmospheric, psychological chillers from RKO and the pulp-fictiony, supernatural dramas of Universal's monster revivals.

Long-time horror fans will enjoy this movie for its unusual African setting and its swirling mix of European vampire lore and more "exotic" superstitions and beliefs. Fans with a narrower love of vampire movies will appreciate the villain of the story, the vampire Webb Fallon, is portrayed with more personality and a different flavor than is typical of films from this period. While Fallon is indisputably a monster, his main defining characteristic is not cartoonish, cape-swirling menace but rather a sort of jaded fatigue at having seen everything that's unfolding around him happen dozens upon dozens of times in the past. From his casually telling the hero where to look for information on how to destroy a vampire, to the air of resignation when he discovers attempts to take advantage of him and thus he feels obligated to exact revenge.

The supporting characters are mostly the stock figures you'd expect in a film like this, with a fairly bland young couple (Charles Gordon and Peggy Stewart) targeted as victims of the vampire, superstitious locals (foremost among these portrayed by Martin Wilkins), a devout cleric who is key to defeating the monster (Grant Withers), and so on. These stock characters are borrowed both from the standard gothic vampire story and from the jungle action/adventure tales that usually take place in this film's setting... but, as with the character of Webb Fallon, there are a few touches that allow them to be more interesting than what they might otherwise have been. It also helps that they are all portrayed by excellent actors. I've so far failed to mention Adele Mara who brings some random (and slightly goofy) sexiness to the picture while also, ultimately portraying one of the films more sympathetic characters, because jealousy plus a lack of understanding of what Webb Fallon truly is gets her into a whole lot of trouble.

Another fascinating aspect of the film is the notion that a vampire is weak in the presence of the power of God--whether a believer is waving religious symbol in its face or not. One of the more enjoyable scenes in the whole film is watching Fallon dealing with the devout Father Gilcrist and how simply being touched by him, and being in his general vicinity, drains Fallon's energy.

Unfortunately, this mostly interesting movie loses its way during its climax and ultimately ends on a disappointing, somewhat hollow ending where Webb Fallon dies off camera (while delivering a line that's  clearly looped from a scene earlier in the film) and some plot-threads that were set up very dramatically are left dangling without resolution. The botched ending cost the film a full star on my 0-10 star rating scale.

If you like classic horror movies, I think you'll mostly enjoy "The Vampire's Ghost". It really is an interesting and well-done film up to final minutes.