Invisible Man Chiller Theater Double Feature!

Here are reviews of a pair of films that are perfect Halloween viewing, since they feature liberal mixes of humor and horror. They're also classics that star horror movie legends!

The Invisible Man (1933)
Starring: Claude Rains, William Harrigan, Una O'Connor, Gloria Stuart, Forrester Harvey and Henry Travers
Director: James Whale
Rating: Eight of Ten Stars

Chemist Frank Griffin (Rains) develops a formula that turned him invisible. He goes on a homicidal rampage in rural Britain after it also drives him insane.
 

"The Invisible Man" is another true classic from the formative years of the horror genre. It's quite possibly the first horror comedy and it's black humor holds up nicely even today--arrogant scientists, simple country bumpkins and incompetent cops never go out of style!

The film's special effects also hold up surprisingly well, with simple techniques employed here that were used over and over until CGI came fully into its own but rarely used as well as they were here. (Yes, there are a few places where one can see the matting, but the "invisible action" here is depicted better than it is in many films made with much more sophisticated special effects technology.)

And finally, the film has a literate, finely honed script with loads of tension that effectively translates the mood of H.G. Wells' original novel to the screen. The characters seem well-rounded and believable, and this, even more than the special effects, make the movie such a pleasure to watch even now. The film even manages to capture the point about loss of identity resulting in loss of connection with the world around you and ultimately insanity (even if the movie attributes Griffin's madness first and foremost to the chemical concoction he's created).

Lovers of classy horror and sci-fi films owe it to themselves to check this one out. The same is true if you have an appreciation for dark comedies.

 


The Invisible Man Returns (1940)
Starring: Vincent Price, Cedric Hardwicke, Nan Grey, Cecil Kellaway, John Sutton and Alan Napier
Director: Joe May
Rating: Seven of Ten Stars

A wrongly convicted man (Price) uses an invisibility serum to escape execution and find the murderer who framed him. But, even with the help of his loving fiance (Grey) and his loyal best friend (Sutton), can he track the killer before he is driven mad by the substance that renders him invisible?
 

"The Return of the Invisible Man" is a well-conceived sequel. It's got significant ties to the original, retains some of the same basic themes, but presents a completely different and unique story. Too often, sequels either shoehorn connections to the film into the story in an artificial manner or have so little to do with the original that one wonders why a connection was even drawn (well, aside from naked greedy attempts to ride on the coat-tails of another film's success).

A well-scripted mystery is added to the invisible man shenanigans... and although it's a bit slow in getting started, it is a gripping tale once it gets going. The mystery isn't terribly hard to solve for those who like playing along--there really is only one suspect and the film never launches any serious attempt to divert the audience's attention from that villain. However, plenty of suspense arises from watching the invisible man start to lose his mind even as he identifies his prey.

The great cast of the film is also to be credited with its success. Most noteworthy among the actors are Vincent Price lends his distinctive voice to the film's unseen protagonist, and Cecil Kellaway who appears in a rare dramatic role as the inscrutable Inspector Sampson of Scotland Yard.

The only complaint I have with the film are the invisibility effects. Whether due to a lack of budget or creativity on the part of the director and special effects crew, there is nothing here as impressive as the cinematic tricks used to sell the presence of an invisible character on screen as was found in the original "Invisible Man" nor in the "Invisible Woman", a comedy dating from the same year yet featuring far more impressive effects. (Nothing in "The Invisible Man Returns" comes close to the bicycle stunt in "The Invisible Man" or the stockings scene in "The Invisible Woman".)

However, the solid story and excellent cast make up for the shortcomings in the special effects department.

'House of Horror' contains both good and bad

House of Horrors (1946)

Starring: Martin Kosleck, Rondo Hatton, Virginia Grey, Robert Lowery, Bill, Goodwin, Alan Napier, and Joan Fulton

Director: Jean Yarbrough

Rating: Six of Ten Stars

Marcel (Kosleck), a sculptor of meager talent, manipulates a psychopathic killer known as The Creeper (Hatton) into murdering critics he feel ruined his career as an artist.

"House of Horrors" is a well-acted, fairly well-written film that is elevated by stylish camera-work  stylishly shot with sets and camera angles and lighting that takes full advantage of the black-and-white medium. Like most the Universal horror films from the 1940s and 1950s, it's a film that's worth watching for the quality cinematography alone. It makes this already briskly paced film go by even faster. The chilling scenes where Rondo Hatton's character is preparing to kill Virginia Grey and Joan Fulton respectively are also definite highlights of not only this movie, but horror films of the 1940s in general.

Among other highlights are Alan Napier (perhaps best remembered as Bruce Wayne's butler in the 1960s "Batman" television series) as an art critic you'll want to see murdered; fine performances by Martin Kosleck and Rondo Hatton as a pair of very different maniacs; and Robert Lowery and Virginia Grey who have a sort-of lowkey on-screen chemistry that make them very believable as a couple in a steady relationship.

So why did I only give "House of Horrors" a Six of Ten rating? 

Well, for one, the script moves a little too briskly. While I got that the psychopath was so grateful to the artist for saving his life that OF COURSE he's willing to kill those who have done harm to his new (and only) friend. What I want to know is how did Marcel know that the psychotic killer he fished from the harbor would be willing to kill for him?

Second, while I like the fact the film has a sort of in media res feeling vis-a-vis Rondo Hatton's serial killer character, I still think the film would have stronger if they'd filled in a little more of his backstory. It might have given an opportunity to explain why Marcel knew he would "weaponize" him successfully. (On the other hand, it allowed me to fill in the blanks with something  far more interesting than what the writers probably would have provided. Still, there is such a think as leaving too much to the imagination, and I think this is an example of that.)

Finally, although generally well-written, I found some of the actions taken by the film's heroine, played by Virginia Grey, to be so annoyingly stupid they almost ruined the character entirely. I can't get specific, but they fall squarely in the Stupid Character Syndrome (SCS) that's caused by writers who are either too sloppy or lazy to make their plot flow , so one or more characters has to do monumentally stupid things to make sure the story keeps movie toward the resolution. When Grey's character does the first stupid thing, you may think she's just hungry for a scoop to fill her weekly arts column, but when she does the next stupid thing, you'll see the full-blown case of SCS for what it is. It's a shame more care wasn't spent on those parts of the plot, because it drags the whole movie down. 

Although not perfect, "House of Horrors" is still well worth our time, especially if you're looking for some light viewing to get ready for Halloween.