Find some Christmas Cheer with the Little King

Pals (aka "Christmas Night") (1933)
Starring: Anonymous Voice Actor (speaking two lines as Santa Claus)
Director: Jim Tyer

Rating: Six of Ten Stars

The Little King invites a pair of bums back to his palace to share an otherwise lonely Christmas Eve with him. His generosity is rewarded with a magical Christmas Morning brought by Santa himself.

Reportedly, "Pals" is the best-remembered of all the Van Beuren Little King cartoons--perhaps even the only one that's remembered by anyone other than folks who frequent blogs like this one. This is because it used to be aired frequently on American television at Christmas time, under the title "Christmas Night". (Personally, I'd never seen it until I began my project of watching and reviewing the entries in this series.)

As a Christmas Special, it strikes all the right warm-hearted Holiday notes and it's full of cuteness. It's particularly sweet the way the Letter to Santa is read by the Real Thing instead of just a guy in a suit--one of the benefits of living in a cartoon universe, I suppose! I personally would have preferred more of a plotline running through the thing, but the almost random collection of events and scenes are amusing and cute enough that I can look past that.

Two interesting details that stood out to me is the fact that the Little King's queen is such a nasty piece of work that she doesn't even spend Christmas with him. Secondly, it continues to be remarkable to me the way the cartoon's character designs create a distinction and gulfs between the Little King, his servants and ministers, and the common folk of his realm; each group has a distinct look. While I might be prone to chalk that up to the general slipshod approach that was a hallmark of the Van Beuren approach to continuity and quality control, I think it's purposeful in this cartoon and the series in general. The level of details in the backgrounds and the statement by some film historians that Jim Tyer was highly invested in translating "The Little King" newspaper strip to the amination medium with as much respect to the original source material as possible says to me that not only effort but thought was put into every frame. 

But don't just take my word for it. Take a few minutes to check out this classic Christmas celebration; it's bound to bring some cheer! 

(Trivia: "Pals" was released into theaters on December 22, 1933, exactly 88 years prior to this post being made.)

It's the Little King's Day Out

A Royal Good Time (1934)
Starring: Anonymous Voice Actors (but it's basically a silent movie)
Director: Geo. Stallings

Rating: Six of Ten Stars

The Little King heads out for a day at the funfair and ends up causing chaos.

"A Royal Good Time" is one of nine cartoons that the Van Beuren Corporation produced based on "The Little King" comic strip (which ran from 1931 to 1975, ending with the death of its creator and only artist/writer Otto Soglow). Van Beuren licensed The Little King as the strip moved from "The New Yorker Magazine" 

Like many of those adaptations, this one opens with a segment that embodies the look and feel off Soglow's strip, but swiftly veers into territory that's comfortable and typical for the Van Beuren writers and animators: Loosely designed, rubbery characters embroiled in zany, surreal situations and chase scenes full of non-stop sight gags. 

Not unexpectedly, "A Royal Good Time" follows this pattern. The opening plays like a Soglow cartoon put into motion with the Little King heading off to the funfair to use his own rifle at the target game. Once he reaches the fairground, however, the look of the characters change, as does the nature of the story. As I've mentioned before, there is a significant different in the character designs between the Little King and those who work as servants in his palace and in his government, and the common people in the rest of his nation. Those differences in character designs are even more striking here, especially because the Little King has to pass through a "checkpoint" to get into the realm of these commoners (the fairgrounds). Up until watching this installment of the series, I was leaning toward chalking these differences in character designs to the Van Beuren operation wanted to keep a certain look about their cartoons. However, I am coming around to the idea that lead animator Jim Tyre, who reportedly was dedicated to making "The Little King" faithful to Soglow's original strip and the highest quality possible, was actually using character designs to set the king and his court apart from the rest of country and showing how they, essentially exist in different worlds. It's an element that doesn't add a whole lot to the simple and chaotic storylines of the episodes, but I think that I've been giving too little credit to Tyre for his work on this series, which I already thought was pretty good.

All that said, compared to other "The Little King" episodes that Tyre helmed, this one is at the lower end of the quality spectrum. The Carnie/Van Beuren-look characters are a bit unstable in their looks from scene to scene, and the backgrounds aren't quite as well done as in other Tyre efforts (although they are still worlds beyond what is typical in some "Tom and Jerry" episodes. The main chase scene is also initiated by an event that doesn't make any sense--basically, The Little King disrupts a magic act in such a way that I think would be just as impressive to the audience as if it had been executed the right way. Nonetheless, the magician gets angry and proceeds to chase The Little King with a sword, intend on killing him. The ending is also very weak and feels very much like "we don't know how to end this, so here's a bit of surreal silliness that doesn't connect to a darn thing you've just sat through." (I think a straight-up "non-ending" like what we got in "Jolly Good Felons" would have been preferable to how "A Royal Good Time" ends.)

There are things I did like about "A Royal Good Time"--and liked a lot. Several of the sideshow acts The Little King witnesses are vehicles for some funny sight gags, as well as just being clever little story elements all by themselves. The Sword Swallower who put the tip of the sword through to the chair he is sitting might make for a nice real-world magic trick, and the giant who is actually a dozen lilliputians in a trench coat are actually a better act than what they're being passed off as. The mind-reader bit was an old gag when this film was made, but it's still funny the way it's timed and executed here.

If you've got 8 minutes to spare, you could do worse than spending them watching "A Royal Good Time", which I've embedded below for your convenience! Check it out and let me know what you think! 

This 'Jest of Honor' deserves your attention

Jest of Honor (1934)
Starring: Anonymous Voice Actors (delivering two lines consisting of nonsense words)
Director: Vernon Stallings

Rating: Seven of Ten Stars

The Little King inadvertently triggers an insurrection in a coastal town after getting busy with a mermaid.

"Jest of Honor" is seven-and-a-half-minutes of fast-moving nonsense. In fact, it will go by so fast that you'll be surprised that it's over. This is because this film, like many of "The Little King" series features animation that is among the best you'll find in any Van Beuren offering, and because there is not a moment where something that is visually interesting isn't happening on-screen--and there isn't a set-up that doesn't resolve itself into a well-timed visual gag.

Two of the most interesting points about this installment in this series is that although it consists of bits of action that are almost entirely nonsensical (from the Little King's introduction, though his interaction with fish and a mermaid, through a bizarre tickertape parade, and into the revolt during the climax) they all fit together to form a story that is more complete and coherent than what you'll find in most Van Beuren animation--with a beginning, a middle, an end, and even a denouement. The fact that the nonsense bits feed into each other and add up to a complete story is perhaps also one of the reasons the "Jest of Honor" flies by the way it does; there's nothing to take you out of the moment as you watch it. Secondly, the character designs continue to distinguish between the Little King and his servants and staff and the subjects of the kingdom. The subjects have few sharp angles, unlike the king and those at his court.

One other interesting bit of trivia in the character design department... the mermaids that the Van Beuren heroes Tom & Jerry came across a year earlier in "Rocketeers" were both more sensible in their outfits and even a little sexier than the one in "Jest of Honor". It doesn't really impact the overall cartoon, but it is the one point where a Tom & Jerry outing not animated by Jim Tyre beat "The Little King" series quality-wise.

But why don't you check out "Jest of Honor" and maybe let everyone know if you agree or disagree with my take on it? Just click below, sit back, and watch.

'The Fatal Note' is a lot of fun

The Fatal Note (1933)

Starring: Anonymous Singers

Director: Vernon Stallings

Rating: Eight of Ten Stars

An anarchist tries to assassinate the Little King by rigging a bomb to a grand piano, but the miniscule monarch and his pet dog turn the tables on the would-be killer.

In 1933, the Van Beuren Corporation licensed Otto Soglow's "The Little King" comic strip (and associated characters) for adaptation to animated shorts. The result was two "pilot" installments under the "Aesop's Fables" banner and 10 branded "Little King", all of which can be counted among the best items to ever come out of Van Beuren's animation department. The credit for this can largely be attributed to Jim Tyer, the lead animator on projects related to "The Little King"; he was reportedly firmly committed to never cutting corners or otherwise not produce the best possible product his talent and resources would allow. (And while his dedication to his art can easily be seen on "The Little King" series because he received screen credit, it is also evident in cartoons he worked on anonymously, such as some of the best Tom & Jerry cartoons, such as "Magic Mummy" and "The Tuba Tooter".

 
"The Fatal Note" was the first of ten "The Little King" episodes. While it's not exactly a faithful adaptation of the comic strip--while it gets the character designs right, the nature of the story and how it unfolds is far from what one would expect--it is seven minutes of non-stop action and humorous hijinx. The animation here is also among the best you'll find in a Van Beuren produciton, with detailed backgrounds, crowd scenes where almost each character has been given a unique characteristic, and very little looping of footage. (There's some of it during a series of fights up and down a staircase, but the foreground action is so varied that it's not noticeable unless you're the sort of jerk who watches cartoons in order to pick them apart for review fodder.).

Parts I'm sure you'll enjoy include the Little King frolicking and playing the piano with this dog, and the Little King's running battle with his would-be assassin (including the aforementioned action on the staircase). One thing I'm sure you wish you'd seen was the Queen somehow getting caught in the crossfire between the Little King and the assassin; she's an even greater villain than the murderous anarchist.

Why don't you take a few minutes to see if I'm right by clicking below  and sitting back to enjoy yourself with some of the best the Van Beuren Corporation had to offer?

The Little King goes to prison

Jolly Good Felons (1934)
Starring; Anonymous Voice Actors (although there is only one real spoken line)
Director: Vernon Stallings
Rating: Six of Ten Stars

The Little King tours his nation's prison... and he inadvertently causes a riot and mass-escape.

"The Little King" was a popular comic strip by Otto Soglow that debuted in "New Yorker" magazine and was acquired for syndication by Kings Features in 1934. It ran in newspapers nationally and internationally until Soglow's death in 1974.

As Soglow was securing the syndication deal with Kings Features, the Van Beuren Company licensed the Little King and associated characters for use in animated short features. After a couple test runs under the "Aesop's Fables" banner, the King's solo feature was launched, under the watchful guidance of lead animator Jim Tyer who was determined to make "The Little King" films among the consistently highest quality productions to be released under the Van Beuren banner. Tyler was concerned both with staying true to the original comic strip, as well as having the animation being as good as possible.

"Jolly Good Felons" was made toward the end of the Van Beuren series, but Tyler's desire to produce cartoons of the highest quality is still very much the guiding principle here. 

The animation is some of the best from the Van Beuren shop, and most of the character designs are in keeping with the original Little King strip. Similarly, a good chunk of the film also manages to capture the tone of the comics, with the Little King engaging in frivolous behavior and generally behaving more like a kid than an adult. Some sequences drag a little, but not fatally so, and they are cute enough to keep the viewer's interest. And once the Little King starts his tour of the prison, the pace picks up and keeps accelerating until the (literally) explosive finale.

One thing that did need a little more work was the story. Yes--I know this is a Van Beuren cartoon so I shouldn't expect much in that department, but a couple other "Little King" cartoons I've watched had excellent stories that had multiple plot points, as well as beginnings and middles and ends. Although this one is mostly a series of loosely connected gags, there's a sense that's going somewhere... until it seems to stop short of any real conclusion. "Jolly Good Felons" ends some 2-3 minutes before it should have, leaving every plot point it set up unresolved. It's unsatisfying, and it's below the bar set by other entries in this series. (I am also bothered by the way a Good Samaritan that helps the Little King after he is stranded on the side of the road is dismissed from the story when his role is over. I understand that it's a visually amusing and efficient way to get him off-stage--he is sent deep into the facility with a group of prisoners---but the bigger implications of those events trouble me. Yeah, I may be overthinking things here, but still...)

But why don't you take a few moments to watch "Jolly Good Felons" yourself? Despite stumbling at the end, it's pretty good, and I think it's worth your time. As is my habit when reviewing Van Beuren Corporation cartoons, I've embedded it in the post to make watching it as convenient as possible! (And if you feel so inclined, you can even tell me if I'm wrong to be irritated by the apparent fate of a guy who helped the Little King.)

 

When the King met Betty

Betty Boop and the Little King (1936)
Starring: Jack Mercer (voice of the Little King and others) and Mae Questel (voice of Betty Boop)
Directors: Dave Fleischer
Rating: Six of Ten Stars

A fun-loving king sneaks out of an opera performance and out from under the iron fist of his queen to enjoy a vaudevillian rodeo performance by Betty Boop. 

In 1933, producer Max Fleischer approached Kings Features Syndicate with a proposal to turn their Popeye the Sailor comic strip character into an animated character. The Syndicate was dubious, but Popeye proved to be a far bigger hit in animation than he ever was on the printed page. After the demise of the Van Beuren Corporation, which had licensed Kings Features strip "Little King" for use in animation (and had produced a dozen shorts starring him), Fleischer decided to see if he could replicate the success he'd seen with Popeye.

"Betty Boop and the Little King" was a back-door "pilot episode" for a potential "Little King" series, just like "Popeye the Sailor" had been in 1933, and it follows the same template as that previous effort: Betty Boop is relegated to supporting-character status in her own series, as the Little King encounters her performing, joins the act, and triggers additional events and complications.

Unfortunately, the attempt to launch "The Little King" to screen stardom fizzled on the ground. The reasons for this could be many, but obvious ones are plain to see as the cartoon unfolds. First of all, Betty Boop lost her edge when the Production Code made the Fleischers feel obligated to redirect her adventures from an adult audience toward children, so the sly humor and escalating violence of "Popeye the Sailor" is nowhere to be found here. Second, where both "Betty Boop and the Little King" and "Popeye the Sailor" were structured in a way that they introduced viewers who might not be familiar with the source material to the characters, only "Popeye the Sailor" put major effort into building some new, unique, and fresh for the animated version. In fact, the Fleischer cartoon unnecessarily violates a standard of "The Little King" comic strip when they have the King speak. In the strip, he NEVER speaks... and there was no reason for him to do so here, either. Thirdly, while the story is cute and the King is equal parts funny and sympathetic (just like his more proper Queen is equal parts funny and UNsympathetic since she is trying to keep him behaving in a way that is befitting his status), it's generally a low energy affair. The animation is nice--even impressive at a couple of points--but when compared to other Betty Boop cartoons, the gags are weak and prone to overstay their welcome and there's barely enough going on to keep viewers engaged.

"Betty Boop and the Little King" isn't a terrible cartoon... it's just a little too tame and genteel.

This was the only time Fleischer used the Little King in one of his productions. It was probably for the best, since I have a feeling that he was much better suited for the type of fare that the Van Beuren Corporation put out--and with that said, I will have to seek out and watch some of those to see if I'm right or wrong. If anything, I'm fairly certain that the King didn't speak in those shorts, because most of the Van Beuren cartoons were essentially silent movies with elaborate musical scores.

But just don't take my word for whether "Betty Boop and the Little King" is good or not. I've embedded it" below, you can can check it out yourself; it's only seven or so minutes long. If you disagree with my take, I'd love to hear from you in the comments section below.