Picture Perfect Wednesday: It's June!

The third June for June's Picture Perfect Wednesdays is June Kenney. Hers is a story of near-misses when it came to stardom.

Born in 1933, June Kenney began acting on stage at the age of 4 and appeared in several  several musical short films after being spotted by a talent scout. Warner Bros. was at one time seriously considering signing her to a contract and making her the next Shirley Temple, but her parents didn't want to relocate to California.


Eventually, Kenney's family did relocate to Southern California and settled in West Hollywood. She continued to perform on stage, and in her late teens, she was again spotted by a talent scout. This led to her being cast in a leading role in a television soap opera in 1954... but the show was cancelled before it even aired when the main sponsor pulled out. As a result, she spent the next few years playing bit-parts on television, in movies, and in commercials.

In 1957, Kenney was cast in the starring role of "Teenage Doll" by B-movie King Roger Corman. From that point forward she was locked onto a career path that consisted of one low-budget thriller, horror, or sci-fi film after another.

Kenney deeply wanted more from her acting career, but she could not break out of the B-movie rut she found herself in. She retired from screen acting in 1962, but continued to work as a voice-over actress and eventually became an executive in radio.

Kenney currently lives in Parumph, NV, a town made famous as the long-time home of overnight radio legend Art Bell.

Making 'The Most Dangerous Game' Boring

Bloodlust (1961)
Starring: Wilton Graff, Robert Reed, June Kenney, Joan Lora, Eugene Persson, and Lilyan Chauvin
Director: Ralph Brooks
Rating: Two of Ten Stars

A homicidal madman (Graff) traps two young couples (Reed, Kenney, Lora, and Persson) on his private island and hunts them for sport... and for future display in his trophy room.


A "The Most Dangerous Game"-like riff (or maybe just rip-off) that is sapped of all excitement, tension, and horror by lackluster production values, weak wooden acting, awful dialogue, and an unbelievably stupid script. (Four strapping young people just stand there and listen to Graff as he tells them he's going to hunt them and kill them. Why didn't they just knock him on the head just then and there? More to the point, why would someone like Graff's character who likes hunting people because they're more dangerous prey than animals even WANT to hunt four people so passive they stand there while he gives a looooooooooooooooooooooooooooooooong speech about how he's going to kill them?)

If I'm to be charitable, I would suggest that this script may have been written for a 12-page comic book story for "House of Mystery"--it would explain the speeches that go on forever, as word balloons ever seem to be as verbose on the page than if you read them out loud--but someone decided it would make more money as a movie. And so, they conned, um, CONVINCED Cincegrafik into producing it.

A far more real answer is that the screen writer and director on this project both show a distinct lack of talent.

While there are a few glimmers of something interesting now and then--Graff goes a passable Vincent Price imitation, and has a few almost funny lines... and the revelation of what's in the trophy room is creepy--but any developing potential is quickly squandered through a combination of bad acting and bad script-writing.

This is one movie to just take a pass on. It's so dull that even the "Mystery Science Theater" version is only mildly amusing, teetering on the brink between a Five and a Six rating. (Although, the 'bots do say everything you'll think to yourself if you don't heed my advice. This movie isn't so "bad it's good", it's just bad.)

Weird terror in small packages

Attack of the Puppet People
(aka "Six Inches Tall" and "The Amazing Puppet People")(1958)
Starring: John Hoyt, June Kenney and John Agar
Director: Bert I. Gordon
Rating: Five of Ten Stars

Mr. Franz (Hoyt), a demented puppeteer turned dollmaker invents a machine that will shrink living beings to the size of dolls. He uses it on anyone he likes who appears to be exiting his life and keeps them in his workship. When his secretary (Kenney) prepares to leave his employ to marry a likeable traveling salesman (Agar), the couple become his latest victims.


As the title of "Atack of the Puppet People" implies, the main storyline of this film involves a small group of shrunken men and women attempting to escape their captor, and, hopefully, return to their full size. It's an engaging movie--assuming you can buy into the whole "puppeteer shrinking people with mad science wonder-tech" aspect of the story--that is fast-paced and well-acted. Unfortunately, the script isn't quite up to snuff, and it features a number of plot threads that don't go anywhere and an ending that not only just sort of peters out but which leaves the fates of the majority of the puppet people a mystery.

(Even more annoying, for me at least, was that we never got to see the Jekyll/Hyde marionnette in action after all the talk that revolved around it. The scene with the tiny John Agar trashing the marionette was pretty cool, but I still would have liked to see the supposed transforming puppet actually tranform.)