Bones Coffee's Electric Unicorn Fruity Cereal

It Sunday, so it's time for another post about coffee I've consumed!

Cereal and Coffee: Part of this compete breakfast!

 
BONES COFFEE COMPANY: ELECTRIC UNICORN FRUITY CEREAL

I think I must have had an odd childhood, because I recall breakfasts that consisted of oatmeal with butter and sometimes sugar or brown sugar, and once in a while milk (and that's what I make to this day on those rare occasions breakfast isn't just a cup of coffee and some Greek yoghurt), or, once in a while, Frosted Flakes. So, despite this very funny ad, the Electric Unicorn blend does not take me back to my childhood... although it does, under certain specific circumstances, put me in mind of what I imagine the fruity, sugary breakfast cereals must taste like. (Specifically, this was supposed to be a "Fruity Cereal" flavor, according to the blend's subtitle.)

Like most of my reviewed of blends from the Bones Coffee Company, this one is based on cups made in a drip coffee-maker, from a 4-oz. sample pack of pre-ground coffee. I drank the Electric Unicorn blend black (both hot and iced) and with Unsweetened Almond Milk or sugar free Italian Sweet Cream creamer added (hot, room temperature and iced).

When I opened the package, a sweet, fruity smell was strongly evident, but this was not one of those blend that filled my place with the magical smells as it brewed. The same fruity smell that rose from the bag does emanate from the mug as the coffee was poured into the mug--a very appealing smell. The flavor, however, when I drank the coffee black was not appealing at all. The now-familiar smooth and slightly bitter taste of a Bones Coffee medium roast was clearly there, but it tastes as if someone had added cough syrup to my mug: the taste was a very unpleasant blend of sweet, sour, and mediciney flavors mixed with coffee. It was quite awful. 

When I added Unsweetened Almond Milk to this blend, all that happened was it got more sour--with a taste that was similar to dirt creeping in. I've never had almond milk that's gone bad, but I thought maybe that's what happened here, so I dumped the rest of the coffee, opened a fresh carton, mixed it into a fresh mug of coffee... and it still tasted awful. Hot, Electric Unicorn does not mix well with Unsweetened Almond Milk. I left the mixture alone for a bit, to let it cool to see if it might improve. It didn't.

I poured another cup, and I mixed in sugar-free Italian Sweet Cream creamer. A couple of sips told me that this was a vast improvement over my previous attempts at making Electric Unicorn palatable. The mediciney taste was gone, and the cream flavor swirled nicely with the fruity taste, as well as that of the coffee. What had seemed sour now reminded me of a touch of orange or many lemon. I think I'd finally managed to tease Fruity Cereal out of Electric Unicorn. Unfortunately, the blend too sweet for me now--not as bad as "Peaches and Scream" and not as overwhelming, but too sweet to be enjoyable. Some of that excessive sweetness faded a bit as the coffee cooled... which is good, because it gave me encouragement to finish the review regimen instead of just writing this blend off as terrible.

Because if you drink Electric Unicorn iced, and you like sweet coffee with a flavor that's fruity with a citrusy undercurrent to it, you will love this. It's pretty good black, it's better with Unsweetened Almond Milk added, but it's perfect with the sugar-free Italian Sweet Cream creamer. 

Like I said at the outset, I don't recall ever having any of those bright-colored breakfast cereals this blend is trying to capture, but I have drunk the remaining milk in a bowl of Frosted Flakes. With the creamer added and iced, I finally got the flavor Bones Coffee was going for--fruity, sweet, and milky... even if the milky was coming from the creamer. Iced, the flavors were also mild enough that they weren't cloying as before. As I finished my final cup of Electric Unicorn, I found myself wishing that I'd tried it iced first; I would have not wasted so much good coffee while trying to find the right way to consume it.

If her cup was filled with Electric Unicorn, she wouldn't be thinking about divorce.

She Sleeps...

 ... and she dreams. But she is...

 ... and she is a monster magnet. Can she even find restful sleep? What does she dream of? Does she dream in color? Click here to visit our sister blog Terror Titans for the answer... but is it just a dream?

(This post, and the one over at Terror Titans, mark the beginning of a year-long celebration of the artistic vision of the late Richard Sala. You'll find comics and illustrations by him on an irregular basis here, but at Terror Titans, there will be a samples of his delightfully creepy ink-and-watercolor drawings every 2nd and 4th Friday of each month for all of 2022.)

There's an index of all Sala posts at both blogs here for ease of reference.

It's the Day of the Dead...

 ... and Peculia is spending time with a few old friends.

Saturday Comics by Sala

Here's a brief Peculia story that's among those that have not been collected in anthologies.

The majority of Sala's "Peculia" short stories were collected in this book, and her novel-length encounter with vampires can be read in this one. Peculia has wandered into some of Ricard Sala's other titles, including his final anthology "Poison Flowers & Pandemonium". I hope to post a review of it in October or November over at the Terror Titans blog.

A Very Peculia Halloween

Richard Sala was a writer and artist whose work consistently had fun with and payed homage to pulp fiction; 1950s and 1960s pop culture; and horror films and thrillers from the dawn of the genre up through the present day. He worked mostly in comics, but he also illustrated children's books and did cartooning. He passed away on May 7, 2020, at the age of 65, leaving behind a legacy of unique artwork and highly entertaining graphic novels and short stories.

Sala's perhaps best known character was Peculia, a teenaged girl who had the bad luck of constantly running into monsters and maniacs everywhere she went, all while being stalked by a masked mystery man and his hirelings. Most of Sala's tales featuring her have been collected in "Peculia" and "Peculia and the Groon Grove Vampires", which we recommend you read, because they're full of creepy fun.

In the meantime, here are some pen-and-ink drawings of Peculia with monsters and/or admirers in celebration of Halloween and in memory of Richard Sala. 

Also, if they ever make a Peculia movie, they better use Lenka's "Trouble is a Friend of Mine" as the theme song.

A close second candidate for the perfect "Peculia" theme song is "All Night Long" from Peter Murphy... although it's more the story as seen from the point of view of our heroine's not-so-secret admirer, Obsuras.

(For samples of Sala's color work--including more portraits of Peculia--click here to visit our sister blog, Terror Titans. Depending how far into the future from when I type these words you are, there may even be a review or two of Sala's color books.)

Saturday Serial: My Father's Brain

"My Father's Brain" by Richard Sala originally appeared in Blab #8 (1994). We're serializing it as part of our annual effort to spread the encourage the Halloween Spirit. Click on the strips for larger versions. Please come back next Saturday for the shocking finale to this ninja-laden tale of stolen-brain intrigue.

MY FATHER'S BRAIN: PART TWO

By Richard Sala

To Be Continued...

Meanwhile, in the Shadows!

If you like old vampire movies and great comics, you're going to love this book!

Peculia and the Groon Grove Vampires (2005. Fantagraphics)
Story and Art: Richard Sala
Rating: Eight of Ten Stars

When a member of the Baby Sitters Club mysteriously disappears, Peculia is recruited by the remaining three girls to help with a special assignment that required all four members: The new family in Groon Grove have needs that require special attention... 

Richard Sala's reluctant monster-fighter returns for a full-length adventure in "Peculia and the Groon Grove Vampires", and she once again find herself under threat when all she wanted to do was hang out with other teen girls and do some babysitting/caregiving. While Peculia may not have the fun experience she was hoping for, I think readers of this book who enjoy classic horror films and well-crafted comics will have a great time reading it. Sala once again delivers a deftly told tale that delivers chills and chuckles in equal measure.

"Peculia and the Groon Grove Vampires" is a fun tribute to classic horror and vampire films, with nods to the greats from Universal Pictures during the 1940s and Hammer Films during the 1960s, as well as some familiar elements from 1980s slasher flicks. Sala had a love of and respect for these films, and it shows in his work. He was also one of an ever-diminishing crop of writers/artists who understood and had fully mastered the art of the comic book medium, knowing how to lay out a page to keep the reader's eye moving to what's important; knowing when to use a long shot, medium shot, or close up; and knowing how to pace a story one page at a time to encourage the reader to keep turning them to see what happens next. I feel like Sala did some of his best work on the Peculia stories in general and this book in particular. He uses a starker style than in many of his other works, with lots of contrasting solid whites and blacks that sometimes feel like woodcuts; and his scripts are more economical and done in style that harkens back to old-time newspaper comic strips where, supported by traditional visual cues that were also originated in the newspaper strips. While this is true of much of Sala's work from the early 1990s onward, it is most evident in the Peculia stories, I feel.

This approach--of letting the art speak for itself--heightens both the humor and horror in this book, making its best moments even better. And there are some really good moments in this book. 

Sala has some wonderful, wordless scenes featuring George, a young boy who is being baby-sat by one of the soon-to-be-vampire-victims. George fills the role of a comic relief character who spends the story running from horror scene to horror scene, but, who in the end plays a pivotal role in the success of the hero--a kind of character that was a mainstay of the 1940s horror films that served as part of Sala's inspiration here. Sala, however, does a much better job with George than many of the screenwriters did with such characters Back in the Day; George is cute and funny where the old-time comic relief characters were oftentimes more annoying than anything else.

Other highlights are Peculia's mostly silent fights against the vampires; she's always been a girl of few words, but this is more true here than in almost any of her previous appearances. Her silence alternatively makes the horror and humor of her various scenes far greater than it would have been if Sala had caused a quip or a cry to issue forth from her.

Few books are perfect, but the only major flaw I find with this the presentation of how Peculia dispatches two of the vampires. Sala plays a similar gag back-to-back, and I would have preferred a little more variety, or at least a little more distance between the two. (The first time he plays it, it unfolds over what are two of the very best pages in the book.. which could also be why it doesn't work as well the second time around.)

In balance, however, "Peculia and the Groon Grove Vampires" is an excellent read that I highly recommend to anyone who enjoys classic vampire movies and well-done graphic novels/comic books.

'Peculia' is a swift and entertaining read

Peculia (2002, Fantagraphics)
Story and Art: Richard Sala
Rating: Seven of Ten Stars

Peculia wanders the countryside and neighborhood around her mansion and encounters various supernatural menaces, usually after disregarding advice from her faithful servant, Ambrose.

Peculia was one of Richard Sala's signature characters. She's a young woman who usually appears wearing a "little black dress", When she's not being menaced by odd creatures or villains who seem to have stepped out of B-movies or gothic romances, she's being stalked by the mysterious Obscurus and his agent Justine. Exactly what the relationship is between Obscurus, Justine, and Peculia is never revealed, but there are hints that Obscuras and Peculia were once romantically involved, or at least very good friends, and that Justine is jealous of them. What caused the rift between Peculia and Obscurus, why he is isolated in a secret base and always masked is also never revealed--although he seems to be suffering under some of magical curse--but his spying on Peculia through Justine just as often puts Peculia in danger as saves her from it.

"Peculia" collects nine short tales that originally appeared in "Evil Eye" 1-9 during 1998 and 1999. Each is a self-contained story, and each feature a mix of horror and humor for which Sala's whimsical, simple art style is the perfect vehicle. The tone of stories reminds me of Poverty Row 1940s horror flicks with more than a little 1960s/70s Eurotrash horror movies and sex comedies throw in--and I'm invoking those in a positive way, as I find many of those movies quite fun and these comics capture the best of what they have to offer.

Over the course of the nine tales, Peculia's strolls brings her into encounters with weird gremlins who are attracted to music; three witches with a strange secret; a crazed widower who would cause many Edgar Allen Poe characters to reexamine their choices in life; a strange mystic sorority and the chutuloid monster that ends up dooming them, a homicidal girl battling a cult devoted to Bast; hoards of zombies and maniacs; a psychopathic psychiatrist conducting unholy research on unwilling subjects; Death himself; and more weird townsfolk than you think could be packed into one book. And all of this while Justine and Obscurus lurk nearby to either cause or solve problems.

While the first five tales in the book get increasingly good, and the remaining four hold steady-qualitywise, I still have to quibble with the fact that we never get an explanation for why Obscurus is seemingly cursed with total anonymity toward anyone but Justine; it's the one thing that I was disappointed over when I got to the end of the book. On the other hand, I was so delighted by the tiny continuity detail that tied the first story and eighth story in the book together that I am almost able to overlook my annoyance and so keep my rating of Seven of Ten Stars for the book.

"Peculia" is a swift and enjoyable read. I recommend it to anyone who enjoys crisp, straightforward cartooning and horror stories told with a sense of humor. (As a final note, I should mention that the book also contains a never-before-published color story. It's a fun, wordless little tale, but we don't talk about things that aren't in black-and-white in these parts!)

Post-Script From the Department of Odd Observations

In her first appearance--originally in "Evil Eye" #1 (1998)--she wore a pair of black shoes, perfectly matched to her little black dress.

There was a time where Peculia wore shoes...

She left those shoes behind halfway through her second appearance appearance--in "Evil Eye" #2 (1998)--and she went barefoot everywhere from then on (which was 10 more issues of "Evil Eye", various pin-ups., and "Peculia and the Groon Grove Vampires" (2005).

... but, once she left them behind, she never wore shoes again.

What does this mean? We have no idea, but we further observed that most female characters that appeared in the Peculia stories were barefoot. (The four panels above were excerpted from the first and second stories in the "Peculia" (2002) collection.)