'The Strange Case of Dr. Rx' is worth investigating

The Strange Case of Doctor Rx (1942)

Starring: Patric Knowles, Anne Gwynne, Mantan Moreland, Edmund McDonald, Shemp Howard, Samuel S. Hinds, and Lionel Atwill

Director: William Nigh

Rating: Seven of Ten Stars

A successful private detective (Knowles) puts off early retirement at the behest of both a friend in the police department (McDonald) and a high-powered attorney to mob (Hinds) whose clients are being murdered by a seemingly invisible, intangible assassin.

"The Strange Case of Doctor Rx" is a fast-paced comedy-thriller starring a solid cast of mostly under-appreciated B-movie actors who are working with a script full of snappy dialogue and an intriguing murder mystery that deepens and becomes more convoluted as the film unfolds. In fact, everything about this film becomes more convoluted as it unfolds.

By the time "Strange Case" came to an end, I had the amusing thought that someone had challenged writer Clarence Upton Young to include every single mystery B-movie mainstay into one script... and he accepted. As this film unfolds, we get a charming gentleman detective and his befuddled manservant; a go-to-any-lengths-to-get-the-story lady reporter; cops who are tough but not bright; a rich, possibly crooked lawyer with a possibly even more crooked wife and family; gangsters and a gun moll; a suspicious mystery man who may or may not be the killer; a mad scientist; and a guy in a gorilla suit. In the end, nothing makes a whole lot of sense--and it feels a little like Young was hard-pressed to even formulate a satisfactory resolution to the everything-but-the-kitchen-sink mess he'd created. (I was left with one major question at the end, a question that was obviously left unanswered on purpose as it gave Mantan Moreland an opportunity to give us one final, mildly disturbing laugh.

Speaking of Mantan Moreland, this is another one of those films where he's more of a hero than any of the other characters give him credit for; his character isn't as smart as the one he portrayed in 1941's "King of the Zombies", but he absolutely key to the main hero's success and he makes a great personal sacrifice in the process. So, Moreland is perfectly cast here, as is everyone else. Most of the players in the film are at their best, with Moreland, Anne Gwynne, and Shemp Howard (of Three Stooges fame) are particularly fun to watch, even if Gwynne's performance is undermined a bit by the disjointed manner in which her character drifts through the story. Lionel Atwill plays a small but crucial role in the film, and the presence he lends is more a result of brilliant casting than anything Atwill does on screen. (Although, given his ability to slather on the villanous attitude, perhaps the harmless air he  air he has about him in the few scenes he's in is remarkable. At any rate, Atwill just being there brings with it certain expectations that help drive the story along and make it that much more entertaining.

"The Strange Case of Doctor Rx" is one of five movies included in the "Universal Cult Horror Classics" collection, despite the fact even the most creatve marketing executive or inventive critic could come with a good reason for why it should be considered a horror film. Nonetheless, it's fun flick, and it's presence is one of the many reasons why the set is worth owning if you enjoy old-time B-movies.

'Torchy Blane in Chinatown' is misnamed

Torchy Blane in Chinatown (1939)
Starring: Barton MacLane, Glenda Farrell, Tom Kennedy, Patric Knowles, and Richard Bond
Director: William Beaudine
Rating: Four of Ten Stars

A shadowy group of Chinese assassins are killing those involved with stealing Jade burial tablets from a powerful family. Will police detective Steve McBride (MacLane) stop the killers before they finish marking names off their hit-list, and will his girlfriend and reporter Torchy Blane (Farrell) keep her promise about keeping the details of his investigation of of the papers?

"Torchy Blane in Chinatown" is a major step down quality-wise from the five previous installments of this series. While it mostly avoids the racist stereotypes you'd expect from a film of this time period, it doesn't deliver anything that the title promises... unless the title character Torchy Blane spent all the time she was missing from the screen in Chinatown.

Yes, despite this supposedly being a film about Torchy Blane in Chinatown, no time is actually spent in Chinatown, and comic relief character Gahagan (Tom Kennedy) has more impact on the action than Torchy does. (Well, not quite; there's some dialogue at the end that tells us that Torchy was doing things off camera, but that's no way to treat what is supposed to be the main character).

As bad as it is that we get to see very little of Glenda Farrell and Torchy in this picture, it's even worse that the mystery here is so simple that I had it mostly figured out as of the first of three murders. But what pushed this film down to a Four Rating--and only its brief running-time of barely an hour, combined with Torchy not ending up as a damsel in distress like in the last two films saved it from getting Three Stars--was the way the story only worked if the characters behave like complete idiots and contrary to all common sense. Twice, the villains' master plot should have been stopped dead in its tracks, but the lazy scriptwriters just turned off the brains of all the characters so it would work. (Hell, the investigation would have taken an entirely different direction--and the movie would have been even shorter--if Torchy Blane hadn't been off-screen in Chinatown for as much as she was, because she had a key to the solution early on. She even tried to tell McBride about it, but he just brushed her off with "I'm too busy to talk to you"... as he gets into his chauffeured car in which Torchy could have ridden along and told him the clue she had uncovered.)

I have been irritated by some of the far-fetched, should-have-been-career-ending shenanigans that Torchy got up in previous films, and I have been frustrated when the filmmakers made her a spectator and/or damsel in distress during the climaxes of the movies bearing her name, but none of the previous films inspired the borderline anger that this one did. I literally felt like my intelligence was being insulted--I tried to think of it as a film made for kids instead of adults (which it isn't), and I still felt it was a lazily written, badly executed story. And to add insult to injury, Gahagan is portrayed as so mind-blowingly stupid in this film that it's hard to believe he even has a job as McBride's driver. He is so dumb, in fact, that he's not even all that funny.

As for the performances and technical aspects of the film, everyone does a good job. Barton MacLane seems engaged with his part again, and the various supporting players--both the ones portraying characters unique to this film, or the returning characters at the police station--all do excellent jobs. As always, Glenda Farrell is lots of fun as Torchy... it's just a shame she doesn't get to do more, or even have a single important scene. (That's not entirely true... in retrospect, the scene where Steve McBride tells her he's too busy to talk to her is an important one, but not in a good way.)

"Torchy Blane in Chinatown" is one of the nine films included in the "Torchy Blane Collection." I think it's the first one that I've had a hard time coming up with something good to say about, so in balance, this is still a series worth checking out if like Girl Power stories and fast-talking 1930s reporters. There are two more installments in the series for me to watch... and I really hope they get better rather than worse.

'Hit the Ice' has Bud & Lou at their finest

Hit the Ice (1943)
Starring: Lou Costello, Bud Abbott, Ginny Sims, Patric Knowles, Sheldon Leonard, Elyse Knox, Mark Lawrence, Joe Sawyer, and Johnny Long
Director: Charles Lamont and Erle C. Kenton
Rating: Six of Ten Stars

A pair of photographers (Abbott & Costello) accidentally become entangled in a bank heist and are mistaken for the robbers. As they try to clear their names, the actual thieves want to tie up loose ends by eliminating them when they cross paths again at a ski resort in Sun Valley.

"Hit the Ice" is a solid Abbott & Costello film. Almost every routine is perfect from set-up through execution, the plot that carries us from gag to gag is just enough to keep things moving, with the schemes of the villains providing suspense and connecting the various characters to each other as the paper thin story unfolds. The film is further lifted by the fact that, unlike in several other films that Abbott & Costello made together, their characters are written in such a way that viewers can believe that they're friends, because Abbott isn't as cruel and vicious toward Costello as his characters sometimes are. In fact, this may be one of the most cheerful A&C movies, because sympathetic character truly is smpathetic, Abbott and Costello are both portraying characters who are genuinely nice, and everyone comes out ahead in the end (except the bad guys of course); they get theirs in an extended and very funny and cartoonish skiing sequence.

As with many (most?) of Abbott & Costello's films, there's an attractive couple or two in the supporting cast that are acting out a romantic subplot. While the attractive couples are here, the romantic subplot is so light so as to be non-existent... while Costello becoming smitten with songstress Ginny Sims more or less erases her romance with band leader Johnny Long until the very end of the movie. It's a nice change of pace, and it's even nicer to see Abbott try to help his buddy impress and obtain the unobtainable girl instead of just dismissing him.

Unfortunately, for all its strengths, the weak parts of this movie are really weak... and they are all related to the film's musical numbers. Singer Ginny Sims, together with Johnny Long and His Orchestra, perform five different songs, each less interesting than the one before. The movie even more-or-less ends with them performing a song, ensuring that the final impression the movie will leave you with is boredom instead of cheerfulness--despite the great performances from Abbott & Costello. The boring musical numbers make the one sequence in the film that drags on seem even longer. About halfway though the movie, the ice-skating hijinx implied in the title arrive, but they quickly become unwelcome as Costello's pratfalls grow repetitive, the ice dancing goes on for too long, and it's all set too the seemingly never-ending and absolutely terrible song "The Double-Slap Polka" performed by Sims and Long's orchestra. The boring musical numbers cost this film a Star, and if it hadn't been for the superior material that Abbott & Costello had to work with here, they could have ruined the whole movie.

"Hit the Ice" is a really fun movie that I think lovers of classic comedies will enjoy... so long as they keep in mind that the reward for sitting through the boring songs is getting to see Abbott & Costello at their best.

A killer strikes in the one of Abbott & Costello's greatest films!

Who Done It? (1942)
Starring: Bud Costello, Lou Abbott, Mary Wickes, William Gargan, Patric Knowles, Louise Allbritton, and William Bendix
Director: Erle C. Kenton
Rating: Nine of Ten Stars

When a pair of dimwitted, would-be scriptwriters (Abbott & Costello) witness the murder of a radio executive, they decide that if they solve the mystery on their own, the resulting fame will launch their careers.  Unfortunately for them, the killer doesn't want to be captured...

"Who Done It?" is one of Abbott & Costello's best pictures. It's like someone took a serious script for a typical B-movie murder mystery and inserted comedy routines, deftly weaving the more serious story around them. The "straight" characters in the film react with the sort of confusion, frustration, or amusement that anyone would have when faced with the sort of harebrained nonsense that follow in our "heroes" wake, as these "straight" characters go about their business of a serious plot involving murder and espionage. The film also features great cinematography with an often shadowy, almost film-noirish look that supports the dramatic elements of the film and makes the wackiness of Abbott & Costello pop even more.

Every routine presented in the film is top-notch, every actor gives a great performance, and almost every character is actually a character with something interesting about them. (There is one very disappointing exception to this, which I can't comment on without ruining the plot... but it almost knocked the movie down to Eight Stars is bugged me so much.) The only other thing that I found distracting to the point of mild annoyance was the way Costello spends the movie pulling up his pants and/or anticipating the moronic now-nearly 30-year "fashion" of having your pants hanging low.

"Who Done It?" is one of eight movies included in the two DVD set "The Best of Bud Abbott and Lou Costello Volume 1" and it by itself is almost worth the price of the set.