Today, we celebrate the women who put on itsy-bitsy bikinis! (As well as those with a little more fabric!)
Showing posts with label Honor Blackman. Show all posts
Showing posts with label Honor Blackman. Show all posts
Friday, July 5, 2024
Sunday, September 10, 2023
Its Shoot-Em Sunday!
Elegant and deadly -- the Shades of Gray Gun Girls are ready to spend a night out on the town!
Tuesday, April 7, 2020
Honor Blackman passes away
British actress and author Honor Blackman, best known for her roles as Cathy Gale on the first two seasons of "The Avengers" and Pussy Galore in "Goldfinger", passed away on April 6, 2020, at the age of 94.
Born on August 22, 1925, Blackman began her screen career in 1947, first appearing in historical dramas, but quickly transitioning into mysteries, spy thrillers, and action/adventure pictures. Recognized as one of TV's original ass-kicking women, and an icon of feminism during the 1960s, Blackman purposefully avoided roles that would turn her into a "sex symbol". She stated in interviews that she'd rather play the secretary than the vamp, and that she never viewed herself as particularly sexy.
Blackman's career spanned eight decades and almost every film genre in addition to the action/adventure roles she is best know for--with "Jason and the Argonauts" (1963) and "Cockneys vs. Zombies (2012) being perhaps the most extreme detours for her.
Here's a small gallery of pictures in her memory.
Born on August 22, 1925, Blackman began her screen career in 1947, first appearing in historical dramas, but quickly transitioning into mysteries, spy thrillers, and action/adventure pictures. Recognized as one of TV's original ass-kicking women, and an icon of feminism during the 1960s, Blackman purposefully avoided roles that would turn her into a "sex symbol". She stated in interviews that she'd rather play the secretary than the vamp, and that she never viewed herself as particularly sexy.
Blackman's career spanned eight decades and almost every film genre in addition to the action/adventure roles she is best know for--with "Jason and the Argonauts" (1963) and "Cockneys vs. Zombies (2012) being perhaps the most extreme detours for her.
Here's a small gallery of pictures in her memory.
Sunday, December 13, 2009
'The Glass Tomb' isn't worth visiting
The Glass Tomb (1955)
Starring: John Ireland, Eric Pohlman, Geoffrey Keen, Sidney Taffler, Lian Redmond, Honor Blackman and Sid James
Director: Montgomery Tulley
Rating: Four of Ten Stars
A sideshow promoter (Ireland) comes under suspicion of being a killer-for-hire when the lover of a backer of his latest show is murdered. He is eventually cleared... but only because other murders occurr.
"The Glass Tomb" is a movie that feels like its script was the product of the writer combining material cut from other projects and then spending an afternoon or two doing some half-assed rewrites in an attempt to make a coherent whole.
It swings back and forth between being a thriller and a murder mystery. Is it a thriller about an innocent man caught in a love triangle he's not even aware of? Is it a thriller/mystery about an innocent man being set up by his best friend to take the fall for a murder he's planned? Is it a murder mystery about why third-rate British carnies and dance hall performers are being whacked?
Although the murderer's identity is revealed to the audience about halfway through the movie, some of the scenes proceed as if the murderer's ID is still supposed to be a surprise to us. (And even if we HADN'T known the killer's ID, the characters should have figured it well before we did, because it's not that hard if anyone in the film had been immune from Stupid Character Syndrome.)
"The Glass Tomb" has the further problem that none of the characters are well-developed enough for the viewer to feel particularly attached to anyone, nor even fully understand what role they play in the story. This causes the film to completely fail as a thriller and to fizzle as even a Columbo-esque mystery. This underdevelopment of characters is perhaps the film's greatest flaw, particularly when it comes to the central character and his family. He seems very interested in keeping them separate from his showbusiness and circus life, yet we never fully understand why. A little more insight in this area in particular could have helped up the tension when his wife comes under threat.
There are actually plenty of good story ideas in "The Glass Tomb". If only the writer, producers and directors had picked one or two of them to focus on and left the rest for other projects, this might have been a decent film. As it is, it's a film that even the most ardent genre fan can ignore.
Starring: John Ireland, Eric Pohlman, Geoffrey Keen, Sidney Taffler, Lian Redmond, Honor Blackman and Sid James
Director: Montgomery Tulley
Rating: Four of Ten Stars
A sideshow promoter (Ireland) comes under suspicion of being a killer-for-hire when the lover of a backer of his latest show is murdered. He is eventually cleared... but only because other murders occurr.
"The Glass Tomb" is a movie that feels like its script was the product of the writer combining material cut from other projects and then spending an afternoon or two doing some half-assed rewrites in an attempt to make a coherent whole.
It swings back and forth between being a thriller and a murder mystery. Is it a thriller about an innocent man caught in a love triangle he's not even aware of? Is it a thriller/mystery about an innocent man being set up by his best friend to take the fall for a murder he's planned? Is it a murder mystery about why third-rate British carnies and dance hall performers are being whacked?
Although the murderer's identity is revealed to the audience about halfway through the movie, some of the scenes proceed as if the murderer's ID is still supposed to be a surprise to us. (And even if we HADN'T known the killer's ID, the characters should have figured it well before we did, because it's not that hard if anyone in the film had been immune from Stupid Character Syndrome.)
"The Glass Tomb" has the further problem that none of the characters are well-developed enough for the viewer to feel particularly attached to anyone, nor even fully understand what role they play in the story. This causes the film to completely fail as a thriller and to fizzle as even a Columbo-esque mystery. This underdevelopment of characters is perhaps the film's greatest flaw, particularly when it comes to the central character and his family. He seems very interested in keeping them separate from his showbusiness and circus life, yet we never fully understand why. A little more insight in this area in particular could have helped up the tension when his wife comes under threat.
There are actually plenty of good story ideas in "The Glass Tomb". If only the writer, producers and directors had picked one or two of them to focus on and left the rest for other projects, this might have been a decent film. As it is, it's a film that even the most ardent genre fan can ignore.
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