Showing posts with label Best of Abbott & Costello Vol. 1. Show all posts
Showing posts with label Best of Abbott & Costello Vol. 1. Show all posts

Tuesday, December 11, 2018

A killer strikes in the one of Abbott & Costello's greatest films!

Who Done It? (1942)
Starring: Bud Costello, Lou Abbott, Mary Wickes, William Gargan, Patric Knowles, Louise Allbritton, and William Bendix
Director: Erle C. Kenton
Rating: Nine of Ten Stars

When a pair of dimwitted, would-be scriptwriters (Abbott & Costello) witness the murder of a radio executive, they decide that if they solve the mystery on their own, the resulting fame will launch their careers.  Unfortunately for them, the killer doesn't want to be captured...


"Who Done It?" is one of Abbott & Costello's best pictures. It's like someone took a serious script for a typical B-movie murder mystery and inserted comedy routines, deftly weaving the more serious story around them. The "straight" characters in the film react with the sort of confusion, frustration, or amusement that anyone would have when faced with the sort of harebrained nonsense that follow in our "heroes" wake, as these "straight" characters go about their business of a serious plot involving murder and espionage. The film also features great cinematography with an often shadowy, almost film-noirish look that supports the dramatic elements of the film and makes the wackiness of Abbott & Costello pop even more.

Every routine presented in the film is top-notch, every actor gives a great performance, and almost every character is actually a character with something interesting about them. (There is one very disappointing exception to this, which I can't comment on without ruining the plot... but it almost knocked the movie down to Eight Stars is bugged me so much.) The only other thing that I found distracting to the point of mild annoyance was the way Costello spends the movie pulling up his pants and/or anticipating the moronic now-nearly 30-year "fashion" of having your pants hanging low.

"Who Done It?" is one of eight movies included in the two DVD set "The Best of Bud Abbott and Lou Costello Volume 1" and it by itself is almost worth the price of the set.

Thursday, November 15, 2018

A hit that cemented several Hollywood careers

Buck Privates (1941)
Starring: Bud Abbott, Lou Costello, Nat Pendleton, Jane Frazee, Lee Bowman, Alan Curtis, and the Andrew Sisters
Director: Arthur Lubin
Rating: Nine of Ten Stars

A pair of conmen (Abbott and Costello) accidentially join the Army while trying to avoid the police. As if that wasn't bad enough, the cop they were trying to avoid (Pendleton) turns out to be their drill sergeant.



"Buck Privates" is one of those movies that became far more important than anyone could ever have imagined when they were making it. It was a low-budget production that was just another musical comedy that, at best, would continue to grow the comedy team of Abbott & Costello as box office draws. Instead, it became the most profitable film that Universal Pictures had made up to that point, further solidified the Andrews Sisters as pop-music shaping superstars, and launched Abbott & Costello onto their path to comedic cinematic legends.

The film itself follows a fairly standard storyline of tracking army recruits as their training helps them overcome their character flaws and learn to work with people they might dispise outside of military life. The presence of members of a WAC-precusor unit at the training camp allows for a romantic subplot, with a trio of attractive and talented actors (Jane Frazee, Lee Bowman, and Alan Curtis) carrying that storyline in between musical numbers featuring the Andrew Sisters (and even one by Lou Costello).

While some of the humor and social attitudes in the film are a bit archaic, and Abbott & Costello went onto be even funnier in future movies, "Buck Privates" is a touchstone of American culture that's still hugely entertaining to watch. While the copious stock footage used to create the illusion that the actors aren't on a movie ranch or Universal Studios sound stage gets a bit tiresome durng the film's third act, everything about this film is well-executed... and it's easy to see why so many careers sky-rocketed afterwards and why some of the songs are even well-known to this day.


Sunday, August 19, 2018

'Hold That Ghost' has flaws but Lou Costello makes it lots of fun

Hold That Ghost (1941)
Starring: Lou Costello, Bud Abbott, Joan Davis, Richard Carlson, and Evelyn Ankers
Director: Arthur Lubin
Rating: Six of Ten Stars

Two friends (Abbott and Costello) inherit a derelict roadhouse within which a gangster may have hidden a large fortune. Upon being stranded there one stormy night with several strangers (inlcuding Ankers, Carlson, and Davis), they discover it may be haunted by murderous ghosts as well.


"Hold That Ghost" is a spoof of once popular 'dark old house' thriller genre, which included such great early films as the original "The Cat and the Canary" and the straight-forwardly named "The Old Dark House". It is sort of a precursor to the many horror spoofs Abbott & Costello would make a decade or later involving the various iconic Universal Monsters.


Unfortunately, this film is flawed at its foundation. While all the actors are clearly game and do the best they can with the material, almost every character in this film feels flat and entirely too much of the plot only works because the characters are stupid even by comedy standards, or very forgetful. Even worse, while Abbott's character is often brusque and even mean toward Costello's character, he is often excessively so in this film. I think this may be the first Abbott & Costello film I've seen where I don't understand why the two main characters want anything to do with each other.

On the positive side, the weaknesses mentioned above are largely made up for by Lou Costello giving some really funny performances, especially relating to the running gag that he is almost always the only person who happens to see the mysterious going-ons in the creepy roadhouse the characters are stuck in. He also has a cute dance routine with Joan Davis, who, in an unusual twist for an A&B film, shows romantic interest in Costello without having an ulterior motive. Another positive of the film is the elaborate sets that make up the dilapited roadhouse and the moody lighting within it.

In the final analysis, "Hold That Ghost" isn't be best of Abbott & Costello's films, but it is still well worth your time, especially if you enjoy the creepy house horror/mystery films.