It's 120+ years old... and still amazing!

A Turn-of-the-Century Illusionist (aka "An Up-to-Date Conjurer") (1899)
Starring: Georges Méliès and an Anonymous Dancer
Director: Georges Méliès

Rating: Ten of Ten Stars

A magician (Méliès) brings a mannequin to life as a beautiful ballet dancer, and he then proceeds to make her appear, disappear, and go through even more amazing transformations.

I have stated previously that I find the Georges Méliès films that are basically just magic tricks performed using in-camera-editing among his least interesting. I keep finding exceptions, however, so I think maybe I just happened upon some of his least interesting "stage magic" films... and the film I'm posting about today is one of the foremost exceptions to what I thought was a general rule. It's not as charming as "The Famous Box Trick" but it's ten times more impressive technically than "The Vanishing Lady".

"A Turn-of-the-Century Illusionist" is barely one minute long, and I guarantee that you will feel that it was time well spent if you enjoy movies at all. This 120+ year-old movie makes it very clear why Méliès is viewed as the father of cinematic special effects: This film has better and more believable transformations and other visual trickery than many of the ones made now... and Méliès was making it up as he went where the modern filmmakers are doing plug-and-play with decades of technical and technological developments.

You can even take a minute and watch this great piece of film history right now. And feel free to speak up in the Comments if I steered you wrong.

The grace and majesty of Kendo

Kendo Combat (1897)
Starring: A Bunch of Guys With Wooden Swords
Director: Gabriel Vayre
Rating: Eight of Ten Stars

"Kendo Combat" is one of the first known films made of Japan. It was one of several slice-of-life mini documentaries that an associate of the Luminaire brothers made on their behalf, as part of their pioneering efforts to advance the art of filmmaking.

I've embedded it below, for your viewing pleasure. It's a record of what appears to be fast-moving chaos. It looks fun, but I'd hate to be hit with one of those swords if not wearing the proper gear! (For me, watching this film gave me a better understanding of some aspects of Japanese comic book creator Rumiko Takahashi's work...)

His nightmare is our entertainment

A Nightmare (1896)
Starring: Georges Melies and Jehanna d'Alcy
Director: Georges Melies
Rating: Seven of Ten Stars

A man (Melies) has a dream that starts out pleasant enough, but quickly turns frightening and bizarre.

At just a little more than one minute in length, "A Nightmare" still manages to deliver a ton of entertainment. Like most of special effects pioneer Georges Melies' early efforts, it moves at such a breakneck pace that if you blink you'll miss some of the magic and jokes. (And even if you're paying close attention--like some guy watching it with a mind toward perhaps writing a review--there's so much non-stop activity that you're likely to miss something. I, for example, didn't notice that the room changes more than once as the dream/nightmare unfolds until I captured an image for use with this piece.

If you're interested in film history, "A Nightmare" is not only a good time, but it's also a must-see. If you're familiar with Melies' work, either through posts here or from more reputable sources, you know that he commonly tells fantastic short stories where he uses his trick photography techniques to either transport his protagonist onto other words or into dreamscapes, or to cause supernatural forces to haunt them in mundane surroundings. As far as I can tell, this film was the first time he used dreams as a narrative device and it's also the basic template for many of the fantasy-oriented short films he made over the decade or so that followed.

You should take a (literal) minute to check out this great little film. It's quite well done, considering Melies was still developing his techniques. The only thing that could have made it better was a slightly different ending--I was hoping for one of the dream characters to show up and give a little twist... but I know that's not the approach they took back then: Normalcy was almost always restored by the end of any fantasy or horror film, (One VERY amusing detail is that when the version I watched was digitized, someone felt obligated to "protect" viewers from seeing Melies' shlong in his onesie, so they pixilated his crotch area. Hilariously, the eye is now drawn to his crotch now than it probably was before.)

Happy Christmas, everyone!

Santa Claus (1898)

Starring: Laura Bayley, the Smith Children, and Santa Claus

Director: George.Albert Smith

Rating: Six of Ten Stars

Santa Claus (Himself) delivers toys to a good little girl and a good little boy.

If you ever doubted that Santa existed, this film--the earliest known film appearance of the Jolly Old Elf himself--will make you a believer! This piece of history shows that whether it's in the 19th century or in the 21st, Santa makes his rounds on Christmas Eve the same way.

All Christmas joking aside, this is a fun little film that, if it isn't already present, will spark a little Christmas joy in you. Check it out, right now!

 

  (It actually is also a bit of film history, in all seriousness. George Albert Smith was playing around with special effects in Great Britain at the same time that Georges Melies was doing it in France, and he was only one step removed from the cutting edge. This particular film was also so impressive that nearly ten years after its initial release, a review described audiences gasping in wonder at Santa's sudden disappearance from the screen. It's unclear if the reviewer was talking about kids or adults, though.)

Fun with Religion and Trick Photography

The Temptation of St. Anthony (1898)
Starring: Georges Méliès and Jeahanne d'Alcy
Director: Georges Méliès

Rating: Nine of Ten Stars

Spirits try to make St. Athony (Méliès) to give into lustful, and even blasphemous, desires.

I've seen "The Temptation of St. Anthony" described as the first religious film. I don't know if that is factually accurate, but given the innovative filmmaker who made it, as well as the time at which it was made, it makes sense. 

Although this is one of Georges Méliès' early films, and he was still perfecting his techniques, it is also among his best. The pacing is perfect and the trick photography involving spirits appearing and disappearing is very well done. The bit where Christ is replaced on the cross by one of the tempting spirits is particularly impressive--and I can only imagine what the reaction of audiences must have been ca. 1900.

This is one of the best Méliès pieces I've seen yet--and if all religious films were as much fun as this, they'd be more popular both with their target audience and the population at large. There are only two things that make me give it a rating of a Low Nine, and one may just amount to nit-picking.

First--and most nitpicky--while I love the excitement and enjoyment of creation that oozes from every frame of many of these early Méliès films, actress Jeahanne d'Alcy (as the primary spirit trying to lead St. Anthony astray) almost seems to be having too good a time. She got such a big grin on her face at times that it seems like she's trying keep from laughing. It runs a little contrary to the whole temptress role that she is playing.

Second, as the film comes to a close, I feel that it's unclear exactly where the spirits that were tempting St. Anthony came from. My natural assumption is that they were evil in nature, but the final few moments of the film seem to indicate they may well have been angelic in nature. While Divine Mysteries are all fine and good, I'm not a fan of them in movies, not even religious ones.

How about you take a minute--because that's about all it will take--to watch "The Temptation of St. Anthony" and let me know what you think. Were angels trying to set up the pious man, or was he staving off demons? It's embedded below, right here in this post.

A man and his box of tricks...

The Famous Box Trick (1898)
Starring: Georges Méliès
Director: Georges Méliès
Rating: Ten of Ten Stars

A magician performs his signature trick, involving a box, a bird, a boy, and a big axe.

"The Famous Box Trick" is, as the title should make clear, another one of trailblazing filmmaker and special effects artist Georges Méliès short films that presents and, using trick photography, enhances a fairly standard stage illusion. As I've mentioned in previous articles, these are among my least favorite of his films, but this one I absolutely adore. In fact, I am so fond of it that I watched it, and then came back a week later and watched it again, just make sure I wasn't in some strange mood when I first saw it.

In the final analysis, this is, by far, the most charming of Méliès' films I've seen, and I recommend it to everyone reading this--whether you want to watch something fun or something historic.

At just over a minute, this film is so brimming with joy and excitement that even the most surly of viewers can't help but have his or her spirits lifted. The creative energy of Méliès as he essentially creates not only the art of special effects but, arguably, filmed fiction in general, is also so evident here that it's impossible not to love this effort. Even better, despite being one of his earliest efforts, every bit of trick photography is executed with absolute perfection. 

Take a look at "The Famous Box Trick" for yourself. I hope I haven't raised expectations to high with my praise above, but I really to think it's a perfect little film. If I could time travel, I think I'd want to go back to see how the audience reacted in 1898 when Méliès screened this film for them, as an add-on to the live magic act he performed in his theatre.

It's early movie magic with 'The Magician'

The Magician (1898)

Starring: Georges Méliès

Director: Georges Méliès

Rating: Eight of Ten Stars

An old magician (Méliès) turns himself into a young clown... and then things get really weird.

"The Magician" is one of groundbreaking filmmaker's Georges Méliès early efforts, and it's more of a vignette than a proper short film. As with many of his efforts, it's made primarily to be a magic show up on film, creating the illusions primarily with in-camera film editing and other trick photography instead props and sleight-of-hand. I usually find those to be among the least interesting of Méliès' efforts, but there's an exception to every rule... and this is that exception.

As is my habit with these Méliès reviews, I'm embedding the film I'm talking about in this post. Unlike my usual habit, it's going to be here in the middle instead of at the end, because I'm going to "spoil" the film with the comments that follow. (Watch it now if you want to watch the surprises unfold as Méliès intended, and then continue reading below.)

As I've already mentioned, "The Magician" is one of those plot-free offerings where Méliès is mostly (and joyously) showing off his special effects trickery, using stage magic as his point of departure. and However, it's slightly more interesting than most of them.

First, the trick photography effects here are executed with amazing precision, especially taking into account how early this film comes from, both in Melies time as a filmmaker and the art of filmmaking in general.

Secondly, because he includes elements of fantasy here. As this vignette unfolds, we watch a gray-bearded wizard turn himself into a young, starving harlequin. He is then transformed by an artist by the devil--an artist who creates living sculptures whom he falls in love with. Ultimately, the devil returns and, literally, kicks his ass. And that's where it ends.

 And with that sudden non-ending ending (the devil kicks the artist, he flies off-camera... and we have no wrap-up or even a hint as to what happened to the magician ultimately), it occurred to me that maybe there IS a plot in this film. Maybe it's a story about an old man who tries to recapture his youth through magic, but as he relives his life and grows from a foolish child into a worldly man, the devil and even death--and final oblivion--catch up with him anyway.

I could be reading something into this film that's not there--sort of like a cloud might look like a dragon, or an ink blot test might look like two men with hammers--but maybe it's the exact story/message that Méliès was trying to convey. What do you think out there? What's your take on "The Magician"?

Magic Tricks with Georges

The Vanishing Lady (aka "The Conjuring of a Woman at the House of Robert Houdin") (1896)
Starring: Georges Méliès
Director: Georges Méliès
Rating: Seven of Ten Stars

A magician gives a private performance where he makes a lady vanish and then reappear gradually.

Usually, I find the Georges Méliès films where he's just doing standard magician's tricks but using camera trickery to accomplish the illusion to be the most uninteresting of his works. However, "The Vanishing Lady" is one of the most impressive entries in that category, because the film stops are nearly undetectable, and the way he is takes steps to "prove" the magic is real almost appear like they are mistakes and are very well done.

For a bit of film that's some 125 years old is very impressive... and I suggest you take a minute (literally) to check it out right now.

 

'The Mysterious Knight' brings the movie magic!

The Mysterious Knight (aka "Le Chevalier Mystère") (1899)
Starring: Georges Méliès
Director: Georges Méliès
Rating: Eight of Ten Stars

A sorcerer (Méliès) brings a chalk drawing of a head to life.

During the earliest days of filmmaking, Frenchman Georges Méliès made dozens upon dozens of short fatasy films that pioneered cinematic special effects. Some have plotlines and tell weird, phantasmagorical stories, while others are created for no reason other than to show off trick photography.

"The Mysterious Knight" is in this latter category. While most 21st Century viewers may not be "wow'ed" by this little film, the straightforward, exuberant presentation makes it a joy to watch. My favorite part of the film are the transformations of the head, as well as the way the character "proves" to us that it really is a disembodied head.

But don't just take my word for it. Why don't you brighten your day and take a minute to check out "The Mysterious Knight", right now from this post?

'The Astronomer's Dream' is trippy fun!

The Astronomer's Dream (1898) (aka "A Trip to the Moon")
Starring: Georges Méliès and Jehanne d'Alcy
Director: Georges Méliès
Rating: Eight of Ten Stars


An astronomer (Méliès) is plagued by strange events in his observatory, culminating in it being invaded by celestial bodies, and an angelic figure with a heavenly body (d'Alcy).

Georges Méliès was a French illusionist who fell in love with the power of moving pictures back when filmmaking was in its infancy. He made dozens upon dozens of trippy short films that were full of inanimate objects turning into people, and visa-versa; people and spirits appearing from, and vanishing into, thin air; and even rocket ships traveling to other worlds. He is widely and accurately considered the father of cinematic special effect, and by 1898, he had already perfected his basic techniques and his films and their visual trickery would only get more elaborate as the Silent Movie Age progressed.

"The Astronomer's Dream" is a rollicking 3-minute long special effects extravaganza which I think is almost as entertaining to modern viewers as it was back in the 1890s. Although there is a story here (but whether it's ultimately a comedy or a tragedy is left up to the viewers' interperation), and there are a some actors doing actor things, the driving force and star of this movie is the special effects. They must have been awe-inspiring back as the 19th century was giving way to the 20th, and while we may be less amazed by them today--since all but the youngest of children or most sheltered of adults know the basics of special effects--the trippiness they bring to the viewing experience remains undulled. After all, what's not to love about a movie where the moon descends to Earth to eat the content of an observatory and disgorge some children? Or a movie where a sexy space goddess decides to drop in, just because?

Whether you're interested in film as an art form, or just want to spend three minutes enjoying a weird little movie that's as charming now as it was 121 years ago, I strongly encourage you watch "The Astronomer's Drea", right here, right now!