'Palooka' is barely ring-worthy

Palooka (1934) (aka "Joe Palooka")
Starring: Jimmy Durante, Stuart Erwin, Lupe Velez, Marjorie Rambeau, William Cagney, Tom Dugan, Mary Carlisle, Robert Armstrong. and Thelma Todd
Director: Benjamin Stoloff
Rating: Five of Ten Stars

Joe Palooka (Erwin), the goodhearted and terminally naive son of a legendary, retired boxer (Armstrong) is catapulted to the top of the boxing world through happenstance and the shenanigans of his shady manager and promoter, Knobby Walsh (Durante). When a sexy vamp (Velez) tempts him to party instead of train, and the true champion he defeated more through luck than skill (Cagney) engineers a rematch, things start to look pretty grim for Joe...

During the 1930s and 1940s, the "Joe Palooka" newspaper strip grew to become the most popular in the U.S. Debuting in April of 1930, it ran for almost 55 years with the final installment seeing print in November of 1984. There were several film adaptations made of the strip, of which this was the first, so it's fitting that it's an "origin tale".

Sadly, Joe Palooka (affably played by Stuart Erwin) is almost crowded out of his own movie by his manager Knobby Walsh (obnoxiously played by Jimmy Durante). All in all, this film is more a vehicle for Durante than anything else, even to the point where he even gets to ruin the film's ending with one last, incredibly lame gag.

I confess that it's a mystery to me that Durante had a long career headlining anything. He's funny in small doses, but when he gets as much screentime as he does here, he gets very, very tiresome. His dominance of this picture turns it from what could have been a pleasant little sports picture into a grating festival of pain where I found myself rooting for the "villains" (prime among them being William Cagney's Al McSwatt, and Lupe Velez's slutty, gold-digging boxing groupie) just so I could enjoy some illusion of justice being served for Durante's crimes against humanity in this picture.

As for the rest of the cast, they're all pleasant and fun to watch. The aforementioned Stuart Erwin is likable as the title character, while William Cagney is one of the more charming bad guys you're ever likely to come across in a film. One the feminine front, Marjorie Rambeau is great as Joe Palooka's tough-as-nails retired showgirl mother, while Lupe Velez is fun, as well as getting some great lines, as the career-wrecking temptress. (Guys in the audience will also appreciate a couple of gowns Velez wears that would be falling off her if not for double-sided tape. Velez obviously didn't appreciate, or perhaps trust, one of the dresses, since she was constantly figiting with it.)

Robert Armstrong and Thelma Todd have small, but crucial, roles in the film (as Joe Palooka's father and the hussy who broke up his parents' marriage), and they deliver their usual strong performances. In fact, I liked Todd so much in her small role that I wish she and Velez could have swapped parts and characters. (This is probably just a reflection of my affection for Todd as a performer, as well as my unfamiliarity with the "Palooka" comic strip.)

"Palooka" is not a film I think you should go out of your way for, unless you're a Jimmy Durante fan. It may be entertaining if you have fond memories of the comic strip, or if perhaps you simply can't get enough of sports-themed movies, but the overwhelming presence of Durante taints those aspects of the film... and there are better movies about the smalltown-boy-does-good-in-sports that are more worthy of your time.

'Lost in the Stratosphere' is light but fulfilling

Lost in the Stratosphere (1934)
Starring: William Cagney, Edward Nugent, June Collyer, Frank McGwynn, and Hattie McDaniel
Director: Melvin W. Brown
Rating: Six of Ten Stars

Two best friends and daredevil military pilots, playboy Lt. Tom "Soapy" Cooper (Cagney) and Lt. Richard "Woody" Wood (Nugent) see their friendly rivalry turn nasty when Tom unknowingly goes on a date with Wood's fiancee (Collyer) and subsequently steals her away when they fall in love. But when they are tapped for a dangerous test flight that will take them into the strasophere, they must set aside their grudges if they are to survive.



For about half of its running time, "Lost in the Stratosphere" is a fairly straightforward romantic comedy/buddy picture, with Soapy and Woody trying to outdo each other with bravery in the air, and by pranking each other on the ground. It's all fun and games, even if Soapy is something of a jerk and Woody is a bit of a dish-rag, until a girl they both truly love comes between them, Woody feels betrayed, and the film spends some time in melodrama territory. And finally, it becomes something of an action film in the third act, with Soapy and Woody struggling to save their lives in an experimental balloon.

This film belongs to William Cagney and Eddie Nugent in every sense. Not only are they equal co-stars, even if Cagney gets a little more scree time, but they are also the only performers who give truly colorful performances. June Collyer is her usual beautiful self, but she is really little more than window-dressing and her character has little definition beyond a vague sense that she was always a little too much woman (or maybe a little too much tomboy) for Woody to handle, even if she had never met Soapy. Aside from the characters portrayed by Cagney, Nugent, and Collyer, none of the others in the film rise above the level of stock figures. This isn't necessarily a negative, as it gives room for Soapy to be redeemed somewhat from pure jerkhood, but it would have been nice to see a little more of Collyer and her character.

One thing that works better in this film than many other flicks that are supposedly about pilots and high-flying action but end up being earthbound due to their low budgets, is that this film delivers just enough hint of aerial excitement to satisfy. Through the effective use of special effect model shots at the films beginning, and effective use of stock footage toward the end, as well as some nicely done sets, lovers of the old-time "men in their flying machines" will walk away from the movie just as happy as those who came for the old-timey buddy pic rom-com action.

Check it out. It's another fun little item that's laying neglected in Hollywood's ash-heap of history.