The 'Hitch-Hiker' is a genre-shaping thriller

The Hitch-Hiker (1954)
Starring: Frank Lovejoy, Edmund O'Brien, William Talman, and Jose Torvay

Director: Ida Lupino

Rating: Eight of Nine Stars

A pair of friends (Edmond O'Brien and Frank Lovejoy) find themselves at the mercy of a psychopath when they give a ride to the wrong hitchhiker (William Talman). 

"The Hitch-Hiker" is an acclaimed thriller co-written and directed by Ida Lupino, an actress who turned to directing and producing during a time when she was fighting with Studio Bosses over the sort of roles they kept giving her versus the parts she wanted to play. She went onto direct, write, and/or produce ten movies and over 100 episodes of television series ranging from westerns, to dramas, to comedies. 

The tension you feel as this film unfolds is amazing, fueled by great camera-work, well-chosen locations, great lighting, and the performances of the three principal actors. It is also blessed with a perfectly paced script and tight editing. William Talman is especially effective as the psychotic killer. If you liked him as Perry Mason's courtroom adversary on the television series, you'll love him in this one. 

"The Hitch-Hiker" (1953) is a chilling film that will keep you guessing as to how it will all end up until literally the final fade-out. It becomes even a little more scary when you consider it was based on real events, and that Talman's character was based on an actual killer who preyed upon motorists and took two friends hostage in a fashion similar to what happens in the film. Even Talman's strange, unsettling quirks are echoes of the real-life murderer.

This film has been the inspiration/model for dozens of similarly themed chillers, and it holds up nicely to comparisons with any of those that followed. Fittingly, it was added to the U.S. National Film Registry in 1998.

You can enjoy this excellent film by clicking below. Go microwave some popcorn, grab a drink, and lean back and enjoy "The Hitch-Hiker"!

Bones Coffee's Jacked-O-Lantern

There's a coolness in the air. Groaning ghosts are being carried along on the wind, their passing causing leaves to shrivel and drop from the trees. Halloween is coming, and here's another review of a seasonally appropriate coffee blend for you to drink and possibly offset that chill down your spine.

Ida Lupino is wondering is wondering if the jack-o-lantern is talking to her,
or if she's had so much pumpkin-spiced coffee she's hearing voices.

BONES COFFEE COMPANY: JACKED-O-LANTERN

The Jacked-o-Lantern blend is another offering from Bones Coffee with a great cartoon on the cover. It also attempts to capture an eternal seasonal favorite that sends young and old running to coffee shops and stands--the pumpkin-spiced drink. 

This review is based of coffee brewed from a 4-oz sample pack that I got when I ordered the Fall Favorites bundle from Bones. When you open the bag, you get a hint of what's to come--the spicy goodness wafts deliciously up into your nostrils. While the aroma as the coffee brews isn't particularly strong, that same delightful smell of spices is evident as you pour the coffee.

The bad news when it comes to the actual flavor is that here isn't much of a pumpkin taste in this blend. While this is a great tasting medium-roast blend that goes down smooth and hits the "spice" part of "pumpkin-spice" right on the head with strong allspice and nutmeg flavors, if you are looking for pumpkin, you won't find it here. 

The good news is that when I drank a cup with unsweetened almond milk and then one with sugar-free Italian Sweet Cream creamer, I was treated to taste sensations that put me in mind of a "dirty chai", something that used to be a favorite drink of mine at a (now, sadly, closed) indie coffee stand. Basically, a "dirty chai" is a chai latte with coffee added, and I used to get one of those a week, hot or iced, depending on my mood and the weather. So, in perhaps goes without saying, but I enjoyed the Jacked-O-Lantern blend very much with milk or creamer added.

Another bit of good news is that Jacked-O-Lantern holds up nicely as it cools, with its taste remaining steady. Whether I drank it straight or with almond milk or creamer, this blend was a smooth coffee treat with a spicy kick. At room temperature, the spiciness comes through even stronger when it's mixed with the Sweet Cream creamer. It's perfect for someone like me who often takes a while to finish off a cup of coffee.

Finally, and perhaps not surprisingly, this blend works brilliantly iced. The spicy flavors remain strong, and the coffee flavor is silky smooth when chilled. As before, the unsweetened almond milk and the sugar-free Italian Sweet Cream enhanced rather than subdued the spicy flavors, making this blend even tastier. What I still couldn't detect, though, was any hint of pumpkin flavor.

In a break from my normal protocol when drinking coffee for review rather than pure pleasure, I decided to try this blend with chocolate almond milk, to see how the spice would interact with chocolate flavor, The result was an extremely tasty spiced chocolate coffee drink that I recommend chocolate and coffee lovers should try. (I think it worked well hot, too, but I admit that I had reheat the last cup in the microwave to try it, so the result was suboptimal and even less consistent with the rest of the reviews that just adding the chocolate almond milk.)

Picture Perfect Wednesday: Look Who's On the Naughty List

Ida Lupino punishes a bad Santa

'Women's Prison' isn't very arresting, but still worth watching

Women's Prison (1955)
Starring: Ida Lupino, Jan Sterling, Audrey Totter, Phyllis Thaxter, Howard Duff, Barry Kelley, Warren Stevens, Mae Clarke, Gertrude Michael, and Cleo Moore
Director: Lewis Seiler
Rating: Six of Ten Stars

Amelia Van Zandt (Lupino) is the warden of a women's prison who runs her institution with an iron fist, dominating the lives of both prisoners and prison matrons. Her fiercely controlled world starts coming unraveled when her abuses of a delicate housewife incarcerated for involuntary manslaughter (Thaxter) and a prisoner who becomes pregnant (Totter) when her husband (Stevens)--who is incarcerated in the male side of the prison--breaks into the women's prison to an illicit rendezvous provokes both the anger of the prison doctor (Duff) and the prisoners.

Compared to the "women in prison" movies that followed in the 1970s, this is very, very tame stuff, even if the publicity campaign at the time if its release tried to position the film as if it wasn't. The still I chose to illustrate the film implies atmosphere and situations that are nowhere to be found in the film (while demonstrating that Cleo Moore was literally the poster-girl for Columbia Picture's marketing department when it came to "sexing things up"--her part in the film is very small, yet she is the subject of a publicity still). The prisoners here seem more like members of a professional association on a retreat than hardened criminals worthy of being locked away, the guards are all professional and appropriately concerned with the well-being of prisoners, the prison is neat and clean and well-lit. If not for the hell-beast of a warden, the prison in this film and the people in it are nicer than some places I've been on vacation at.

In fact, the prisoners are so nice that the over-the-top hysterics of the poor housewife who is sent up for killing a child with her car become very irritating after a while. While she doesn't deserve to be straight-jacketed or thrown in solitary for being frightened, it's a mystery where her over-reaction to normal prison procedures came from, since every prisoner she meets is nice and chatty and no different than the girls at the hair salon or in the grocery store checkout line. Hell, one prisoner could even find work as a tour guide, I'm certain, given how quickly she steps up to show the "new kid" ropes.

Although the strangely gentile nature of the inmates seemed a bit odd to me, I did appreciate the fact that the film didn't try to paint them as victims of the justice system like some other prison movies I've watched. Most of the inmates are exactly where they belong, and they make no bones about it. I also liked the fact that the matrons and guards were shown as decent human beings who were just doing their jobs.

I also liked the fact that the decency and professionalism of the prison's staff was contrasted with the indifference of the men's prison warden (Barry Kelley)--who may have worked his way up through the system, but who somewhere along the way forgot that the inmates and those working under him are human beings--and the calculated cruelty of women's prison warden, the aforementioned Ida Lupino. In fact, Lupino does such a great job at portraying a sociopathic cast-iron bitch that I almost wished her end had been a little less predictable and pathetic... I wanted her to get a "top o' the world, ma!" sort-of memorable exit, even if the way the film does dispatch her is adequate and dramatically fitting.

Well-acted, well-scripted, and effectively paced, "Women's Prison" is worth a look if you're a fan of Ida Lupino and have a high tolerance for melodrama. But this is not the place to look if you have a hankering for a Roger Corman or Jess Franco "birds in cages"-type sleaze.