It's a musical without all the extra stuff

Office Blues (1930)
Starring: Ginger Rogers, Clairborne Bryson, and E.R. Rogers
Director: Mort Blumenstock
Rating: Six of Ten Stars

A secretary (Rogers) fantasizes about having a romantic relationship with her stern boss (Bryson) while ignoring the coworker who carries a torch for her (Rogers).

Do you like the musicals from the early talkies period? Would you like them even more if there were the barest minimum of all that dialogue and stuff between the songs and production numbers? Well, then "Office Blues" is for you!

"Office Blues" is a short (barely nine minutes log) musical that still manages to offer two really catchy songs and a big production number. There isn't much time for comedy or drama (although the prematurely balding coworker who's pining for the boss's beautiful secretary offers a bit of both), but I think lovers of music from this era will enjoy this film a lot. Personally, my favorite part is the production number and the costumes worn by the chorus line.

Fans of Ginger Rogers should also definitely check this out. It's one of her earliest starring roles--she was 18 at the time this was filmed--and it's clear that she excelled in song, dance, and acting. To say that she is "radiant" and "lights up the screen" in this "Office Blues" is not overstating her screen presence here. (Although she is made to look even more spectacular due to the fact that her co-stars have the charisma of dish rags.)

"Office Blues" is embedded below for your viewing convenience and pleasure. I hope you enjoy it!

'A Night in the Dormitory' is a fun artifact

A Night in the Dormitory (1930)
Starring: Ruth Hamilton, Ginger Rogers, Thelma White, Si Wills, and Eddie Elkins
Director: Harry Delmar
Rating: Five of Ten Stars

A college girl (Hamilton) returns to the dorm after sneaking out for a night on the town. She relates her experiences to one of her bunkmates.

"A Night in the Dormitory" is an all-singing, all-dancing spectacular that gives the viewer a sense of what it must have been like to go to a night club that featured floor shows Back in the Day. Heck, the obviously underrehearsed chorus lines that back Thelma White and Ginger Rogers (in her second screen appearance) probably added a healthy dose of verisimilitude to audiences watching this short in theatres back in 1930.

If you enjoy musical production numbers and vaudville routines, I think you'll enjoy this 22-minute collection of bits loosely tied together by the college girl's walk on the Great Depression wildside. The tunes are catching--I find myself humming the one performed by White as I type this--and sloppy chorus lines aside, they're fun to watch.


For everyone else, though, this film is little more than a historical artifact that records the live entertainment preferences of a by-gone era... and one that is probably quite faithful to the nightclub experience, since the producer and director of the film got his start booking and staging the kinds of shows this movie revolves around.

Picture Perfect Wednesday: A Glittering Star

This past Sunday, July 16, marked the 100th anniversary of Ginger Rogers' birth. She remains forever a shining star.

(Confession time: Ginger Rogers was to have been the "Saturday Scream Queen" at Terror Titans this past weekend, but when I wrote the post MONTHS ago, but I failed to schedule it properly. I forgot I had written it to begin with, and so another worthy actress took the place that Rogers should have occupied on her 100th birthday. But, better late than never. She will get her due this coming Saturday. And if you're wondering why I am featuring Rogers in my series on horror actresses, you can use the list of tags in the right-hand column to locate some of her films that I've reviewed previously in this space.)

What is the deadly secret of the 13th guest?

The Thirteenth Guest (aka "Lady Beware") (1932)
Starring: Lyle Talbot, Ginger Rogers, and J. Farrell MacDonald
Director: Albert Ray
Rating: Six of Ten Stars

When Marie (Rogers), the young heiress to the Morgan fortune, is found mysteriously electrocuted in the family manor that has remained sealed since her father died during a dinner party 13 years prior, Police Captain Ryan (MacDonald) calls upon the assistance of playboy criminologist Phil Winston (Talbot) to help solve the baffling murder. Before Winston can even begin to investigate, the mystery takes an even stranger turn: The dead girl turns up alive and in police custody for car theft... and soon there's a second dead body at the old Morgan place.

"The Thirteenth Guest" is a pretty good little mystery movie for most of its running time. The three lead actors all give decent performances that are in line with what is to be expected from one of these "who-dunnit in the dark, old house" mysteries, and the murderer had a fairly clever set-up with which to commit the murder. There are also just enough plausible suspects and clever plot-twists make it real mystery film.

Unfortunately, for every clever twist there's a plot logic-hole that a truck could be driven through. Equally unfortunate is the presence of a truly lame comic relief character. And I won't even dignify the idiotic mask and cape they have the murderer prance around in with comment. (Hang on... did I just comment on the idiotic mask and cape? Curses!)

The good parts outweigh the bad parts--but only barely--in "The Thirteenth Guest." It's not a film I recommend you rush out to find a copy of, but if you're looking around for a little something to round out a "home film-festival" selection of mystery movies, this might be what you're looking for. Just don't make it the main attraction.

Ginger Rogers is excellent in this obscure thriller

A Shriek in the Night (1933)
Starring: Ginger Rogers, Lyle Talbot, Purnell Pratt, Harvel Clark, Lillian Harmer, Louise Beaver, and Arthur Hoyt
Director: Albert Ray
Rating: Seven of Ten Stars

A series of murders take place in an upscale apartment building, and reporters Pat Morgan (Rogers) and Ted Kord (Talbot)--working for rival newspapers but involved in a romantic relationship--are hot on the trail of the killer, or killers. Morgan happened to be working on an investigative piece about one of the victims, so she is in a perfect place to help both her career and the police... so long as she doesn't end up a murder victim herself.


"A Shriek in the Night" is, for the most part, a fairly typical early 1930s low-budget mystery, with dimwitted maids, cranky police detectives (although in this one the detective is not incompetent, just cranky), and wise-cracking reporters running circles around everyone and ultimately providing the clues needed to solve the mystery. The acting is above average here, and the characterizations of the two reporters and the police detective are also a bit more intelligent and three-dimensional than is often the case in these movies. (The comic relief maids are still as annoying as ever; if this is what American-born house-servants were like, it's no wonder we took to importing illegal aliens to turn down our beds and clean our homes!)

What really sets the film apart from others like it is its villain, and a surprisingly chilling sequence where he prepares to burn Pat Morgan alive. This character feels in many ways like an ancestor to the mad killers who came into vogue during the 1970s, and which continue to slash, strangle, and mutilate their way across the movie screen to this very day.

Another thing I found interesting in this film is how different Ginger Rogers' character was from the one she played two years later in "The Thirteenth Guest".

Many actors and actresses that appeared in these B-movies gave pretty much the same performance in movie after movie--for instance, there's very little difference between the smart-ass character Lyle Talbot plays here and the one he played in "The Thirteenth Guest." I haven't seen enough of Rogers' performances to really know why there is this difference--was she lucky enough to have a chance to show different facets of her acting ability, or did she make each part she played different somehow?--but it was an unexpected surprise.

Those of you out there with more than just a passing interest in suspense and horror movies may want to check this film out for its very modern, proto-"maniac killer" character/sequence. Those of you who just enjoy this style of movies--mysteries that get solved by wise-cracking reporters who take nothing seriously--should also check it out. It's a fun way to spend an hour.