A Night at the Museum: 1930s Hollywood Style

Hollywood on Parade (A-8) (1933)
Starring: Eddie Borden, Bonnie Poe, Gayne Whitman, Bela Lugosi, Charlie Murray, George Sidney, Dorothy Burgess, Charles Murray, Marie Prevost, and Rex Bell

Director: Louis Lewyn

Rating: Seven of Ten Stars

Wax figures of actors in their famous roles from the late 1920s and early 1930s come to life, and comedian Eddie Borden (Borden) tries to rescue Betty Boop (Poe) after she is attacked by Dracula (Lugosi).

"Hollywood on Parade" was an anthology series produced by Paramount to be shown in theaters before the main features. Some episodes were newsreel-style mockumentaries, others were mini-variety shows, and some, like the one we're featuring today is a series of related comedy skits tied together by a fanciful central story concept. Features that were present in each and every installment, however, were actors appearing as themselves or fictionalized versions of them based on their public image or whatever character they've portrayed that was most famous. The series also relied heavily on contemporary cultural and film references that would be well-known to audiences but may be very obscure to many modern viewers.

This is the first time we're featuring a "Hollywood on Parade" episode on this blog, and we think it's perfect not only for this forum, but for this time of year. Several of the actors featured are in films that have been reviewed and/or can be viewed in posts here at the blog. Even if some of the specifics of some references in this film may not be clear in their origins to many modern viewers, the genres and foibles they are having fun with are general enough in classic films and fiction that the jokes still work. Plus, given how often Betty Boop and Dracula are featured in posts around here, this is a perfect bit of fun as the Halloween festivities here at Shades of Gray approach their high point.

Click below and sit back. We think you'll like this film... and we think you LOVE it if you're into Pre-Code films, Betty Boop cartoons, and Universal's Dracula flicks!

Welcome to Betty Boop's Halloween Party

Betty Boop's Hallowe'en Party (1933)
Starring: Bonnie Poe (as the voice of Betty Boop)

Director: Dave Fleischer

Rating: Six of Ten Stars

When a big bully crashes Betty Boop's Halloween party and threatens to ruin everyone's fun, the Spirits of Halloween come to the rescue.

"Betty Boop's Hallowe'en Party" is a cute tribute to Halloween parties. It's well worth checking out for anyone who can use a little cheering because Halloween is being "cancelled" in most places this year. Even if you're lucky enough to have Halloween and are able to go to parties, you'll still enjoy the opportunity to live vicariously through Betty and her pals. (The way Betty and her odd friends work together to decorate for her party is lots of fun to watch.)

You'll also see that "fan service" is a time-honored tradition in cartoons that dates back to at least 1933.

Cuteness abounds in Blunderland

Betty in Blunderland (1934)

Starring: Bonnie Poe (as the voice of Betty Boop)

Director: Dave Fleischer

Rating: Six of Ten Stars

Betty falls asleep while putting together a jigsaw puzzle and dreams that she travels to Wonderland and becomes Alice.

"Betty in Blunderland" uses elements of the novels "Alice in Wonderland" and "Through the Looking-Glass" to create a lighthearted fantasy romp featuring not only the characters you expect but also a few other fairy. The cartoon is at its strongest early on--the best part is Betty's crossing over into Wonderland and following the White Rabbit to the Mad Hatter's tea party. (Betty's tumble into Wonderland is especially amusing--even if there's a punnish pop cultural reference that I'm sure the 1930s audiences got but which left me baffled.)

From there, the cartoon goes into cuteness overdrive, with the iconic Wonderland characters singing and dancing and generally being goofy, and ultimately gathering around Betty so she can sing to them in a forest grove. Everyone is having a grand time--until the Jabberwocky shows up and spoils the party. The remaining few minutes are still cute and fairly amusing, but they are also completely predictable. Essentially, it feels like the animators felt obligated to include a chase scene and this was the best they could come up with.

There have been worse adaptation of Lewis Carroll's Alice tales, but there have also been better. Although it gets a bit shaky at the end, at least this one never bets boring and is sure to put a smile on your face, whether you're a fan of Betty Boop or Alice in Wonderland. It's also just a little above 7 minutes long, so why don't you give yourself a break and check it out right now by clicking below? 

Popeye was Popeye from the very beginning

Popeye the Sailor (1933)
Starring: William Costello (voice of Popeye), Bonnie Poe (voices of Olive Oyl and Betty Boop), and William Pennell (voice of Bluto)
Director: Dave Fleischer
Rating: Seven of Ten Star

While on shore leave, Popeye the Sailor visits a carnival with his girlfriend, Olive. When he decides to show off by getting on stage to perform with Betty Boop the Hula Dancer, his rival and shipsmate, Bluto, abducts Olive.

Most of the beloved classic cartoon characters go through several stages of development before becoming the ones everyone remembers of loves. Mickey Mouse, Betty Boop, and Bugs Bunny all had manifestations that are almost unrecognizable when put next to their famous incarnations. This, however, is not the case with Popeye, nor his main supporting supporting cast of Olive Oyl and Bluto. From their very first appearance in 1933, the characters, their relationships, and their appearances were pretty much as they would remain for the next 25 years worth of animated shorts.

There are three reasons for this that spring to my mind: First, Popeye was already been a popular  character in S.E. Segar's syndicated newspaper strip "Thimble Theater", so his look was mostly fixed. Secondly, Popeye's supporting cast, such as Bluto and Olive Oyl were already taking shape in the newspaper strip--although Bluto in particular came to life in the cartoons--and Popeye's animated debut was written by his creator, Segar, so the elements that were expanded upon were probably things he already had in mind. Thirdly, Kings Features (and possibly Segar) had final approval on every Popeye cartoon produced by the Fleisher Studios.

As for the specifics of Popeye's animated debut, although he, Olive Oyl, and Bluto are obstensibly guest-stars in a Betty Boop feature, Boop gets second billing behind Popeye and she has what amounts to an extended cameo as a topless hula dancer at a carnival. She's still pivotal to the plot, as Bluto has an opening to abduct Olive Oyl when Popeye engages in the ultimate act of pecocking when he gets on state and hula dances with Betty. The cartoon climaxes with a great variation of the send-up of silent movie melodramas involving a damsel in distress being tied to the railroad tracks, with Bluto tying Olive up with the railroad tracks.

Another interesting aspect of Popeye's debut is the way it puts him and his supporting cast firmly in Betty Boop's world where anthropomorphic animals exist side by side with humans. From Popeye's shipmates, to the majority of those attending the carnival, the minor characters and figures are "funny animals" of the typical Fleisher Studio design. As the "Popeye" series progresses, these beings quickly drop from view, but it's a fun notion to think that Betty Boop and the "funny animals" live on a particular continent, sort of like the Island of Goons from a later Popeye cartoon.

Usually with posts like this, this is the point at which I'd invite you to watch the cartoon being reviewed right here, in this post. However, "Popeye the Sailor" is still under copyright, and its owner, Warner Bros., guards it jealously. I recommend getting the DVD collection containing it, as the set is full of great classic cartoons. (Just be sure to watch them in sittings of two-three at a time, because most of them follow the same plot, and feature Popeye doing his signature stunt of hitting large objects and causing them to break into smaller, different objects, and they can start to seem repetitive, even if they are really quite clever.)

Tom & Jerry are up to 'Tightrope Tricks'

Tight Rope Tricks (1933)
Starring: Bonnie Poe (Voice of Female Tightrope Walker)
Directors: John Foster and George Rufle
Rating: Five of Ten Stars

Tom and Jerry perform musical stunts on the tightrope and cause chaos at the circus.

"Tightrope Tricks" is another of the middle-of-the-pack entries in the "Tom and Jerry" series. There's nothing about it that's particularly outstanding, nor is there anything about it that's particularly bad. It's just a breezy and fairly mindless bit of entertainment.

In fact, it's so mindless that the writers didn't even pay much attention to the details of the already thin story. The set-up seems to waver back and forth between Tom and Jerry being actual circus performers and being members of the public who are just causing trouble on the grounds. After marching in the circus' parade (as if they are members of the troupe), they mess with an elephant and torment a lion (like obnoxious members of the pubic), perform on the high-wire (as if they are part of an established act), and so on. While either mode in which the main characters function leads to some amusing gags (even if I found myself rooting for the lions rather than the "heroes" during the film's climax), it really feels like two separate films were merged into one here.

One curious detail about "Tightrope Tricks" that's worth noting is illustrated below, with images taken from the scene where Tom changes into tights:

Either Tom likes wearing women's underwear, or he's actually a she! It doesn't make a difference one way or another for most of the "Tom and Jerry" cartoons, but it's a weird detail I think. It's certainly something one would only find a Pre-Code cartoon! Or am I misinterpreting Tom's undergarments? Why don't you take a few minutes and watch the cartoon for yourself and let me know what you think.

It's a sweet time on the Silvery Moon

From the studio that introduced the world to Felix the Cat comes a tale of sweet, sweet adventure...


Silvery Moon (aka "Candy Town") (1933)
Starring: Bonnie Poe
Directors: Mannie Davis and John Foster
Rating: Seven of Ten Stars

A pair of cats are magically teleported to the Moon where they find a realm inhabited by friendly creatures where everything is edible and made from candy and ice cream!

"Silvery Moon" (or "Candy Town" as it is more widely known) is a cute, nonsensical, and nearly plotless cartoon. I kept expecting it to take a dark turn--as I am used to in the Betty Boop cartoons, which this both looks and sounds like, but none ever came. Instead, it remained goofy and as sweet as the candy in the world that cats are transported to.

I assume the target audience for this film in the 1930s was little kids, and I think it might be something they'd get a kick out of even today. However, it's fast-moving enough, and just surreal  enough that adults watching it with them will at least be mildly entertained. It could have benefitted immensely from being in color, however.)

You can see if I'm right or wrong in my estimation, right here in this very post since I've embedded the film below, via YouTube.


(With Halloween approaching, you should probably be thinking about candy, too. Are you ready for the onslaught of trick-or-treaters?)

Musical Monday with Calloway and Boop

The early Betty Boop cartoons are very trippy experiences... but this one seems moreso than others.

The Old Man of the Mountain (1933)
Starring: Cab Calloway (as the voice of the Old Man) and Bonnie Poe (as the voice of Betty Boop)
Director: Dave Fleischer
Rating: Nine of Ten Stars

Although warned of the danger by an entire town of fleeing citizens, Betty Boop decides that she must see the Old Man of the Moutain herself.

Betty Boop had some surreal adventures in the early 1930s, and this is one of them. Although you have to wonder what when through that extra-large head of hers when she chose to disregard warnings from EVERYONE (including a woman who, depending on how darkly you want to view the storyline, was either the Old Man's unhappy wife, or a rape victim), and heads up to mountain to see for herself what everyone is so afraid of, this is among the more surreal of them. From the moment Betty meets the Old Man of the Mountain, this cartoon just keeps getting weirder and weirder... and keeps getting more and more entertaining.

Another really cool aspect of "The Old Man of the Mountain" is that it's essentially a music video; it's not just a cartoon where the characters sing a song or two, it's filled from beginning to end with jazz music and songs performed by Cab Calloway and his orchestra, along with Bonnie Poe. The character of the Old Man dancing was also reportedly rotoscoped from film of Cab Calloway performing. I've read this is one of three Betty Boop cartoons where the Calloway and his music are bascially the stars; I will be seeking out those and reviewing them in this space.

Meanwhile, if you like funky animation and even funkier jazz, you need to take a few minutes out of your day to watch "The Old Man of the Mountain".

That time Betty Boop went to Hell...

Red Hot Mamma (1934)
Starring: Bonnie Poe (as the voice of Betty Boop)
Director: Dave Fleischer
Rating: Ten of Ten Stars

When Betty Boop accidentally opens a gate to Hell, she decides to check the place out.

"Red Hot Mamma" is one of the greatest Betty Boop cartoons ever made; heck, it might be one of the greatest cartoons, period. Hell has never been jazzier and funnier than it is here: Even the initiations of new demons into the infernal ranks is a laff riot! It was also one of the last of the truly "risqué" ones, as the Hayes Office hammer was about to come down on the Fleischer Studios and the rest of Hollywood.

In fact, "Red Hot Mamma" as so "risqué" that it was banned by Great Britain's film censorship board in 1934, not because of sexiness but because they considered the lighthearted portrayal of Hell to be blasphemous. Maybe it's the fact that I'm not terribly religious, maybe its 85 years of eeeevil cultural decay, but I don't see the blasphemy here. If anything, the film makes a point about how the pure of heart can resist and overcome evil, since the film shows Betty to be the baddest Good Girl there is when she responds to devils who are happy to see her ("Hiya Betty!") with a shoulder so cold--and such a frigid stare--that Hell literally freezes over! (There's another element to Betty's trip to Hell that makes this ban even more of a head-scratcher for me, but to talk about it would really ruin the fun for you when watching it.)

But what do you think? Did this cartoon deserve to be banned by the British Board of Film Distribution? I've embedded it in this very post, for you to enjoy the sleek animation, nifty music, and hilarious sight gags--right here, right now.