'Black Paradox' stumbles at the end

Black Paradox (Viz Media, 2022)
Story and Art: Junji Ito
Rating: Eight of Ten Stars

Four strangers unite around a shared desire to commit suicide and vow to support each other by doing it together. Their attempt goes awry when doppelgangers interfere... and this launches them into a terror-filled journey that could shape not only their destinies but the future of humanity.

"Black Paradox" is a slightly different offering from Junji Ito. While it's got a number of intensely horrific moments, it's mostly a slow-burn work that mixes hints of cosmic horror with urban legends, folk lore, a mounting atmosphere of conspiratorial paranoia, and bits of old-fashioned melodrama. In addition, Ito introduces a cosmology of his own devising and slowly reveals the unique positions the four main characters hold in it... and it all adds up to a thrilling and mysterious ride that keeps growing more intense as the intertwined plotlines of the included stories unfold.

Although "Black Paradox" is told in an episodic format, the episodes become more and more tightly linked as the book progresses. In the end, what emerges is a novel-length tale ala "Remina" but which plays more to Ito's strengths for doing short stories in the way "Sensor" and "Uzumaki" did by having more-or-less standalone episodes linked by an overarching storyline that build toward a single climax.

Unfortunately, as excellent as "Black Paradox" is, it suffers from the same flaw as "Sensor" does: After a spectacular beginning and middle, the end doesn't quite deliver on the promise because it feels rushed and half-baked. The problem is more severe in "Black Paradox", because not only do the last two chapters feel like they are rushed, but there are several important plot elements that remain unexplained, because they are dropped entirely; for example, the doppelgangers mentioned in the teaser summary are never explained. We also needed more development of a couple characters that are introduced during the second half of the book--particularly Dr. Suga--but the rush to wrap things up is so frenetic that there's no room for it. 

So, ultimately, what could have been one of Ito's finest works--and one that might even be rife for a sequel, especially in the light of the dropped plot-threads--is a good and entertaining read, but not great. If it had been more like "Uzumaki" and less like "Sensor", I suspect I would have given it a Ten Rating--there is so much potential set up during the first half of the book that is never fully delivered upon.

If you're a fan of Junji Ito, you won't regret the time spent on "Black Paradox"... but you will find yourself wishing there was more.

The Mystery of Ninecrow must be revealed!

While researching something entirely different, I stumbled upon the series "Ninecrow" by Dora Mitchell.

"Ninecrows" is a serialized webcomic that Mitchell began in October of 2020. It has the tone and pacing of a young adult horror novel, or a high-quality made-for-TV psychological thriller. It's the story of Amanda, a teenager who moves to an isolated small town with her Mom, following her parents divorce. She soon discovers that there is something very odd about the place, including strange lights in the wooded mountains high above the town and a pattern of girls mysteriously disappearing when they are about her age. When her mother starts to undergo a personality change, Amanda tries finding allies that can help her unravel the mysteries of the town--but is there anyone or any thing what is at it seems in this strange town?

As of this writing, Mitchell's about 100 pages in and is currently serializing the fourth and final chapter. So far, I've loved how the story's unfolded and how Mitchell has been upping the stakes and laying on the mystery and dialing up the horror. I am looking forward to seeing how it all wraps up, especially given the completely new mystery that was introduced in the something-of-a-cliffhanger ending of Part Three.

I have read the three completed chapters. I generally don't comment on these sorts of web serials (or comic book storylines, period) until they're complete and I can evaluate the entire work. In this case, though, I am interested enough in what's going on that I want to see Mitchell encouraged to finish it! And what better encouragement it there than to know there's an audience out there?

Go check out "Ninecrows". You can read the completed parts, thus experiencing the series the way I did, by clicking on the links below:

Part One -- Part Two -- Part Three

Or you can read the tale as it unfold, one page at a time, by clicking here.

More Cosmic Horror from Junji Ito

Sensor (Viz Media, 2021)
Story and Art: Junji Ito

Rating: Nine of Ten Stars

Wataru is a self-described "no-name reporter" who becomes drawn into a struggle between cosmic forces when he crosses paths with Kyoko, a mysterious woman with hair that literally glows.

"Sensor" is the latest work from comic book horror master Junji Ito. It was originally serialized in Japan during 2018 and 2019, and the English translation of the collected edition was released in August of 2021. Like "Uzamaki", this is a cycle of short stories that combine to tell a single novel-length tale. As such, Ito played to his strengths, avoiding the mistake he made with "Remina": He does good short stories, but long-form is definitely not his strength.

As such, this is a project that plays to Ito's strength as a storyteller. As "Remina" showed, Ito can't quite pull off a novel-length tale if he's structuring it like a novel. However, in this book, he instead is presenting a series of short stories that ultimately combine into one long story. And it works beautifully.

With "Sensor", the book opens with a prologue that initially seems only loosely connected to what follows--with the mysterious Kyoko spending decades in suspended animation within a cocoon formed around her when a village of people who worshiped a cosmic force they called the Akashi was destroyed in a sudden volcanic eruption. Each of the stories that follow, however, tell a stand-alone story that has elements that tie back to that prologue, and these ties get stronger as the book unfolds. Eventually, as the book reaches its climax with a clash between good and evil on a very literal cosmic scale, it becomes apparent that every story have, in fact, been closely related to each other; our hero, Wataru, may have seemed like he was following loosely connected threads, but we discover at the end that he had been trapped in a web of pre-destiny since even before his first encounter with Kyoko.

According to Ito's afterword to the book, "Sensor" (which was originally published under the title "Travelogue of a Succubus") was originally conceived as a story that would have had strong similarities to "Tomie", the series that propelled him to international fame.

This early piece of promotional art certainly looks like it's for a serial about a succubus and the horrors she leaves in her wake as she travels:

However, from the very first installment, "Sensor" was already showed signs of not being what the title was implying. Instead, this prologue lays the foundation for a tale of cosmic horror that the likes of H.P Lovecraft probably would have gotten a kick out of. It is to our benefit that Junji Ito followed his creative instincts and abandoned the original concept for the series (and that his editors allowed him the freedom to do so). The story he delivers is excellent, as is the way each chapter initially seems to stand alone, but that they ultimately add up to a single narrative. 

The only complain I can field about "Sensor" is that it's too short. I felt like the overarching plot seemed to resolve too quickly between the true threat to Wataru's safety coming into to focus in Chapter Five, and the climax unfolding in Chapters Six and Seven. It feels like this book needed to be at least three or four chapters longer--perhaps even twice the length of the seven that it lasts. I feel this way, partly, because because I liked Wataru as a character, and I wanted to see him have more intriguing encounters, but I was also impressed with the way Ito wove a larger story through the background of a series of short ones. I wanted more of this--brief stories that unfolded against a backdrop of events that couldn't possibly be connected yet somehow seemed to be. 

If you've enjoyed Junji Ito's work in the past, or if you're new to it and want to read some excellent horror comics, I strongly recommend you get a copy of "Sensor".

A collection of clever and funny short comics

Stark Plug Book(.com) (Rolling Tire Productions, 2017)

Art and Writing: Chap

Rating: Seven of Ten Stars

Experience fragments from the life of a comic book character who, at one point, decides to quit his job to star in a newspaper strip.

"Stark Plug Book(.com)" is a collection of stories of varying lengths by Steven Chappell (aka Chap). The look of the art reminded me mostly of Gilbert Sheldon (best known for the Fabulous Furry Freak Brothers), but the tone of the humor was generally more genteel, as well as more surreal, than Gilbert's work, as is even evident from the book's cover. 

The material presented is as much about the experience of reading comics and the act of creating stories and art, as it is about chronicling Stark and his surroundings, something which becomes increasingly clear as you read. There's even a page that makes fun of the "classified ad"-style encouragements for kids to order toys and other items that used to be commonplace in comic books. There's even a "contest" that involves finding all the airplanes in the book.

Stark Plug and his dog are the main characters in the book, with Stark's chatty coworkers, his mean boss, and a street musician named Bernie the Banjo Bum making up the main supporting cast. I found Bernie to be the most amusing character here, even outshining Stark himself. (The supporting characters mostly drop out during Stark's turn starring in a newspaper strip, but they are back afterwards.) 

Humor-wise, there is a little bit of everything--social commentary, along with commentary on social commentary; sit-com style comedy; self-referential and fourth-wall shattering jokes and situations that both illuminate and poke fun at artistic creation and processes and comic book story-telling techniques; observations on the nature of art; and metaphysical musings in satirical wrappings. The blurb on the cover announces that this book is "nice alternative to television"... and that is truth in advertising!

I ordered my copy of "Stark Plug Book(.com) directly from the creator at www.starkplugbook.com. To my surprise and joy, my package included several little bits of the merchandise that I thought was just humorous fictions on the amusing "classified ad" page I mentioned earlier. So--I was a proud owner of a Bernie the Banjo Bum guitar pick... until it went missing in my recent move. (At least I still have my sticker... and I still hold out hope that my Bernie guitar pick will resurface somewhere!)

'Remina' delivers horror, but isn't Ito's best

Remina (2020, Viz Media)
Story and Art: Junji Ito
Rating: Seven of Ten Stars

A rogue planet emerges from a wormhole and the astromoner who discovered it names it after his daughter, Remina, who becomes an instant global celebrity. When it becomes apparent that the planet is a destructive force, and that it is heading straight for Earth at unimaginable speeds, all of humanity turn from loving Remina to hating her... and soon, she is hunted by mobs who believe that if they sacrifice her, the Planet Remina won't destroy the Earth and all of humanity.

I have said in previous posts (here and here, for example) that Junji Ito is one of the few people who is a true master of the very difficult art of creating effective horror comics. That view is reaffirmed  with "Remina", in which Ito uses a backdrop of literal cosmic horror to deliver commentary on a whole host of negative aspects of the human race, as well as reminding the reader that disasters can also bring out the best in some of us. And, ultimately, in "Remina", the world doesn't end with a bang, or a whimper, but with the largest slapstick comedy routine since time began. (And, no, I am not breaking my self-imposed rules on spoilers here; there is really no OTHER way this story could end than with the destruction of Earth. This is something that's obvious when you're ten pages in, and it keeps getting reinforced as you progress through the book.)

However, there is a weakness in "Remina" that underscores where Ito's true strength lies: In telling short stories.

Although "Remina" uses the same sort of cosmic, Lovecraftian horror that Ito has previously drawn on in "Uzumaki", this book does not invoke the same level of gut-wrenching horror in the reader that his previous work did. Although the tales in "Uzumaki" add up to a single, novel-length story, each is also a self-contained short story. The longer tale in "Remina" never reaches the level of intensity that's present in the "Uzumaki" tales--even if the crucifixion/human sacrifice scenes come close. 

Similarly, there are several stories in Ito's famous "Tomie" cycle that convey the message that obsession is a destructive force (whether it be adoration or hatred) and that the human tendency to mob action will always end badly both for the actors and for the thing or person being acted upon more effectively than is done here.

What I think "Remina" shows very clearly is that Junji Ito is far better at telling short stories than he is at creating novel-length works. This isn't a bad book; it's just not as good as some of his other works. The horror is more impactful in his short stories than what we get here, and the characters are more interesting overall, despite the room Ito has to develop them in this longer format work. That said, I understand that the title character of this work is something of a useless dishrag and perpetual victim by design. At no point does she have it in her to be the figure deserving of the admiration nor scorn and hatred that the entire world heaps upon her in their superstitious zealotry. Therefore, she never rises to the occasion of fighting back in any way, but instead is swept along by events and defended at every turn by others.

Thematically, Remina is a perfect lead character for this story, but she pales in comparison to other Ito leads--female or male--and she really isn't the right character to carry a long-form story like "Remina". That said, though, she IS the perfect heroine to be in the extended aerial chase scene toward the end of the book, during which she is literally being swept along by circumstances completely out of her control.

Artwise, the book is of the caliber we've come to expect from Ito. The Lovecraftian imagery of the Planet Remina's surface is some of the most bizarre and intricate he's created, and the rest of the art is as sleek as it always is. The work here may lack some of the intensity of some of his other efforts, but it is nonetheless still very in the quality of workmanship that is displayed.

If you like old vampire movies and great comics, you're going to love this book!

Peculia and the Groon Grove Vampires (2005. Fantagraphics)
Story and Art: Richard Sala
Rating: Eight of Ten Stars

When a member of the Baby Sitters Club mysteriously disappears, Peculia is recruited by the remaining three girls to help with a special assignment that required all four members: The new family in Groon Grove have needs that require special attention... 

Richard Sala's reluctant monster-fighter returns for a full-length adventure in "Peculia and the Groon Grove Vampires", and she once again find herself under threat when all she wanted to do was hang out with other teen girls and do some babysitting/caregiving. While Peculia may not have the fun experience she was hoping for, I think readers of this book who enjoy classic horror films and well-crafted comics will have a great time reading it. Sala once again delivers a deftly told tale that delivers chills and chuckles in equal measure.

"Peculia and the Groon Grove Vampires" is a fun tribute to classic horror and vampire films, with nods to the greats from Universal Pictures during the 1940s and Hammer Films during the 1960s, as well as some familiar elements from 1980s slasher flicks. Sala had a love of and respect for these films, and it shows in his work. He was also one of an ever-diminishing crop of writers/artists who understood and had fully mastered the art of the comic book medium, knowing how to lay out a page to keep the reader's eye moving to what's important; knowing when to use a long shot, medium shot, or close up; and knowing how to pace a story one page at a time to encourage the reader to keep turning them to see what happens next. I feel like Sala did some of his best work on the Peculia stories in general and this book in particular. He uses a starker style than in many of his other works, with lots of contrasting solid whites and blacks that sometimes feel like woodcuts; and his scripts are more economical and done in style that harkens back to old-time newspaper comic strips where, supported by traditional visual cues that were also originated in the newspaper strips. While this is true of much of Sala's work from the early 1990s onward, it is most evident in the Peculia stories, I feel.

This approach--of letting the art speak for itself--heightens both the humor and horror in this book, making its best moments even better. And there are some really good moments in this book. 

Sala has some wonderful, wordless scenes featuring George, a young boy who is being baby-sat by one of the soon-to-be-vampire-victims. George fills the role of a comic relief character who spends the story running from horror scene to horror scene, but, who in the end plays a pivotal role in the success of the hero--a kind of character that was a mainstay of the 1940s horror films that served as part of Sala's inspiration here. Sala, however, does a much better job with George than many of the screenwriters did with such characters Back in the Day; George is cute and funny where the old-time comic relief characters were oftentimes more annoying than anything else.

Other highlights are Peculia's mostly silent fights against the vampires; she's always been a girl of few words, but this is more true here than in almost any of her previous appearances. Her silence alternatively makes the horror and humor of her various scenes far greater than it would have been if Sala had caused a quip or a cry to issue forth from her.

Few books are perfect, but the only major flaw I find with this the presentation of how Peculia dispatches two of the vampires. Sala plays a similar gag back-to-back, and I would have preferred a little more variety, or at least a little more distance between the two. (The first time he plays it, it unfolds over what are two of the very best pages in the book.. which could also be why it doesn't work as well the second time around.)

In balance, however, "Peculia and the Groon Grove Vampires" is an excellent read that I highly recommend to anyone who enjoys classic vampire movies and well-done graphic novels/comic books.

Saturday Serial: Jenna of the Jungle

Today, we conclude Don Hudson's excellent "Jenna of the Jungle" series. We hope you enjoyed it as much as we did. Click on any panel for a larger version..


JENNA OF THE JUNGLE: PART NINETEEN, THE CONCLUSION
By Don Hudson

There's a new (briefer) comics serial starting next Saturday, as we're change gears and start to set the mood for Halloween. Come on back and share a bit of creepy fun from Richard Sala with us! 

'Witching Hour' is a fun collection of horror shorts by great writers and artists

Showcase Presents: The Witching Hour, Vol. 1 (2011, DC Comics)
Writers: Steve Skeates, Mike Friedrich, Sergio Argones, Maury Boltinoff, and more 

Artists: Alex Toth, Nick Cardy, Don, Heck, Tony DeZuniga, Dick Giordano, and more

Rating: Eight of Ten Stars

"The Witching Hour" was one of DC Comics' long-running horror anthology titles. This massive, low-cost volume reprints more than 500 pages of content and covers from the first 21 issues, showcasing artwork from some of the comic book mediums true masters in glorious black-and-white.

As a kid, I loved DC Comics' horror anthologies, what few of them I ever gained access to. I'm not sure what my reaction would have been to "Witching Hour" if I had come across back in those days, but as an adult and a lover of anthology films, I thought the majority of this book was an exceptionally fun read. The early issues of this title should be counted among the best horror anthology comics ever published.

A standard for a comic book horror anthology has always been a host character giving a little introduction and epilogue to the stories, and some titles would take it further and start the issue with a page or two establishing the host with a couple of puns and a gag situation. It's also typical for the host to make some joke or ironic comment at the end of each story.

But with "The Witching Hour," editor Dick Giordano took this convention a little further and brought it in line with produced a title that followed the standard set by horror anthology films, placing the titles' hosts in a wrap-around story that sometimes tied all the stories together thematically, but that always provided a prologue, epilogue, and amusing interludes in each issue.

"The Witching Hour" was hosted by three witches, which appear to be loosely based on the Weird Sisters from "MacBeth" and which also had fun with the notion that the younger generation never has any respect for the older generation and visa-versa. Two of them are the stereotypical slovenly hags with warts and pointed hats while the third one is a sexy, swinging, college educated chick who keeps her wardrobe and rooms as fashionable and clean as her older sisters keep theirs tattered, run-down, and vermin infested. And while her sisters boil their witch's brew in the traditional large iron pot over a live flame with ingredients gathered from the swamp surrounding their home, their younger (adopted, they are quick to point out) sister happily lets hers simmer in a pan on an electric range using frozen ingredients from the grocery store.

The framing stories featuring the sisters often involve amusing arguments over modernity and tradition as it relates to witchcraft, and over what makes better stories... old school fairy tales and twist-ending chillers, or more modern and futuristic stories with sci-fi angles. The generation gap jokes are full of 1960s and 1970s slang and outdated technology, but they're still amusing, especially with the recently passed "Okay Boomer" craze.

Unfortunately, after Dick Giordano was replaced as the title's editor, the framing sequences are reduced and eventually phased out. The stories remain interesting--and a few of the best ones in the entire book can be found in the back half--but I still missed the side stories with the sisters, as well as the subplot involving their hideous servant. (The promise of readers getting to see his face, and the payoff of that promise, is one of the funnier running bits I have come across. It's too bad the editors at DC Comics didn't keep that approach going.)

Artwise, the quality is universally top-notch, with a virtual whos-who of comic book greats providing it. The black-and-white presentation and superior printing and paper quality makes it even easier to admire the line-work. Of particular note is the many pages by Alex Toth, who drew many of the framing sequences, and even the majority of the short tales in some issues as well. The art on those Nick Cardy covers especially benefit from being in black-and-white.

"DC Showcase Presents: The Witching Hour" is an anthology of anthologies, and it's a book I highly recommend if you like well-done comics and horror short stories. With Halloween coming up in a few weeks, it even be the book to get you in the proper mood.

Saturday Serial: Jenna of the Jungle

Continuing Don Hudson's "Jenna of the Jungle" (and including a random bonus jungle girl afterwards). Click on any panel for a larger version, and come back next Saturday for Part Nineteen.


JENNA OF THE JUNGLE: PART EIGHTEEN
By Don Hudson

To Be Concluded...

Girls of the Jungle

By Arianna Farricella

'Fangs' is a must-read

Fangs (Andrews McMeel. 2020)

Story and Art: Sarah Andersen

Rating: Nine of Ten Stars

With "Fangs", Sarah Andersen solidifies her place among the modern masters of the comic strip format. She tells the tale of a unusual romance between Jimmy and Elsie, who just happen to be a werewolf and a vampire, through 96 pages of stand-alone strips and illustrations, some of which add up to multi-page arcs, but all of which stand perfectly fine on their own.

Andersen is known to most for her long-running "Sarah's Scribbles" strip, and those readers may be surprised by the very different art- and storytelling style in "Fangs". Instead of the scratchy, bug-eyed, squat cartoon characters from Andersen's other series, this strip features smooth lines and handsomely drawn people and animals; and instead of cutting, self-deprecating observational humor, we instead get situational- and relationship-based jokes and comic situations arising from characters that conform to the pop-culture concepts of werewolves and vampires falling in love and making a life together.

In addition to the attractive art, "Fangs" succeeds because Jimmy and Elsie are both very likable characters. They are so charming and cute that after the opening series of strips showing how they met, you will spend the rest of the book enjoying their sweet and sometimes awkward romance and rooting for them to overcome obstacles and be happy together.

But this is still a book about "monsters" in love, so some of the humor gets dark and there's an occasional dangerous edge  visible in  how the lovers are portrayed. This is especially true of Elsie-- although she is now "vegan" and relies on bloodbanks instead of hunting humans for her sustenance, there are several episodes where you have the sense that she could easily "fall of the wagon". Meanwhile, there's a sense that Jimmy is something of a hippy among werewolves...

Not all the gags in fangs come off effectively, among these are a few that would be perfect if animated but fall flat in the comic strip format, but each strip is cute, funny, touching, and always entertaining. The single page illustrations scattered throughout the book are also very well crafted and add value instead of feeling like filler by moments scenes that either shed light on some aspect of Elsie or Jimmy's personality or on their relationship. The drawing of Jimmy meditating and the one of Elsie getting 

Another bit of "added value" is the physical quality of the book. It's a pretty little hardcover that's deep deep red in color with a simple drawing of Elsie on the cover. It looks more like a collection of poetry or a diary than a collection of comic strips. This means you can get get away with reading it almost anywhere, and you won't have to worry about people looking down their noses at you. And you should read it. Order your copy now!

Saturday Serial: Jenna of the Jungle

Continuing Don Hudson's "Jenna of the Jungle" (and including a random bonus jungle girl afterwards). Click on any panel for a larger version, and come back next Saturday for Part Eighteen.


JENNA OF THE JUNGLE: PART SEVENTEEN
By Don Hudson

To Be Continued...

Girls of the Jungle

By Frank Frazetta

Saturday Serial: Jenna of the Jungle

Continuing Don Hudson's "Jenna of the Jungle" (and including a random bonus jungle girl afterwards). Click on any panel for a larger version, and come back next Saturday for Part Seventeen.


JENNA OF THE JUNGLE: PART SIXTEEN
By Don Hudson

To Be Continued...

Girls of the Jungle

By Mitch Foust

Saturday Serial: Jenna of the Jungle

Continuing Don Hudson's "Jenna of the Jungle" (and including a random bonus jungle girl afterwards). Click on any panel for a larger version, and come back next Saturday for Part Sixteen.


JENNA OF THE JUNGLE: PART FIFTEEN
By Don Hudson

To Be Continued...

Girls of the Jungle

By Frank Brunner

Saturday Serial: Jenna of the Jungle

Continuing Don Hudson's "Jenna of the Jungle" (and including a random bonus jungle girl afterwards). Click on any panel for a larger version, and come back next Saturday for Part Fifteen.


JENNA OF THE JUNGLE: PART FOURTEEN
By Don Hudson

To Be Continued...

Girls of the Jungle

By Paul Abrams

Saturday Serial: Jenna of the Jungle

Continuing Don Hudson's "Jenna of the Jungle" (and including a random bonus jungle girl afterwards). Click on any panel for a larger version, and come back next Saturday for Part Fourteen.


JENNA OF THE JUNGLE: PART THIRTEEN
By Don Hudson

To Be Continued...

Girls of the Jungle

By Frank Frazetta