'No Hands on the Clock' is flawed but still fun

No Hands on the Clock (1941)
Starring: Chester Morris, Jean Parker, George Watts, Astrid Alwynn, Lauren Raker, Dick Purcell, and Rose Hobart
Director: Frank McDonald
Rating: Five of Ten Stars

A missing person case in Reno turns into a tangle of mistaken identities and murder involving a dysfunctional family and bank robbers... and it's disrupting the honeymoon of a private detective (Morris) and his bride (Parker), not to mention threatening to end their marriage before it even gets off the ground.

"No Hands on the Clock" is a light-hearted murder mystery that is dragged down by a mystery plot so complicated that it's difficult to follow. It's not neccesarily a bad plot--and I think it was probably perfectly fine in the novel this film was based on--but this film has too short a running time to give enough room for the motives for kidnapping and murder of the many characters to be given enough context and explanation.

But, honestly, the plot is almost secondary to the antics of the quirky detective, Humphrey. played by Chester Morris, and his wife Louise, played by Jean Parker. They're fun to watch as they exchange one-liners and witty remarks, although I couldn't help but think this marriage is going to end in a quicky Reno divorce with the level of disrespect Humphrey has for his wife, and the rampaging jealousy Louise has regarding he husband talking to other women, even when he's obviously doing so while "on the job."

The film is also fun to watch, because Morris and Parker are supported by actors and actresses who are cast as perfectly as they are in their various roles. Dick Purcell shines almost as brightly as Morris and Parker in a small but crucial role as a notorious gangster. The only sour note is a strange performance given by Astrid Allwyn, in what would be her final film appearance of note. She has a fake smile frozen on her face and she is never looking at the actors with whom she shares a scene but always slightly away from them, staring into space with a gaze as fixed as her smile. I don't know if she was reading cue cards just off set or what was going on there, but she gave a performance more fit for radio than the screen, and she stole her scenes in a bad and distracting way whenever she appeared. (I could understand what she was doing if her character was supposed to be blind that wasn't the case.)

In the end, there is just enough bad in "No Hands on the Clock" to outweigh the good. It's flawe, but still fun, and comes in on the low end of average.

'Dead Man's Eyes' starts lame but gets better

Inner Sanctum: Dead Man's Eyes (1944)
Starring: Lon Chaney Jr., Paul Kelley, Acquanetta, Jean Parker, Edward Fielding, and Thomas Gomez
Director: Reginald Le Borg
Rating: Six of Ten Stars

David (Chaney) is blinded when he mistakenly puts acid in his eyes instead of eye-wash. When his elderly future father-in-law (Fielding) is murdered after willing David his eyes for transplant, he becomes a prime suspect with lots of motive and no alibi beyond being blind.



Successful crime dramas, thrillers, and horror films usually work because they foreshadow what's coming, be it the obnoxious rich uncle delcaring, "you'll get my fortune over my dead body!" or the weird gypsy woman warning the characters not to go into the woods after midnight. Lack of foreshadowing makes the mystery or horror film feel forced and slipshod, and the wrong kind of foreshadowing makes viewers roll their eyes.

Like the foreshadowing in "Dead Man's Eyes". The main character, David, lives and works in a small studio apartment. It is so small, in fact, that it has only one sink that serves as both kitchen, bathroom, and the place to his brushes. Above the sink is a shelf... where David keeps the eye-wash he uses daily right next to the acid he uses to clean his brushes. And he keeps these two liquids in identical bottles. Right next to each other.

I'm sure you can see the coming disaster that's invariable going to strike, especially given the title of the movie. And, sure enough, one day, David grabs the wrong bottle (maybe by accident, but most likely not, given his model is a South American psycho who is insanely jealous of David's fiancee and madly possessive of him) and pours acid in his eyes instead of eye-wash.

I almost shut the DVD off at that point, because I wasn't in the mood for wasting my time on fodder for Movies You Should [Die Before You] See but wanted to be entertained by something good. And this film was not looking promising.

I'm glad I stuck with it, though. because once it got past the monumentally stupid set-up, it turned into quite the thrilling little mystery, with a nice array of suspects and enough plot twists to keep suspicion on almost everyone up to the end--including the main character, David.

The film is also fun, because of the many strong performances. Acquanetta is great as David's crazy model, and she's also the easy suspect for all the nefarious going-ons in the film. And if the movie had stayed as weak as it began, she would have been the only suspect. But Lon Chaney Jr. also gives a fine performance, one that gives viewers the idea that there's something a little off with his character. The other actors are excellent in their parts too, and, supported by a clever script, they turn what started out as a disaster into a fun viewing experience.

"Dead Man's Eyes" is the third of six movies in the "Inner Sanctum" series. Like the two previous ones, Lon Chaney Jr. gives an excellent performance. It might well be that these films feature Chaney at his best. If you liked him as the reluctant wolfman in Universal Pictures' monster-mash films, you absolutely need to check him out in these pictures.

Lugosi is wasted in this so-so comedy

One Body Too Many (1944)
Starring: Jack Haley, Jean Parker, Bernard Nedell, Bela Lugosi, Lyle Talbot, and Lucien Littlefield
Director: Frank McDonald
Rating: Five of Ten Stars

Insurance salesman Albert Tuttle (Haley) arrives to sell a millionaire life insurance, only to find that his customer is already deceased and his greedy family members are at his house to fulfill the terms of his unusual will. Albert's night goes from bad to worse when he is recruited to help watch the body (which is laying in state in the house until construction on a special crypt is finished), as the estate's executor (Nedell) fears the some of the relatives may try to circumvent the terms of the will. And can anything more happen once Albert is attacked and the body is stolen? Well, there's always murder....

"One Body Too Many" is a film that history has passed by. It's a straight-up spoof of "the dark old house" mystery subgenre that flourished in the 1930s and early 1940s. That genre so long out of favor that it is barely remembered (although several horror movies in recent years have incorporated elements of the genre, with "See No Evil" being perhaps the most prominent of them), and much of its humor is therefore somewhat muted to the modern viewer. Although, those who remember the "Scooby-Doo" cartoons are familiar with the standard elements of the genre, as bioth "Scooby-Doo" and this film features (and pokes fun) at all them, such as the setting of a gothic mansion that is honey-combed with bad electrical wiring and secret passages, full of creepy servants, crooked relatives, andshadowy killers, and beset by rain and thunderstorms that come and go depending on the needs of the plot.

The film features a solid cast and decent sets, even if the rooftop observatory left a lot to be desired. Jack Haley, as the hapless Albert Tuttle, brings about many chuckles, and he does a fine turn as the start of this comedy. Despite the fact that Bela Lugosi's name and face are huuuge on the DVD case of this film, his part is rather small. Further, while he and Haley play off each other in one of the film's funniest exchanges--where Lugosi, playing Murkil the butler, has to explain the mud on his shoes--he doesn't get to show off his all-too-rarely used talent for comedy. The running gag with the servants and the coffee, which pays off in the film's final scene, isn't one that required a great deal of skill to deliver.

Script-wise, it's okay, but there's nothing particularly bad, but there's also nothing particuarly spectacular. There only one part that doesn't work on any level, and that's when three of the relatives decide to take the coffin and hide it in the pool. The action makes no sense and the schtick that it lets Haley do isn't particularly funny. The rest of the fillm is pleasently amusing, however.

While "One Body Too Many" isn't a film that I would necessarily recommend buying on its own, it does add to the value of any DVD multipack it is featured in. It's also a fine candidate for a Netflix rental if you enjoy comedies and mysteries from the 1930s and 1940s.