Death makes a house call....

Inner Sanctum: Calling Dr. Death (1943)
Starring: Lon Chaney Jr., Patricia Morison, J. Carrol Naish, Ramsay Ames, Fay Helm, and David Bruce
Director: Reginald LeBorg
Rating: Six of Ten Stars

A brilliant hypnotherapist (Chaney) becomes the prime suspect in the murder of his shrewish, unfaithful wife (Ames) when he suffers an unexplained blackout during the weekend she was murdered.

"Calling Dr. Death" was the first of six films based on the popular radio drama anthology series "Inner Sanctum", each starring Lon Chaney Jr. in the lead role. It is a series that belongs both in style and quality with Universal's Wolf Man and Mummy pictures of the early 1940s--most of which also starred Chaney--in that these films a low-budget B-pictures that vary greatly in quality... and rarely manage to touch the heights of Universal's horror films from the early 1930s.

Like the radio series they draw from, the "Inner Sanctum" films are more mysteries than horror flicks, but it varies from installment to installment how far they lean toward which genre.

"Calling Dr. Death" is a straight mystery that, despite being rather slow-moving manages to generate quite a bit of tension as its multi-layered plot casts suspicion first on one character, then another... and ultimately seems to settle on a conspiracy between two characters. Eventually, the film relies on a surprise twist, which was well-executed and very dramatic, even if it pointed back to the character I had initially thought would be the killer. The method used was also similar to what I had figured, but the motivation was completely different, but it fit logically with the rest of the film's storyline. (The twist ending must be a lost art.)

Featuring a solid cast, with Chaney as the high-strung hypnotist and J. Carrol Naish as the relentless, hard-nosed police detective who is hellbent on proving "Dr. Death" guilty of killing his wife, leading the pack. Ramsay Ames was almost unrecognizable as the shrewish wife, and Patricia Morison.

This isn't the greatest of mystery films, but it's got a great cast and it pays off nicely if you're a little patient with it. If you're a fan of Lon Chaney Jr. and a classic B-movie mysteries, it's worth checking out.

Drummond takes on spies in Africa

Bulldog Drummond in Africa (1938)
Starring: John Howard, E.E Clive, J. Carroll Naish, Heather Angel, Reginald Denny, and H.B. Warner
Director: Louis King
Rating: Seven of Ten Stars

Despite some extreme measures that adventurer Hugh 'Bulldog' Drummond (Howard) and his friends take to stop him from being drawn into yet another adventure that will ruin the plans for his wedding, Fate once again intervenes. When his fiance, Phyllis Clavering (Angel), witnesses the kidnapping of Scotland Yard's Colonel Nielsen (Warner) by notorious freelance spy Richard Lane (Naish), Drummond and the gang persue the bad guys all the way to Morocco to rescue him.


"Bulldog Drummond in Africa" is one of the very best in the series released by Paramount Pictures. It's got some of the best gags (Drummond and Tenny, trapped in Rockingham Lodge without pants and money to keep Drummond from being lured into trouble, doing Scottish dances in improvised kilts to entertain themselves gives even more entertaiment for the viewers), it's got the most suspenseful storyline so far (with everyone being placed in extreme mortal danger during the unfolding story, and Drummond and the entire gang having one of their most narrow escapes ever). From its opening scene to the final fade-out, the film moves along at lightning pace, never letting off on the banter, action, or antics.

On the acting front, Howard, Clive, and Denny return as the characters they've played in previous films, and they do their usual excellent jobs. Denny's character of Algy Longworth (the undisputed champion in the Upperclass Twit Olympics) has a little more to do in this film, and viewers who might have started to wonder why Drummond tolerates him, can start to understand why.

Also, Heather Angel and J. Carroll Naish return to the series with this episode, Angel resumes the role of Phyllis Clavering (which she played in "Bulldog Drummond's Escape"), while Naish appears as a different bad guy than he played previously. Both are excellent in their parts, with Angel delivering a more energetic Clavering than Louise Campbell did in the intervening three films. (Campbell did a good job, but I prefer Angel's Phyllis.) Naish, meanwhile, is playing a far more interesting, competent, and evil villian than the one he portrayed in "Bulldog Drummond Comes Back". He has some nice lines, and the always jovial demeanor of Richard Lane, who is a murderous sociopath, makes for a bad guy who is fun to watch, particularly in interplay with new series regular H.B. Warner, who takes over the role of Colonel Nielsen from John Barrymore.

With Warner joining the cast, Nielsen returns to the sort of character he was in the first couple of films. It's hard to say whether Nielsen was badly written in "Bulldog Drummond's Peril", but here the character is back in form, and the calm, upper-lip-so-stiff-it-must-be-made-of-bone fashion he deals with Lang and his spy collegues makes it clear why Nielsen and Drummond are good friends. Nielsen is far more than just a former Army officer and high-level government official--he's every bit the hardcase adventurer as Drummond, and we get to see that in this film, even if he is basically the "damsel in distress."

I recommend this film to fans of 1930s and 1940s pulp fiction tales, adventure films, and even those who enjoy the "Indiana Jones" movies. While this isn't a good point at which to start the series, those who have seen one or more of the earlier films should note that as of the fifth entry, this series is still on an upward quality climb. There are few other movie series that can be said about.

New faces a-plenty when 'Bulldog Drummond Comes Back'

Bulldog Drummond Comes Back (1937)
Starring: John Howard, E.E. Clive, Louise Campbell, John Barrymore, Reginald Denny, J. Carroll Naish, and Helen Freeman
Director: Louis King
Rating: Five of Ten Stars

Adventurer Hugh 'Bulldog' Drummond (Howard) is preparing to marry the love of his life, Phyllis Clavering (Campbell), his past comes back to haunt him in a major way. Phyllis is kidnapped by Valdin and Soldanis (Naish and Freeman), a sinister pair of characters with very personal reasons for wanting to torment Drummond. As he is drawn into a deadly game of riddles and clues where Clavering's life is the prize, he calls upon his friend Algy (Denny) and loyal manservant Tenny (Clive) for help, and to keep Scotland Yard's Colonel Nielsen (Barrymore) from accidentially causing Clavering's death.


"Bulldog Drummond Comes Back" is the weakest of the Paramount-produced Bulldog Drummond films, but not through any fault of the actors. Every performer featured is excellent and they play their roles with great style and good humor or deadly menace (depending on what side of the Good/Evil line the characters fall on). The problem here is the script... the situations presented never seems believable or sensible, even when viewed through the screwy lense that captures the world of Hugh Drummond and his pals. As a result, everything seems frivolous and pointless.

Still, the film is great fun to watch. With John Howard replacing Ray Milland in the role of Drummond, the energy and charm of the character is ratcheted up several notches, bringing a rapidfire pace to the film that will be a hallmark of the series for the six.

E.E. Clive also comes fully into his own as Tenny in this film, establishing a scene-stealing dry wit that gives rise to some of this film's funniest moments. He also plays fabulously off the other actors, and he makes a much better on-sceen partner to Howard than he did to Milland.

Louise Campbell, who takes over the role of Phyllis Clavering, is not quite as beautiful as Heather Angel, but, like Clive, she establishes the Phyllis Clavering character as she will appear in the future films--not quite as fully realized as Drummond and Tenny, but the foundation is put in place: As a spunky, self-reliant heroine who can give Dummond and the boys a run for their money. (And she does this while still remaining feminine and mostly proper. As one of the original "spunky heroines", Clavering is an interesting and fun character.)

Barrymore's first outing as Colonel Nielsen is greatly entertaining, although a bit out of character. His persuit of Tenny and Algy in a series of provides as many highpoints to this episode as Tenny and Drummond's banterings.

The rest of the cast performs expertly, as I mentioned above, with Naish being particularly strong in his first turn as a bad guy in the series (he shows up again in "Bulldog Drummond in Africa").

The great performances by the cast, and some snappy dialogue, almost lifts "Bulldog Drummond Comes Back" to the high-end of average... almost but not quite.

The overall blandness is spiced up by the exteme sadism of the bad guy

The Monster Maker (1944)
Starring: J. Carroll Naish, Tala Birell, Wanda McKay, Ralph Morgan and Terry Frost
Director: Sam Newfield
Rating: Five of Ten Stars

A mad scientist (Naish) goes to extreme measures to force the daughter (McKay) of a celebrated concert pianist (Morgan) to marry him.


"The Monster Maker" is a sadistic little horror film about a maniac with a talent for epidemiology, the young lady he wants to possess no matter what, and her father that he infects with a horrible disease to make it happen.

The movie is a little on the slow side, the acting is uniformly bland and the camera work is even more so. However, the absolute and pure insane evil that is represented by J. Caroll Naish's character of Dr. Markoff will make you stick with the film. His plan to force the lovely Patricia to marry him can't possibly work, but he proceeds with the unwavering certainty that only a complete lunatic would display... and the film gets increasingly sadistic toward its various characters as it unfolds.

Dr. Markoff may well be one of the most evil mad scientists of the first decade of horror cinema, not to mention one of the craziest. (I can't comment on the full reason why I say he's the evilest and craziest as it ruins one of the film's shocking revelations, but take my word for it: You haven't seen the final word in an evil mad scientist until you've seen "The Monster Maker".

The film is also noteworthy if you're interested in following the trail of the obviously fake gorillas that were so common(and possibly even proscribed by some sort of cinematic code) among low-budget film studios in the 1940s. Perhaps it was the same fake gorilla? It shows up again here and it's just as unintentionally hilarious as every other time it shows up.

(Has anyone tried to catalogue the number of times these fake gorillas showed up during the 1940s? If not, there might be an article in that idea....)

"The Monster Maker" is worth checking out if you're into mad scientists and/or fake gorilla suits. I highly recommend the version available from Alpha Video as the DVD transfer was made from a virtually prestine print of the film. Click here to read more about, or to order a copy, it at Amazon.com. (There are some minor scratches, but it's in far better shape than what is typical for films from long-bankrupt minor studios like PRC.)