'The Haunted House' is a treat full of tricks

The Haunted House (1921)
Starring: Buster Keaton, Virginia Fox, Joe Roberts, and Mark Hamilton
Directors: Buster Keaton and Eddie Cline
Rating: Eight of Ten Stars

On the run from the law, a bank teller (Keaton) who has been wrongfully accused of counterfeiting and trying to rob his place of employment, takes refuge in a house seemingly haunted by ghosts and demons.

"The Haunted House" is fun, funny, but most of all, good-natured and cute. Sure, it's the story of crooks (led by the towering Joe Roberts) who are using a small-town bank to exchange their counterfiet dollars for real ones; and sure, an innocent, if mishap-prone, bank teller (Buster Keaton) ends up blamed for their crimes; and, yeah, Roberts and his gang end up kidnapping the bank president's daughter (Virginia Fox)... but, despite all of that, this movie has a jovial air about it that makes it breeze by while you're watching. You even forget how fundamentally silly it is that Keaton, an adult, is scared and confused by men in devil and skeleton costumes, or by people wearing sheets pretending to be ghosts. (And as is my habit when reviewing these short films, I'm not going to go into too man details about the jokes and gags, because that would ruin the film for you. It's established up front that the hauntings and demonic infestations are

High points of the film include a series of gags involving paper currency, glue, and a botched bank robbery; Keaton's character first reacting with fear to the fake hauntings and then with marked sarcasm once he discovers it's just a bunch of guys in costumes; Keaton's interactions with the "devil" in the house; and Keaton's adventures in the Afterlife following a last-minute dramatic twist. There are also some really funny slapstick bits involving a trick staircase, and a very clever--and surprisinglyspecial effects sequence that is actually the film's single truly unnerving moment. (It's also completely out of place with everything else in the picture, but I suspect it was just too good a concept to not use.)


Aside from the out-of-place special effects gag (which is still excellent, just out of place), the only other real complaint I can mount about the film is that Virginia Fox's character needed a little more screen time and development. What we get is a very perfunctory "this is our damsel in distress" and not much else, and the film would have benefitted greatly if just a little more time had been devoted to her. These weaknesses still result in me rating the film a very high Eight on my Ten-star scale rather than a Nine.

But just don't take my word for how fun "The Haunted House" is. I've embedded it below, via YouTube, for your viewing pleasure!


Trivia: Buster Keaton liked the stair gags so much that he developed further routines and included a similar idea in "The Electric House" (1922).

'Hard Luck' is one of Buster Keaton's Best

Hard Luck (1921)
Starring: Buster Keaton, Virginia Fox, and Joe Roberts
Directors: Buster Keaton and Eddie Cline
Rating: Ten of Ten Stars

After repeatedly failing to kill himself, a broke, impoverished, and unloved young man (Keaton) gets a sudden opportunity to turn his life around, be a hero, and possibly even find romance with a beautiful woman (Fox).

"Hard Luck" is at once one of the funniest and darkest comedies I've seen from Buster Keaton. It opens with Keaton's character being beaten down by Circumstance one time too many for him to bear, and then follows him through a number of attempts at killing himself (hanging, getting run over by trains and cars, trying to get himself crushed by a falling safe, drinking poison), all of which fail with hilarious results. Yes, you will find yourself laughing at this character who is trying to end his misery.

Even after it looks like his luck may be turning around, and he'll have a chance to find some semblence of stability and happiness in his life, viewers who are paying attention will see that this is initially a false hope; our suicidal hero falls in with a group of rich people among whom he will never fit in and that he will certainly find himself rejected and dejected once again. This is made even clearer when his new friends go on a fox hunt and he tries to join them but is left behind while trying to get on a Clydesdale. The jokes and physical gags during this part of the film are as funny as the various failed suicide attempts, and the humor isn't quite as dark, because you will find yourself buying into the character's new-found hope.

"Hard Luck" is at its best when Keaton's character finds himself in the middle of a robbery and kidnapping, and he defeat a gang of desparados led by a hulking brute (who is played by Joe Roberts, who has never been as menacing as he is here). The stakes are as high as they can possibly be--because if Keaton fails, he will be dead and the lovely Virginia Fox will most certainly be raped. The clever way by which Keaton's character singly takes on and defeats an entire gang of armed men features one of the best application of the silent movie standard of characters running in and out of rooms while fighting or pursuing each other. It was an old bit in in 1921, but Keaton puts a different spin on it, as well as adds some dramatic and hilarious complications.

Despite his heroism, however, Keaton's character still ulimately ends up without prospects and love... or so it seems. The film has one last big joke, which, according to sources, was not avaible in prints for decades... much to Keaton's disappointment, because he described it in at least one interview as his favorite part of this, one of his favorite works. (This last gag also ultimately brings light to the darkness of this movie, with a final twist that demonstrates that no matter how hopeless life can seem, no matter how much hard luck you're being beaten down by, happiness can be waiting any moment. That's the message I took from the final moments of the film, so I'm glad that lost footage was found and restored.)

After watching several versions of "Hard Luck" available on YouTube, I think the one I've embedded below is the most complete one that is easily available. I strongly encourage anyone who hasn't seen it to take 25 minutes out of their day to do so. If you are a Keaton fan, you won't regret it... and if you're not familiar with his work, you may just find yourself a new filmmaker to admire.




Note: September is National Suicide Prevention Awareness Month. Look out for those around you... and if you're ever in the mindset of the Keaton character in "Hard Luck", please remember that things CAN get better. I know; I've been there.

'The Electric House' will spark laughter

The Electric House (1922)
Starring: Buster Keaton, Joe Roberts, Steve Murphy, and Virginia Fox
Directors: Buster Keaton and Eddie Cline
Rating: Eight of Ten Stars

A botanist (Keaton) is mistaken for an electrical engineer and is hired to install electricity in a millionaire's mansion. He goes above and beyond the call of duty and turns the house into a mechanical marvel that puts the smart-houses of 2019 to shame... but then the engineer who should have had the job (Murphy) decides to take revenge.

"The Electric House" is a tour-de-force of set building. The devices and the prop comedy around them are the real stars of this picture, and the film starts to drag when it strays from this, like the bit where Keaton struggles with a heavy trunk. While this sets up other gags, it feels like filler, which is a bad thing in a movie that only runs a little over 22 minutes.

That sequence, though, is the only real quibble I have with the picture. I have a few nitpicks with how long it took Keaton's character to catch onto the sabotage (which is mostly excused by the way he ultimately deals with the saboteur), as well as some of the business at the end (which is almost made up for by the film's final moment), but over all, this is an enjoyable picture. It doesn't have that frenetic feeling that my favorite Keaton films convey, but it is still a heck of a lot of fun. (It's also interesting to see that diploma mills have been around for at least 100 years, because without an indifferently run university, the story of this movie would not have taken place.)

But just don't take my word for how fun "The Electric House" is. I've embedded it below, via YouTube, for your viewing pleasure!

Move over Romeo & Juliet... because here come Buster & Ginnie!

Neighbors (1920)
Starring: Buster Keaton, Virginia Fox, Joe Roberts, Joe Keaton, and Eddie Cline
Directors: Buster Keaton and Eddie Cline
Rating: Seven of Ten Stars

A romantic relationship between two neighbor teens (Keaton and Fox) triggers a feud between their parents, and eventually throws their entire neighborhood chaos.

"Neighbors" starts with a "Romeo and Juliet" vibe, with two young lovers who just want  and then spirals outward outward into total chaos. Within the space of less than 18 minutes, this film moves from being a spoof of a stereotypical melodrama (about young lovers being kept apart by angry parents) into being a wild series of crazy slapstick routines and acrobatic stunts (as Buster alternately tries to circumvent the angry fathers to make time with the love of his life, tries to get back at her father for standing in his way, and then tries to avoid arrest after mistakingly bopping a beat cop on the head), before circling back around to satire by poking fun at the court system and ultimately returning to making fun of melodramas as the star-crossed lovers try to get married.

Like most of the Keaton short films I've watched, "Neighbors" has a dream-like quality about it where life itself seems to be a series of non-sequitors and everyone seems, annoyingly, to be getting in the way of achieving even the simplest of goals, no matter how hard you trying to avoid them and run around them. (Although, maybe, the fact that I consider this to be dream-like may say more about me than it does about the movie...)

"Neighbors" was the first short that Buster Keaton made with Virginia Fox, and for most of her roles during the rest of her career, she would be teamed with him; Fox retired from acting in 1925 after marrying Hollywood Kingpin Darryl F. Zanuck. Fox is a decent performer, but she's no Sybil Seely, who was prettier, more charismatic, and whom Keaton reportedly would have liked to have made more films with if Seely had been available.

But why don't you take a little time out of your day and check out "Neighbors" for yourself? I've embedded the films, via YouTube, so you can enjoy it right here, right now.

'Cops': Filmed on location in Crazytown!

Cops (1922)
Starring: Buster Keaton
Directors: Buster Keaton and Eddie Cline
Rating: Eight of Ten Stars

Through a series of missteps and misunderstandings, a young man (Keaton) trying to win his girlfriend's hand in marriage ends up being chased by the city's entire police force.

There are three kinds of people who get in trouble with the police: The criminal, the stupid, and the unlucky. In the space of this film's 18-minute running time, Buster Keaton character is every one of those. He steals some money (from someone who just happens to be the police commissioner), he is conned into buying property from someone who doesn't actually own it (but some of it belongs to a police officer), and he inadvertently becomes the center and perpetrator of a terrorist attack on a police parade.

"Cops" is a little slow in the wind-up (although it opens strong with an excellent site gag that plays with audience expectations given the title), but once it really gets going it's a one long, hilarious chase scene.

Like almost every Keaton short I've written about in this space, I feel like I can't go into too much detail without ruining the amazement you'll feel the first time watching the events unfold  I will say, though, that the stunt involving Keaton balancing on a ladder atop a fence while cops on both sides are trying to get at him is worth sitting through the film almost all by itself.

Above, you can see that I only listed one star of this film. While Joe Roberts (as a cop from whom Keaton's character steals money) Virginia Fox (the girl he is trying to impress), and Steve Murphy (as a con man who rips him off) all play pivotal characters in the plot, Buster Keaton is the only true star of this picture. He owns this film from the first moment though the very last frame (even if only his hat appears in it).

If you like rambunctious comedies, whether you admire cops or are more likely to walk around saying "fuck the police", I think this is a film you'll enjoy the heck out of. I've embedded the film below, so you can watch it right here, right now. It may well be the funniest 18 minutes of your day!