Ker-Choo (1933) Starring: Bonnie Poe and Gus Wicke
Director: Dave Fleischer
Rating: Eight of Ten Stars
It's the Grand Prix, cartoon-style, with all the craziness you'd expect!
"Ker-Choo" is one of those cartoons where almost anything I might say about it will ruin the fun of watching it for the first time. While it remains funny if you watch it more than once, the biggest enjoyment will come from watching the race (as well as the cartoon animals watching it in the stands) for the first time; the wacky bizarreness of it all will bring joy to even the grumpiest soul!
This is one of the Betty Boop-headlined cartoons where the entire gang is here -- with Bimbo and KoKo the Clown being among the drivers competing against Betty -- and each gets their moment to shine. In fact, I think Bimbo and KoKo between them deliver two of the funniest gags in the film, with KoKo even turning what might have just been a simple transition scene into a moment of hilarity.
While there are many reasons I think you'll enjoy this cartoon if you're into Pre-Code Era animation, the most important one is the unique place it has cinematic history: It was the first tale (and perhaps the only tale so far) of a race being won through germ warfare! Further, this cartoon may also be the true origin of "twerking"!
One word of warning: The race music may get stuck in your head for a day or so after watching this!
Barnacle Bill (1930) Starring: Billy Murray and Margie Hines Director: Dave Fleischer Rating: Seven of Ten Stars
Barnacle Bill (voiced by Murray) has a girl in every port--and nothing's going to keep him from getting it on Nancy (voiced by Hines!
"Barnacle Bill" is an early appearance of the characters that would eventually evolve into Bimbo and Betty Boop--the second for Betty, actually. You can see hints in what both characters would eventually become, but Nancy Lee/Betty is equal parts grotesque and cute in this iteration. (She still is an anthropomorphic dog, like Bimbo, but it's downplayed more here than it is in her third appearance in "The Mysterious Mose".)
Historical trivia aside, "Barnacle Bill" is worth checking out for its non-stop stream of sight gags and nifty twists on cliches that were old even at the dawn of the 1930s. It also shines as a mini-operetta, with Barnacle Bill and Nancy hilariously singing their way through their romantic interactions. Other highlights include Bill escaping his ship for shore leave against his captain's orders, the surprising love game Bill and Nancy end up playing, the gossiping neighbors, and a very cute surprise finale.
This classic cartoon is only some 8 minutes long. Check it out for the fun, or check it out to see the origin of one of the most famous cartoon characters to ever be created... but check it out!
Betty Boop, M.D. (1932) Starring: Mae Questal (voice of Betty Boop) and William Costello (voices of Bimbo and Ko-Ko) Directors: Dave Fleischer and Willard Bosky
Rating: Nine of Ten Stars
Bobo, Ko-ko, and Betty Boop are traveling snake-oil peddlers who use Betty's charms to seal their deals.
Nice music, weird plot, and even weirder cartoony results of the miracle tonic that Betty & Friends are hawking. All in all, another wildly creative and zany adventure from the Fleischer Studio. It's also one of those masterful bits of entertainment that needs to be experienced cold--I feel that any else I say about the plot and events of the film will ruin the experience.
Aside from the wild strangeness of this cartoon, I also love it because it lets me imagine Betty Boop's world a bit more clearly. There appears to be villages of humanoids like Bimbo in addition to the cities where humans like Betty live. (Heck, Betty's weird looks could be explained by her being a third kind of being... or maybe some sort of crossbreed? After all, when she was younger, she look a bit like a poodle... :) )
Betty Boop's Penthouse (1933) Starring: Mae Questel, Jack Mercer, and Billy Murray Directors: Dave Fleischer and Willard Bowsky
Rating: Six of Ten Stars
Betty Boop is enjoying a quiet day of gardening and frolicking and singing in her penthouse garden when she attracts the lecherous attention of the proprietors of a mad science lab, Bimbo and Koko, in a neighboring building. Unfortunately, while the pair admire Betty, an experiment goes awry and a monster gets loose!
"Betty Boop's Penthouse" isn't the strongest of the Boop cartoons, but it's noteworthy for being one of a handful of times where Fleischer stars Bimbo, Koko, and Betty all appeared in the same short film. It has its moments, but the music is so-so and there's only one gag that is truly hilarious. Nothing here falls flat or is particularly bad--this just isn't as strong an effort as the best Boops.
I think Bimbo and Koko make a good pair of mad scientists, and I like the way they get their come-uppance... but the film seems to run out of steam in its final minutes, as the unleashed product of mad science goes after Betty. The ending is bad, but it lacks punch. In that way, I suppose it's matches everything else in this short--it's not bad but it's not particularly good either--but I still wanted more.
But you can take a few minutes to see whether I'm judging this cartoon too harshly by clicking below and watching it from this very post. (And if you have even more time, you can let me and everyone else know what YOU think of it, in the comments section!)
Screen Songs: Let Me Call You Sweetheart (1932) Starring: Ethel Merman, Billy Murray, and Mae Questal Director: Dave Fleisher and Shamus Culhane Rating: Seven of Ten Stars
After a nanny (Betty Boop, voiced by Questal) turns down his advances, a police officer (Bimbo, voiced by Murray) proceeds to rape her while putting the baby she's supposed to care for in deadly danger. Meanwhile, Ethel Merman invites viewers to join her in singing "Let Me Call You Sweetheart".
I watched "Let Me Call You Sweetheart" twice, with four days between viewings, just to make sure I hadn't been in a dark frame of mind when I viewed it the first time. I hadn't been.
The cartoon sequences are among the most disturbing I think I've ever come across... because the sense is that there's nothing wrong with the fact that Bilbo is a police officer who forces is "affection" on a clearly-not-interested Betty Boop. Also, we're clearly supposed to find it hilarious that Bilbo, while setting about to rape Betty, intentionally kicks the baby carriage she was tending, sending it careening down a hill where it and the baby ultimately plunges and sinks into a pond. Although the baby doesn't die (no one really thought that it would, did they?) and is saved via some visually amusing cartoon antics, the circumstances under which it is placed in danger are so distasteful it was hard for me to enjoy it. Just to make the Betty and Bimbo sequence as repulsive as possible, the animators later show them in a state of blissful embrace--Betty really wanted it all along, see?--where we should have seen her standing over Bimbo's broken and twisted corpse.
For all my irritation at main animated sequence of this Screen Songs installment, I can also see a possibility that it was intended as an ironic juxtaposition of the featured song, "Let Me Call You Sweetheart", because the on-screen lyrics get really crazy type-setting wise toward the end. The animated sequence after the Ethel Merman sing-along section supports this idea, as it features a predator singing "Let me Call You Sweet-heart" while chasing down its prey. (Bimbo and Betty being shown in a loving embrace after he forces himself upon her in a brutal fashion undermines that interpretation though. Unless one assumes they were "roleplaying"...)
Although I had a very hard time enjoying this cartoon, I recognize it's well-animated with some amusing visual, quickly paced, and features a pleasant song, hence the Seven-Star rating. I just can't get past some of the messaging. (Oh... and while I can't think of a way to do rape "right", the creators of this cartoon and this one did present child endangerment in a fashion that was more amusing than troubling.)
But are the flaws of "Let Me Call Me Sweetheart" are severe as I feel they are? Take a look for yourself and let me know!
Mask-A-Raid (1931) Starring: Ann Little (Betty Boop and various voices) and Bill Murray (Bimbo and various voices) Directors: Dave Fleischer and Al Eugster Rating: Nine of Ten Stars
Betty Boop is the Queen of the Ball at a masquerade, and she becomes the object of love (and lust) by Bimbo the Bandleader and the dirty old man who's the King of the Ball. Although Betty is clearly more attracted to Bimbo, she declares they must duel tor her heart. Insane antics ensue.
"Mask-A-Raid" is a turning point for the most famous original characters to come out of the Max Fleischer-operated animation studios, Bimbo and Betty Boop.
First, this is the moment when Bimbo was permanently reduced from the headlining character to supporting character status. While he would continue to be a presence in the series for a few more years, he had been replaced as the star by Betty Boop, who had originally been introduced as a nameless supporting character with appearances like this. In some, he'd be a co-star (like he is here), but in others he'd barely be present.
Secondly, this is the point at which Betty Boop's transformation from an anthropomorphic poodle into the big-headed sexpot we all know and love. The change had been taking place over several cartoons, but this is the first time when her floppy poodle ears have been fully replaced by hoop earrings and the last vestiges of her dog snout are completely gone.
As for the content of "Mask-A-Raid", this is one of the most risque Betty Boop cartoons I've seen so far, with Betty leaving no confusion about her desire to get hot and sweaty with Bimbo, with the dirty old man leaving no confusion about his desire to get hot and sweaty with Betty, and there's no doubt that Bimbo is not particularly interested in defending Betty's virtue but rather his own desire to get hot and sweaty with her. I think it's clear that these cartoons were directed at an adult audience--or at least older teens.
All that said, there is a sense of fun about everything in this very charming cartoon. In some of the Betty Boop installments, Bimbo comes across a demented stalker (like this one) or the proceedings are tinged with horror (as illustrated here), but here Bimbo is just a horndog and Betty is willing to engage him. The sense of fun (and perhaps even joy) intensifies as the cartoon progresses and gets stranger and stranger as it goes, and the duel for Betty Boop's--um... companionship--escalates into a major brawl for no apparent reason. I think if you watch "Mask-A-Raid" without at cracking at least one smile, you're dead. Not just dead inside, but clinically dead.
In addition to lots of zany visuals and escalating craziness, "Mask-A-Raid", like many of the Boop cartoons from this period, is an animated mini-musical... and the music and songs are just as nutty as the animation. There are Betty Boop cartoons that feature better music but I've yet to see one that manages to be as completely chaotic and perfectly graceful at the same time as this one.
But don't just take my word for it. Why don't you take a few minutes to have some fun right now? Click below, sit back, and get ready to laugh! (And if I have steered you wrong, let me and the world know in the comments section.)
In 1931, as Fleischer's Betty Boop was soaring toward animated superstar status, she and her friend Bimbo co-starred in an adaptation of the "Little Red Riding Hood" story. It has some fun, surreal, and/or just plain crazy moments. The music isn't bad either.
It also makes you question Betty's taste in boyfriends. At the outset of the Betty comments to Bimbo that her mother doesn't approve of him... and as the cartoon unfolds, I think it's clear why. By the end, I think it's clear that Bimbo may be more dangerous than the wolf ever was... as well as a complete psycho. (Of course, if the assume that "Dizzy Red Riding-Hood" is a sequel to this one, we already know Bimbo isn't quite right in the head.)
"Dizzy Red Riding-Hood" is a zany take on a very familiar story that goes to very unexpected places. No matter what meaning you assign to the original story and the events and characters within it, this version subverts them all!
Dizzy Red Riding-Hood (1931)
Starring: Ann Little (Voice of Betty Boop) and Billy Murray (Voice of Bimbo, others)
Mysterious Mose (1930) Starring: Margie Hines (voice of "Betty Boop"/The Girl) and Bill Murray (voice of Bimbo/The Mysterious Mose)
Director: Dave Fleischer
Rating: Seven of Ten Stars
After she is harassed by the ghosts haunting her home, Betty Boop's sleepless night may be about to go from bad to worse when the notorious night-creeper known as the Mose invades her home.
There are some films that need to be experienced with as little advanced warning and spoilers from reviewers like me. "Mysterious Mose" is one such film. It's opens with with some risque weirdness brought on by a frisky ghost-- clearly establishes that the Bimbo and Betty cartoons were made for an adult audience--and it just keeps getting stranger as it goes. I guarantee that you will have a hard time predicting what's coming from one moment to the next, and you will certainly not be able to predict the film's ending. And that is what makes this bit of gothic-flavored weirdness so much fun to watch. The catchy music helps, too.
One thing I do have to mention specifically is that I've been referring to the female main character in this cartoon as "Betty Boop" for ease of reference more than anything else--like everyone else, I presume. When this cartoon was made, "Betty Boop" had yet to sport that name; her iconic look had likewise yet to be fully established. This was her fourth appearance and her design changed from film to film--as did that of Bimbo, actually--but this was the point where the "Betty" everyone recognizes began to take form. That said, she is still an anthropomorphic dog with droopy ears at this point, and she has darker skin that she would be portrayed with (for the most part) going forward. Still, this is the first time the future "Betty Boop" is clearly recognizable as Betty Boop.
But enough from me. Why don't you take a few minutes out of your day to check out this classic cartoon? It's guaranteed to entertain, as well as stir the Halloween Spirit!
Crazy-Town (1932)
Starring: Mae Questel and Billy Murray (each doing various voices)
Director: Dave Fleischer
Rating: Seven of Ten Stars
Betty and Bimbo head down a rabbit hole that leads to the heart of Crazy-Town, a place where everything is the opposite of what you expect.
Betty Boop exists in a world where inanimate objects come to life, people and plants transform themselves into different shapes instantly, and most of the population consists of anthropomorphic "funny animals", so a place called "Crazy-Town" has got to be somewhere where things are even more bizarre.
That isn't quite the case here. Instead, almost everything is opposite of what it should be--fish fly above a pond while birds swim in the water; neighborhoods drive to the trolley car; and when women go to the beauty salon, they don't change their hairstyles, they change their heads! This is all very strange and very fun--although it's a little weird that Betty and Bimbo initially freak out by all the backwardness, since they open the cartoon by singing how they have nothing better to do, so they're going to go crazy in Crazy Town. The cartoon also features some very catchy tunes that I was humming for a good part of the day after watching it, and that I find myself humming as I type this review. Unfortunately, there is a tendency here that I don't recall from other Boop cartoons to drag out almost every gag until it's unfunny. As fun as this is, it feels like instead of coming up with enough wacky concepts to truly fill the run-time, they just padded some sequences... and it drags down this otherwise excellent cartoon.
Still, the good outweighs the bad here, and it's well worth your time to check out "Crazy-Town" (which you can do, right here from this post; it's embedded below, via YouTube). This cartoon is also noteworthy in the sense that it contains some very clear reminders that the "Betty Boop" series was originally made for adult audiences. It should also prove particularly amusing to those out there who subscribe to the notion that "Alice in Wonderland" was inspired by a drug trip.
Bimbo's Initiation (1931)
Starring: Billy Murray (voice of Bimbo) and Mae Questel (voice of Betty Boop)
Director: Dave Fleischer
Rating: Eight of Ten Stars
A secret society wants Bimbo to join their ranks, and its members won't take no for an answer.
"Bimbo's Initiation" is another one of those 1930s cartoons that starts goofy, turns weird, and dives headlong into the nightmarishly insane before its over. It's also an extremely funny. Further, even by today's standards, this 90-year-old cartoon features some very impressive, almost 3D-feeling animation of Bimbo's trek through the bizarre house of horrors the secret society traps him in after he turns them down. The film's best gag comes at the very end, though, when Bimbo is made an offer to join that no male can refuse!
This fun and freaky cartoon is sure to brighten your day, as well as make you marvel at how it can be so creepy and so amusing at the same time. If you have an interest in pop culture, you'll find added value in the fact that this film is one of the last times Betty Boop appeared in her original anthropomorphic poodle-like form, as well as one of the last time Bimbo had a leading role. Soon, Betty would be redesigned into the character we know today, and Bimbo would be relegated to ever-smaller parts until vanishing from the series entirely in 1934.
Please take a few minutes to enjoy "Bimbo's Initiation", right here in this post. You're also invited to leave comments here if you agree or disagree with my comments, or have an observation you wish to make.
Is My Palm Read? (1933)
Starring: Mae Questal (the voice of Betty Boop) and Billy Murray (the voice of Bimbo)
Directors: Dave Fleischer and Dave Tendlar
Rating: Six of Ten Stars
Professor Bimbo and his crystal ball reveal Betty's past as a baby, and her grim future on a ghost-haunted desert island.
Much is made of Betty Boop's sexiness, but, to my eyes, these cartoons are more about being spooky than sexy. Sure, she ran around in a tiny dress that sometimes got pulled off her... but she was always being menaced by ghosts, demons, hillbilly rapists, and more! I'm far from an expert, but my sampling of Betty Boop cartoons from the 1930s seem more creepy than sexy to me, with only two not featuring some sort of supernatural element. Some even have the feel and pacing and logic of bad dreams and nightmares. (Okay, they have the feel and pacing and logic of MY bad dreams... so maybe that says more about my psychological state than it does about the cartoons....)
"Is My Palm Read" is another Betty Boop adventure that sees her (and recurring supporting characters Bimbo and Koko) menaced by ghosts. While Betty's captivity within a haunted hut on a desert island is initially just a psychic vision, the ghosts manage to somehow break out of Bimbo's crystal ball toward the end of the cartoon. In doing so, they somehow transform the reality of the cartoon from an urban setting to the desert island from the vision. How or why is impossible to discern, and the characters just seem to take it in stride--they do, after all, live in one of the most surreal worlds ever committed to film. However, while this sudden merging of psychic vision and reality leads to an amusing chase scene, it makes no sense in any context.
While I feel a bit foolish for expecting a Betty Boop cartoon to make sense, this move was just a little too dream-like, too surreal, and too chaotic for me; it made me go "waitaminnit" and got me thinking about the mechanics of the story instead of just enjoying it. I don't think that was the intention the director and animators, so I think it's a flaw in the execution here.
That said, it's really the only flaw. It's a flaw that takes away from the overall enjoyment of the cartoon, but not from the excellent and lush animation it features, nor from the catchy tunes it delivers.
How about you take a few minutes out of your day to watch "Is My Palm Read?" and tell me whether I'm right or wrong in my take on it. You can check it out below, courtesy of YouTube.
Trivia: There are at least four different edits of this Betty Boop cartoon available for viewing online, on YouTube, Amazon Prime, and elsewhere. The version I have embedded here is, as far as I can tell, the most complete and closest to what was originally released into theaters in February of 1933. Most versions available to not feature the sequence with Betty as a baby, and at least one has a slightly different musical score. (The opening titles song does not have lyrics, for example.)
Minnie the Moocher (1932)
Starring: The Voices of Cab Calloway and Mae Questal
Director: Dave Fleischer
Rating: Eight of Ten Stars
Betty (Questal) and her boyfriend Bimbo run away from home, but they are confronted by a ghostly walrus (Calloway) and other spooks when they seek shelter in what turns out to be haunted cave.
"Minnie the Moocher" is one of the greatest Betty Boop cartoons, and some even say it is the greatest. Me, I think that honor goes to "The Old Man of the Mountain", but there's no question that this is one jazzy, snazzy, kooky. spooky filmlette!
"Minnie the Moocher" was the first of three collaborations between producer Max Fleischer and pioneering jazz-man Cab Calloway, and, like the other two, it plays like a precusor to the sorts of music videos that were the hallmark of MTV during its glory days: Each is a tour-de-force of creativity and surreal weirdness, as well as vehicle for delivering excellent music to present fans and introducing it to new ones.
As for the cartoon itself, "Minnie the Moocher" will keep you engaged with both its storyline, its weird visuals, and the great songs, with the main attraction being the song of the title, but Betty singing about how distressed she is over her mean parents is fun as well. Like the other two cartoons that Calloway made with Fleisher, it's also a great deal of fun to see him turned into a cartoon creature that still moves in a very Calloway-esque fashion thanks to Rotoscope--which was invented by Fleischer animators and first used on these cartoons.
Why don't you take a few minutes to enjoy some great music and watch an even greater cartoon? Just click below to start the video!
Snow White (1933)
Starring: Mae Questel (as the voices of Betty Boop and the Evil Queen) and Cab Calloway (as the voices of Koko the Clown and the Magic Mirror)
Director: Max Fleischer
Rating: Eight of Ten Stars
An evil queen orders Betty "Snow White" Boop (both voiced by Questal) put to death after a magic mirror declares Betty to be the most beautiful woman in the land. Complications ensue.
"Snow White" has been celebrated by critics as the most surreal of all the Betty Boop cartoons. I've not seen enough of them to know whether this is true or not. What I can say for sure is that's the weirdest adaptation of "Snow White" I've ever come across!
There's not much I can say about this film without ruining the viewing experience. I was slightly disappointed that the story felt a little more chaotic here than in other Betty Boop cartoons I've watched, but that was more than made up for how impressive I found it that despite being represented by a cartoon clown and a cartoon ghost that is nothing but legs, arms, and a head, Cab Calloway's mannerisms and demeanor still shine through. I was also enthralled by the backgrounds in the Magic Cave once the singing started. Instead of the usual static images that repeat with some minor variations as the animated characters sing and bounce their way through the action, it's a constantly changing set of images that visually tell the story of the "St. James Infirmary Blues" song being performed by Cab Calloway in his freakish ghost guise.
If you haven't seen this great old cartoon before, you should take a few minutes NOW to check it out, especially since the version embedded in this post has both perfectly clear visuals and audio. You won't regret it.
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