Just a bit of muscial nuttiness from Van Beuren

Nursery Scandal (1932)
Starring: Anonymous Singers and Voice Actors
Directors: John Foster and Harry Bailey

Rating: Five of Ten Stars

Magic gnomes cause characters from fairy tales and nursery rhymes to emerge from a discarded book, and they all proceed to have a Rave Party 1930s style. Meanwhile, Mother Goose gets romantic with a scarecrow.

"Nursery Scandal" is a innocuous bit of nonsense for all ages. Adults and children alike will find the most entertainment here from identifying all the fairy tales and nursery rhymes that emerge for the big party. The only thing scandalous here might be Mother Goose making time with a scarecrow... but as scandals go, it's a pretty minor one.

There is no plot to get in the way of the story here: Gnomes find the book of rhymes and fairy tales; gnomes cause various characters to come to life; gnomes host a dance party. If Modest Mussorgsky had based "Night on Bald Mountain" on a book of fairy tales instead of folklore about witches and demons, events similar to what we have in "Nursery Scandal" would have formed its storyline.

If you have a few minutes to spare and are in the mood for something strange, then you should click below. I suspect you won't come across anything weirder today.

Rarely has there been a wackier race

Ker-Choo (1933)
Starring: Bonnie Poe and Gus Wicke

Director: Dave Fleischer

Rating: Eight of Ten Stars

It's the Grand Prix, cartoon-style, with all the craziness you'd expect!

"Ker-Choo" is one of those cartoons where almost anything I might say about it will ruin the fun of watching it for the first time. While it remains funny if you watch it more than once, the biggest enjoyment will come from watching the race (as well as the cartoon animals watching it in the stands) for the first time; the wacky bizarreness of it all will bring joy to even the grumpiest soul!

This is one of the Betty Boop-headlined cartoons where the entire gang is here -- with Bimbo and KoKo the Clown being among the drivers competing against Betty -- and each gets their moment to shine. In fact, I think Bimbo and KoKo between them deliver two of the funniest gags in the film, with KoKo even turning what might have just been a simple transition scene into a moment of hilarity.

While there are many reasons I think you'll enjoy this cartoon if you're into Pre-Code Era animation, the most important one is the unique place it has cinematic history: It was the first tale (and perhaps the only tale so far) of a race being won through germ warfare! Further, this cartoon may also be the true origin of "twerking"!

One word of warning: The race music may get stuck in your head for a day or so after watching this!

The fight in the fountain!

I've failed to find the original version of the cartoon embedded below, so I can't give proper credit nor do I even remember the actual title... but I found this short cartoon featuring an indignant mermaid and her attempts to defeat a statue of a little boy peeing hilarious when I first saw it many, MANY years ago and I find it hilarious today. I hope you do, too!

And if anyone out there knows the original source and creator of this animation, please let me know, so I can give them proper credit and put a review header on this video. (It's an easy Nine of Ten Stars, by the way.)

Barnacle Bill makes landfall!

Barnacle Bill (1930)
Starring: Billy Murray and Margie Hines
Director: Dave Fleischer
Rating: Seven of Ten Stars

Barnacle Bill (voiced by Murray) has a girl in every port--and nothing's going to keep him from getting it on Nancy (voiced by Hines!

"Barnacle Bill" is an early appearance of the characters that would eventually evolve into Bimbo and Betty Boop--the second for Betty, actually. You can see hints in what both characters would eventually become, but Nancy Lee/Betty is equal parts grotesque and cute in this iteration. (She still is an anthropomorphic dog, like Bimbo, but it's downplayed more here than it is in her third appearance in "The Mysterious Mose".)

Historical trivia aside, "Barnacle Bill" is worth checking out for its non-stop stream of sight gags and nifty twists on cliches that were old even at the dawn of the 1930s. It also shines as a mini-operetta, with Barnacle Bill and Nancy hilariously singing their way through their romantic interactions. Other highlights include Bill escaping his ship for shore leave against his captain's orders, the surprising love game Bill and Nancy end up playing, the gossiping neighbors, and a very cute surprise finale.

This classic cartoon is only some 8 minutes long. Check it out for the fun, or check it out to see the origin of one of the most famous cartoon characters to ever be created... but check it out!

Back when training films were entertaining...

... the Department of Defense produced a series of animated shorts starring Private Snafu, a character who did everything wrong so the enlisted men would not as World War II raged. These were created by top-notch talent who were established writers and artists and filmmakers and animators who had been drafted and then assigned to positions where their talents could do the most good for training and/or propaganda purposes.

The main talents behind the "Private SNAFU" series were director Chuck Jones (with animators he'd worked with at Warner Bros.), voice artist Mel Blanc (another Warner Bros. animation regular), and writer Theodor Geisel, (an old hand at political cartoons and propaganda who is better known under his pen name Dr. Seuss), and it's another series of 1940s-era training films that makes me wish the things I've had to sit through over the years were half as entertaining.

This is the first of several "Private SNAFU" we'll be bringing you over the next many months. We're not leading with the best of them--today's featured cartoon is amusing, but there are far wilder entries in the series--but this one seemed perfect for our Mermay celebration (which the still above probably already clued you into).

Private SNAFU: A Lecture on Camoflage

Starring: Mel Blanc

Director: Chuck Jones

Rating: Six of Ten Stars

A fun but sloppy entry in the 'Cartoonland' series

Alice Chops the Suey (aka "Alice in Chinatown") (1925)
Starring: Margie Gay
Director: Walt Disney
Rating: Five of Ten Stars

When Alice is kidnapped by cartoon Chinese gangsters, her animated cat friend sets out to save her.

 

 "Alice Chops the Suey" is a so-so entry in the "Alice Comedies" (referred to as "Alice in Cartoonland" in these parts where the strengths are almost cancelled out by the weaknesses. It was an early series animated by Walt Disney himself, and if it tells us anything about Disney, it's that his talent for gathering and managing creative teams was superior to his own creative talents.

Coming during the latter half of the series, and ostensibly starring the fourth and final girl to play the live-action character having adventures in a cartoon world, this short film is literally non-stop action from beginning to end. Like some of the other best moments in the series, the fun it has with cartoon-world physics and the malleability of animated characters are also highlights here, especially if you have a taste for surrealism and the absurd.

On the downside though, there is a lack of attention to detail that felt sloppy and that I found frustrating. The most obvious example of this is the way Alice's shape changed to appear more like one of the natives of the Cartooniverse when she was put in a bag and carried off by the gangsters. I've previously commented on how disappointed I was when the live-action Alice turned into an animated Alice for no reason other than to make the scene easier to execute, but it's never been as badly and sloppily done as it is here. At the very least, Disney could have bothered to make the struggling character in the bag thinner, to match Alice.

I was also annoyed by the way this installment opened, but not for the reasons I understand that has frustrated other reviewers.

I've seen negative comments directed at "Alice Chops the Suey" because its opening moments are a clear and obvious "rip-off" of Fleischer Studios' Out of the Inkwell shorts. I didn't see that as a negative, but more as Disney acknowledging where the inspiration for his series mixing live-action and animation came from... even if Fleischer consistently did it better than Disney ever managed to do.

To my mind, the biggest flaw here is that Disney either forgot the set-up of the series and that the "borrowed" opening from Out of the Inkwell doesn't fit with how he uses it. Alice is NOT a creation of pen and ink, but is instead a flesh-and-blood being who enters Cartoonland. It makes no sense for her to pop out of the ink well, especially not since she isn't a drawn character. I don't know if the target audience for the series would be bothered by this, but it cast a pall over the entire episode for me. And the pat ending didn't help. 

Ultimately, though, the good almost cancels out the bad here, with "Alice Chops the Suey" being fast-paced and goofy enough to entertain.

'The Gay Goucho' is one of Van Beuren's best

The Gay Goucho (1933)
Starring: Gus Wicke
Director: Hugh Harman
Rating: Six of Ten Stars

Cubby Bear descends from the Argentinian highlands to spend the night with his dancer girlfriend... but when banditos intrude upon their fun, Cubby's defense of her honor places them in deadly danger.

 

Animation-wise, "The Gay Goucho" is one of the best efforts I've seen from the Van Beuren Studios; the character designs are decent, varied, and they remain stable throughout the entire run-time of the cartoon. Further there are honest-to-god detailed backgrounds and other elaborate scenery, something that's a rariety in a Van Beuren production. There is also a minimal amount of obvious looping and none of the visual gags and other sequences are stretched to the point where they stop being funny and become dull. In fact, one can even describe moments of this cartoon as thrilling. 

So why am I only giving it a rating of Six Stars? Because as funny and cute and energetic as this cartoon is, it falls completely apart and the end. The final gag is amusing, but the wrap-up is such a lazy cop-out that I knocked a full star off.

But I've embedded "The Gay Goucho" below for your viewing convenience and--hopefully--pleasure. Let me and everyone else know what YOUR thoughts are about it!

Betty & Crew has a cure for what ails YOU!

Betty Boop, M.D. (1932)
Starring: Mae Questal (voice of Betty Boop) and William Costello (voices of Bimbo and Ko-Ko)
Directors: Dave Fleischer and Willard Bosky

Rating: Nine of Ten Stars

Bobo, Ko-ko, and Betty Boop are traveling snake-oil peddlers who use Betty's charms to seal their deals.

 
Nice music, weird plot, and even weirder cartoony results of the miracle tonic that Betty & Friends are hawking. All in all, another wildly creative and zany adventure from the Fleischer Studio. It's also one of those masterful bits of entertainment that needs to be experienced cold--I feel that any else I say about the plot and events of the film will ruin the experience.

Aside from the wild strangeness of this cartoon, I also love it because it lets me imagine Betty Boop's world a bit more clearly. There appears to be villages of humanoids like Bimbo in addition to the cities where humans like Betty live. (Heck, Betty's weird looks could be explained by her being a third kind of being... or maybe some sort of crossbreed? After all, when she was younger, she look a bit like a poodle... :) ) 

'Alice the Jail Bird' is pretty good

Alice the Jail Bird (1925)
Starring: Margie Gay
Director: Walt Disney
Rating: Five of Ten Stars

After stealing a pie and getting caught by the police, Alice and two of her cartoon animal friends are sentenced to prison and hard labor.

"Alice the Jail Bird" is a simple and straight-forward short film that I think will be appreciated even by the modern members of its target audience--six- and seven-year-old kids--more than it will by adults. That said, I think even little kids will be frustrated by the numerous sequences that drag on beyond the point where they are interesting, as well as wonder why one of the three companions is ignored and left behind during the inevitable jailbreak.

Another flaw, although a purely technical one that may bother me more than most viewers, is the poorly executed integration of animation and live action footage. While Alice does interact more with the animated characters than she does in several other entries in the series, the combination of live-action and animation still pales in comparison to the conceptually similar series from the Fleischer Studios, Out of the Inkwell featuring Ko-Ko the Clown. The film also sloppily breaks with its own conceit when live-action Alice is replaced with an animated Alice in the "long shots". Although I doubt it is something that will annoy the target audience--if they even notice--but it annoyed me enough to knock a Star off my rating. The scenes where Live-Action Alice is replaced by Animated Alice also happen to be the ones where there's the greatest degree of action and interaction between Alice and the animated world. It's a shame that Disney didn't have the budget or the technical know-how/equipment to keep the Alice character purely live action, because some of the sequences in this film would have been amazing. As it is, it's just an annoying bit of incompetence that breaks the consistency of the imaginary world of the series.

Despite its flaws, this is still one of the better entries I've seen of this series. The events all tie together to form a fairly coherent story and most of the gags serve action that moves the story forward. Even better, the character of Alice has a role that warrants her name being in the title; she is not central to all the action, but she is a central mover to the plot. 

What I enjoyed the most about "Alice the Jail Bird", though, is the nutty cartoon-world physics that's on display throughout the film. While some of the gags are stretched beyond what's good for them, they remain great examples of the surreal weirdness that makes even these weaker shorts from the 1920s and 1930s still worth watching.
 

And speaking of watching -- you can watch "Alice the Jail Bird" right here in this post. Just click below and sit back.

Alice experiences war in Cartoonland

Alice's Little Parade (1926)
Starring: Margie Gay
Director: Walt Disney
Rating: Five of Ten Stars

War breaks out in Cartoonland, and Alice (Gay) leads her animated friends into battle!

I keep hoping that I'll come across an "Alice" film that will show the spark of genius that will, a few years later, would put Walt Disney on the path to building a entertainment empire. However, all I find is proof that his talent was recognizing talent in others and putting that talent to maximum commerical use... but when Disney was helming his own animation projects, they fall short of what was being produced by other animators and studios.

The problems with "Alice's Little Parade" start with the title. It has almost no connection with what happens in this episode. Sure, she parades her troops before they go into battle, but there was more of a parade in the first Alice cartoon than what's in this one. It would have been far better served by a title that invoked what it was about--a war between factions of cartoon characters. (I do realize that the title is a reference to "The Big Parade" (1926), a movie about WWI, but I don't think it serves the cartoon well.)

A more severe problem is the lazy animation. A couple sequences are looped to the point of tedium--the film opens with one of them--and the backgrounds are so sparse that I think that even the Van Beuren animators would feel bad about cashing the paychecks earned creating them.

Finally, although the integration of the live-action footage of the little girl, Alice, was better than in other installments of this series I've watched, there was still very little of it. Compared to the Max Fleischer series that also mixed live-action footage with animation, "Out of the Inkwell", this is a weak effort. Perhaps Disney was constrained by the fact that his live-action performer was a very young child? That might be a sensible theory, as Margie Gay who appears as Alice in this film had already done more than a dozen of them, so maybe it was possible to get a little more elaborate? I will have to specifically look for a few entries toward the end of her 31-episode run to see if that notion holds up.

With all this negativity, you might be wondering why I awarded this film a Five-Star rating. Well, it's a very low Five, but it's based mostly on the fact that I found the portrayal of war between animated characters in this film fascinating. Although it's half-baked (like almost everything about the "Alice in Cartoonland"), there's enough here to show how surreal a conflict between beings who can reshape themselves and their environment at will, can be. (I also loved the cartoon animal field hospital; I don't know whether Disney was making a fourth-wall joke about how generic all the animated characters are in this series, but that's how it came across to me, and I thought it was spot-on as a bit of self-deprecating humor.

"Alice's Little Parade" is great, but it's not completely without merit either. I recommend checking it out if you like early animation... and I invite you to use the Comments section if you think I'm off-base with this review. (The version I've embedded is interesting in that it features a recently composed score that was recorded and synched before a live audience, and features partial restoration to the point where it looks much better than most of the surviving Cartoonland installments.)

Cubby vs. Pirates (and Bubbles)

Bubbles and Troubles (1933)
Starring: Anonymous Voice Actors (mostly speaking nonsense)
Director: Mannie Davis
Rating: Five of Ten Stars

When his girlfriend is abducted by pirates, only Cubby can save her!

This Cubby adventure came together better than I had anticipated when it opened. What initially feels like it's going to be a boring mess of unconnected, nonsensical gags--in short order, Cubby goes from doing stunts on his bicycle, to performing magic tricks with soap bubbles to being inflated by one of the bubbles and floating away into the sky--ends up coming together in an amusing and creative fashion when the bubbles of the title end up being central to story as it unfolds.

Almost every moment involving the pirates and their ship from the point the captain decides he wants to add Cubby's girlfriend to his treasure hoard is also a lot of fun. The launching of the longboat was especially amusing. I liked these pirates so much that it's a little hard for me judge whether they're defeated a little too easily, or whether I just feel that way because I wanted to see more of them.

As with the majority of Van Beuren's animated shorts, the use of music is the greatest aspect of "Bubbles and Troubles". The music adds tremendously to this film, and I don't know if I've ever quite experienced "The Sailor's Hornpipe" used so perfectly anywhere before.

But don't just take my word for it. Click below, sit back, and enjoy!

Can Betty Soothe the Savage Beast?

Betty Boop's Penthouse (1933)
Starring: Mae Questel, Jack Mercer, and Billy Murray
Directors: Dave Fleischer and Willard Bowsky

Rating: Six of Ten Stars

Betty Boop is enjoying a quiet day of gardening and frolicking and singing in her penthouse garden when she attracts the lecherous attention of the proprietors of a mad science lab, Bimbo and Koko, in a neighboring building. Unfortunately, while the pair admire Betty, an experiment goes awry and a monster gets loose!

"Betty Boop's Penthouse" isn't the strongest of the Boop cartoons, but it's noteworthy for being one of a handful of times where Fleischer stars Bimbo, Koko, and Betty all appeared in the same short film. It has its moments, but the music is so-so and there's only one gag that is truly hilarious. Nothing here falls flat or is particularly bad--this just isn't as strong an effort as the best Boops.

I think Bimbo and Koko make a good pair of mad scientists, and I like the way they get their come-uppance... but the film seems to run out of steam in its final minutes, as the unleashed product of mad science goes after Betty. The ending is bad, but it lacks punch. In that way, I suppose it's matches everything else in this short--it's not bad but it's not particularly good either--but I still wanted more.

But you can take a few minutes to see whether I'm judging this cartoon too harshly by clicking below and watching it from this very post. (And if you have even more time, you can let me and everyone else know what YOU think of it, in the comments section!)

Felix knows how to spend the weekend!

If your weekend is half as wild as the one Felix the Cat has in "Woos Whoopee", you're doing it right. (Well, you probably want to avoid the hallucinations... but maybe not! The hallucinations are what makes this cartoon so much fun to watch!)

Felix Woos Whoopee (1928)

Starring: A voice actor who doesn't speak any actual lines

Director: Otto Messmer

Rating: Seven of Ten Stars

It's another disappointing trip to Cartoonland...

Alice Gets Stung (1925)
Starring: Virginia Davis

Director: Walt Disney

Rating: Four of Ten Stars

A cat chases a rabbit while bears make music and dance. It just another day in Cartoonland until Alice (Davis) decides to help that cat and then go bear hunting.

The "Alice in Cartoonland" series was an early effort from Walt Disney and a studio of animators. It's similar in concept to Max Fleischer's "Out of the Inkwell" series in that it merges live action footage with animation, but where Fleischer had animated characters invading the Real World, Disney had a young girl have adventures in the animated universe. Sadly, the Disney effort appears to be inferior to the Fleischer films it was modeled after. In fact, the ones I've seen so far are so weak that I am astonished more than fifty were produced and distributed. 

"Alice Gets Stung" is both one of the best entries I've seen in the series so far, as well as one of the worst.

On the plus side, the animation in this installment is very playful and there's some fun and creative use of cartoon physics during the action scenes. Alice also interacts with her environment more than in most of the others in the series I've previously seen, such as picking up and moving a fire hydrant and even getting in on the cartoon physics action (although in a minor, but still quite creative and visually exciting, way). The level of looping and dragging out gags until they stop being funny is also minimal when compared to previous efforts.

On the negative side, the film is little more than a jumble of disconnected visual gags and set pieces. While they are more innovative and wild than in other outings, there needed to  be a little more of a narrative thread tying them together. Then there's the fact that once a story-thread begins to emerge, Alice ends up as the villain in her own series, attacking bears that are doing nothing more malicious than playing music and dancing in the woods. At least, after Alice tries to murder them, one of the bers is able to turn the tables on her... which leads to the event of the film's title. (I can only assume that Walt Disney was traumatized by a dancing bear as a child, because he seems to have a serious hatred for them.)

I know that I am not the audience for the "Alice in Cartoonlands", as I am not a six-year-old in the 1920s, but I am fairly confident that six-year-old me in the 1970s would have strongly disliked Alice. I keep hoping to find timeless, commercial savvy that Disney displayed later on in these early efforts, but so far I'm not seeing it. Life is too short to spend on things I know I'm not going to enjoy, so Alice will get one or two more views before I decide they are best left in the compost heap of cinematic history.

In the meantime, though, you can watch "Alice Gets Stung" by clicking below. You can also tell me if you think I'm being too harsh or have completely missed the point with my review in the comments section. (You can also agree if you like!)

'Widdershins' is a fun steampunk romance

Widdershins (2018)
Starring: Brian Cox and Jam Gray
Director: Simon Biggs

Rating: Seven of Ten Stars

A bored and lonely gentleman (voiced by Cox) living in a perfectly ordered world where humanity has subjugated themselves to clockwork automatons finds excitement when he crosses paths with a rebellious woman (voiced by Gray). 

For a short film set in a steampunk utopia-turned-dytopia, "Widdershins" is amazingly sweet and touching. Every character in it is appealing in its own way (even the robotic butler that occupies a space in the story that swings from comedic sidekick to borderline villain to mildly pitiable pet) and each is provided touches that economically communicate their strengths and weaknesses and desires. In short, even the robot character gets some humanizing touches over the 10-minute span of this film, and it makes it an absolute joy to watch.

The animation is simple--perhaps a little too simple at times--but it's all energetic and well-matched to the fast-moving story. The music is very effective as well. 

If you like steampunk and/or quirky romance tales, I think you'll find the minutes spent in the world of Mr. Widdershins and the Mystery Woman will be enjoyable ones. Click below to start watching!

This film was called to our attention by a reader of the blog. If YOU know of a film you think we need to watch and call attention to--so others can enjoy it--send us a link at stevemillermail@gmail.com!

One of the best 'Alice' entries is still weak

Alice the Whaler (1927)
Starring: Lois Hardwick
Director: Walt Disney
Rating: Five of Ten Stars

Alice (Hardwick) is the captain of a whaling vessel operated by a literal zoo crew of cartoon animals.

 The "Alice Comedies" (also referred to as "Alice in Cartoonland") was an early series of 50+ short films by Walt Disney. It merged live action footage with animation in a fashion similar to the "Out of the Inkwell" series from Max Fleischer, but much cruder in execution.

"Alice the Whaler" came toward the end of the series, and it's one of the better ones I've watched so far... but it's also incredibly inconsistent in the level of quality as it unfolds. There are some really nice bits of animation with flying birds, some of the crew antics are fairly complex and funny. On the other hand, there are some jokes that get drawn out well beyond the point of being funny and there's some cheaply and lazily executed animation sequences, and the live-action Alice is barely incorporated into any of the cartoon action. 

What really ruins this cartoon, though, is the ending. It involves Alice's whaling ship successfully harpooning the whale, and, given how this is set up, I can't believe that even 100 years ago audiences would have found that turn of events amusing or entertaining. Either Walt Disney conceived of one of the worst endings to a cartoon ever, or the full ending has not survived to present day. (The only satisfying finale *I* can think of for this one, would have seen Alice's ship smashed to bits and she and her zoo crew bobbing in the ocean, clutching flotsam.)

But don't take my word for it--click below and watch for yourself. Aside from the completely botched ending, this is a pretty cute cartoon. The music is also matched nicely to the action.

Musical Monday with Ethel Merman & Betty Boop

Screen Songs: Let Me Call You Sweetheart (1932)
Starring: Ethel Merman, Billy Murray, and Mae Questal
Director: Dave Fleisher and Shamus Culhane
Rating: Seven of Ten Stars

After a nanny (Betty Boop, voiced by Questal) turns down his advances, a police officer (Bimbo, voiced by Murray) proceeds to rape her while putting the baby she's supposed to care for in deadly danger. Meanwhile, Ethel Merman invites viewers to join her in singing "Let Me Call You Sweetheart".

 I watched "Let Me Call You Sweetheart" twice, with four days between viewings, just to make sure I hadn't been in a dark frame of mind when I viewed it the first time. I hadn't been.

The cartoon sequences are among the most disturbing I think I've ever come across... because the sense is that there's nothing wrong with the fact that Bilbo is a police officer who forces is "affection" on a clearly-not-interested Betty Boop. Also, we're clearly supposed to find it hilarious that Bilbo, while setting about to rape Betty,  intentionally kicks the baby carriage she was tending, sending it careening down a hill where it and the baby ultimately plunges and sinks into a pond. Although the baby doesn't die (no one really thought that it would, did they?) and is saved via some visually amusing cartoon antics, the circumstances under which it is placed in danger are so distasteful it was hard for me to enjoy it. Just to make the Betty and Bimbo sequence as repulsive as possible, the animators later show them in a state of blissful embrace--Betty really wanted it all along, see?--where we should have seen her standing over Bimbo's broken and twisted corpse.

For all my irritation at main animated sequence of this Screen Songs installment, I can also see a possibility that it was intended as an ironic juxtaposition of the featured song, "Let Me Call You Sweetheart", because the on-screen lyrics get really crazy type-setting wise toward the end. The animated sequence after the Ethel Merman sing-along section supports this idea, as it features a predator singing "Let me Call You Sweet-heart" while chasing down its prey. (Bimbo and Betty being shown in a loving embrace after he forces himself upon her in a brutal fashion undermines that interpretation though. Unless one assumes they were "roleplaying"...)

Although I had a very hard time enjoying this cartoon, I recognize it's well-animated with some amusing visual, quickly paced, and features a pleasant song, hence the Seven-Star rating. I just can't get past some of the messaging. (Oh... and while I can't think of a way to do rape "right", the creators of this cartoon and this one did present child endangerment in a fashion that was more amusing than troubling.)

But are the flaws of "Let Me Call Me Sweetheart" are severe as I feel they are? Take a look for yourself and let me know!

Alice strikes out in the cartoon big league

Alice in the Big League (1927)
Starring: Lois Hardwick
Director: Walt Disney
Rating: Four of Ten Stars

Alice proves herself to be the worst baseball umpire in Cartoonland.

A few weeks ago, I posted a review of "Alice's Wonderland" (1923).  In it, I commented that I hoped the "Alice" series would improve over its 50+ episode run. By sheer chance, I recently came across the final entry in the series. Titled "Alice in the Big League" in was released in 1927. It was once considered a lost film, but now there are several different versions available on YouTube.

That said, I can't really recommend it. It's like Disney and his animators stretched three-four minutes of material to fill the eight-minute running time with looped animation, by pounding gags to death, and otherwise delivering a product that makes the Van Beuren output from around this same time absolutely brilliant and the conceptually similar "Out of the Inkwell" series from Fleischer the product of the gods themselves.

 
Although the animated characters aren't as creepily lifeless as they were in the early "Alice" episodes--their eyes aren't quite as dead here as they were in "Wonderland--the degree of integration between the live-action footage and animation has not improved at all. It might even have gotten worse. Take a look at the still used at the top of this post and then look at this one: 

You'd think Alice would be somewhere behind the pitcher mound in the long shot of the game, but she isn't. Even worse, the animators drew a shadow for the soap box the pitcher is standing in, but not one for Alice. This persistent continuity glitch annoys probably more than it should, but it's the most glaring sign that this series probably never came close to "Out of the Inkwell" in quality. Even the film's final moment--where Alice flees cartoon characters enraged by her bad calls--is sloppily done.

On the positive side, I found the various visual gags relating to baseball amusing, and, if the various sequences hadn't be dragged out beyond all reason, I think I would have loved the variety of ways the cartoon characters cheated at the game. Naturally, Alice never called them on the cheating though; all of her calls for of the "umpire, are you blind?!?!" variety. Also, a little more effort appears to have gone into the crowds than in early episodes, and I previously mentioned that the characters didn't seem quite as dead inside as those in the first installment did. But I'm not sure if the visual gags and slightly better animation are enough for you to devote eight minutes of your life to watching this weak effort. The only people I could recommend this short film to are those committed to watching EVERY available "Alice in Cartoonland" film, EVERY baseball-based comedy, or those who love baseball gags so much they thought the "NUELOW Baseball Special" equal parts funny and informative. (Actually, and this might be perceived as arrogant and self-serving, but I think this booklet by L.L. Hundal, Sam Hamm, and myself is far funnier than "Alice in the Big League". Some of the same gags are even implemented better in our product than in the cartoon.)

As mentioned above, "Alice in the Big League" was the final entry in this series. Maybe there was less effort put into this one than others for that reason, so there might still be some better ones between the very first "Alice in Cartoonland" and this last one. I will be watching a few more to find out.

 I am hoping that I DO find some better installments of the series. Although we don't get to see much of Lois Hardwick, who plays Alice in the one, we do see enough to give me the impression that she's a better actress than the original Alice. 

If you want to judge the quality of this cartoon for yourself, or want to watch a film that was once considered lost, it's embedded below for easy viewing!

'Alice's Wonderland' isn't wonderful

Alice's Wonderland (1923)
Starring: Virginia Davis and Walt Disney
Director: Walt Disney
Rating: Three of Ten Stars

The night after visiting the studio where Walt Disney (Disney) and his fellow animators give life to cartoon characters, little Alice (Davis) is transported to Cartoonland as she sleeps. Here, she's treated like a superstar by the cartoon animals... except for the savage lions who want to make her their dinner!

"Alice's Wonderland" (1923) was an early effort from Walt Disney. It spawned a series that ran from 1923 through 1927, with some installments produced... although judging from what's offered in this first one it's a little surprising it even spawned one sequel. 

 
Released as part of the "Laugh-o-Gram" anthology series, each episode "Alice" merged live-action footage with animation in a similar way to what Max Fleischer had been doing with his "Out of the Inkwell" series starring Ko-Ko the Clown. Unfortunately, Fleischer's team did a much better job with this sort of thing that Disney and his cohorts were able to do. In fact, at this stage in the history of animation, and even standard filmmaking, Fleischer & Co. were far, FAR out of Disney's league.

Even at its best--when the live action footage dominates over the animated during the film's first few minutes--this film is clumsy and pedestrian when compared to even early "Out of the Inkwell" installments. From the very beginning, Fleischer attempted to seamlessly merge reality and animation, while Disney barely attempts that, instead mostly keeping the animated characters on a page, even if they are able to interact and acknowledge the "real people" beyond their two-dimensional world. There is nothing like the overlapping of animation and live footage that is commonplace in the Fleischer films.

Where "Alice's Wonderland" truly fails, though, is in the animation department. The jokes and sight gags are uninspired, the character designs are lazy, and the animation is so lazy that it makes the film unintentionally creepy: Most of the animated characters have dead, lifeless eyes and faces. The parade scene from which the still illustrating this review was taken becomes unintentionally creepy because no one blinks, no one shifts their heads to look at Alice as she passes by... they just stand there, frozen. In fact, the parade ends up feeling a bit like some sort of time loop, as the elephant-riding Alice passes the same group of onlookers, over and over, as they stand paralyzed. Alice may be oblivious to the horror of the situation, but I wasn't.

A perhaps even bigger problem is that the second half of the film is made up of sequences that go on entirely too long. Even the amusing climactic chase scene--with Alice fleeing or fighting a pack of hungry lions--goes on and on and on for long enough to become tedious.

"Alice's Wonderland" is yet another early effort from Walt Disney that makes me think he might have been far better at spotting, hiring, and managing creative talent than doing the creating himself. It's another of his early films that has moments, but the overall the bad drags down the good.

But don't just take my word for all of that. Take a few minutes to watch the film for yourself. Let us all know in the comments below if you agree or disagree with my take. (Meanwhile, I'll watch a few more entries in this series to see if they get better and more competently executed as time goes by.)

The answer to 'What came first--Koko or the egg?'

Ko-Ko Gets Egg-Cited (aka "Koko's Barnyard") (1926)
Starring: Max Fleischer
Director: Dave Fleischer
Rating: Eight of Ten Stars

Ko-Ko tries to start an chicken farm that bridges the animated and physical world.

"Ko-Ko Gets Egg-Cited" is one of the most fascinating "Out of the Inkwell" installments, and it turns what passes for reality in this world where the cartoon characters cross back and forth easily between their two-dimension existence and our three-dimensional one completely on its head: Usually, it's the Animator (played by Max Fleischer) who brings Ko-Ko and his environment into existence, but here it's Ko-Ko who uses the ink pen to create the Animator (as well as the incubator which become the center of some stop-motion animation sequences in the film's second half).

The antics of Ko-Ko and his pet dog in the animated world are funny, but fairly standard for the series, but the scene where Ko-Ko woos a chicken to get her to lay eggs, and what eventually comes out of those eggs, is equal parts hilarious and horrifying. It's one of the many touches that makes this a must-see, as well as one of the most creative and wildest entries in the entire series. (I didn't think they'd be able to top destroying the world, but they did so with this one!)

Take a few minutes of your day to watch reality break down completely in this masterfully executed short film that mixes traditional animation with stop-motion animation and live-action footage.