Tuesday, April 23, 2019

'Convict 13' is a wonderful blend of slapstick and absurdist humor

Convict 13 (1920)
Starring: Buster Keaton, Joe Roberts, and Sybil Seely
Directors: Buster Keaton and Eddie Cline
Rating: Eight of Ten Stars

A series of events leads a golfer (Keaton) to be mistaken for an escaped convict and get dragged off to prison. That's when things get really crazy.

Sybil Seely and Buster Keaton in "Convict 13" (1920)

The first few minutes of "Convict 13" is a fun bit of comedy based around golf, which at that time was a growing craze sweeping the nation, flowing downward from the upper-class to engage anyone who had the money for clubs and the time to play. It offers up a little social commentary that's relevant even today, as well having an African-American play the part of a black caddy rather than have someone in black face doing it. The part was substantive in the opening scenes, which makes this even more remarkable.  (I recently watched a Harold Lloyd picture that I think was from this same year, and there were numerous men and women made-up to look as if they were African-American but weren't.)

With no warning, however, the film takes a turn for the humorously bizarre. After he gets hauled off to prison in case of mistaken identity, his problems keep escalating following failed escape attempts, foiling his execution in place of the prisoner he's been mistaken for, and finally a prison riot during which his girlfriend, who also happens to be the warden's daughter (played with great charm by Sybil Seeley).

As with a couple of the other early Buster Keaton films I've written about here, I don't want to go into too much detail about the storyline and the wonderful blend of absurdist humor and slapstick gags that come rapid-fire at the viewer, because it would spoil a lot of the fun. (I will say that "Convict 13" has one of the funniest aborted executions scenes you are likely to ever see. Additionally, Sybil Seely really gets to show off her comic chops in this one; it's easy to see why Keaton reportedly wished he could have been able to work with her on more films.)

Although it's a little slow at first, once "Convict 13" gets going, it turns into a hilariously wild ride. What's more, it's tightly scripted, so gags set up other gags as the film unfolds. It is so good that I am even able to overlook the fact that it concludes using what I find one of the most annoying ways to wrap up a story, be it fiction or film; in fact, if I were to set aside my biases, I might even say that this is one of those very rare creations where that ending is actually appropriate.

I recommend that you sit back and watch this great movie, right now, via the embedded YouTube video below!


 

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