Billy Joe Van Helsing,
Redneck Vampire Hunter #1
Writers: Bill Kieffer, with Joe Migliore
Artists: Joe Paradise, Rob Hawkins, Donna Franklin, Tad Ghostal, John Skikus, Robert Roman, and Debbie David
Covers: Fred Harper (front), James Hopkins (back)
Rating: Six of Ten Stars
In 1994, Maine-based publisher Alpha Productions published the first (and only) issue of "Billy Joe Van Helsing, Redneck Vampire Hunter" It's a 32-page anthology title that satirized horror, politics of both the left-wing and right-wing variety, comics fan culture, and Stars-and-Bars-waving, beer-drinking rednecks. The title character is a Southern good ole boy who's carrying on the family business of vampire hunting. What's most fascinating to me about the book is how much of the humor holds up, nearly 25 years later.
"Billy Joe Van Helsing, Redneck Vampire Hunter" #1 contains four stories of varying lengths and three pin-ups. The primary artist is Joe Paradise, who had a hand as penciler, inker (or both) in three of the stories. All the stories were written by Bill Keiffer.
The tone of the book is blunt and sophomoric, and it seems pretty evenhanded in its mockery of both political wings. The stereotypes being played with are exactly the ones you see today when Left and Right conjure cartoonish insults of each other... and this goes for the spoofing of comics fans as well (which takes place when Billy Joe goes to a comic book convention).
The featured stories are "Here Comes Billy Joe Van Helsing, Redneck Vampire Hunter" which introduces us to our hero and his girl Maxi... although in this story, he is trying to convince her that she's made a terrible choice is dumping him for a guy who is not only a vampire but a (gasp) liberal; "The Devil and David Duke" where our hero sets aside his distaste for the KKK and its leaders like Duke to destroy a vampire who may become the next Vice President of the United States since he's Duke's running mate; "Horror of the South" where a quiet evening at home with Maxi turns awkward when her sister shows up to visit; "Li'L Billy Joe", a one-pager which spoofs the Hostess Fruit Pie ads that us Gen Xers read growing up; and "Southern Discomfort" in which Billy Joe goes to a comics convention and meets The Grad, a character from Alpha anthology series"Lethargic Comics." (That series ran 14 issues, from 1994 to 1996.)
Billy Joe Meets Klansman David Duke. |
Billy Joe goes to a ComiCon and meets the Grad |
To my eye, the art and writing in this comic book is the low-end of average for what was typical in a small-press comic during the mid-1990s. Therefore, I think it's probably more reflective of the sad state of American pop culture and politics that the humor in "Billy Joe Van Helsing, Redneck Vampire Hunter" #1 holds up so well than any particular genius on the part of writer Bill Kieffer. We like to pat ourselves on the back and gladhand those who share our views, and pretend that we're better people than we were 25 years ago, but as soon as we spot someone who's not in lockstep with us culturally and politically, out come the same invective stereotypes and bigoted slurs. Every decent American agrees the likes of David Duke are scumbags, and that he and those like him on the contemporary stage should be mocked and sneered at, we also agree that it's A-Okay to toss around fat-jokes, sexist jokes, gay jokes, and stupid-Southerner-jokes so long as we are deploying them against those bad people over there who don't agree with us.
That said, no one but hardcore Gen X comics fans will know what a "Marvel Zombie" is. Am I right?
One of the Billy Joe Van Helsing pin-ups. |
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