Picture Perfect Vampirella and Dejah Thoris

Although October is Vampirella's month, she didn't the Princesses of Mars to feel left out, so she called up Dejah Thoris, the most famous of the princesses, and asked her stop by. But before they had a chance to discuss how entertain the visitors to Shades of Gray, they got wind of a scheme by the Great Old Ones to destroy all Halloween candy on Earth! That called for a team-up and lots of ass-kicking!

And with Halloween saved, they kicked back and relaxed...

'Return of the Ape Man' can be skipped

Return of the Ape Man (1944)
Starring: Bela Lugosi, John Carradine, Frank Moran, Teala Loring (as Judith Gibson), Michael Ames, and Mary Currier
Director: Phil Rosen
Rating: Five of Ten Stars

A mad scientist (Lugosi) manages to restore life to a caveman (Moran) who had been frozen in ice above the Arctic Circle for 20,000 years. He then performs a partial brain-transplant from an unwilling donor (Carradine) so that he can control and communicate with the pre-historic man. Things go about as well as you might expect...

"Return of the Ape Man" is such a supremely, disastrously goofy movie that it's easy to hate it. However, it's so fast-paced and the cast so pleasant that the true awfulness of the film fades isn't felt as much; unlike so many weak other B-movies, this one is lean and straight to the point. The closest we get to padding is some stock footage of a ship in the Arctic, and a little too much running to and fro during the movie's climax. (The climax is actually undermined by the fact that it's dragged out too long.)

Highlights of the film include Bela Lugosi's performance as the mad scientist. a role in which I think he would have been even better if a scene like the one in the publicity still (with Lugosi, Teala Loring, and Frank Moran) had actually taken place in the film. Another bit that I really liked was that the mad doctor's original plan was to put part of a lawyer's brain in the caveman--which would have probably made him even more monstrous! And speaking of the caveman... I got a chuckle out of the fact that, as part of a sequence intended to show that some of the memories of the donor of brain tissue still exist, the caveman goes to the home of John Carradine's character, plays the piano, and proceeds to murder his wife. I can only assume there were some serious problems in that relationship...

In the final analysis, "Return of the Ape Man" is probably a movie you can skip, unless you're on a quest to watch everything Bela Lugosi starred in, or to experience the Complete Works of Phil Rosen.  It would make an excellent addition to a Bad Movie Night, as it's silly but never boring. The fact that it is a solidly entertaining effort--if you're in the mood for this kind of movie--earned it a bump from a high Four-star rating to a low Five.

(By the way, despite its title, this film has nothing whatsoever to do with "The Ape Man", which Lugosi headlined in 1943 for the same studio.)

'Minnie the Moocher' is a freaky trip

Minnie the Moocher (1932)
Starring: The Voices of Cab Calloway and Mae Questal
Director: Dave Fleischer
Rating: Eight of Ten Stars


Betty (Questal) and her boyfriend Bimbo run away from home, but they are confronted by a ghostly walrus (Calloway) and other spooks when they seek shelter in what turns out to be haunted cave.

"Minnie the Moocher" is one of the greatest Betty Boop cartoons, and some even say it is the greatest. Me, I think that honor goes to "The Old Man of the Mountain", but there's no question that this is one jazzy, snazzy, kooky. spooky filmlette!

"Minnie the Moocher" was the first of three collaborations between producer Max Fleischer and pioneering jazz-man Cab Calloway, and, like the other two, it plays like a precusor to the sorts of music videos that were the hallmark of MTV during its glory days: Each is a tour-de-force of creativity and surreal weirdness, as well as vehicle for delivering excellent music to present fans and introducing it to new ones.

As for the cartoon itself, "Minnie the Moocher" will keep you engaged with both its storyline, its weird visuals, and the great songs, with the main attraction being the song of the title, but Betty singing about how distressed she is over her mean parents is fun as well. Like the other two cartoons that Calloway made with Fleisher, it's also a great deal of fun to see him turned into a cartoon creature that still moves in a very Calloway-esque fashion thanks to Rotoscope--which was invented by Fleischer animators and first used on these cartoons.

Why don't you take a few minutes to enjoy some great music and watch an even greater cartoon? Just click below to start the video!

The Doggie and Death

We're going to break the usual jovial mood here at Shades of Gray with this very excellent comic strip by Jenny Jinya.

'Treasure Blues' is lacking

Treasure Blues (1935)
Starring: Patsy Kelly, Thelma Todd, and Arthur Housman
Director: James Parrott
Rating: Four of Ten Stars

Patsy (Kelly) inherits a diving suit and a map, so she takes Thelma (Todd) and a drunken sea captain-turned-plumber (Housman) onto the high seas to retrieve a sunken treasure.

"Treasure Blues" is one of weaker Thelma Todd/Patsy Kelly comedies. It's unfocused, not very funny, and, to make matters worse, it extends its good parts to the point where they become bad. This film is so weak that I thought "that's stupid" at some parts that had the live actors behave like they were in a cartoon universe--and I usually LOVE that sort of absurdist humor.

Unfortunately, as cartoonish action is employed in this film, it merely ruins what was up to that point a cute and fairly effective way to make it look like the characters were on the ocean floor--and this was after director James Parrott showed us, yet again, that he'd never seen a gag he couldn't drag out to the point where it went from amusing to lame.

The Four rating I'm giving this film may be a little on the generous side, but the cast members all perform admirably, especially given what they're working with. Todd is amusing, Kelly is charming (which is a rarity, since her onscreen persona in most of these pictures is like nails being dragged across a chalkboard), and Housman is amusing as his usual charicature of a drunk. It's a shame their efforts are taking place within such a poorly made film.

"Treasure Blues" is included with all of the films Thelma Todd and Patsy Kelly made together in a single three-DVD collection.

'The Haunted House' is a treat full of tricks

The Haunted House (1921)
Starring: Buster Keaton, Virginia Fox, Joe Roberts, and Mark Hamilton
Directors: Buster Keaton and Eddie Cline
Rating: Eight of Ten Stars

On the run from the law, a bank teller (Keaton) who has been wrongfully accused of counterfeiting and trying to rob his place of employment, takes refuge in a house seemingly haunted by ghosts and demons.

"The Haunted House" is fun, funny, but most of all, good-natured and cute. Sure, it's the story of crooks (led by the towering Joe Roberts) who are using a small-town bank to exchange their counterfiet dollars for real ones; and sure, an innocent, if mishap-prone, bank teller (Buster Keaton) ends up blamed for their crimes; and, yeah, Roberts and his gang end up kidnapping the bank president's daughter (Virginia Fox)... but, despite all of that, this movie has a jovial air about it that makes it breeze by while you're watching. You even forget how fundamentally silly it is that Keaton, an adult, is scared and confused by men in devil and skeleton costumes, or by people wearing sheets pretending to be ghosts. (And as is my habit when reviewing these short films, I'm not going to go into too man details about the jokes and gags, because that would ruin the film for you. It's established up front that the hauntings and demonic infestations are

High points of the film include a series of gags involving paper currency, glue, and a botched bank robbery; Keaton's character first reacting with fear to the fake hauntings and then with marked sarcasm once he discovers it's just a bunch of guys in costumes; Keaton's interactions with the "devil" in the house; and Keaton's adventures in the Afterlife following a last-minute dramatic twist. There are also some really funny slapstick bits involving a trick staircase, and a very clever--and surprisinglyspecial effects sequence that is actually the film's single truly unnerving moment. (It's also completely out of place with everything else in the picture, but I suspect it was just too good a concept to not use.)


Aside from the out-of-place special effects gag (which is still excellent, just out of place), the only other real complaint I can mount about the film is that Virginia Fox's character needed a little more screen time and development. What we get is a very perfunctory "this is our damsel in distress" and not much else, and the film would have benefitted greatly if just a little more time had been devoted to her. These weaknesses still result in me rating the film a very high Eight on my Ten-star scale rather than a Nine.

But just don't take my word for how fun "The Haunted House" is. I've embedded it below, via YouTube, for your viewing pleasure!


Trivia: Buster Keaton liked the stair gags so much that he developed further routines and included a similar idea in "The Electric House" (1922).

Halloween Costume Ideas!

Everyone's looking for good costume ideas this time of year, so we're sharing what some people will be wearing to the Shades of Gray Halloween Party this year. Maybe you'll be inspired!


Dusty Anderson says the classics are always "in", so she's dressing up like a black cat.

Stan Laurel and Oliver Hardy are going as a loving Puritan couple.

Meanwhile, Myrna Loy's going as Perry Mason.

Helen Bennett says she's going as a mobile hot-spot.

Finally, Thelma Todd will be the Pearl in the Oyster. If we weren't having the shindig at her place, this costume wouldn't be practical.

This year's party is sponsored in part by the Associated Shades of Hades.

Picture Perfect Vampirella

We've got a double-dose of Vampirella portraits to celebrate that we're halfway to Halloween!

First, here she is posing with Yorik. She knew him... in what sense, we don't know, and we're too afraid to ask.

By Paul Abrams

And here she is, once again, proving that any reports of her death are greatly exaggerated.

By SanJulian

First Haunting

Musical Monday: The Ghost of Stephen Foster

It's another October Monday, and here's another creepy cartoon tune to help you find the Halloween Spirit. This one is a music video that's a homage to early animated shorts from the Fleisher Studio.

The Ghost of Stephen Foster (1999)

Lead Animators/Directors:Raymond Persi and Matthew Nastuk

Music: Squirrel Nut Zippers (end credits music by Hack and Slash)

Rating: Nine of Ten Stars