This is a post that's been revised from one we had planned for January 17, Betty White's 100th birthday. Sadly, we're making it now, on the final day of 2021... the day on which Ms. White moved onto even bigger and better things.
Comedienne and actress Betty White is best known for her roles on "Mary Tyler Moore" (1970-1977) and "Golden Girls" (1985-1992), White had been a star on both radio and television long before then--including starring in her own self-titled series. Her television career began in 1952, and by the mid-1950s, she was already well-deserving of her nickname the Queen of Television. Among her pioneering achievements during the 1950s was having complete creative control of, and an ownership stakes in several of the series she headlined, whether they were for networks or syndicated.
White passed away at her Beverly Hills home on December 31, 2021, a little over two weeks shy of her 100th birthday. She leaves the world richer for her being it, with over 100 characters portrayed on television (including starring as the ditzy Rose Nylund on two different series, and as a recurring guest-starring as her on two others). We celebrate with some photos of her from the early 1950s when her star became permanently affixed to the firmament of TV!
The Diadem (1967? 1968? 1969?) Starring: Diana Rigg
Director: Uwe Beetz
Rating: Six of Ten Stars
A woman of mystery (Rigg) engages in a deadly struggle with a group of murderous thugs over a secret recording, a piggy bank, and valuable jewelry.
Either shortly after she left "The Avengers", or during or shortly after she finished work on "In Her Majesty's Secret Service", Diana Rigg made a pair of made-for-home-viewing short films for a German production company. One of these, "The Diadem" was released both in color (the shorter version, which runs about 7 minutes) and black-and-white (the longer version, which runs about 12 minutes).
The information available about "The Diadem" is long on speculation and short of facts. There are no credits to speak of on the film, so the supporting cast, writer, and crew outside the director are anonymous... and since there only seems to be one source for the director's name, one has to wonder if even that is accurate.
To make matters more complicated, it seems like there are people who may be commenting in authoritative tones about this silent short film who seem to not even have seen it... since they reference events that don't seem to take place in it. (At least not in the version I watched. Maybe the color version isn't just a shortened release of the black-and-white one, but has a different scene or two?
One thing all sources seem to agree upon is that "The Diadem" was made while Rigg's star was shining very brightly during the late 1960s. There is no logical reason for her to star in this weird, ultra-low budget short film. so maybe she did as a favor to a friend? Maybe she had a spare weekend, and she thought it would be fun working with friends? Perhaps, someday, writers and historians more devoted to research and Truth than I will find the answers, but that day is not here.
As for what is actually in "The Diadem", it plays like something of a tribute to "The Avengers", the series where Diana Rigg played Mrs. Emma Peel, the role that catapulted her to fame. One can easily imagine this as a solo adventure for Mrs. Peel, either before, during, or after her gig as a "trouble-shooter" for the British government. Every minute of the film plays like an overly stylized attempt to capture the feel of action scenes from "The Avengers" and the character that Rigg portrays is Mrs. Peel in every way except by name.
Although for all we know, perhaps we ARE to imagine that this is Emma Peel taking down bad guys and that the filmmakers meant for this to be an authorized sequel to her television adventures... something that hard-core fans could enjoy in their homes on their 8-mm film projectors. The music that plays during the version that watched is even slightly reminiscent of what you might hear on "The Avengers"... although I have no way of knowing if this is what heard when the film was first released.
I think that if you've enjoyed any episodes of "The Avengers", you'll find the "The Diadem" to be a lot of fun. What passes for the plot is a little disjointed and illogical, but the action and weird, artsy choices of camera angles make up for that. The Six Rating I am giving it is as high as it can be, and the only reason it's not a Seven is because the otherwise rapid pacing sputters a bit and is uneven at the halfway mark.
We began 2021 with a look at Emma Peel's first big adventure while she was still a teenager, and we're ending with what could be the last of her adult adventures... bringing The Year of the Avengers to a perfect close.
We hope you have fun watching "The Diadem", and we hope to share another 200-300 posts with you in 2022!
Milla Jovovich has been a mainstay of this blog since its first full year of operation in 2010. Even during the quiet period between 2012 and 2017, where less than 100 posts were made each year, we got at least one Milla post in.
As previously mentioned in this space, we've been fans of Milla Jovovich since we first encountered her in "The Fifth Element" and there we've yet to see her in a movie that we completely hated. (Even if "Million Dollar Hotel" came perilously close to earning that dubious honor...) Thankfully, since she's always split her time between modeling and acting, there's an abundance of photos of her to feature, and we've always had plenty of material to work with for straight picture posts, or from which to draw inspiration for more elaborate efforts such as this or this.
While we are hesitant to make predictions about what 2022 will bring, we feel confident that Milla will show up here every few months... in black...
Black & White (2018) Starring: Emily Inserra, Nick D'Ambrosia, Amber Walker, Tommy Barbara, Jaime Plitnick, Dave Cifelli, and Alex Luckenbaugh Director: "Collective Brain" Rating: Seven of Ten Stars
After getting black-out drunk at a party, college girl Rose (Inserra) wakes up to find that everything around her now appears in shades of gray. She sets out to reconstruct what happened the night before and to hopefully get some color back into her life!
"Black & White" is a well-crafted spoof of the hardboiled detective thrillers where the main character is trying to piece together a mystery that has deep and personal ramifications for his or her future, but which consists of clues and mysteries within mysteries that defy meaning until they are all uncovered and put together. In this case, the detective role is a party girl who has a bad habit of getting drunk and breaking up with her boyfriend, but her narration is hilariously hardboiled, as is a couple of the actions she takes while seeking out witnesses and gathering clues to solve the mystery.
Over its 9-minute running time, "Black & White" pokes fun at college campus stereotypes (especially as they manifest in romance fiction and dramas), detective fiction, the film noir movie genre, and perhaps even one or two other subjects that escaped my notice. The script is hilarious, with Rose's internal monologue causing me to have a near-constant smile on my face as the film unfolded, and the "what are going to do?" scene had me laughing out loud. I also loved the splashes of color that entered into the film as it reached its conclusion, effectively driving home the point that Rose has reached the end of her journey of discovery and that maybe better days are ahead.
I also thought the film was nicely photographed, the soundtrack music was perfect, and the sound was always clear and well-balanced. That's actually a bigger deal than someone who doesn't watch a lot of these sorts of YouTube videos might realize. There have been many, many shorts that I've not bothered featuring here or at the "Terror Titans" blog, because the sound was so badly done that dialogue couldn't be heard clearly due to background noise or was drowned out by the soundtrack music due to bad mixing, or because the sound effects so badly integrated so as to be distracting. There are even some otherwise good films that are weakened by bad choice of soundtrack stock music.
I really only have one real complaint about "Black & White", and I don't know if I should be grateful for the filmmakers for giving me the opportunity to make it. There's a scene where Rose barges in on a guy sitting on the toilet, but he has his long-johns fully pulled up. Why? How? What could he have been doing there, dressed like that? It was such a weird moment that it pulled me out of the film. (There are some nitpicks, but I'm not going to call them out, because I understood and appreciated and was amused by what the filmmakers were going for, even if they didn't quite manage to pull it off.)
All in all, if you like film noir or college-based dramas or romantic comedies, I think you'll get a kick out of "Black & White".
--
"Black & White" was made by a group of then-students at Ramapo College in New Jersey. They created films under the name Collective Brain, because, according, to the person monitoring their Facebook page, their films were true group efforts and there was no clear delineation between who wrote what and who directed it. Unfortunately, if the views, likes, and subscriptions visible on the Collective Brain YouTube Channel are any indication, their efforts have not gotten a whole lot of traction or attention. That's too bad, because, if "Black & White" is any indication, they were creating good stuff. (It's not all bad news, though; I found a smattering of credits at IMDB for several of the members of the Collective, and at least one has been performing with a Shakespearean theatre company in Massachusetts. It appears they on their way to success in the Real World, YouTube be damned!)
We present a very appropriate song for the final Monday of 2021--"My Way".
We've had a soft spot for this song here at Shades of Gray since we were kids (which may mean were morbid kids...) and we rank this version from Mumbai-based singer Paloma Sridhar's version of it right up there with the great Frank Sinatra rendition.
Will there be Musical Mondays in 2022? Time will tell. (If you've enjoyed any of the music posts that have showed up here, feel free to let us know in the comments section.)
Once upon a time, I was a self-employed writer/editor/game designer, working out of my home. When I got tired of the scenery outside my office window, I would grab my laptop computer, drive down to a nearby Seattle's Best shop, get a large cup of coffee, and sit there and write. And when I was at home, I would also drink Seattle's Best Coffee, because I bought bags of their medium roast in the store and made my own coffee blends. With this latest coffee review, I return to those days... sort of.
SEATTLE'S BEST COFFEE: HOUSE BLEND
The subject of today's review came to me via the grocery store when I caught sight of it. I used to go to Seattle's Best all the time, pay table rent (in the form of a Large Coffee or Large White Black-and-White Mocha), and sit their and write all afternoon and into the evening. The staff knew me and would chat, some of the other regulars knew me and would chat... it was an oasis of friendliness in the otherwise stand-offish Northwest. But then Starbucks purchased Seattle's Best and over the space of a year, things changed and the store was closed (to eventually reopen, remodeled and rebranded as a Starbucks location). This was the fate of all the Seattle's Best locations. Except in airports.
But the Seattle's Best brand name lives on in the grocery store. The other day, I noticed bags of Seattle Best's House Blend. This was, basically, the coffee I always got there, either with a bunch of creamer and sugar added, or as part of the aforementioned Black-and-White Mocha. I decided to take a trip down memory lane and bought a bag.
Given the negative experience I had not long ago when I tried the Starbuck's Pike Place Roast for the first time in several years, I did not have high hopes for this, but, as will all media items or coffee I review, I start from a place of expected to enjoy myself; I'm never going to waste my time on something I am certain will be disappointing.
As it turned out, I was not disappointed. The House Blend was every bit as smooth and tasty as I remembered it. As I expected, it's not a coffee that I am happy drinking straight, but a couple Stevia packets fixed it right up... and when I added some Unsweetened Vanilla Almond Milk, it was great!
The House Blend works for me on the level that it works for the many blends from Bones Coffee that I've been reviewing. It's got a strong coffee flavor, but it doesn't have the bitter edge that darker roasts have, so it mixes perfectly with a range of creamers (like my favorites--sugar free Vanilla Creamer and sugar free Italian Sweet Cream creamer) and serves as a great foundation for my home-made chocolate coffee (which is a mix of dark unsweetened cocoa powder and coffee). It also works nicely iced with just unsweetened Vanilla Almond milk added... or as part of my own half-assed spin on a "Black Russian"... which is iced coffee, chocolate almond milk, and vodka.
The House Blend was every bit as good as I remember it, and I enjoyed blending my own flavors as much now as I did back then. I was particularly happy with the chocolate/cinnamon/coffee concoction I came up with and drinking a "Black Russian ala Steve" for the first time in years was a real walk down memory lane.
The House Blend also mixed nicely with some of the Bones Coffee blends that I found too intense for my liking. I brewed pots of coffee made from House Blend and half Peaches and Scream, and half House Blend and half Strawberry Cheesecake, and I ended up with some very tasty flavored brews that were nearly perfect when I added some sugar free Italian Sweet Cream creamer or Unsweetened Almond Milk. I liked the results whether I drank they hot or iced, with a slight preference toward drinking them iced.
I liked the flavor of the House Blend so much that I can't help but wonder if the horribly burnt-tasting cup of Starbuck's Pike Place Roast I got during Free Coffee Day was more the fault of the barista who made it than the coffee that was used? I also loved the great results I had mixing it with other coffees and beverages, and I wonder if I would find the same level of fun and enjoyment through the Pike Place Roast?
I always preferred Seattle's Best over Starbucks Back in the Day, so experiments with the Pike Place Roast might not be as successful, but I won't know until I try.
Watch the space for updates!
She's watching for Steve to arrive with bags of coffee for experimental brews!
Christmas is here, and Santa and his helpers are criss-crossing the globe, leaving toys for all the good boys and girls out here! (If they don't show up at your place... well, then you know you're on the same list as we are!)
... and Martha Sleeper is taking it easy, reading a holiday classic while lounging in front of the fire.
We here at Shades of Gray hope your Christmas Eve is as relaxed and enjoyable, whether you are spending it with family or alone. And we hope Santa Claus (or one of his diligent assistants) fills your stockings with just want you wanted!
Here's a merry little Christmas cartoon that all cat-owners can relate to. (And if you're a new cat-owner, you can view this as an instructional video.)
It's almost Christmas, and we wish all of the visitors to Shades of Gray could join us and the Avengers for a hug and a kiss, because we love you all!
We here at Shades of Gray hope all our visitors are having a happy holiday season... and we thank everyone who's been stopping by during 2021 to share The Year of the Avengers with us.
Pals (aka "Christmas Night") (1933) Starring: Anonymous Voice Actor (speaking two lines as Santa Claus) Director: Jim Tyer
Rating: Six of Ten Stars
The Little King invites a pair of bums back to his palace to share an otherwise lonely Christmas Eve with him. His generosity is rewarded with a magical Christmas Morning brought by Santa himself.
Reportedly, "Pals" is the best-remembered of all the Van Beuren Little King cartoons--perhaps even the only one that's remembered by anyone other than folks who frequent blogs like this one. This is because it used to be aired frequently on American television at Christmas time, under the title "Christmas Night". (Personally, I'd never seen it until I began my project of watching and reviewing the entries in this series.)
As a Christmas Special, it strikes all the right warm-hearted Holiday notes and it's full of cuteness. It's particularly sweet the way the Letter to Santa is read by the Real Thing instead of just a guy in a suit--one of the benefits of living in a cartoon universe, I suppose! I personally would have preferred more of a plotline running through the thing, but the almost random collection of events and scenes are amusing and cute enough that I can look past that.
Two interesting details that stood out to me is the fact that the Little King's queen is such a nasty piece of work that she doesn't even spend Christmas with him. Secondly, it continues to be remarkable to me the way the cartoon's character designs create a distinction and gulfs between the Little King, his servants and ministers, and the common folk of his realm; each group has a distinct look. While I might be prone to chalk that up to the general slipshod approach that was a hallmark of the Van Beuren approach to continuity and quality control, I think it's purposeful in this cartoon and the series in general. The level of details in the backgrounds and the statement by some film historians that Jim Tyer was highly invested in translating "The Little King" newspaper strip to the amination medium with as much respect to the original source material as possible says to me that not only effort but thought was put into every frame.
But don't just take my word for it. Take a few minutes to check out this classic Christmas celebration; it's bound to bring some cheer!
(Trivia: "Pals" was released into theaters on December 22, 1933, exactly 88 years prior to this post being made.)
With Christmas just around the corner, here's Bryan Adams with a straight-forward video and a pretty Christmas song... even if things seem to take a somewhat disturbing turn at the end. (Or so it seems to us. It's also a little funny, but still... What do you think?)
Christmas is rapidly approaching, and I thought I'd drink some coffee that reflected the time of year. And while I was at it, I might as well make it another of the many Bones Coffee blends that are sitting in my cupboard!
Even Santa gets to take coffee breaks.
BONES COFFEE COMPANY: WHITE CHOCOLATE PEPPERMINT BARK
When I used to go to Seattle's Best (and then Starbucks) two-three-four times a week, one of my usual orders was a White Chocolate Mocha made with Non-Fat Milk, so I approached this blend with a certain standard and a preconceived notion of what it would taste like. I was not disappointed.
As this blend brewed, there was no particularly aroma that I could detect, other than the faint, wonderful smell of coffee, from the first sip of the White Chocolate Peppermint Bark, the white chocolate flavor was present and exactly what I had expected. It wasn't as strong as the mochas I used to order, but it was distinct. And it was delightful. This is a great coffee to drink when the weather outside is frightful!
Like most of Bones' flavored coffees, the White Chocolate Peppermint Bark blend starts with medium-roast Arabica beans, so that's already a plus for those who like their coffee on the less-bitter side. The flavor of white chocolate present as you start drinking this is strong enough that those who normally take their coffee with a touch of milk or sugar could probably drink this straight, while those who tend to take their coffee with a ratio of 1/4th milk or creamer to 3/4ths coffee (or so), will be satisfied with just a little bit of either. In fact, although I was happy enough with the white chocolate flavor while drinking this blend straight, once I added some unsweetened almond milk to my cup, that flavor became stronger and the experience more enjoyable. This has happened with several other Bones blends, but, since I love the mix of coffee and white chocolate, I appreciated the magic of chemistry even more with the White Chocolate Peppermint Bark blend than those others.
As I typically do when drinking coffee for review purposes, I tried this blend hot, as it cooled to room temperature, and chilled and over ice. I also tried it both with unsweetened almond milk and with sugar-free Italian Sweet Cream creamer. I think it was tastiest when hot and with unsweetened almond milk added. It was almost a little too sweet with the Italian Sweet Cream creamer--it wasn't terrible, just not as good. I think this might be a great coffee to drink with dessert, or even to put in a thermos and take with you if you're going to be running around in the cold.
If you've gotten this far, you might be asking yourself "What about the peppermint? He hasn't mentioned the peppermint... why not?" Well, honestly, I didn't really pick up on much of the peppermint flavor while drinking this. I think there might have been a hint of peppermint creeping in after several sips before I added the almond milk, but I'm not sure it wasn't just my imagination; I was expecting peppermint, so I tasted peppermint?
Since it's not unheard of for Bones Coffee's flavors to grow more intense as you drink the coffee, and I expected the peppermint to show up more powerfully as I drained the mugs. However, it remained soft or completely undetectable. That said, it's not something that I am upset about. I don't know if coffee that was strongly peppermint flavored would be something I could bring myself to drink, but Bones has thrilled my taste buds and changed my mind with blends I feared would be horrible-tasting, like Wunderbones and Maple Bacon. Maybe someday I'll drink peppermint-flavored coffee, but today is not that day.
The Christmas Coffee Elf brings coffee to all the good boys and girls!
"The Volcano" is another unpublished one-page story by Richard Sala. Created in the mid-1980s, it's an example of his early art style and one his many short tales told from the point of view of a character suffering from mental illness.
The end of 2021 is less than two weeks away, and with it comes the end of The Year of the Avengers here at Shades of Gray. We have one final profile to share with you, however...
RON MOODY
In "Honey for the Prince", Ron Moody played Hopkirk, the eccentric operator of an unusual business that becomes drawn into an assassination plot.
Born in 1924, Ron Moody drifted into the acting profession while studying economics after returning from military service in WW2. He had begun performing with an amateur theatre group that suddenly found itself with a hit play on their hands, and Moody found himself rising to be one of Britain's most popular comedians.
By 1953, he had made acting and stand-up comedy his chosen profession, and as the 1950s came to a close, he was a star of stage and television, and well on his way to conquering the big screen as well.
In 1960, Moody appeared on stage as Fagin in the hit musical adaptation of "Oliver Twist", simply titled "Oliver!". He later reprised the role in the 1968 film version, in the 1985 revival of the musical on Broadway, and in the made-for-television sequel "Oliver 2: Let's Twist Again" in 1995. Fagin is the character with whom most associate Moody, although he played many other characters and was, reportedly, a bit annoyed that he had been so closely affiliated with a single role.
Over his career, Moody appeared in 95 different films and television series. Some of these were animated or puppet shows where he voiced numerous characters. He generally played many quirky and roguish characters, with his guest-starring turn on two different characters on episodes of "The Avengers" (in 1966 and 1967); memorable supporting roles in great films such as "Murder Most Foul" (1964), "The Twelve Chairs" (1970), "Legends of the Werewolf" (1975), "Unidentified Flying Oddball" (1979); and starring turns on television series both in England and the United States, such as "Nobody's Perfect" (1980), "Into the Labyrinth" (1981), and "Hideway" (1986).
Film Noel (2013) Starring: Oskar Brown, Wenonah Wildblood, Jerry Kwarteng, and Philippe Linus Petit Director: Sebastian Matthias Weissbach Rating: Seven of Ten Stars
Winter's twin sister Snow (both Wildblood) has gone missing, and she hires hardboiled detective Claus (Brown) to bring her home before Christmas.
Part film-noir spoof, part Christmas movie, and all goofy, "Film Noel" is a lighthearted and pun-laden film that will have you alternatively chuckling and groaning at the jokes and gags that flow steadily across the screen. If you enjoy films like "Young Frankenstein", "Dead Men Don't Wear Plaid", or anything from the second stage of Leslie Nielsen's career, I think you'll appreciate this fun little film... which is embedded below so you can check watch it right now!
Born on December 14, 1946, English actress and model Jane Birkin was at the height of her fame during the 1960s and 1970s while she was living and working in Paris. Between the years of 1965 and 2016 (when she retired from show business), Birken appeared in 92 movies and television series, with side-trips into directing, producing, and singing.
Jane Birkin turns 75 years old today. Here are some photos in celebration.
When the nation of Kazakhstan is mentioned, the first thing that springs to most people's mind is probably Borat, the goofy reporter character played by comedian and hidden camera prankster Sasha Baron Cohen. As a friend of Shades of Gray who hails from Kzakhstan was quick to point out back around 2006 when the "Borat" movie was taking the world by storm, it was a funny character but overall insulting to her country.
It would be so much better if the trio Made in KZ came to mind rather than Borat when Kazakhstan is mentioned, I think.
They don't capture the creepy nature of the song--in fact, they excise it completely by just featuring the first verse and the refrain in their cover--but the arrangement is so entertaining that it hardly matters. Just imagine that you're listening to the music from an ad for the Hotel California.
The Christmas Season is upon us! There are just a handful of things that are more Christmas-y than eggnog, and I love eggnog, so sampling and reviewing an eggnog-flavored coffee for this Sunday's post was an easy decision! (I was also extra curious about the Eggnog blend, because I have my own homemade holiday standard that consists of mixing eggnog and coffee.)
BONES COFFEE COMPANY: EGGNOG
This is one of those Bones flavored coffees that amused me even before I opened the package; it's got a cartoon of the company mascot doing an iconic scene and character from the movie "Christmas Vacation."
The joy continued as I opened the package and I could smell eggnog, and it got greater as the coffee brewed. A strong aroma wafted from the kitchen and into my office and made me eager for the coffeemaker to finish it's work so I could start drinking.
I was not disappointed. The eggnog flavor is unmistakable, but not so strong that it overwhelms the coffee flavor as with some of Bones' offerings (like the Peaches and Screams blend, for example). It wasn't quite as strong as the mixtures I usually make myself, but it was close enough that I almost didn't feel the need to immediately add the usual unsweetened almond milk. The eggnog flavor blended perfectly with the smoothness of the Bones' medium-roast that is the typically foundation for their flavored coffees, and I count this among my favorites from the company so far. I don't know if the Bones Eggnog blend will replace my own coffee-with-eggnog mixture, but it might. I will have to order another set of sample packs so I can compare the two, side by side. I'll be sure to provide an update. (Oh, the sacrifices I make for you, my loyal readers...)
All in all, the Eggnog blend was flavorful enough that I could have consumed it without adding any of the unsweetened almond milk or sugar-free Italian Sweet Cream creamer, but I found that I liked it even more once the almond milk had been added; the eggnog flavoring seemed like it became stronger. I didn't think the sugar-free Italian Sweet Cream creamer did much for this blend--it seems to wash out the eggnog flavor rather than enhance it.
The same is true when this blend was consumed cold, over ice. It tasted just as good as when it was consumed hot, and adding the almond milk also seemed to once again bring out the eggnog flavor. That said, it the eggnogginess of this blend seemed to grow weaker as the coffee grew colder, and it was very subtle when the coffee was iced. It was almost as if I was drinking straight, high-quality coffee with a touch of cream and sugar added.
I highly recommend Bones' Eggnog as a coffee that will bring some cheery Christmas warmth to your gatherings ... or even if you're just enjoying a quiet evening alone. It should be enjoyed hot, though.
All Diane wants for Christmas is a pair of pants, because hot coffee is only so effective. (Still, we think if she was drinking Bones' Eggnog-flavored coffee, she'd be happier!)
POSTSCRIPT (wait... isn't everything here a postscript? Eh, never mind...)
As for my above-mentioned homemade eggnog/coffee eggnog blend, I recently purchased a bag of Seatttle's Best medium-roast House Blend, one of the three or four varieties I have used to make it over the years, so I was able to compare it to the Bones variety sooner than anticipated. (I'll be posting about that House Blend in the not-too-distant-future. But I digress.)
I think it's a tie between my home-made version and the Bones' version, taste-wise. Bones' Eggnog blend scores some bonus points for having fewer calories and being convenient--I am more likely to run out of eggnog than I am almond milk. My own blend, however, gets points for me being able to adjust the eggnogginess at will.
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