Saturday, September 11, 2021

September 11, 2001

On this day, 20 years ago, psychotic assholes flew two hijacked airliners full of civilians into the main towers of the World Trade Center, which were also full of civilians. (A third civilian plane was crashed into the Pentagon, and a fourth slammed into a field in Pennsylvania after the passengers fought back against the hijackers.)


Scum who join groups like al-Qaeda and ISIS and Hamas and the Taliban and the IRA and other terrorist outfits who pretend they are motivated by anything other than the desire to murder and maim, deserve to die. Those who make excuses for them and defend their actions deserve to come down with the worst kind of incurable cancers and die slow, painful deaths.



Friday, September 10, 2021

The Avengers Dossier, Page Eighteen

Here's another mini-profile of a supporting player from "The Avengers".


PATRICK ALLEN
In "The Thirteenth Hole", Patrick Allen is a golf pro who is keeping a dark secret.

Patrick Allen was born in 1927 to tobacco farmers in what is now Malawi, but spent his teenaged years and early 20s in Canada, having been evacuated to there because of World War 2. After briefly studying medicine, he turned to acting. His earliest professional roles were in radio plays and doing voice overs for the Canadian Broadcasting Company, but in 1952, he moved to Hollywood and subsequently appeared in bit parts in movies and television series of various genres, including Alfred Hitchcock's "Dial M for Murder".

Allen moved to England in the late 1950s where he joined the Shakespear Memorial Company in Stradford-on-Avon while also steadily working as a voice actor on radio, doing voice-overs for television series, and appearing on-screen as policemen, military officers, and other authority figures or villains of every stripe.

Over the course of his busy career, Allen acted in some 150 television series or made-for-television movies, including playing two different characters on "The Avengers", one in Season One and one in Season Four. He also appeared in dozens of stage productions and countless radio plays. No matter how big or small the role, Allen could always be relied upon to give the part everything he could. His distinguished voice  led him to serve as the Master of Ceremonies for 14 years at the annual West London Christmas concert, Advent in Knightbridge. During the 1970s, he was also the narrator heard in a series of disaster- and nuclear war-preparedness films produced by the British government, and his voice was later sampled from these by Frankie Goes to Hollywood on a mix of their hit song "Two Tribes".

Allen worked up until shortly before his death at the age of 79 in 2006.

Thursday, September 9, 2021

The Milla Jovovich Quarterly


A Bold Re-Imagining of a Television Classic!
Milla Jovovich
Milla Jovovich is Lt. Columbo in "One More Thing..."



Silent action film 'A Beast at Bay' holds up

A Beast at Bay (1912)
Starring: Mary Pickford, Alfred Paget, Edwin August, and Henry Lehrman
Director: D.W. Griffith
Rating: Nine of Ten Stars

After a young woman (Pickford) is carjacked and subsequently abducted by an escaped convict (Paget), her boyfriend (August) gives chase along side the prison guards.

Mary Pickford and Alfred Paget in "A Beast at Bay"

"A Beast at Bay" is a clear display of the command that D.W. Griffith had on filmmaking and how he may even have been ahead of his peers in his methods and approaches. The acting, the pacing, the way scenes are staged and framed... almost everything about this film holds up nicely and it almost feels like it could have been made yesterday in a couple of places. This might even be a film that someone who says they think silent movies are dumb or boring or dusty relics can enjoy. It might even make them change their minds.

The film wastes no time getting underway (which is good since it only runs about a 1/4 of an hour), with action and tension from the get-go, switching back and forth between the parallel stories of a convict's escape and a spat between two young lovers. By the time the storylines intersect, viewers have a clear sense that Mary Pickford's character is facing real danger from the menacing bad guy played by Alfred Paget. This is not a mustache-twirling melodramatic villain, but one who feels far more real and who oozes dangerous evil and violence. There's a scene where, if Paget's character hadn't been interrupted, he would have undoubtedly has raped his young prisoner; the sense that is where things were headed was just as clear and horrifying as any 1970s exploitation film, or the slightly more modern revenge genre. It's rare that I have that sort of visceral reaction to a silent movie, because the acting is usually so stylized and overblown--but, as I've noted in previous reviews of Griffith's short films, he was far better at getting more naturalistic performances from actors than his contemporaries. This is one of the big reasons his films have stood the test of time--especially his short films.

The only point in the film where I initially snickered a bit was when the hero and the prison guards try to catch up with the carjacked maiden by commandeering a locomotive and go steaming down a track parallel to the road. "Seriously," I thought to myself, "why not just get a car?"

Then I remembered it was 1912 when this film was made, and it is clearly set in a rural area. The car driven by Mary Pickford's character was probably the only one for miles around at the time the chase began.

And so I was back to not really having anything negative to say about this nice little action film. D.W. Griffith was a visionary pioneer who helped lay the foundation for cinematic story-telling, so it's perhaps not at all surprising that his films can still be exciting to present day viewers. And while I watch mostly old movies these days, so I am perhaps more prone than most to find them exciting, but I really do think there might be enough here to appeal to more "normal" viewers, too.

Check it out my clicking below. Tell me if you agree or disagree in the comments section.


 

Wednesday, September 8, 2021

Princesses of Mars, Part 38

The Princesses of Mars want everyone to know that they support the right of citizens to own and bear arms. They also want everyone to know that they're not afraid to use them in self defense or against tyrants.

Dejah Thoris by Joseph Linser



Dejah Thoris by Mike Hoffman

Dejah Thoris by Andy Kuhn

Dejah Thoris by Rodrigo Katrakas

Dejah Thoris and John Carter by Norm Breyfogle

Tuesday, September 7, 2021

Of Wolves and Girls in Hoods: Sam the Sham

Art by Yopich

 

I am fairly certain everyone reading this knows the fairy tale "Little Red Riding Hood" (if not, read this and this, and then come back) and possibly even a few horror stories (by they film or comics) based on it. Some of you may even have seen more "adult" adaptations of the story.

Yvonne DeCarlo as Red Riding Hood

This month, we're going to spotlight a few of the more unusual versions of the "Little Red Riding Hood" story. We're kicking things off with a couple of songs from Sam the Sham. (There are no neat visuals with them... that'll come with the cartoons when we post them.)

First, it's Sam the Sham & the Pharaohs with a song conveying a modernized, tongue-in-cheek version of the Little Red Riding Hood story, as seen through the eyes of the Big Bad Wolf. In 1966, this song was a smash hit on AM radio and reached the Top 5 and even better on numerous charts. 


Sam the Sham with the Pharaohs and the Sham-ettes

Striking while the iron was hot, Sham and his back-up singers--the Sham-ettes, recorded and released a sequel/point-of-view reversal on the relationship between the wolf and the maiden in the first song. And the wolf may be in for a surprise. Without further ado, we invite you to click below and enjoy "Big Bad Wolf" by the Sham-ettes.

(Maybe I've seen too horror movies, or read too many horror stories, but in my imagination, these two songs add up to a couple of psychopathic stalkers finding that they're each other's soulmate and then go skipping off in search of victims.)

Happy birthday, Alyssa Diaz


Born in 1985, actress Alyssa Diaz has been a fixture on television since landing her first recurring role on the daytime soap "As the World Turns" at age 15. Most recently, she's been a member of the spectacular ensemble cast on the ABC police series "The Rookie" for three seasons. Here are some pictures in celebration of her 36th birthday... and a celebration of the fact we'll be seeing her on a fourth batch of "The Rookie" episodes (which are going to begin on ABC on September 26)!

Alyssa Diaz


Alyssa Diaz

Alyssa Diaz

Monday, September 6, 2021

Musical Monday with David Hasselhoff

We could introduce this video for David Hasselhoff's cover of Iggy Pop's "The Passenger" with comments on how nicely done it is, both musically and visually.

David Hasselhoff in 2021

Instead, we're just going to say: "When KITT is in the shop, but you still have to cross town to stop the bad guys..."


The Passenger (2021)
Starring: David Hasselhoff
Director: Jens Eser
Rating: Seven of Ten Stars


"The Passenger" is included on Hasselhoff's just-released album, "Party Your Hasselhoff". We don't know if it's any good (aside from the one song featured here), but we're giving it Six Stars for that title alone.

(That said, the very nature of this blog is a constant reminded that we're all getting old... but Hasselhoff... jeeze! He got OLD!)

Young David Hasselhoff



Sunday, September 5, 2021

Bones Coffee's Salted Caramel

 It's Sunday, so that means another post about coffee we've been drinking here at Shades of Gray! Like most reviews so far, this one is based on coffee made from a pre-ground 4-oz. sample pack that made about 15 cups via a drip coffee maker.

Lili Gao drinking coffee
Lily Gao: Caffeinated and ready to kill zombies!


BONES COFFEE COMPANY: SALTED CARAMEL
This is another of the flavored blends from Florida-based Bones Coffee. Like most of the ones we've had by them, it's a medium-roast using Brazilian Arabica beans, so it starts with a perfect foundation.

Opening the package was itself an experience; I could detect the aroma of caramel even before actively taking a whiff of it. That wonderful smell remained strong during the brewing process, and I could smell it all the way down the hall in my office.

And things only got better.

If you've read any of the previous entries in this series, you already know that I'm a wimp when it comes to coffee; I'm always putting almond milk and/or various creamers in everything I brew, from breakfast blends to the darkest of roasts...

But this blend? This one I can drink straight without needing to cut it. What a FANTASIC blend! Who needs to head to Starbucks or any such places when you can just brew a pot of Bones' Salted Caramel blend?!

Hot and fresh from the pot into the cup, this blend carried a perfect blend of caramel and salt and tangy coffee. Even as the coffee cooled, the flavor remained pleasing, with the various elements remaining in balance with one another. (This factor may be more important to me than some of you out there; I drink my coffee while working or reading, so it tends to sit awhile and grow cold as I drink it.)

At no point did I feel like my cups of this Salted Caramel blend needed any almond milk or sweetener, but, to remain consistent with other reviews of Bones' products, I did it anyway. 

When I added unsweetened almond milk, I felt it detracted from the flavor instead of enhancing it, washing it out instead of making it palatable. I also tried a cup with just a dash of Italian Sweet Cream-flavored creamer, which was a little better. The sweetness of the creamer blended well with the caramel and seemed to bring out more saltiness.

⁠Speaking of saltiness, when this blend was consumed chilled and over ice, the salty flavor emerges a bit stronger than when it is hot, but it mixes pleasantly with the caramel and coffee, instead of becoming overwhelming and ruining the flavor as happened with the Sinn-a-Bon blend. Over all, though, the flavor remained fairly stable whether I was drinking it hot or cold, the Salted Caramel flavor was perfect.

Although I was perfectly happy with the "uncut" taste of this blend over ice, I tried drinking it with unsweetened almond milk added, just so I could remain conistant with my other reviews. While I felt the milk detracted from the blend when hot, it didn't seem to add or reduce anything. The milk mixed with the existing flavors, but otherwise didn't seem to really seem to enhance or detract from my enjoyment. I didn't bother trying it with the Italian Sweet Cream creamer, because... well, because there's just no way to improve upon Bones' Salted Caramel blend.  

So--thanks, Bones! Now I can have maximize my caffeine intake with a minimum of fuss and effort, even if I'm in the mood for fru-fru coffee! I can have delicious Salted Caramel flavored coffee without spending waaaay too much money at a retail outlet and without even having to leave my home!

Saturday, September 4, 2021

Modern Living with Richard Sala

 I have worked in the downtown area of a major American city for about five years now. During that time, the urban decay has been evident and accelerating. I imagine this cartoon from the late, great Richard Sala must reflect how people who actually live there live their lives. (Click on the cartoon for a larger, more easily read version.)

Cartoon by Richard Sala