Bulldog Drummond meets the love of his life

This is the first of eight Bulldog Drummond films produced by Paramount in the late 1930s. It's a series of light-hearted action/adventure tales linked by the constantly rescheduled wedding of Drummond and the love of his live, Phyllis Clavering. Click here to read some background on the series and its cast at companion blog Watching the Detectives.


Bulldog Drummond Escapes (1937)
Starring: Ray Milland, Heather Angel, E.E. Clive, Guy Standing, Reginald Denny, Porter Hall, Fay Holden, and Walter Kingsford
Director: James Hogan
Rating: Six of Ten Stars

As "Bulldog Drummond Escapes" opens, daredevil adventurer Captain Hugh Drummond (Milland) is returning from an extended trip abroad. Over the objections of airport officials, he lands his private plane in thick fog before jumping into his sports car and speeding off to his country estate. Along the way, he comes across Phyllis Clavering (Angel), and before the night is out, he has to decide if she's a damsel in distress, or a mentally unstable woman, as her sinister wards (Hall and Holden) would have him believe. Before this most unexpected adventure is over, Drummond finds himself not only captured by a ring of spies, but finds himself heads-over-heels in love with Calvering. But will either of them live long enough to make good on the promise of romance?


"Bulldog Drummond Escapes" spends its first few minutes introducing the viewers to the main character and the supporting cast, and then proceeds to present a story that is not only engaging, but which features subplots that will continue to develop over the next five sequels, such as Algy's relationship with his wife and his struggle to balance a life of adventure with his friends Drummond and Tenny with that of a responsible husband and father; Colonel Nielsen's ongoing attempts to force Drummond to just behave like a normal citizen and stop sticking his nose in government business; and Drummond and Clavering's marriage plans that are forever interrupted by various bad guys and disasters.

Despite the fact that the first "Bulldog Drummond" films appeared in the 1920s, you would be well served to ignore those and just start your viewing with "Bulldog Drummond Escapes" and the other Paramount-produced films that follow it, particularly if "Bulldog Drummond at Bay" is any indication of the quality of the films that came before the Paramount series.

What makes this film, and its sequels, so much fun is the interplay between the characters and the snappy dialogue. The relationship between Tenny and Drummond is particularly fun.

Cast-wise, everyone does a fantastic job. Milland is adequate as Drummond, but he is greatly bolstered by excellent performances from E.E. Clive (as the ever-unflappable manservant Tenny) and Reginald Denny (as the ever-stressed and freaked-out Algy, who is trying to help Drummond out of his latest jam while supporting his wife as she gives birth to their first child). Heather Angel's character of Phyllis Clavering is something of a non-entity in this film, but she does as good a job as can be expected with the part... and she's as cute as ever.

With its fast-paced, well-constructed script and solid characterizations of a likeable group of people who are joined together by a sense of adventure, fun, and mutual respect, "Bulldog Drummond Escapes" is a good start to an excellent series of films.

Picture Perfect Wednesday: Blitzkrieg!

Part of the celebration of the 65th anniversary since the defeat of Nazi Germany.

Kicking Axis Butt, One Nazi at a Time...

This review is part of an observation of the 65th anniversary of Nazi Germany's defeat.


Showcase Presents: Sgt Rock, Vol. 1 (DC Comics, 2007)
Writers: Robert Kanigher and Bob Haney
Artists: Joe Kubert, Jerry Grandenetti, Russ Heath, et. al.
Rating: Ten of Ten Stars

"Showcase Presents; Sgt Rock, Vol. 1" reprints in black-and-white format almost 550 pages of the earliest stories featuring DC Comics' most popular (even if the Enemy Ace has been the most celebrated by critics) war comics charater Sgt. Frank Rock of Easy Company.

This book is a great read if you're looking for down-to-earth, well-told stories featuring an extraordinary soldier, and it's an even better read if you're a fan of Joe Kubert and insterested in seeing how his work looked as he reached the height of his artistic powers.

And, of course, Nazis getting their butts kicked in almost every way imaginable.

It's fascinating to watch Sgt. Rock and Easy company evolve over the years. Early on, Rock was more of a narrator than the character the stories were about, but later he becomes the central figure and often shares the stage with a soldier or two that he and battle mold into a better soldier and even a better American at times. It's also interesting to see Easy Company evolve, as Kanigher starts adding a supporting cast to the series. (Some of the characters are bit goofy, and down the line, well past the point covered by this book, the supporting cast of Bulldozer, Wildman, Ice Cream Soldier, and Flowerchild get a bit much... but it's still neat to watch the strip's foundation be laid and watch it evolve over the three years of stories presented here. Even more interesting is the "prototype" Rock who appears at the very beginning of the book. It's a Bob Haney-penned story featuring a very different character but still one that paved the way to the series, much like the one-shot horror tale by Len Wein and Berni Wrightson led to the "Swamp Thing" series, even if the two were unrelated except for the creators.

Although the earliest stories in this book are close to 50 years old now, they've all stood up extremely well to the passage of time. They are as exciting and fresh as the day they were first published, with Robert Kanigher doing some greeat work--and only rarely falling into his oft-repeated rhythm of "story theme, three crises for the characters where the story's theme is repeated in thge bluntest possible ways, and a resolution that features the theme in a funny, ironic, or poignent way), so the stories here are varied. The book also holds up nicely to just sitting and reading, because, unlike his Enemy Ace material, he doesn't feel obligated provide a detailed introduction to Sgt. Rock in each and every story.

"Showcase Presents: Sgt. Rock, Vol. 1" is another of DC's low-cost packages that gives readers easy access to some of the greatest American comics ever published. If you like comics, and you've never read these stories before, you owe it to yourself to check it out. It's a book featuring two of the genres masters--Kanigher and Kubert--producing fantastic work.





For a consise overview of the publishing history of Sgt. Rock, click here to visit the Toonpedia.

Jesus smote zombies for our sins

Jesus Hates Zombies (Alterna Comics, 2009) 

Writer: Stephen Lindsay Artists: Various 

Rating: Eight of Ten Stars 

After flesh-eating zombies overrun the Earth, God sends his Only Son to save a small group of faithful. Unfortunately, Jesus is, once again, sent to Earth under-equipped for the job ahead of him, and he must fight his way through zombie hoards as he treks across the United States. This is one mission where there is no Love to be had from the Christ, because Jesus HATES zombies!

     "Jesus Hates Zombies" is a collection of short stories drawn by various artists and written by series creator Stephen Lindsay. The art varies tremendously in quality, but, as a lover of the old-time anthology comics, I still appreciated the format. (Not enough to cut the editors any slack; some of the art really is at such a low level that I can help but wonder if it was drawn by someone's Significant Other.) 

The stories, however, are of consistently high quality. While the idea of Jesus wandering a "Dawn of the Dead"-style world looking for the final pure souls so that he may bring them God's word while sending zombies back to their graves is fun in-and-of-itself, Lindsay manages to infuse every story with dark comedy that had me smiling at every page and even laughing out loud at more than one occasion. Jesus' initial arrival on Earth, his acquisition of a car, and his later acquisition of a zombie sidekick (appropriately enough named Lazarus) are all funny high points of a very funny book.

  However, there are a few almost sad moments as well, such as the one where Jesus encounters zombies in an abandoned amusement park (in a tale that may remind some readers of the hit movie "Zombieland"*, but they should be aware that Lindsay's story was originally published in 2007.) And then there's the horror. You can't have a zombie comic book without SOME horror. Here, the most chilling moments arise when Jesus thinks he is at the end of the quest but instead finds himself facing something very different than lost sheep waiting for his help; and the story where he's trying to get a good night's sleep and instead is cornered by hungry undead. But even the horror is delivered through a snappy script and funny artwork.

 

*Sidenote: As I watched "Zombieland," it reminded me both of this graphic novel and of "Zombies Calling," another great graphic novel of comedic zombie antics. I wonder if it was a case of great minds thinking alike, or if someone on the "Zombieland" writing team likes reading the sorts of books that get reviewed here at "Shades of Gray"?

Dr. Mabuse returns from pop culture limbo

The Return of Doctor Mabuse (1961)
Starring: Gert Frobe, Daliah Lavi, and Lex Barker
Director: Harald Reinl
Rating: Six of Ten Stars

Chief Inspector Lohmann (Frobe) finds his vacation plans interrupted when he is called in to investigate a bizarre murder. When he himself is targeted for death, he finds the case getting stranger and stranger, with clues pointing to a conspiracy that reaches from the quiet halls of a local church, to a nearby prison, to mobsters from faraway Chicago... and perhaps even to the involvement of the megalomaniacal criminal mastermind Dr. Mabuse.


"The Return of Dr. Mabuse" is a light-weight crime thriller with Saturday matinee cliffhanger and James Bondian overtones, including a villain with a plot to conquer the world through the application of weird chemicals, science, and brainwashing. It's an entertaining film, if a bit predictable, and one that is probably enjoyed more by kids and those "young and heart" than by jaded viewers who find kicks in picking films apart. (Although I think even jaded viewers will be entertained by the Delivery Truck of Doom, and will enjoy guessing at what character is Dr. Mabuse in disguise.)

One major downside to this film is that the acting seems a bit wooden, but I'm not sure how much of this is the fault of inferior actors used for the English dubbing. Frobe is certainly a better actor than one gets the sense of here, and I recall his previous outing as Inspector Lohmann as being even better than his turn as the Bond villain, Goldfinger.



Trivia: This film revived a pulp fiction villain that had slipped into into obscurity, but which had first been brought to the screen in films directed by legendary German filmmaker Fritz Lang between the years of 1922 and 1933. During the 1960s, six Mabuse films were released, before the evil doctor once again retreated into one of the many dark recesses of the pop cultural universe.

Picture Perfect Wednesday: The Easter Angel

Actress Heather Angel is is a very attractive easter bunny in this 1933 publicity still. (It was acquired from this picture blog.)

I hope all my readers have a nice and peaceful Easter holiday.

'Tyranny Rex' is a fun read

Tyranny Rex
Writer: John Smith and Chris Standley (with Steve Dillon)
Art: Steve Dillon and Will Simpson
Rating: Eight of Ten Stars

Tyranny Rex is a sexy Sauran, a human-appearing reptillian species. She is a celebrity performance artist and "trouble-shooter" who moves back and forth across the boundaries between legal and illegal as she sees fit. She is wanted for crimes and random mayhem in some starsystems, while she is just wanted in others.


The "Tyranny Rex" graphic novel reprints the earliest "Tyranny Rex" stories from the long-running British sci-fi comic magazine "2000 AD." They feature an equal mix of humor and action, and they're all fun reads, as Tyranny moves from making illegal clones of classic rock stars, protects Vid-stars from psychotic fans, and defending her body-sculptures from psychic cowboys. Although the book seems to end Tyranny's story quite nicely, the character appeared in several additional installments of the comic series, as well as a few short stories by creator John Smith.

The "Tyranny Rex" graphic novel might be a bit hard to find, but if you can get a copy, I think you'll be entertained. You might want to look particularly hard for it if you're a Steve Dillon fan, as the first half of the book is illustrated by him, and they are full of the sort of gross physcial humor and comedic violence that he has become known for through titles published at Marvel Comcis and the DC Comics imprint Vertigo. (This is early Dillon art, so his style is still a bit rough, but he was good even back in the late 1980s, the period from which these "Tyranny Rex" stories date.)

Coming Soon:The 65th Anniversary of Nazi Defeat

2010 makes 65 years since Adolf Hitler and Nazi Germany were defeated and consigned to history's garbage dump. Between April 5 and May 7, I will be celebrating this milestone with reviews across my various blogs, with this one getting a wealth of reviews of movies dating from those days, reviews of war comics from the 1960s and 1970s, and images on Picture Perfect Wednesdays.

If you've got a review blog and would like to mark the passing of one of the most evil regimes the world has ever known with reviews and posts, send me a link to your blog and I will post it at "Cinema Steve." The same is true of any specific posts you make. Just send an email with links to stevemillermail@gmail.com with "Nazis Quit" in the header.

Meanwhile, you can check already-posted reviews of films spotlighting the German Ubermenchen (that somehow still managed to get their asses kicked by us mud people) by clicking here.

'Day of the Nightmare' is full of twists

Day of the Nightmare (1965)
Starring: Beverly Bain, Cliff Fields, John Ireland and John Hart
Director: John A. Bushelman
Rating: Four of Ten Stars

As her artist husband (Fields) grows more aloof, Barbara (Bain) starts to grow concerned for the health of her marriage. She soon has bigger things to worry about, as he first becomes a murder suspect... and then she immediately thereafter almost is stabbed to death by his supposed victim.

"Day of the Nightmare" features the foundation of a decent thriller, with a story constructed with enough intelligence to know not to bother concealing something which is obvious to alert audience members almost immediately (Barbara's husband is a Norman Bates-style maniac and the "murder victim" is actually his second personality), but it's done in by languid pacing and terribly undramatic camerawork and lighting. The film called for deep shadows and quirky camera angles, but instead we get cinematography that would have been better suited for an industrial educational film.


The acting is also mostly mediocre, with John Ireland (as a homicide detective looking for a murder victim that doesn't exist) seeming tired and bored and Cliff Fields (as the hubby leading more than just one double life) seeming like he needed to take a few more acting lessons.

The one exception is Beverly Bain. Whether she is portraying Barbara as the perfect early 1960s American housewife, as trying to come grips with the possibility her husband has killed his mistress, or fleeing an insane, knife-wielding cross-dressing phantom, she gives a performance far better than anything else in the film. This is her only film credit, which is a shame. There is quite a bit of talent on display here. (But no flesh; she is the only attractive female in the movie who doesn't appear topless.)

But Bain's performance alone is not enough to save this film. She, combined with the well executed story, will carry you through it, but the weak acting and inappropriate tone of the cinematography, put this movie firmly in the category of Bad.

Picture Perfect Wednesday:Louise Brooks, Classic Bird

Louise Brooks was a fashion trend-setter in the 1920s, with her bobbed hairstype being widely imitated after she began appearing in film. Often, when someone says "flapper style," they are picturing Louise Brooks.


Brooks only appeared in a couple dozen features. Some sources say her career suffered because she refused to bend to the will of the studio system. Other sources say that her career was damaged by working in European for a couple of years during the late 1920s. Others claim that the fact she posed for a number of nude photos as a young dancer--a choice that Brooks later said had been a tremendous mistake. Finally, her death of career is attributed to her involvement with the Philo Vance Picture "The Canary Murder Case."

Starring William Powell as Philo Vance and Brooks as a blackmailing nightclub singer who ends up murdered, it was originally shot as a slient movie in 1928, but Paramount executives decided to rework the film as a talkie and called the actors back to loop their lines. When Brooks refused to cooperate, it gave her a bad reputation and she never worked for a major Hollywood studio again.

"The Canary Murder Case" was a hit, even if Brooks didn't receieve a career boost from it. However, some great publicity stills for the film exist, featuring the lovely Louise Brooks as the nefarious and ill-fated Canary.