Space Girl Adventures, Part Twenty-seven

 

SPACEGIRL

By Travis Charest

What Has Gone Before: Spacegirl is in the clutches of the ruthless alien crime lord, Mongo Badd. She must do... or die!

To Be Continued...

One of the best 'Alice' entries is still weak

Alice the Whaler (1927)
Starring: Lois Hardwick
Director: Walt Disney
Rating: Five of Ten Stars

Alice (Hardwick) is the captain of a whaling vessel operated by a literal zoo crew of cartoon animals.

 The "Alice Comedies" (also referred to as "Alice in Cartoonland") was an early series of 50+ short films by Walt Disney. It merged live action footage with animation in a fashion similar to the "Out of the Inkwell" series from Max Fleischer, but much cruder in execution.

"Alice the Whaler" came toward the end of the series, and it's one of the better ones I've watched so far... but it's also incredibly inconsistent in the level of quality as it unfolds. There are some really nice bits of animation with flying birds, some of the crew antics are fairly complex and funny. On the other hand, there are some jokes that get drawn out well beyond the point of being funny and there's some cheaply and lazily executed animation sequences, and the live-action Alice is barely incorporated into any of the cartoon action. 

What really ruins this cartoon, though, is the ending. It involves Alice's whaling ship successfully harpooning the whale, and, given how this is set up, I can't believe that even 100 years ago audiences would have found that turn of events amusing or entertaining. Either Walt Disney conceived of one of the worst endings to a cartoon ever, or the full ending has not survived to present day. (The only satisfying finale *I* can think of for this one, would have seen Alice's ship smashed to bits and she and her zoo crew bobbing in the ocean, clutching flotsam.)

But don't take my word for it--click below and watch for yourself. Aside from the completely botched ending, this is a pretty cute cartoon. The music is also matched nicely to the action.

Batgirl will always be here...

 Last year, we celebrated the announcement of a new Batgirl movie entering production, with Leslie Grace playing the title character. Today, we announce that the movie has been unceremoniously shelved, with the reason given that it's not high-budget and glitzy enough.

That's one of the dumbest reasons we've ever heard given for a movie not being released, and we share the sorrow of those who were looking forward to seeing this film (as well as the hundreds of people whose hard work may never seen by audiences).

BUT!

Batgirl will always be here at Shades of Gray, whether in the form of the lovely Yvonne Craig, or in drawings from artists famous and obscure! And we hope heartbroken Batgirl fans will be able to find some solace in this small gallery of art!

We also think you'll find some Batgirl joy in the absolutely, long-running gag strip by Mike Maihack starring Babs and her bestie, Supergirl. Click here to visit Mr. Maihack's website and be ready to smile.
 

Happy birthday, Evangeline Lilly!

Today, Canadian actress Evangeline Lilly--perhaps best known for her role as Hope Van Dyne in the "Ant-Man' movies--celebrates her birthday!

 We don't know what she wants as presents...

... but we think she needs a skirt or a pair of pants.

Happy birthday to Madeline Smith!

British actress Madeline Smith is known to Hammer Horror fans for her roles in films like "Frankenstein and the Monster From Hell" (1973) and to action movie fans for her turn as a secondary Bond Girl in "Live and Let Die" (also 1973), but has also been seen in TV roles, large and small, for more than five decades.

Here's a very spicy photo of Ms. Smith from her Hammer Horror days, in observance of her 73rd birthday!

Musical Monday with Ethel Merman & Betty Boop

Screen Songs: Let Me Call You Sweetheart (1932)
Starring: Ethel Merman, Billy Murray, and Mae Questal
Director: Dave Fleisher and Shamus Culhane
Rating: Seven of Ten Stars

After a nanny (Betty Boop, voiced by Questal) turns down his advances, a police officer (Bimbo, voiced by Murray) proceeds to rape her while putting the baby she's supposed to care for in deadly danger. Meanwhile, Ethel Merman invites viewers to join her in singing "Let Me Call You Sweetheart".

 I watched "Let Me Call You Sweetheart" twice, with four days between viewings, just to make sure I hadn't been in a dark frame of mind when I viewed it the first time. I hadn't been.

The cartoon sequences are among the most disturbing I think I've ever come across... because the sense is that there's nothing wrong with the fact that Bilbo is a police officer who forces is "affection" on a clearly-not-interested Betty Boop. Also, we're clearly supposed to find it hilarious that Bilbo, while setting about to rape Betty,  intentionally kicks the baby carriage she was tending, sending it careening down a hill where it and the baby ultimately plunges and sinks into a pond. Although the baby doesn't die (no one really thought that it would, did they?) and is saved via some visually amusing cartoon antics, the circumstances under which it is placed in danger are so distasteful it was hard for me to enjoy it. Just to make the Betty and Bimbo sequence as repulsive as possible, the animators later show them in a state of blissful embrace--Betty really wanted it all along, see?--where we should have seen her standing over Bimbo's broken and twisted corpse.

For all my irritation at main animated sequence of this Screen Songs installment, I can also see a possibility that it was intended as an ironic juxtaposition of the featured song, "Let Me Call You Sweetheart", because the on-screen lyrics get really crazy type-setting wise toward the end. The animated sequence after the Ethel Merman sing-along section supports this idea, as it features a predator singing "Let me Call You Sweet-heart" while chasing down its prey. (Bimbo and Betty being shown in a loving embrace after he forces himself upon her in a brutal fashion undermines that interpretation though. Unless one assumes they were "roleplaying"...)

Although I had a very hard time enjoying this cartoon, I recognize it's well-animated with some amusing visual, quickly paced, and features a pleasant song, hence the Seven-Star rating. I just can't get past some of the messaging. (Oh... and while I can't think of a way to do rape "right", the creators of this cartoon and this one did present child endangerment in a fashion that was more amusing than troubling.)

But are the flaws of "Let Me Call Me Sweetheart" are severe as I feel they are? Take a look for yourself and let me know!

Bones Coffee's What the Fluff?!

Bones Coffee...whenever we think we're at the end of what they have to offer, they spring a new flavor on us! And more often than not, the artwork on the packaging is just as much fun to look at as the coffee is to drink!

She's dancing along the boardwalk, in search of coffee and cotton candy!

 

BONES COFFEE COMPANY: WHAT THE FLUFF?!

The marketing department and roasters at Bones Coffee once again take a shot at answering a question that no one asked: "What would it taste like if we dipped a bunch of cotton candy in a cup of coffee?" (Or maybe the truck delivering beans to the roastery collided with a cotton candy vendor towing is booth to the county fair... and they figured, "What the hell, let's go with it!" OR maybe it came about the same way many of the ROLF!: The Rollplaying Game supplements came about... we thought of a great title and then came up with the product to match it.)

And calling this blend What the Fluff?! is brilliant. It immediately made me curious about what it might be. The cartoon on the packaging was also weird enough to pique my interest further, because it made me go "what the f--- is he doing with those teddy bears? it even provides a third option for the speculation about this blend's origin above: The Bones Mascot harvested the demonic essences from evil teddy bears and then used that evil for good by bringing the world another amazing coffee flavor.

When the bag is first opened, there is the unmistakable smell of those magically spun bits of flavored and colored sugar we refer to as cotton candy. It wasn't as strong an aroma as some Bones blends, but it was strong enough to kick up the anticipation. As the coffee brewed, and as I poured the first cup, that sweet, somewhat undefinable aroma hung in the air. Again, it wasn't as strong as some Bones offerings, but it was unmistakable.

When I tried the coffee without anything added, it had a pleasant taste, with the coffee and a flavor I couldn't quite place mixing so mellowly that I could probably drink it this blend black. An aftertaste started to build as I drank more--bitter and sour--but that could just have been a natural effect from the coffee... one I rarely notice because I drank more of this black than I normally would have in an attempt to identify the flavor. It seemed vaguely berry-like, but I wasn't sure and thought that maybe I was just assuming that because Bones seems to excel at berry-flavored coffee. (But I wasn't surprised that the flavor didn't seem to quite line up with the aroma... that is something I've experienced with Bones blends before.)

When I added unsweetened almond milk to the blend, I found that the liquids did not mix at all well. The vaguely berry flavor was still there, but a dirt-like flavor emerged. It still didn't taste like cotton candy, though... which I guess is a good thing, because coffee that tastes like a cotton candy stick that's been dropped in the dirt would be depressing.

When I tried What the Fluff?! with sugar-free Italian Sweet Cream creamer, the berry flavors really popped and that strange aftertaste that was present when I drank it black became very muted but it never completely went away. I still didn't notice any cotton candy; maybe I just don't know what cotton candy tastes like? At room temperature, the flavors remained mostly as they were when the blend is consumed hot, aftertaste and all.

This blend worked best when iced, either black or mixed with sugar-free Italian Sweet Cream creamer. I still don't think I was put in mind of cotton candy while drinking this, but the berry flavors were great, almost softdrink-like. Unfortunately, that aftertaste was still present... and it was joined by a touch of the saltiness that sometimes emerges in Bones Coffee blends when they are consumed iced. Both the aftertaste and the saltiness were very mild, but they built in my mouth as I consumed the blend  iced, so perhaps it's only an issue if you drink your coffee by the mugful instead of a more civilized coffee cup size. 

As I swallowed the final mouthful of What the Fluff?! that I'd brewed from the sample pack I'd gotten, I still had not figured out what the berry flavor was. I wondered if "berry flavor" is what cotton candy tasted like, and I was just misremembering. And, honestly, I couldn't tell you what cotton candy tastes like, but I feel certain that it's not what this coffee tastes like.

And I can't help but think that the people at the Bones Coffee Company eventually came to the same conclusion. The package states What the Fluff!? is just cotton candy flavored, but if you go to the Bones Coffee website, it describes the blend as tasking like "sweet cotton candy flavor with a twist of fresh berry."

It seems that maybe they made a blend that has a mixed berry flavor with a twist of sweet cotton candy? Or, like I said, maybe my mind and tastebuds are playing tricks on me, and I have idea what cotton candy is supposed to taste like.

Even if I feel like it didn't quite hit the mark, I think this is an okay blend to drink black or with creamers... so long as you don't drink alot of it too fast, because of that aforementioned aftertaste. If you're a fan of other of Bones' berry-flavored coffees, I suspect you might like this one, too.

And, if you want that pure cotton candy flavor, or can't get your hands on some of the What the Fluff?! blend, you can always follow the example of this lovely lady (as photographed by Nina Leen). Just head down to the nearest boardwalk or traveling carnival! 

Hey, you could even try dipping the cotton candy in a cup of coffee to see what happens. (Although people might look at you like the cotton candy vendor in the background of that last shot.)

Space Girl Adventures, Part Twenty-six

What Has Gone Before: The Spacegirl has been captured by a ruthless alien crimelord who has made her an offer she can't refuse.

SPACEGIRL

By Travis Charest

To Be Continued...

An important announcement from the Slaughter Valley Authority

There's some critical information that we want make sure all of our fellow Slaughter Valley residents to know regarding the Similarity Agents that were introduced earlier this month. Please watch this short informational video. (We also encourage you to check it out if you intend to visit us at any time in the near future.)

How are the ballerinas spending summer?

On International Dance Day 2022, the ballerinas ran off into the wild. We're trying to keep track of them, and we'll try to bring you updates on the last Wednesday of each month until International Dance Day 2023.

During this summer, some of the ballerinas are hanging out at the beach...

... while others are just lounging in the sun wherever they find themselves.

And a few are trying to beat the heat by getting out of the sun in caves and shadow-filled edges of deep forest glades.