Monday, May 25, 2020
Musical Monday with Goapele
Saturday, May 23, 2020
Saturday Serial: Jenna of the Jungle
In 2011, Don Hudson posted the "Jenna of the Jungle" tale on his blog, one panel at a time. It's a nice story that goes to unexpected places. Over the next many Saturdays, we're going to re-present Don Hudson's "Jenna of the Jungle" series (with a random bonus jungle girl appearing at the end of each installment). Click on the panels for a larger image.
Jenna of the Jungle: Part One
By Don Hudson
By Don Hudson
Friday, May 22, 2020
Happy International Goth Day!
Is that right? Is it appropriate to say happy International Goth Day (or World Goth Day)? Hm... wow. I don't know! If everyone wasn't under house-arrest and hiding from the Coronavirus, I could have just walked outside my front door and asked one of the goths who are usually hanging out around the corner.
Oh well; one must stay home in order to save lives. I hope any Goths out there takes my well-wishes and this small gallery of photos and art celebrating their ways in the friendly spirit is was intended!
Thursday, May 21, 2020
Tom and Jerry are cookin' with 'Pots and Pans'
Pots and Pans (1932)
Starring: Unknown Singers
Directors: John Foster and George Rufle
Rating: Seven of Ten Stars
Another day dawns at Tom and Jerry's Diner. Hash is slung and songs are sung.
"Pots and Pans" debuted in movie theaters on May 15, 1932, and it was the tenth installment in the "Tom and Jerry" series. Our heroes are engaged in yet another business venture in this one--they operate a diner inside a converted railroad car. Subsequently, all the gags and zany action revolve around short-order cooking and the odd characters who are demanding to be fed.
Like most "Tom and Jerry" cartoons, this is essentially an animated music video, with the songs being the main attraction. There is almost no spoken dialogue in the film, and there is one scene where it's disposed of with silent movie-style pantomime. Further, this installment is almost entirely plot-free, with the music and the diner setting serving to string together a series of more-or-less self-contained gags. It's a mostly swift-moving film, and if you have enjoyed other "Tom and Jerry" adventures, you'll enjoy this one as well. The animation is a bit more simplistic than the norm, and the pace falters a bit as the climax is building, but overall it's a solid bit of fun.
But don't just take my word for it... I've embedded "Pots and Pans for your viewing pleasure below!
Starring: Unknown Singers
Directors: John Foster and George Rufle
Rating: Seven of Ten Stars
Another day dawns at Tom and Jerry's Diner. Hash is slung and songs are sung.
"Pots and Pans" debuted in movie theaters on May 15, 1932, and it was the tenth installment in the "Tom and Jerry" series. Our heroes are engaged in yet another business venture in this one--they operate a diner inside a converted railroad car. Subsequently, all the gags and zany action revolve around short-order cooking and the odd characters who are demanding to be fed.
Like most "Tom and Jerry" cartoons, this is essentially an animated music video, with the songs being the main attraction. There is almost no spoken dialogue in the film, and there is one scene where it's disposed of with silent movie-style pantomime. Further, this installment is almost entirely plot-free, with the music and the diner setting serving to string together a series of more-or-less self-contained gags. It's a mostly swift-moving film, and if you have enjoyed other "Tom and Jerry" adventures, you'll enjoy this one as well. The animation is a bit more simplistic than the norm, and the pace falters a bit as the climax is building, but overall it's a solid bit of fun.
But don't just take my word for it... I've embedded "Pots and Pans for your viewing pleasure below!
Wednesday, May 20, 2020
Wonder Woman Wednesday
Welcome to another Wonder Woman Wednesday... the time when we once again celebrate everyone's favorite Amazon's with some of the best portraits and action shots that have ever been created.
This time around, we're displaying Wonder Woman's expertise in deflecting--bullets that is! So long as she's got her magic bracelets, she doesn't have to be faster than a speeding bullet, and she might just return it to sender!
By Jose Luis Garcia Lopez |
By Bruce Timm |
By Eddy Barrows |
By Jose Luis Garcia Lopez |
Tuesday, May 19, 2020
What if...
… Donald Trump decided to do something different with what passes for his hairstyle?
Artist Don Hudson has some suggestions!
For more of Don's art, visit his blog.
Artist Don Hudson has some suggestions!
For more of Don's art, visit his blog.
Monday, May 18, 2020
Musical Monday with Ivy Levan
Ivy Levan is an American singer/songwriter/actress/model. This is the second time we're spotlighting her exuberant, quirky, over-the-top blusey stylings... and this second song is joined with a video that's equal parts thrilling and funny. Just like the last time around.
"Hot Damn" was the second track on Levan's debut EP, "Introducing the Lady" . This video is either a sequel, or perhaps a prequel, to the one for "Money", as it clearly features some of the same characters.
If you enjoyed "Hot Damn", I think you'll find Gin Wigmore's music and videos appealing as well. (And you should keep an eye out here; Levan will almost certainly be returning to these parts on future Musical Mondays.)
Sunday, May 17, 2020
'Just Neighbors' is just a lot of fun
Just Neighbors (aka "Neighbors") (1919)
Starring: Harold Lloyd, Harry Pollard, Bebe Daniels, and Margaret Joslin
Directors: Harold Lloyd and Frank Terry
Rating: Seven of Ten Stars
Fighting breaks out between once-friendly neighbor couples (Lloyd & Daniels and Pollard & Joslin) after escalating damage happens to both homes following a failed attempt at one husband to help the other with a backyard construction project.
If one wanted a cinematic illustration of what "that escalated quickly" means, "Just Neighbors" fits that purpose exactly. From the point where the two husbands (Harold Lloyd and Harry Pollard) run into each other on their way home from work in the city through Lloyd's misbegotten attempt to show off his handyman skills, through to the property destruction and literal slap-fight across the backyard fence, this film is a string of small situations that get out of hand--and hilariously so.
While none of the gags in this film are going to surprise anyone--what we have here is sit-com territory that's been well-trod in the past 100 years--but they're economically delivered by a cast with perfect comedic timing, so the action is constantly moving and not a second of screen-time is wasted.
The only complaint I can mount about the film is that I would have liked to see some more situations where the wives fight with each other was well. Any movie where Bebe Daniels has more to do is a better movie! (I think the film might have been more interesting if perhaps it had played up and on the class differences between the two couples... but that would have probably resulted in a different and much longer movie.)
But, thanks to YouTube, you can check out "Just Neighbors" right now and see if you agree or disagree with my take on it.
Starring: Harold Lloyd, Harry Pollard, Bebe Daniels, and Margaret Joslin
Directors: Harold Lloyd and Frank Terry
Rating: Seven of Ten Stars
Fighting breaks out between once-friendly neighbor couples (Lloyd & Daniels and Pollard & Joslin) after escalating damage happens to both homes following a failed attempt at one husband to help the other with a backyard construction project.
If one wanted a cinematic illustration of what "that escalated quickly" means, "Just Neighbors" fits that purpose exactly. From the point where the two husbands (Harold Lloyd and Harry Pollard) run into each other on their way home from work in the city through Lloyd's misbegotten attempt to show off his handyman skills, through to the property destruction and literal slap-fight across the backyard fence, this film is a string of small situations that get out of hand--and hilariously so.
While none of the gags in this film are going to surprise anyone--what we have here is sit-com territory that's been well-trod in the past 100 years--but they're economically delivered by a cast with perfect comedic timing, so the action is constantly moving and not a second of screen-time is wasted.
The only complaint I can mount about the film is that I would have liked to see some more situations where the wives fight with each other was well. Any movie where Bebe Daniels has more to do is a better movie! (I think the film might have been more interesting if perhaps it had played up and on the class differences between the two couples... but that would have probably resulted in a different and much longer movie.)
But, thanks to YouTube, you can check out "Just Neighbors" right now and see if you agree or disagree with my take on it.
Friday, May 15, 2020
Firearms Friday with Stefanie Powers
Born in 1942. Stefanie Powers is an American actress who is best known for her role as the ever-cheerful and strongheaded Jennifer Hart across five seasons and eight made-for-television movies of "Hart to Hart", over a span of fifteen years. (The series ran from 1979 to 1984, and the movies were aired in 1993 and 1994. Powers was co-producer on the films.)
Powers began her professional acting career while still in her teens, and her first top billing came in the spy series "The Girl From U.N.C.L.E", which ran for two seasons 1966 and 1967.
In addition to the two aforementioned series, Powers had leading roles in 20 other television series and mini-series, and made guest appearances in more than 200 individual episodes of other shows, including a recurring role in "The Six Million Dollar Man" during the 1970s and 1980s.
A mainstay of American television during the 1970s, 1980s, and into the 1990s, Powers stopped acting on a regular basis after completing the final "Hart to Hart" film in 1994. While she continues to take the occasional role, most of her energy has been spent on conversation efforts and business ventures related to the William Holden Wildlife Foundation.
Thursday, May 14, 2020
'A Crazy Composer' will brighten your day
The Crazy Composer (1906)
Starring: Georges Méliès
Director: Georges Méliès
Rating: Ten of Ten Stars
A composer suffering from a creative block is visited by Muses and other magical creatures that rekindle his creativity... or is he?
It may be over 100 years old, but I suspect more than a few of those of you out there who work in creative fields can relate to the "crazy composer" in this film. Heck, these days, we can probably all relate to this film's title character, in the sense that we're all going a little stir-crazy with the global pandemic keeping many of us housebound. It's even worse now that the weather is turning good in many places.
Another thing that makes me strongly recommend watching "A Crazy Composer" is that it's the best Méliès film that I've watched so far. The large cast of energetic dancers and musicians perform their bits with flawless precision, and the special effects trickery is so precisely executed that it's clear why Méliès is more than deserving of being called "The Father of SFX". As this film unfolds, the cast on screen keeps growing and the dance numbers keep getting more elaborate and funnier... and the execution remains flawless.
As good as the film itself is, the modern musical score that is featured in the version I've embedded below makes the viewing experience eve better. It's PERFECT and absolutely hilarious, and it proves that these films are so much better served when someone takes the time to actually score them instead of just using some random muzak trck.
I can't recommend "A Crazy Composer" strongly enough. Whether you're homebound, stuck working more than you'd like, or not working at all, due to the current global crisis, I think the four or so minutes you'll devote to this film will brighten the rest of your day tremendously.
Starring: Georges Méliès
Director: Georges Méliès
Rating: Ten of Ten Stars
A composer suffering from a creative block is visited by Muses and other magical creatures that rekindle his creativity... or is he?
It may be over 100 years old, but I suspect more than a few of those of you out there who work in creative fields can relate to the "crazy composer" in this film. Heck, these days, we can probably all relate to this film's title character, in the sense that we're all going a little stir-crazy with the global pandemic keeping many of us housebound. It's even worse now that the weather is turning good in many places.
Another thing that makes me strongly recommend watching "A Crazy Composer" is that it's the best Méliès film that I've watched so far. The large cast of energetic dancers and musicians perform their bits with flawless precision, and the special effects trickery is so precisely executed that it's clear why Méliès is more than deserving of being called "The Father of SFX". As this film unfolds, the cast on screen keeps growing and the dance numbers keep getting more elaborate and funnier... and the execution remains flawless.
As good as the film itself is, the modern musical score that is featured in the version I've embedded below makes the viewing experience eve better. It's PERFECT and absolutely hilarious, and it proves that these films are so much better served when someone takes the time to actually score them instead of just using some random muzak trck.
I can't recommend "A Crazy Composer" strongly enough. Whether you're homebound, stuck working more than you'd like, or not working at all, due to the current global crisis, I think the four or so minutes you'll devote to this film will brighten the rest of your day tremendously.
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