Fantastic Friday the Thirteenth!

Can even the Fantastic Four withstand the sinister forces at work on Friday the Thirteenth? Not if Doctor Doom has anything to say about it!

By Caudio Castellini

But... in answer to the question... OF COURSE they can withstand the sinister of forces of Friday the Thirteenth! They're the Fantastic Four! They get knocked down, but they get right back up again!

They are the once and future First Family of Comics! They are the Fantastic Four!

By George Perez

Picture Perfect Wednesday: Cher, American Native

"The big hoop earrings give the ensemble the finishing touch of Native American authenticity."

--Wendy Larsen

'Smart Blonde' is a wise viewing choice

Smart Blonde (1937)
Starring: Glenda Farrell. Barton McLane, Addison Richards, Tom Kennedy, Jane Wyman, and Winifred Shaw
Director: Frank McDonald
Rating: Eight of Ten Stars

Newspaper reporter Torchy Blane (Farrell) and her boyfriend, Homicide Squad Lt. Steve McBride (McLane), unravel the mysteries surrounding the murder of an out-of-town investor poised to buy the businesses of Fitz Mularky (Richards).

"Smart Blonde" is a breezy mystery flick with just the right amount of suspects and story for its brief one-hour running time. Another strong element of the film is that the romantic relationship between Torchy and Steve is long-established before the beginning of this story, which is a nice change of pace. Too often, these films shoe-horn an insta-romance into the picture, but here the writers were smart enough to avoid that contrivance.

(Of course, to some degree, the source material can be thanked for that. In the story this film was adapted from, Torchy is a man who is best friends with MacBride.)

Aside from the well-cast, well-written central characters, the supporting cast is made up of similarly charming actors playing interesting characters. Stand-outs are Tom Kennedy, as Steve's small-brained, big hearted chauffeur, and Jane Wyman, a a chatty hat-check girl.

If you like 1930s mystery films that throw a "battle of the sexes" into the mix, I think you'll find "Smart Blonde" right up your alley... and a refreshing change in several ways.

Fantastic Friday!

In August, Marvel's First Family returns to print. I'm going to be posting weekly art selections in anticipation of the arrival of what I hope will be great relaunch of what have been my favorite Marvel characters since I first encountered them as a kid.

By Ron Lim

By Alan Davis & Juan Torres

By Hermes Manuel Alejandro Quevedo

'Flirting in the Park' is a weak start

Flirting in the Park (1933)
Starring: June Brewster, Carol Tevis, Grady Sutton, Eddie Nugent, Brooks Benedict, and Donald Haines
Director: George Stevens
Rating: Three of Ten Stars

Two office ladies (Brewster and Tevis) spend a Saturday afternoon trying to one-up each other while on dates in the park.

"Flirting in the Park" was the first in a string of short films starring June Brewster, Carol Tevis, and Grady Sutton, all of which have been collected on a two-volume DVD series titled "Blondes and Redheads." When I first started watching and reviewing these films, I wondered why the Alpha Video releases didn't present them in order, but instead led off with films from the later period of the series.
Now that I've watched "Flirting in the Park", I understand why.

While "Flirting in the Park" starts out with some nice workplace comedy, not to mention a look into office life nearly a century ago, the viewing experience quickly sours. It's great to dislike the villainous manager who sexually harasses June (played by June Brewster) and then forces her to work Saturday afternoon when the rest of the staff gets to leave early, but it's not great when the characters we're supposed to like turn out to be petty, mean, and shallower than parts of the lake they go boating on. If this had been the first film in the series I'd seen, I don't know if I'd bothered with any others, until the day where my pile of unwatched DVDs was almsot empty. (A day that will likely never come because I have YEARS of backlog to go through.)

Much can be forgiven for characters who are funny, and that's the biggest problem here: There's very little that's funny in this film, even in the office where the film was at its most amusing. The only character here who has any charm to it is the one portrayed by Carol Tevis. She's socially awkward, but wants to be a guy magnet like her friend June... or at least be SEEN as such by June (even after June steals back the date that Carol stole from her early in the film). Carol also has the only really funny bit during the later part of the movie, a gag revolving around her showing June how good she is at flirting. (I don't want to give anymore details, because I don't want to ruin the only truly good part of this film.)

It's a shame that this otherwise good cast is stuck playing such unpleasant, unlikable characters. This goes double for June Brewster, and, despite my distaste for the character she was playing, I found myself thinking it was a shame she was more more successful in her career. (After struggling along in mostly  minor and supporting roles from between 1932 and 1938, she gave up on acting and married a vice cop turned gaming mogul... who went onto become a founding figure of modern day Las Vegas. The parts she played in this film series may well be the biggest she ever had.)

Waiting for the fireworks to begin!

If you're going set off your own fireworks, or go to a show put on by an organization, I hope there's better safety practices than Piper Laurie is instituting for her Night of Boom and Celebration.

Mae-be Fourth of July Cos-Playing?

Mae West is cos-playing the Statue of Liberty on this Independence Day!

(This picture originally appeared in the July issue of Vanity Fair in 1938, pretty much exactly eighty years ago!)

Happy Fourth of July!

We hope all our American visitors have great Independence Day, even if you might not be able to celebrate it with some gender-reversing cos-play like Olga San Juan, Noel Niell and Nancy Porter did!

Left behind by time: 'Julius Sizzer'

Julius Sizzer (1931)
Starring: Benny Rubin, Gwen Lee, Maurice Black, Matthew Betz, and Lena Malena
Director: Edward Ludwig
Rating: Seven of Ten Stars

Immigrant twin bothers (Rubin, in a dual role)--one innocent and naive, the other a notorious gangster-- are targeted for assassination by a rival gang.

So this is what films like "Hot Shots" and "The Naked Gun" will look like to viewers in 2068 when the contemporary pop cultural references the jokes are based around have all but faded from collective memory.

"Julius Sizzer" is a parody of gangster movies that derives its humor from puns, sight gags, recent immigrants to the United States mangling English and Yiddish, a smattering of literary and Shakespeare references, and an assumption that the viewer is familiar with "Little Caesar", which was a popular novel and hit movie from the day. For those who aren't familiar with the main target of spoofing here, this short film comes across as a mildly amusing bit of absurdist humor that uses old-time gangsters as a framework.

Whether you're familiar with "Little Caesar" or not, "Julius Sizzer" is fast-paced enough, and has enough gags that it'll keep you entertained throughout its 18-minute run-time. The title character and his weapon of choice are particularly amusing both times they come into play. Every actor gives a fine performance--and you can feel that Rubin and Lee are having fun as they butcher the English language in their scenes together.

My only major complaint with the film is that every character in the story gets a resolution but the treacherous gun moll, Cleo (played by Gwen Lee). After setting the films climax in motion, she just drops out of the story. Additionally, the scene where the innocent Sizzer brother is rousted by police detectives hoping to catch the wicked Sizzer brother goes on for just a little too long... but it's the only one that commits this error, so it's just a minor issue over all.

If you like the classic Abrahams-Zucker films referenced above, I think you'll enjoy "Julius Sizzer." When rating this film, I wavered between a Six and Seven rating. I ultimately settled on the lowest Seven, because, although flawed and out of its time, I found the film very entertaining.

'Ticklish Business' is a snappy early talkie

Ticklish Business (1929)
Starring: Monte Collins, Vernon Dent, Addie McPhail, Phyllis Crane, and William Irving
Director: Stephen Roberts
Rating: Seven of Ten Stars

The psychotically jealous wife (Crane? McPhail?) of a would-be professional songwriter (Collins) would rather squash his career before it starts than risk him being around sexy chorus girls. Even if she has to kill him and the buddy (Dent) who's always encouraging him.

Phyllis Crane played the psycho wife in "Ticklish Business". Or did she?

"Ticklish Business" is a nearly forgotten film that was in the first wave of pictures made with sound in mind from start to finish. In it's ca. 20-minute running-time, it's got two songs, a musical number, a gag involving a piano, and lots of snappy dialogue. It also features remarkably naturalistic performances. I'm used to films from this period featuring a combination of the exaggerated physical acting of a silent picture and overly stilted, stagy delivery of the spoken lines, but with the exception of a couple reaction shots, neither is present here. In fact, the performances here would have been right at home in a sit-com from the 1970s or 1980s.

I think the only weak spot of "Ticklish Business" is that every attempt it tries at physical humor falls completely flat. While the physical routines weren't good to begin with, I suspect I may have viewed them in an even dimmer light, because during them, Collins and Dent reminded me of Laurel & Hardy, and they come up short by comparison.

"Ticklish Business" is one of six comedy short films found on the "Ultra-Rare Pre-Code Comedies Vol. 4" DVD from Alpha Video. Sadly, while it has a near crystal-clear soundtrack, the film from which the DVD transfer was made was degraded and blurry to the point where most faces of the actors are impossible to make out. This is why I am unsure of who played the jealous wife and who played the flapper chorus girl who rouses her wrath; they're both brunettes and their facial features are mostly blurred in the film. (I went looking online for a better copy of the film to view, but was unable to locate one. It appears that Alpha Video may well have made this film widely available for the first time in several decades.)