It's that time again: Mohammed Cartoon Festival

This past Friday, a psycho armed with an axe and a knife broke into the home of Danish cartoonist Kurt Westergaard. It should come as no surprise that the psycho was Muslim and that the police believe he, like so man other Muslim psychos, wanted to kill Westergard in revenge for drawing a cartoon. Click here for the details.

(By the way, through his lawyer, the Muslim psycho claimed that he did not break into the house armed with a knife and an axe with the intent of killing Westergaard. Perhaps this was all a big cultural misunderstanding. Perhaps breaking into a person's home while armed with deadly weapons is the way Somali Muslims ask, "Would you like a copy of a pamphlet describing the benefits of Islam--complete with sexy drawings of the 72 virgins that will be your reward for butchering the sub-human Infidels?")

The irony here is that these psychos, in their drive to appease their blood-thirsty god and their own mental derangements, are underscoring the truth portrayed in those cartoons. The Cartoon Festival applies equeally as a description of the drawings and the Lions of Islam.

Speaking of which... here are three of the cartoons that, if you're a psychotic Muslim, justify murder and mayhem. There were nine more in the series, but I am just reposting the ones that fit the format of this blog. (Along with a cartoon drawn as a reaction to the reaction by the Muslim psychos.) Click on the images to see larger versions.

Welcome to 2010!

'Wings of Danger' doesn't fly as high as it should

Wiings of Danger (aka "Dead on Course") (1952)
Starring: Zachary Scott, Naomi Chance, Robert Beatty, Colin Tapley, Arthur Lane and Harold Lang
Director: Terence Fisher
Rating: Six of Ten Stars

A traffic controller for a small freight company (Scott) becomes suspicious when the brother of his girlfriend apparently crashes his plane during a storm. His investigation puts him on the trail of a smuggling operation... and in danger.


"Wings of Danger" is a simple mystery story that tries to be more by piling on convoluted subplots. It's too much for the thin story to bear, and it drifts from point repeatedly and by the time it gets to the end, most viewers won't care. And that's a shame, because the final fifteen minutes or so are really well done (even if the actual ending is a bit pat).

Ultimately, this isn't a bad movie but it could be a lot more. The only thing that really recommends it is the moody cinematography of Terence Fisher. Even the acting is a bit on the weak side, which is unusual for a Fisher film; he usually gets the very best out of his actors.

The monster without a face haunts 'Nightmare Castle'

Nightmare Castle (aka "The Faceless Monster", "Night of the Doomed" and "Lovers From Beyond the Tomb") (1965)
Starring: Barbara Steele, Paul Muller, Lawrence Clift, and Helga Line
Director: Mario Caiano
Rating: Seven of Ten Stars

After psychopathic 19th century mad scientist Stephen Arrowsmith (Miller) tortures to death his unfaithful wife (Steele), and her lover, he uses her blood and a process he's developed to restore youth and beauty to his own mistress, Solange (Line). He later marries his first wife's mentally unstable half-sister, Jenny (also Steele) to retain control of the fortune that had been willed her... and to ultimately driver her insane and murder her for a fresh supply of blood for Solange's beautification treatments. He even cleverly invites Jenny's long-time doctor, Dereck Joyce (Clift) to stay at the castle, so there will be a witness to Jenny's unfortunate, tragic undoing. But even before Arrowsmith can put his evil schemes into motion, Jenny starts having strange visions and dreams, and Dr. Joyce becomes convinced that some outside force is wrecking havoc on her mind, and that these forces are ghosts haunting the castle. Has the first Mrs. Arrowsmith come back from the dead for revenge, to protect her half-sister, or both? Or is there a more rational answer to the unfolding events?


The above summary of "The Faceless Monster" (more often seen under the title "Nightmare Castle") may sound like its loaded with spoilers, but there's nothing there that doesn't come to light in the first half hour or so of this very creepy gothic horror flick.

Decently acted, well-photographed, decently staged, and full of shocking violence and interesting twists, the film suffers slightly from too leisurely a pace during its middle section, and from a villain whose motivations seem to change more often than most people change their underwear: He's motivated by greed... no, he's motivated by a devotion to science... no, he's motivated by love for Solange... no, he's motivated by spurned love for Muriel, the unfaithful woman he beat, electrocuted, and burned to death... no, he's motivated by... oh, who the hell knows?! Perhaps this is one character where just noting that he's a murderous madman is all the information you need, and it works perfectly, something that is rarely the case in fiction and films. Stephen Arrowsmith appears to be pure evil, and he's evil because he can be, with no need for justification or rationalizations. I still wonder if things in the nightmare castle might not have been a bit more horrifying if Arrowsmith had been better defined.

While Barbara Steele manages to enrich just about every film she's been in, I'm not sure I put as much stock in her dual role as half-sisters Muriel and Jenny as I've seen some reviewers do. The parts reveal the limitation in her talents rather than show her strengths. Steele simply does not have the range and flexibility to change between characters by shifting her facial expressions and gestures, something that's absolutely essential in a film of this kind, with situations like the one Jenny and Muriel are in during the film's second and third acts.

All my complaining aside, "The Faceless Monster"/"Nightmare Castle" is a fine gothic horror movie with a deliciously evil villain and some great ghostly twists (the final 10-15 minutes are truly grand, in a twisted way).

Scum and villainy flourish at the Jamaica Inn

Jamaica Inn (1939)
Starring: Maureen O'Hara, Charles Laughton, Leslie Banks, and Robert Newton
Director: Alfred Hitchcock
Rating: Seven of Ten Stars

When young Mary (O'Hara) comes to live with her relatives on the Cornwall coast, she soon discovers that not only is her uncle Joss (Banks) something of a dirty old man, but he's also the head of a gang of murderous cutthroats who are causing ships to run aground during storms, looting the wrecks, and murdering surviving crewmembers. After Mary saves one of the gang (Newton) from being hanged by the rest, the pair flee to the safety of the local Magistrate, Sir Humphrey Pengallan (Laughton). Unfortuantely, Pengallan is a madman who is secretly behind the cutthroats!


"Jamaica Inn" is an excellent thriller set during the late 1700s. It features a great cast, with Maureen O'Hara as the feisty Mary and Leslie Banks as the menacing Joss Merlyn deserving particularly high praise.

The film is tense and moody throughout, and there are some excellent plot and character twists as the film unfolds, but there are couple of elements that keep it from being a truly great movie.

First, there's the bland hero, Trehearn. He's a nice enough fellow, but between the characters of Mary, Joss, and Sir Humphrey, he pretty much fades into nothing.

Second, there's the fact that Sir Humphrey's involvement with the bandits is revealed entirely too early in the film. It may add a bit of tension when Mary convinces Trehearn that they need to go to Sir James for help, but I think revealing the involvement after the pair escape would have been better for the story. (Reportedly, Hitchcock felt this way too; the story only unfolds as it does because Charles Laughton, a big star at the time, wanted his character to be more centrally involved from the outset.) There are still some interesting twists that come out later in the film about Sir Humphrey, but I think they too would have been stronger if not for Laughton's reported ego-trip.

I still think this is an excellent adventure flick, with great camera work, lighting, and sets--the Jamaica Inn set both inside and out is spectacular--and I think it's well-worth seeing if you are a fan of Hitchcock's work.

Picture Perfect Wednesday:Beauty From the Mummy's Tomb

In Hammer's "Blood From the Mummy's Tomb," the dead spirit of a long-dead Egyptian princess possesses Valerie Leon and goes on a killing spree. It's rather like the spirit of one year rising to possess the one that follows, to keep the march of time moving forward without pause or mercy. (Okay... maybe not. But here are marketing photos for "Blood From the Mummy's Tomb" from 1971. Two are from a publicity stunt where Leon walked a public street in costume, with a black cat on a leash.) Click here to read the review of "Blood From the Mummy's Tomb." Warning: It's in color!

Godzilla rampages through the Marvel Universe!

Essential Godzilla, King of Monsters (Marvel Comics, 2006)
Writer: Doug Moench
Aritst: Herb Trimpe, Tom Sutton, Tony DeZuniga, Fred Kida, Dan Green, and Jim Mooney
Rating: Six of Ten Stars

Here's one entry in the "Essential" giant black-and-white reprint from Marvel that I've picked up is another one that doesn't really seem all that essential. It collects the 24 issues of "Godzilla, King of Monsters", dating from the late 1970s. It might not be an essential bit of comics story-telling, but it's a fun read.

The volume chronicles the adventures of Godzilla in the Marvel Universe. He emerges from the ocean off Alaska and fights a wide range of giant monsters and trashes several Amercian cities as he makes his way across the United States, until finally squaring off against the Avengers and the Fantastic Four in New York City. Every giant step of the, he is dogged by the Agents of SHIELD in their helicarrier, along with a a Japanese scientist and his grandson, Lttle Rob, who doesn't believe Godzilla is evil, and is constatly trying to convince others of that fact. He's also fights all manner of giant monsters and a cybernetic battle-machine nicknamed Red Ronin.


For those who are familiar with the broader Marvel Universe (or even parts of like, like SHIELD or the Fantastic Four) there are some major plot-holes here and there, but the wildness of Godzilla's adventures more or less make up fot those. (For example, he gets abducted by space aliens in one issue, and gets sent back in time to his "native place" in another.)

Nonetheless, the book is a fun enough read as brainless comics go. The material here will never make anyone's list of "The Greatest Comics EVer Published", but if you like Godzilla movies, I think you'll enjoy the material here. (For the record, when Godzilla trashes Salt Lake City, artist Herbe Trimbe actually drew the city skyline exactly as it appeared in the 70s! He even got the state capitol building in the place! On the downside, the writer and/or editor seemed to think SLC is in Nevada!) This series also has the benefit of being able to make Godzilla look like a genuine, giant radioactivity-breathing monster, as opposed to a guy in a rubber suit.

Miss Marple takes to the stage in 'Murder Most Foul'

Murder Most Foul (1965)
Starring: Margaret Rutherford, Ron Moody, Charles Tingwell, and Stringer Davis
Director: George Pollock
Rating: Seven of Ten Stars

Miss Marple (Rutherford) goes undercover as an actress in a third-rate theatre company to prove a man innocent of murder while catching the real killer by solving a mystery with origins more than 15 years in the past.


"Murder Most Foul" is a fine little murder mystery/comedy that was loosely adapted from Agatha Christie's novel "Mrs. McGinty is Dead". Once again, Margaret Rutherford gives a fantastic performance as the feisty, never-takes-no-for-an-answer Miss Marple. The comedy of the film gets even more pointed when the hammy director of the theatre company (played with great flair by Ron Moody, who is the only actor in the film who manages to be as flamboyant and fun to watch as star Rutherford) casts her as a lady detective in a murder play, so Miss Marple, the amateur detective, is called upon to play an amateur detective while pretending to be an actress.

"Murder Most Foul" is a fun, lighthearted mystery movie featuring a cast with a level of talent that doesn't seem to exist anymore. (The way Ron Moody manages to mix diffused menace with a completely casual attitude, or the way he can deliver a line that shows how his character changes his mood in mid-sentence is a display of craft that we simply don't see in movies anymore.)

Now they've gone too far! Nazis are turning sexy chicks into monsters!

She Demons (1958)
Starring: Irish McCalla, Tod Griffin, Victor Sen-Yung, and Rudolph Anders
Director: Richard Cunha
Rating: Three of Ten Stars

An obnoxious an rich girl (McCalla) and two of her daddy's employees (Griffin and Sen-Yung) are shipwrecked on an uncharted island. They must fight fight for survival against a Nazi mad scientist (Anders) who has harnessed the secret of perpetual motion and is using it and processes he perfected in the WW2 concentration camps to steal the beauty of native island girls (who like all native girls only want to dance) and transferring it to his wife, in the hopes of restoring her fire-ravaged body. The process reduces them to horribly mutated, violent monsters.... you know, She-Demons!

My summary gave away the element that almost earned this film a Four Rating. It's going along likea fairly standard, low-budget castaways-on-a-jungle-island-with-monsters-and-a-hot-babe movie when suddenly Nazis appear on the scene. And they're not just any Nazis... they're led by a mad scientist Nazi who, although his research is dedicated to restoring his wife's beauty (at the expense of a bevvy of hot bikini-babes) he immediately wants to do the horizontal mambo with Aryan beauty Irish McCalla.

That strange turn resulted in this film perhaps being the greatest combo of B-movie/exploitation movie/"grindhouse" movie mainstays ever made. (Uncharted island, jungle inhabited by strange creatures, a mad scientist transforming humans into beasts with his weird experiments, Nazis--sadistic, whip-weilding Nazis no less--a wife with a disfigured face who only Weird Science can restore, wise-crakcing colored sidekick, and exploding volcaones. All this movie needed was a flying saucer, nudity, and lesbian vampires, and it might have been been the Platonic ideal of crappy movies.)

Of course, it would need better acting and something resembling decent dialogue to truly be worth viewing. Only Rudolph Anders as mad scientist Colonel Osler was any good here, because he went waaay over the top with smariness and superior attitude. Irish McCalla did an okay job, because her character was so obnoxious that I wanted Osler to turn her into a She-Demon because it would shut her up.

On its own, "She-Demons" is not worth your time or money. It might be odd enough to be a secondary feature for a Bad Movie Night, but if you are going to get it, look for a DVD multipack that includes it and one or two movies you know are good. That way, this becomes a "bonus feature", and you've gotten your money's worth.

'His Girl Friday' is a true comedy classic

His Girl Friday (1940)
Starring: Rosalind Russell, Cary Grant and Ralph Bellamy
Director: Howard Hawkes
Rating: Eight of Ten Stars

While attempting to score an interview with a man slated for execution the next morning, an unscrupulous newspaper editor (Grant) juggles politics, yellow journalism, and a desperate attempt to prevent his ex-wife and former top reporter (Russell) from marrying an insurance salesman (Bellamy) and quitting the newspaper business.


"His Girl Friday" is a comedy on speed, cocaine, crystal meth, and just about any other upper you can think of. It's crammed wall-to-wall with jokes, gags, and lampooning of crooked politicians and ruthless journalists, and you'll have to watch the movie twice to catch them all, because your laughter will drown out a fifth of them on the first time through.

This is one of the fastest paced movies ever made--it never pauses once it gets going, but speeds along at a mile a minute, with characters always doing two or more things at the same time and several actors usually talking over each other at once. It's a chaotic film--perhaps even a little chaotic for its own good at times--but every joke is funny and every actor featured gives a great, high energy performance. (Russell and Grant are particularly noteworthy. Russell manages to play a character who is as tough as her male counterparts yet is still feminine and sexy, while Grant plays a man who is a complete bastard, but he still keeps the character likable and charming.)

"His Girl Friday" is a true comedy classic that remains relevant nearly seventy years after its first release, because, if anything, politicians and reporters have gotten even more slimy and callous than they were in 1940.