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| By Tom Mandrake & Tony Ojed |
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| By George Appel |
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| By Bryan Baugh |
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| By Tom Mandrake |
Wednesday, October 24, 2018
Halloween is Coming... and the Mummies Need Women!
Monday, October 15, 2018
Movie Monday: A Shot in the Dark
Here's a brief trip down film noir lane to get your Monday off to a good start!
A Shot in the Dark (2015)
Starring: David Macintosh, Holley Bucknam, Reuben Taylor, and Jack Nye
Director: Jeffrey Nye
Rating: Seven of Ten Stars
A Shot in the Dark (2015)
Starring: David Macintosh, Holley Bucknam, Reuben Taylor, and Jack Nye
Director: Jeffrey Nye
Rating: Seven of Ten Stars
Wednesday, October 10, 2018
Halloween is coming...
... and Norm Breyfogle provides some portraits of heroes fighting to stem the tide of monster attacks!
Tuesday, October 9, 2018
Witness the birth of the modern zombie
Night of the Living Dead (1968)
Starring: Judith O'Dea, Duane Jones, Karl Hardman, Marilyn Eastman, Keith Wayne, Judith Reilly, and Kyra Schon
Director: George Romero
Rating: Eight of Ten Stars
When the dead rise to eat the living, a small group of people board themselves up in a house and attempt to hold out against an army of hungry zombies.
"Night of the Living Dead" is perhaps one of the most effective horror movies ever made. While its budget constraints are occassionally evident, and the acting leaves something to be desired at times, it still emerges as one of the scariest, most intense, films ever, with near-perfect pacing, great camera work, and sparse but effective set design and special effects. It's also arguably the most influential film of modern times, and many creators of horror and suspense films from the past 20 years probably owe quite a bit to Romero for inspiriation.
The key to the films success is that it incorporates a bit of the morality play aspect that exists at the core of most horror movies with a complete sense of claustrophobia and a certain doom. Although a national (possibly worldwide) disaster in unfolding, the action of movie is mostly confined to a single house, and the threats that those barricaded within come not only from the undead hoard outside, but also from each other as their various character flaws are explosed and amplified due to their situation. (Of course, it also features one of the most disturbing zombie flesh-eating scenes that have ever been put on fillm... if you've seen the film, you know what I mean, and if you haven't yet, you will know as soon as the moment happens.)
Despite recognizing this as a true classic fillm, I also admit it's not perfect. In addition to the acting, there's a couple of plot holes. I recently watched the movie again, and I still find the opening cemetary sequence strange beyond words, and I still am not certain what Barbara's ultimate fate is. (One thing I am certain of is that it's not a racist movie. I watched the film again, because I heard how it was supposed to have racist undertones throughout--undertones that are fully exposed at the film's climax--and since I'd never noticed that, I figured I'd watch the film again. Well, I'm here to tell you that anyone who finds racism in this movie is probably a racist themselves who are engaging in a bit of projection.)
This film is one of the most commonly found in the massive DVD multipacks, and it is a highlight of every package it's in; it plus one or two additional movies you're interested in will make the set worth its purchase price.
If you haven't seen this classic and are a fan of zombie movies and horror movies in general, this is a must-see. It's the original of the "modern zombie" and a damn fine movie to boot.
Starring: Judith O'Dea, Duane Jones, Karl Hardman, Marilyn Eastman, Keith Wayne, Judith Reilly, and Kyra Schon
Director: George Romero
Rating: Eight of Ten Stars
When the dead rise to eat the living, a small group of people board themselves up in a house and attempt to hold out against an army of hungry zombies.
"Night of the Living Dead" is perhaps one of the most effective horror movies ever made. While its budget constraints are occassionally evident, and the acting leaves something to be desired at times, it still emerges as one of the scariest, most intense, films ever, with near-perfect pacing, great camera work, and sparse but effective set design and special effects. It's also arguably the most influential film of modern times, and many creators of horror and suspense films from the past 20 years probably owe quite a bit to Romero for inspiriation.
The key to the films success is that it incorporates a bit of the morality play aspect that exists at the core of most horror movies with a complete sense of claustrophobia and a certain doom. Although a national (possibly worldwide) disaster in unfolding, the action of movie is mostly confined to a single house, and the threats that those barricaded within come not only from the undead hoard outside, but also from each other as their various character flaws are explosed and amplified due to their situation. (Of course, it also features one of the most disturbing zombie flesh-eating scenes that have ever been put on fillm... if you've seen the film, you know what I mean, and if you haven't yet, you will know as soon as the moment happens.)
Despite recognizing this as a true classic fillm, I also admit it's not perfect. In addition to the acting, there's a couple of plot holes. I recently watched the movie again, and I still find the opening cemetary sequence strange beyond words, and I still am not certain what Barbara's ultimate fate is. (One thing I am certain of is that it's not a racist movie. I watched the film again, because I heard how it was supposed to have racist undertones throughout--undertones that are fully exposed at the film's climax--and since I'd never noticed that, I figured I'd watch the film again. Well, I'm here to tell you that anyone who finds racism in this movie is probably a racist themselves who are engaging in a bit of projection.)
This film is one of the most commonly found in the massive DVD multipacks, and it is a highlight of every package it's in; it plus one or two additional movies you're interested in will make the set worth its purchase price.
If you haven't seen this classic and are a fan of zombie movies and horror movies in general, this is a must-see. It's the original of the "modern zombie" and a damn fine movie to boot.
Wednesday, October 3, 2018
Halloween is Coming...
... and be sure to look to the shadows. Sometimes, they will tell you that things are not always as they seem this time of year!
Monday, October 1, 2018
One of the greatest haunted house movies
The Legend of Hell House (1973)
Starring: Roddy McDowall, Clive Revill, Pamela Franklin, and Gail Hunnicutt
Director: John Hough
Rating: Ten of Ten Stars
A parapsychologist (Revill) travels to Balasco House--also known as "Hell House" and reported to be the worst haunted house in the entire world--with his wife (Hunnicutt) and two psychics (McDowell and Franklin) in order to gain indisputable, scientific evidence for the existence of ghosts and other supernatural phenomena. But the evil that dwells within the sprawling mansion never gives up its secrets easily....
"The Legend of Hell House" is one of the greatest haunted house movies ever made. It works, first, because the director and cinematographer manage to convey the sense that the house itself is alive and a character in the movie, and, second, because of the great peformances of the stars, and, third, because it features a script so tight that not a single line of dialogue or action on the part of the characters doesn't feed into the suspense and horror of the film--horror that keeps mounting until the final twist at the movie's end.
This is a movie where everything is done right. The cinematography and lighting is supreme, the actors are all perfect in their parts--with Roddy McDowall as the reluctant psychic shining even brighter than the rest--and the pacing is perfect throughout.
I wish the producers and directors of moden horror movies (particularly ghost movies) would take a look at "Legend of Hell House". This film is far scarier than any ghost movie of recent vintage.
Starring: Roddy McDowall, Clive Revill, Pamela Franklin, and Gail Hunnicutt
Director: John Hough
Rating: Ten of Ten Stars
A parapsychologist (Revill) travels to Balasco House--also known as "Hell House" and reported to be the worst haunted house in the entire world--with his wife (Hunnicutt) and two psychics (McDowell and Franklin) in order to gain indisputable, scientific evidence for the existence of ghosts and other supernatural phenomena. But the evil that dwells within the sprawling mansion never gives up its secrets easily....
"The Legend of Hell House" is one of the greatest haunted house movies ever made. It works, first, because the director and cinematographer manage to convey the sense that the house itself is alive and a character in the movie, and, second, because of the great peformances of the stars, and, third, because it features a script so tight that not a single line of dialogue or action on the part of the characters doesn't feed into the suspense and horror of the film--horror that keeps mounting until the final twist at the movie's end.
This is a movie where everything is done right. The cinematography and lighting is supreme, the actors are all perfect in their parts--with Roddy McDowall as the reluctant psychic shining even brighter than the rest--and the pacing is perfect throughout.
I wish the producers and directors of moden horror movies (particularly ghost movies) would take a look at "Legend of Hell House". This film is far scarier than any ghost movie of recent vintage.
Something pretty on this Musical Monday
Halloween is coming. Here's something pretty to soothe your nerves. Maybe.
Wednesday, September 26, 2018
In Memory of Norm Breyfogle, 1960 - 2018
Artist Norm Breyfogle, perhaps best known for his work on "Prime" from Malibu Comics in the 1990s; and "Detective Comics", "Batman" "The Creeper", and other DC Comics titles starting in the late 1980s has passed away at the age of 58. Here are a few of his drawings in honor of his memory.
Princesses of Mars, Part 26
It's time for another visit to Barsoom and to seek an audience with the Princesses of Mars. Let's hope they don't kill us!
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| By Jason Adams & Buzz |
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| By Bruce Timm |
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| By Arthur Adams |
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| By Frank Brunner |
Monday, September 24, 2018
The 'Ocean Swells' bring laughter
Ocean Swells (1934)
Starring: Zeffie Tilbury, Dorothy Granger, Carol Tevis, Grady Sutton, Cully Richards, Landers Stevens, and Edgar Dearing
Director: George Stevens
Rating: Six of Ten Stars
While on a once-in-a-lifetime vacation on Catalina Island, three laundry workers (Granger, Tevis, and Tilbury) pose as high society ladies. When the two younger ones meet a pair of handsome rich men (Richards and Sutton), and are mistaken for relatives of a wealthy yacht owner, the women decide to take full advantage of the situation. Unfortunately for them, the wealthy young men are also just posing...
The sixth installment in RKO's "The Blonde and the Redhead" non-series series (a "non-series" in the sense that while the same core performers are featured in most of them, they are playing different characters in each film) is different from previous ones in a couple different ways. First, June Brewster has been replaced as the Redhead by Dorothy Granger. This change is hardly noticeable, except Granger's comedic timing is better than Brewster's (which could go a long way to explaining why Granger's career continued into the 1950s and Brewster's was essentially over at this point). Secondly, the actual lead here is Zeffie Tilbury, both in the sense that she's the instigator of plot complications as well as portraying the character with the most lines and screen time. Usually, its some lie or clever idea from one of the "girls" that gets them in trouble. It's only fair that Tilbury should get to take center stage in this film--she had been performing on stage and in films for 20 years when this film was made--but it's still an unusual move, given the formula of the series.
"Ocean Swells" is a comedy of errors and it's very amusing even while being absolutely predictable. From the moment "Auntie" (Tilbury) promises that she's going to hook her young friends (Dorothy Granger and Carol Tevis) up with rich men, viewers have a sense of where this film is going to end up. As is often the case in the "The Blonde and the Redhead" series, the stakes keep getting higher and the situation gets more and more complicated as the film unfolds, and so the viewers continued attention is assured to be held.
The film's funniest moment come during the "seduction" scene between Tevis and Grady Sutton; it plays with the height difference between the two actors--with Tevis barely clearing 5' and Sutton being over 6' tall and Sutton playing his typical romantically challenged character. That one scene is worth a whole Star in my rating, by itself.
Starring: Zeffie Tilbury, Dorothy Granger, Carol Tevis, Grady Sutton, Cully Richards, Landers Stevens, and Edgar Dearing
Director: George Stevens
Rating: Six of Ten Stars
While on a once-in-a-lifetime vacation on Catalina Island, three laundry workers (Granger, Tevis, and Tilbury) pose as high society ladies. When the two younger ones meet a pair of handsome rich men (Richards and Sutton), and are mistaken for relatives of a wealthy yacht owner, the women decide to take full advantage of the situation. Unfortunately for them, the wealthy young men are also just posing...
The sixth installment in RKO's "The Blonde and the Redhead" non-series series (a "non-series" in the sense that while the same core performers are featured in most of them, they are playing different characters in each film) is different from previous ones in a couple different ways. First, June Brewster has been replaced as the Redhead by Dorothy Granger. This change is hardly noticeable, except Granger's comedic timing is better than Brewster's (which could go a long way to explaining why Granger's career continued into the 1950s and Brewster's was essentially over at this point). Secondly, the actual lead here is Zeffie Tilbury, both in the sense that she's the instigator of plot complications as well as portraying the character with the most lines and screen time. Usually, its some lie or clever idea from one of the "girls" that gets them in trouble. It's only fair that Tilbury should get to take center stage in this film--she had been performing on stage and in films for 20 years when this film was made--but it's still an unusual move, given the formula of the series.
"Ocean Swells" is a comedy of errors and it's very amusing even while being absolutely predictable. From the moment "Auntie" (Tilbury) promises that she's going to hook her young friends (Dorothy Granger and Carol Tevis) up with rich men, viewers have a sense of where this film is going to end up. As is often the case in the "The Blonde and the Redhead" series, the stakes keep getting higher and the situation gets more and more complicated as the film unfolds, and so the viewers continued attention is assured to be held.
The film's funniest moment come during the "seduction" scene between Tevis and Grady Sutton; it plays with the height difference between the two actors--with Tevis barely clearing 5' and Sutton being over 6' tall and Sutton playing his typical romantically challenged character. That one scene is worth a whole Star in my rating, by itself.
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