Wednesday, March 14, 2012
Monday, March 12, 2012
'Weird Woman' has Lon Chaney Jr at his best
Inner Sanctum: Weird Woman (1944)
Starring: Lon Chaney Jr., Anne Gwynne, Evelyn Ankers, Elizabeth Risdon, and Lois Collier
Director: Reginald Le Borg
Rating: Eight of Ten Stars
While studying native rituals and superstitions, an anthroplogy professor (Chaney) falls in love with marries the daughter of an old mentor (Gwynne). Upon his return to the United States, he discoversn that his wife is a fervent believer in the native gods and that she has been practing rituals that she believes will protect him from the evil intentions of one of his colleagues (Ankers). Appalled that his wife believes in such supersitious nonsense, he forces her to destroy all the charms and fetishes she owns... but as soon as he does this, his life and career start falling apart.
"Weird Woman" is a decent adaptation of one of Fritz Leiber's best novels, "Conjure Wife". It features a nice, tight script, great performances by the entire cast, and a surprise ending that at the same time manages to reinforce and cast doubt on the film's central premise--that the "powers of the supernatural" are nothing but supersition and fear causing believers to act in ways that create self-fulling prophecies.
Of particular note in this film is by Lon Chaney Jr., who is seen giving one of the best performances of his entire career. The character he is playing could easily have come across as a self-satisfied jerk in the hands of an lesser actor. His attitude toward his wife and her beliefs is obnoxious in the extreme, and some of his interactions with the staff and students of the college he teaches at borders on high-handed with a wiff of false humility. But Chaney infuses the character with an air of insecurity that makes the viewer accept and even forgive his behavior.
"Weird Woman" is one of the best entires in the "Inner Sanctum" movie series, and it's one of the best films to come out of the Universal Pictures' horror revival in the 1940s. Fans of classic mystery films, the Universal Pictures horror collection, and Lon Chaney Jr. will all find a lot to like in this one.
Starring: Lon Chaney Jr., Anne Gwynne, Evelyn Ankers, Elizabeth Risdon, and Lois Collier
Director: Reginald Le Borg
Rating: Eight of Ten Stars
While studying native rituals and superstitions, an anthroplogy professor (Chaney) falls in love with marries the daughter of an old mentor (Gwynne). Upon his return to the United States, he discoversn that his wife is a fervent believer in the native gods and that she has been practing rituals that she believes will protect him from the evil intentions of one of his colleagues (Ankers). Appalled that his wife believes in such supersitious nonsense, he forces her to destroy all the charms and fetishes she owns... but as soon as he does this, his life and career start falling apart.
"Weird Woman" is a decent adaptation of one of Fritz Leiber's best novels, "Conjure Wife". It features a nice, tight script, great performances by the entire cast, and a surprise ending that at the same time manages to reinforce and cast doubt on the film's central premise--that the "powers of the supernatural" are nothing but supersition and fear causing believers to act in ways that create self-fulling prophecies.
Of particular note in this film is by Lon Chaney Jr., who is seen giving one of the best performances of his entire career. The character he is playing could easily have come across as a self-satisfied jerk in the hands of an lesser actor. His attitude toward his wife and her beliefs is obnoxious in the extreme, and some of his interactions with the staff and students of the college he teaches at borders on high-handed with a wiff of false humility. But Chaney infuses the character with an air of insecurity that makes the viewer accept and even forgive his behavior.
"Weird Woman" is one of the best entires in the "Inner Sanctum" movie series, and it's one of the best films to come out of the Universal Pictures' horror revival in the 1940s. Fans of classic mystery films, the Universal Pictures horror collection, and Lon Chaney Jr. will all find a lot to like in this one.
Thursday, March 8, 2012
Happy International Day of the Woman!
Here are some -woman (and -lady) pictures!
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| By Alan Davis |
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| By Milton Caniff |
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| By Gil Kane |
Wednesday, March 7, 2012
The Milla Jovovich Quarterly:
The Case of the Missing Pants
The Case of the Missing Pants
Saturday, March 3, 2012
The world is still here... for now!
Why does the sun go on shining? Why does the sea rush to shore? Don't they know it's the end of the world, 'cause Mayans didn't carve any more?
We're now a little over two months into the year where the world is supposed to end... or so some people think, because some ancient Mayans ended a calendar some time this year. (There's some dispute as to the exact date, but the year is generally agreed upon. By people who apparently don't understand the way calendars tend to work.)
Still, in celebration of us all being here, I present Skeeter Davis performing her signature song "The End of the World".
We're now a little over two months into the year where the world is supposed to end... or so some people think, because some ancient Mayans ended a calendar some time this year. (There's some dispute as to the exact date, but the year is generally agreed upon. By people who apparently don't understand the way calendars tend to work.)
Still, in celebration of us all being here, I present Skeeter Davis performing her signature song "The End of the World".
Wednesday, February 29, 2012
Princesses of Mars:
The Long-Lost Part Fifteen
The Long-Lost Part Fifteen
Strange things can happen when you travel bodilessly in time and space, back and forth to Barsoom where the scantily clad Martian princesses dwell. For example, a series of portraits of them might skip from Part Fourteen to Part Part Sixteen for no apparent reason.
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| By Shane Glines |
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| By Steve Lightle |
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| By Mike Hoffman |
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| By Gene Gonzalez |
Monday, February 27, 2012
Male Call Monday: The Return of Miss Lace
During WW2, the legendary Milton Caniff created a comic strip targeted exclusively at U.S. military personnel. It featured the sexy Miss Lace, a young lady who was doing her part to lift the spirits of America's men in uniform... even if that sometimes meant she had to engage in a little hand-to-hand combat herself when a soldier became a little too amorous.
Click on the strips to for larger, more legible versions.
Sunday, February 26, 2012
Death makes a house call....
Inner Sanctum: Calling Dr. Death (1943)
Starring: Lon Chaney Jr., Patricia Morison, J. Carrol Naish, Ramsay Ames, Fay Helm, and David Bruce
Director: Reginald LeBorg
Rating: Six of Ten Stars
A brilliant hypnotherapist (Chaney) becomes the prime suspect in the murder of his shrewish, unfaithful wife (Ames) when he suffers an unexplained blackout during the weekend she was murdered.
"Calling Dr. Death" was the first of six films based on the popular radio drama anthology series "Inner Sanctum", each starring Lon Chaney Jr. in the lead role. It is a series that belongs both in style and quality with Universal's Wolf Man and Mummy pictures of the early 1940s--most of which also starred Chaney--in that these films a low-budget B-pictures that vary greatly in quality... and rarely manage to touch the heights of Universal's horror films from the early 1930s.
Like the radio series they draw from, the "Inner Sanctum" films are more mysteries than horror flicks, but it varies from installment to installment how far they lean toward which genre.
"Calling Dr. Death" is a straight mystery that, despite being rather slow-moving manages to generate quite a bit of tension as its multi-layered plot casts suspicion first on one character, then another... and ultimately seems to settle on a conspiracy between two characters. Eventually, the film relies on a surprise twist, which was well-executed and very dramatic, even if it pointed back to the character I had initially thought would be the killer. The method used was also similar to what I had figured, but the motivation was completely different, but it fit logically with the rest of the film's storyline. (The twist ending must be a lost art.)
Featuring a solid cast, with Chaney as the high-strung hypnotist and J. Carrol Naish as the relentless, hard-nosed police detective who is hellbent on proving "Dr. Death" guilty of killing his wife, leading the pack. Ramsay Ames was almost unrecognizable as the shrewish wife, and Patricia Morison.
This isn't the greatest of mystery films, but it's got a great cast and it pays off nicely if you're a little patient with it. If you're a fan of Lon Chaney Jr. and a classic B-movie mysteries, it's worth checking out.
Starring: Lon Chaney Jr., Patricia Morison, J. Carrol Naish, Ramsay Ames, Fay Helm, and David Bruce
Director: Reginald LeBorg
Rating: Six of Ten Stars
A brilliant hypnotherapist (Chaney) becomes the prime suspect in the murder of his shrewish, unfaithful wife (Ames) when he suffers an unexplained blackout during the weekend she was murdered.
"Calling Dr. Death" was the first of six films based on the popular radio drama anthology series "Inner Sanctum", each starring Lon Chaney Jr. in the lead role. It is a series that belongs both in style and quality with Universal's Wolf Man and Mummy pictures of the early 1940s--most of which also starred Chaney--in that these films a low-budget B-pictures that vary greatly in quality... and rarely manage to touch the heights of Universal's horror films from the early 1930s.
Like the radio series they draw from, the "Inner Sanctum" films are more mysteries than horror flicks, but it varies from installment to installment how far they lean toward which genre.
"Calling Dr. Death" is a straight mystery that, despite being rather slow-moving manages to generate quite a bit of tension as its multi-layered plot casts suspicion first on one character, then another... and ultimately seems to settle on a conspiracy between two characters. Eventually, the film relies on a surprise twist, which was well-executed and very dramatic, even if it pointed back to the character I had initially thought would be the killer. The method used was also similar to what I had figured, but the motivation was completely different, but it fit logically with the rest of the film's storyline. (The twist ending must be a lost art.)
Featuring a solid cast, with Chaney as the high-strung hypnotist and J. Carrol Naish as the relentless, hard-nosed police detective who is hellbent on proving "Dr. Death" guilty of killing his wife, leading the pack. Ramsay Ames was almost unrecognizable as the shrewish wife, and Patricia Morison.
This isn't the greatest of mystery films, but it's got a great cast and it pays off nicely if you're a little patient with it. If you're a fan of Lon Chaney Jr. and a classic B-movie mysteries, it's worth checking out.
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