Richard Sala has a warning for us all

 This first month of the new year is almost over... and there are few indications that 2021 will be a better year than the one we left behind. But you can still keep things from being worse than they have to be. Cartoonist Richard Sala wants you stay on your guard, because creeps and killers may still make things hard!

A slightly revised version of "Beware! Beware!" in included "The Ghastly Ones & Other Fiendish Frolics", a collection of several of Richard Sala's spoofs of illustrated children's books. Click here to read more about it, in a previous post at this blog.

The Avengers Dossier, Page Two

Here's another quick look at a supporting player from an episode of "The Avengers".


JULIET HARMER

Juliet Harmer played Jill Manson, a school teacher with a secret in "The Town of No Return".

Born in 1941, Juliet Harmer was a busy television actress during the 1960s and 1970s, with leading roles in the sci-fi flavored series "Adam Adamant Lives!" (1966-1967) and "Slim John" (1969 - 1970), and recurring parts in "The Persuaders!" and "The Marriage Line."

In 1979, Harmer retired from acting and turned to a career as a writer and illustrator of children's books.

Tom & Jerry engage in 'Barnyard Bunk'

Barnyard Bunk (1932)
Starring: Anonymous Voice Actors (but there are no sensible lines of dialog)

Directors: John Forster and George Rufle

Rating: Six of Ten Stars

Tom & Jerry show that music not only soothes the savage beasts, but it also fixes the failing farm.

"Barnyard Bunk" is one of those Tom & Jerry cartoons that's just about plot free, but is just a series of strange visual gags strung together and connected by music. The music isn't bad--not great like it's been in some of the "Tom & Jerry" episodes, but it's pleasant enough.

The most interesting, as well as mystifying thing about "Barnyard Bunk" are the villainous mice that are actively demolishing the farm as the cartoon starts and who later appear to be the only animals who aren't impacted by Tom & Jerry's magic saxophones. While all the other animals either become the best farm animals they can be, or, in the case of woodpeckers, start pitching in with random chores around the farm just because they can, the mice continue their mischievous, destructive ways unabated. Maybe the Pied Piper had been through recently and all the weak-willed mice followed him and all that remained were the super-evil, super-destructive ones? Or maybe I should stop trying to apply story logic to what is just a bunch of loosely connected gags--just a bunch of barnyard bunk?

As "Tom & Jerry" fare goes, "Barnyard Bunk" is neither among the worst of their excursions, nor is it among their best. As mentioned, the music is passable. The jokes are also consistently amusing. The surreal bits are okay. The problem is that it all feels directionless. In the best Tom & Jerry cartoons, the gags and the action build to a climax of some sort, and you can feel that build taking place, even in plot-free exercises in chaos like "Pencil Mania" there's a sense of momentum that builds straight up to the cartoon's finale. You never get that feeling from "Barnyard Bunk" and it suffers for it.

As always with my comments on "Tom & Jerry", I invite you to check out the subject of review for yourself, right here from the post. I also invite you to leave your own comments in the section below. Let me (and the world) know if you think I'm right or wrong in my estimation while sharing your opinion with us!

Wonder Woman Wednesday

It's the Furious Fists of Wonder Woman!

Krazy Kat in motion

Krazy Kat Goes A Wooing (1916)

Starring: N/A

Director: Leon Searl

Rating: Seven of Ten Stars

Krazy Kat goes to serenade Ignatz Mouse. 

If there ever was a cartoon that needed a better musical score, it's "Krazy Kat Goes A-Wooing". I would love to hear what Krazy Kat is playing on his banjo or even hear what it sounds like when he or she (I have no idea what sex Krazy is, even after all these years) sings. I know this was originally a silent film, but it really needs someone to put together a score that more accurately reflects what's happening on the screen. (All versions I've come across feature piano music, and, with the exception of the one hosted by the Library of Congress--which I've embedded below via YouTube--they all seem to be randomly selected pieces. A score using a banjo, a mouth harp, or maybe just a person humming through an electric fan would be far better, especially if created specifically for this.)

If you've read and enjoyed any of George Herriman's "Krazy Kat" comic strips, I think you'll like this animated trip to the "heppy land that is fur, fur away". Unlike later Krazy Kat animated entries--of which there were well over 250 between the years of 1915 and 1947--this one is close to Herriman's strips in feel and look and overall execution. The odd, yet very cool (or maybe kool) flying car that Krazy Kat travels around in not something I remember seeing before. It's the perfect addition to the animated version, however.

Musical Monday with Gershon Kingsley

On January 15, 1969, composer and keyboardist Gershon Kingsley released the single "Pop Corn". It went onto become the first fully electronic piece of music that became a hit. (Although Kingsley's version was popular, it wasn't until 1972 and the cover by Hot Butter that this great little tune became an international smash. In fact, most of the covers that are still being recorded to this day are based on the Hot Butter version, not Kingsley's original.

In celebration of the 52nd anniversary of "Pop Corn" popping, here's the original version AND the original video that came with it. It is interesting to listen to, even now, as it feels both outdated and futuristic at the same time. One can only imagine what people in 1969 thought when they first heard it.

The Growing-up of Emma Peel: Part Twelve

Click on the images for larger, more easily read versions.

The tale of a formative experience in the life of the future Mrs. Peel may have come to an end, but you'll continue to find reviews of episodes of "The Avengers"--which chronicle Emma's adult exploits as a covert agent for the British government-- here at Shades of Gray every other Thursday until the end of 2021.

Emma Peel contemplates giving some bad guys a spanking. 
(Scene from "The Avengers: Death at Bargain Prices".)

The Avengers: The Gravediggers

The Gravediggers (1965)
Starring: Patrick Macnee, Diana Rigg, Ronald Fraser, Paul Masse, Caroline Blakiston, and Victor Platt
Director: Quentin Lawrence
Rating: Nine of Ten Stars

In order to find the source of signals jamming Great Britain's early warning radar systems, secret agents John Steed (Macnee) and Emma Peel (Rigg) trace mysterious malfunctions at Britain's early warning radar system must first unravel the secret that links a funeral home, a charitable hospital for railway workers, and an eccentric, train-loving nobleman (Fraser).

"The Gravediggers" features an intricate plot that may seem a little odd to anyone who doesn't remember the Cold War. The threat against the early warning system was perceived as an extremely dire one in the world of 1965, so the trouble the enemy agents go through to distribute their network of jammers. The clever way by which they fund and literally power their operation is also well-conceived, so long as one is able to buy into the comic book reality that The Avengers exist in.

As is the case with all the greatest episodes during the Patrick Macnee/Diana Rigg, the serious and the silly co-exist easily in the episode. The eccentric train obsessed nobleman with his sitting room done up to mimic a railcar in motion and the miniature train and tracks he has running throughout his property is amusing, but when it gets used as a send-up of silent movie melodrama (where maidens get tied to the train tracks) and old-time westerns (where the hero battles bad guys atop moving train cars), it becomes absolutely hilarious. Even better--despite the very intentionally ridiculous nature of the episode's climactic action, there is also a real sense that Peel and Steed are in danger of losing the fight and possibly even their lives. It is an expertly written and paced episode.

Adding to the value of this episode is some nice banter between Steed and Peel, as well as another example of Peel's versatility as an undercover operative. Here, she successfully passes for a nurse in order to infiltrate the hospital. 

"The Gravediggers" was the second episode to air in "The Avengers" Season Four, and it kept the momentum going from the debut. 

Picture Perfect Wednesday with Frankie Adams

Born in Samoa and raised in New Zealand, Frankie Adams began her professional acting career at 16 as Uli Levin on the long-running NZ soap opera "Shortland Street". Starting in 2010 and going through 2014, she appeared in nearly 300 episodes (the series airs five nights a week). 

In 2016, she joined the cast of the sci-fi series "The Expanse", where she plays Bobbie Draper, a Martian marine turned-under-cover-operative for a renegade United Nations official. Adams is expected to stay with the show through 2021 when it will come to its conclusion.

Here are a few photos of Adams. And when you're done here, you should head over and watch "The Expanse" on Amazon Prime if you aren't already. It is one of the best sci-fi series ever produced.

Deduction from these photos: Frankie Adams is not allowed to wear pants or skirts at the same time she's wearing shirts or blouses.

'Stone Age Stunts' leaves something to be desired

Stone Age Stunts (1930)
Starring: Anonymous Voice Actors (but this is basically a silent movie)
Director: John Foster and Mannie Davis
Rating: Four of Ten Stars

Pre-historic mice (who are basically Mickey Mouse and Minnie Mouse clones) go dancing at a club, get into a fight with a bully, and end up literally bringing the house down.

An entry in the long-running Aesop's Fables anthology series, "Stone Age Stunts" is seven minutes of crudely animated nonsense. Along the way, there are some scenes that will make you squirm if you have any sensitivity to the issues surrounding domestic violence. (There are riffs on the old cartoon caveman hitting his mate over the head with his club and dragging her off, but they are taken to uncomfortable extremes here.)

The saving grace (and only thing that makes watching this worthwhile) is the music. The animation and the music go perfectly together, and the only humorous that aren't uncomfortable to watch, grotesque, or inexplicably weird (or some combination of all three) are those involving music. The cavemouse suddenly being able to use his club as a flute is amusing, and the sequence that starts at roughly the halfway mark with a band of cartoon animals using other cartoon animals as instruments and a hilarious nightclub act make sitting through the more unpleasant bits worthwhile.

As I always try to do with the Van Beuren productions I review, you can watch it for yourself, right here in this post, and see if you think I'm right or wrong in my estimation of this one. Just click on the video below.

(Trivia: Although the amorous mice who are the stars of "Stone Age Stunts" had been appearing in Aesop's Fables episodes since the early 1920s, their appearances changed to be similar to that of Mickey Mouse and Minnie Mouse once those characters became hits for Disney. Eventually, the Walt Disney Company filed suit against the Van Beuren Corporation. Disney didn't see damages--they just wanted Van Beuren to stop putting Mickey and Minnie look-alikes in crude situations in crudely animated cartoons.)