It's me birfday...

... and on this day in 1922, decades before I was born, this great Krazy Kat cartoon by George Herriman saw print. (Click on the image for a larger, more legible version.)

Tom & Jerry are here for what's 'In the Bag'

In the Bag (1932)
Directors: John Foster and George Rufle
Rating: Five of Ten Stars

Tom and Jerry crash their plane in the cartoon wild, wild west. Surreal hi-jinx involving robbery and a vicious outlaw ensue.

"In the Bag" isn't exactly bad... but it isn't exactly good either. It's an unfocused scatter-shot collection of ideas and situations, some of which are related to the western setting, but most of which are generic gags that could work in any picture. Unfortunately, those generic gags are also nonsensical and unfunny; I expect non-sensical in a "Tom and Jerry" cartoon, but I also expect there to be more chuckles than this one delivered. The film also suffers from a sense of being padded, with several, otherwise amusing bits being dragged out to the point of almost outstaying their welcome while the animation loops two or three times with no variation.

The funniest sequences and bits of "In the Bag" come at the very beginning of the film--in the form of the disaster that causes our heroes to crash their plane in the wild west; at roughly the musical number at roughly halfway point involving some very unusual can-can dancers and scat-singing cowboys; and Jerry's heroic chase and capture of film's villain. The film's final series of jokes--in which Jerry designs to double-cross Tom and abscond with a bag full of cash--begin promising but they ultimately fall victim to the same lack of focus that crippled the picture overall and we're left in a closing bit that fizzles instead of sizzles. It's cute, but it doesn't provide a good close to the film, and it's the weakest ending to any of the "Tom and Jerry" cartoons I've watched so far.

"In the Bag" is neither among the best nor the worst entries in this series. I see glimmers of greatness here, but I think it was slapped together either in too big a hurry or with too little care for that greatness to be fully manifested. This causes me to give it the lowest possible rating of Five (on my usual 0-10 scale) that I can award it. It also causes me to observe that this is an all-too-common problem with "Tom and Jerry" and one of the reasons why they are not well-remembered today.

But how about you take a look at "In the Bag" and share what you think of it? You can watch it below, and leave a comment to this post, or pop on over to my Facebook page and speak up there!

Wonder Woman Wednesday

As we continue to look forward to the release of "Wonder Woman '84", we bring you these portraits of everyone's favorite Amazon and her wondrous hair!

By Aaron Lopresti

By Josh Howard

By Milo Manara

By Joe Jusko

By Asisi Suharianto

Joan's May Fifth

Joan Blondell had plans for this Cinco de Mayo.

But then...

Celebrating Star Wars!

It's May 4th -- Star Wars Day! Here's a celebratory gallery of art for your viewing pleasure!

By John Cassaday

By the Artist With a Web-home at this Link

By Howard Chaykin

By Eric Johnson

By Dru Moh

By Stan!

By Bella Rachlin

Musical Monday with Ylvis

"Life´s a bitch," a wise man said
"No matter what, you´ll end up dead,
"And all that you can wish for is a friend."

The Norwegian duo Ylvis is bringing us an especially touching song on this very special Musical Monday...

"Well... that escalated quickly." (Lesson: Don't steal!)

The Devil's Money Bags (aka "The Treasures of Satan") (1902)
Starring: Uncredited
Director: Georges Méliès
Rating: Nine of Ten Stars

A burglar tries to steal sacks of money from an enchanted chest and pays dearly.

"The Devil's Money Bags" is another fun mini-fantasy film from pioneering special effects artist Georges Méliès. Like most of Méliès films, this one serves up some light-hearted fun with its photographic trickery... but unlike most of his films, this one takes a gruesome and downright terrifying turn at the end. Hell... this 100+ year-old movie is more chilling than a lot of horror movies that get made today.

Take a few minutes out of your day and check out this great little piece of horror film history, right now via the embedded YouTube vide below!

Firearms Friday with Mystery Women

I don't know who either of these models and/or actresses are. If you can identify any of these females with firearms, leave information in the Comments section!

'The Indian Scarf' will entertain fans of a variety of old-time movies

The Indian Scarf (aka "Das Indische Tuch") (1963)
Starring: Heinz Drache , Corny Collins, Klaus Kinski, Ady Berber, Gisela Uhlen, Hans Nielsen, Hans Clarin, and Elisabeth Flickenschildt
Director: Alfred Vohrer
Rating: Seven of Ten Stars

After a wealthy man is strangled to death, his greedy relatives gather at home for the reading of his will. Here, they learn, they must spend a week together and that anyone who leaves early does not get a share of the inheritance. Within hours, family members start dying, each strangled with Indian silk scarves. The estate's executor, Tanner (Drache), sets out to match wits with the killer, hoping to discover his identity before he (or she) completes the murder spree.

"The Indian Scarf" is a film that mixes attempts at capturing the tongue-in-cheek feel of the "dark old house" mysteries of the late 1930s and early 1940s, and a bone-chilling brutality that predicts the murder scenes that became a hallmark of early Dario Argento and 1970s B-movies. It's an interesting attempt putting disparate elements together in a single story, and it mostly works because even in the goofy sections we're treated to stylish cinematography and film-norish lighting that takes full advantage of the black-and-white medium. The outdoor scenes, of which the film has quite a few more than is the norm for pictures like this

Another strength of the film is its cast. Their look and the characters they play reflect the "dark, old house" vibe the film is going for, and this goes a long way toward "The Indian Scarf"'s effectiveness. I particularly appreciated Heinz Drache as Tanner, who is both the romantic lead and co-comic relief with Ady Berber as the obligatory creepy man-servant character. The jokes don't always land, but a running gag involving Tanner's detective work is fun, and Drache's plays it up perfectly as the film progresses. Corny Collins and Gisela Uhlen, meanwhile, are both fine as the pretty (but possibly murderous) feminine/love interest presence in the film, while Klaus Kinski serves as a perfect (perhaps too perfect) possible killer. The second half of the film is really driven by the actors and their performances, with every cast-member getting a turn in the spotlight and making a good showing of themselves.

Perhaps one of the most remarkable things about "The Indian Scarf" is its strong ending, one which I didn't see coming, and I'm certain you won't either. Too many old mystery films seem to run out of steam at the end, sputtering to a close, or just stopping rather than ending with a proper denouement. Here, we get a wrap-up that's both punchy and a punch-line. Although there are several humorous misfires, the film goes out strong.

I think fans of directors like Mario Bava and Dario Argento, as well as those who enjoy 1940s mysteries and the "old dark house" genre will enjoy this one.

It's International Dance Day!

Today, we celebrate dancers--and specifically Brigitte Bardot, who trained as a ballerina before she turned to modeling, acting, and, ultimately, social activism. Here are some photos from a shoot she did as a teenager where her dance training and modeling career intersected.

And just for good measure, here's a shot of Bardot from when she was an actual ballerina.

(Bardot will return to these pages again later this year, on a Firearms Friday and at least one Picture Perfect Wednesday.)