A great collection of early work by Richard Sala

Black Cat Crossing (Kitchen Sink Press, 1993)
Writers: Richard Sala and Tom De Haven 

Artist: Richard Sala

Rating: Eight of Ten Stars

"Black Cat Crossing" collects 17 short stories done by Richard Sala during from the mid-1980s through the early 1990s. There are also a pair of Sala's intrigue- and mystery-drenched "pin-up pages" that serve as endpapers for the book, a table of contents that is executed in the style of an illuminated manuscript; and another Sala's activity-packed one-pagers serving as a frontis-piece. So, it's like we're being treated to a few opening acts before the main event! 

Many of the stories had previously appeared in comics anthologies (which were, sadly, dying out once and for all during the period Sala was contributing to them), and a few were original to this book. Most are examples of Sala's ability to capture the feel of randomness that permeated many pulp short stories of the 1930s while crossing them with a 1940s and 1950s B-movie or film noir sensibility. A few also shows how he can masterfully he can use the "unreliable narrator" in his stories.

The rating I give this book is an average of the stories within it.

The collection opens with three long stories (each more than ten pages). The first two, "The Fellowship of the Creeping Cat" and "The Big Dark Zero" feature equal parts mystery, drama, and humor. They are loving spoofs of pulp-fiction and film noir mystery tales with ludicrous set-ups and overly tangled dark secrets that nonetheless are executed every bit as serious as "The Maltese Falcon". And this is why they work. Both stories also sport genre-appropriate endings that are a satisfying mix of tragic and justice that will leave even the most critical reader satisfied.

"The Fellowship of the Black Cat" focuses a writer of limited success who finds himself at the center of a string of murders related to a long-defunct secret society of vigilantes. It is full of goofy elements, but it is also features escalating tension, because the reader clues into the trouble the protagonist is getting himself into before he does. The mystery of who is behind the plot is also an interesting one. The only complaint I have about the story is that the ending could have been a little stronger, so it rates an 8 of 10 Stars.

"The Big Dark Zero" is a pulp-fiction, film-noir style mystery tale about an amnesiac who has to rediscover his forgotten past to discover why people are suddenly trying to kill him. As the mystery unravels, the facts become increasingly ridiculous, but the story is played perfectly straight throughout, with even a touch of tragedy, which makes this a very effective tale. This is a solid 9 of 10 Stars.

The third and final of the longish stories in "Black Cat Crossing" is also one of the very best in the book. It may even be the best short story Sala wrote and illustrated, period. (It also has an amusing bit of crossover with another story in the book, perhaps the earliest example of the Salaverse, which is hinted at in some of the Peculia and Bloody Cardinal stories, and elsewhere.)

"Where is Christine Broder?" is one of the finest examples of how Richard Sala was an expert of the unreliable narrator. Throughout this whole film-noirish mystery tale involving a burned-out investigator looking for a missing woman the reader has the sense that something is off. It's a sense that keeps growing, but you're never quite sure WHAT is off about the first person narrative that's unfolding and when Sala finally reveals the truth of what's going on, in a perfectly timed and executed fashion, readers feel a mixture of  empathy for the narrator and a twinge of horror about his situation. It's a 10 of 10 Stars without question.

In the middle of the book are six one- and two-page stories in color. They are generally the weakest of what is collected in this volume, with four of them feeling more like story sketches or outlines than full-fledged works; I give most of these collective 6 of 10. The only two that are worth commenting on are a chilling spoof of romance comics titled "A Newlywed's Heartache" (in which the bride discovers chilling facts about her husband) and "Night Delivery which is a pun-based one-page story that I probably found more amusing than any adult should. Both of those rate 8 of 10 Stars.

The black-and-white stories resume with "Another Mad Doktor", which you can read in its entirety, here at Shades of Gray; and "Psychorama", which is the earliest of at least three spoofs of the kids' "alphabet primers" that Sala did. Each letter of the alphabet stands for a deadly lunatic in a psychologist's casebook, and each of these one-panel, rhyming gags are a mixture of cute and creepy. Both of these earn a solid 8 out of 10 Stars.

Next up, we have "The Proxy", a story drawn by Sala but written by . I'm not sure what to make of this one. I read it four times, carefully, and I am still not certain what's going on or what the point it. I am not even sure if there is a point, beyond telling a story about a guy who is is drawn back into the web of deceit and lies and manipulations that exists around his shady kinda-sorta friend, Doc. By the end of the story, I had the sense that the protagonist is screwed and that Doc... well, I really don't know about Doc. Still, it was an engaging story, so it's getting a 7 of 10 Stars.

 With "The Peculiar Case of Dr. V", Sala presents a mystery tale that features his trademark mix of suspense and goofiness, blended with a twist ending that elevates the take from average Sala to excellent Sala. It's another 7-Star effort!

Next is one of the weaker efforts in the book, "Hypnorama", which is a comics summary/dramatization of a tell-all book about how subliminal messages were/are concealed in advertising art and logos. While Sala did a good job of both summarizing the topic of the book and infusing his adaptation with a sense of insanity, it just didn't grab me. Maybe it's because I am already very familiar with the topic, or because it's been done to death over the 35 or so years that have passed since Sala delivered his take on it? Whatever the reason, this one gets 6 of 10 Stars.

The last story in the book, "Judy Drood, Girl Detective", is a Sala milestone. It marked the first appearance of one of Sala's signature characters, Judy Drood. Over the space of two pages, Sala delivers a fun spoof of classic kid/young adult adventure fiction (specifically the novels starring teenaged amateur detective Nancy Drew) as well as bringing us a great example of his ability to tell complete stories in single panels--or, even better, feed the readers' imaginations with summaries of great stories . All-in-all, it's clear why this, which was initially conceived as a one-off by Sala ws something that his friends encouraged him to expand into something bigger. This tale is a solid 10 of 10 Stars, and it's another one of those that you can read here at the Shades of Gray blog.

Rounding out the anthology is the expected author's bio--although Sala delivers one that is not at all one would expect... and in perfect keeping with his forever tongue-in-cheek approach to his storytelling, one final single panel cartoon, and another of his one-page pin-up style pictures--the endpaper I mentioned at the top. These all get a solid 8 of 10 ratings.

 "Black Cat Crossing" is a spectacular collection of Richard Sala's early work, which remains as fresh and exciting as it was when it was first created three decades ago. That shouldn't be surprising, since he drew his inspiration from pop-culture and artistic evergreens.

When I average out the ratings, this anthology is a solid Eight of Ten Stars... and one that I think is well worth checking out by anyone who enjoys well done comics, film-noir, silent movies, and mystery fiction. I think you'll have a great time while in the Salaverse. (It's still in print, but it's impossible to say for how long. Sala is rapidly joining the ranks for unjustly forgotten comics creators.)

Musical Monday with Bad Omens

A favorite roleplaying game of mine was Cyberpunk 2020, with its "day after tomorrow" setting where the world had crumbled under the weight of a pandemic, government corruption, and corporate greed. I greatly enjoyed running my campaign in the setting, which incorporated some low-key supernatural elements, plus space aliens, in addition to the gritty sci-fi aspects already present.

I mention this, because this video for a single off Bad Omen's 2022 album, "The Death of Peace of Mind", captures the mood I was going for in the sessions of that campaign, as well as visually making me nostalgic for that game and my version of the world it took place in.

It's also a fantastic song with perfectly timed transitions between creepily mellow and savagely metal. So perfectly Cyberpunk!

Concrete Jungle (2022)

Starring: Noah Sebastian

Director: Orie McGinnis

Rating: Ten of Ten Stars

Felix knows how to spend the weekend!

If your weekend is half as wild as the one Felix the Cat has in "Woos Whoopee", you're doing it right. (Well, you probably want to avoid the hallucinations... but maybe not! The hallucinations are what makes this cartoon so much fun to watch!)

Felix Woos Whoopee (1928)

Starring: A voice actor who doesn't speak any actual lines

Director: Otto Messmer

Rating: Seven of Ten Stars

The Mime's Big Day

Attention Plzzz (2015)
Starring: Swetha, Ashul, Maheswar, and Roshan
Director: Arunachalam

Rating: Seven of Ten Stars

A street-performer mime gives up in the face of competition but ends up changing the life of a homeless drug addict.

Reportedly inspired by the films of Charlie Chaplin and Buster Keaton, I think "Attention Plzzz" is far cuter than anything on the very impressive resumes of either of those two gentleman. Another very strong element of this modern silent movie is that doesn't try to replicate the style of films made a century or more ago, nor is it just a film without sound, but the use of mimes gives a perfect in-story explanation for why not a single word is spoken.

I liked everything about this film--the actors all perform well, the pacing is spot-on, and the mime duels are very funny--and I probably would have given it Eight Stars if not for a couple flaws.

First, I think this film could have benefitted from being a little more focused. It almost feel like two films combined into one, with the first one being our Hero squaring off against a competing mime, and the second one where he distracts a homeless drug addict from shooting up. If the competition with the other mime had not been included in the film, I don't think it would have been missed, and we would have gotten to the really excellent part of the film sooner. All we needed in the initial part is the disinterested/confused onlookers to establish the mime's state of mind.
 

Second, a decision was made to include sound effects in the film's best moments, and I think it was a bad decision. They feel entirely out of place and they take away more from the action and mood of the scenes than they add. 

I could also criticize the film for not using enough medium two-shots during the mime's interactions with the homeless woman, but given that it claims to be inspired by old-time silent greats, I don't know that would be a fair criticism.

But why don't you take a few minutes and give your attention to "Attention Plzzz"? I promise it will brighten your day! (And if I steer you wrong, be sure to tell me off in the Comments section.)

The Shadows Know...

Chasing Shadows (2012)
Starring: Jose Rosete
Director: Armin Siljkovic
Rating: Eight of Ten Stars

A game of cat-and-mouse reaches its deadly conclusion in the shadow-filled back alleys of the Big City.

For a film that doesn't even run seven minutes, "Chasing Shadows" delivers a lot. Hell, it delivers more than many films that run seventy minutes!

First, if you are just looking for a taut mini-thriller where every second of run-time is put to good use, this is a film for you. Second, if you're a lover of the film noir esthetic and need a quite fix to satisfy a hunger, this is a film for you. Third, if are looking for a film that brilliantly presents all the fundamental elements of  film noir in a compact, high-quality package, then this is definitely a film for you.

Writer/director Armin Siljkovic has written that "Chasing Shadows" was made as an exercise in exploring all the elements of the film noir genre. As such, it is an unqualified success. It would have earned a Nine-star rating if not for a couple minor stumbles at the end (which, I have no doubt, were the result of both time and budgetary constraints)... and I might not even have noticed them if everything else here hadn't been so perfect.

Take some time out of your busy day to watch this excellent short film. Be sure to let me know in the comments section if you think there isn't an element of the film noir genre that isn't represented here.

It's About the Eye of the Beholder

Today's post features something which is more of a vignette rather than an actual film. I found it fascinating, but it's one those works that I feel need to be watched cold lest its impact be ruined.

With the that said, I encourage you to take 90 seconds out of your day to check out "Camera Obscura". I think you'll find it as interesting an effort as I did.

Camera Obscura (2008)
Starring: Tania Paleologou and Cristos Leriadis
Director: Eirini Steirou

Rating: Eight of Ten Stars

Musical Monday with Spoon

Austin-based rock band takes us on a walk in the wilderness of Texas in the video for the second single from their latest album, Lucifer on the Sofa. Or do they? See for yourself by watching this nicely done video while enjoying a catchy tune with interesting lyrics!

Wild (2022)

Starring: Britt Daniels

Directors: Brook Linder and Ben Chappell

Rating: Seven of Ten Stars

Musical Monday with Andrew Bird

Singer/songwriter Andrew Bird is a man of many talents and musical genres. His songs and performances run the gamut from folk music to indie rock to swing, and whatever genre he and his four-piece band are tackling, it is done masterfully.

His recent video and single, "Atomized", is no exception. It's a quirky tune with lyrics that speak powerfully to the current state of our culture and the impossible situation professional creative people are in (and even increasingly just regular people). The video underscores the message perfectly... and it also serves as an illustration of the unifying theme around here!

Check it out by clicking below. (And if you like it, consider supporting Mr. Bird by getting a copy of his latest album, Inside Problems.)

Atomized (2022)

Starring: Andrew Bird

Director: M.D. Siskin

Rating: Nine of Ten Stars

D.W. Griffith brings us a fine drama starring two great actresses

The Mender of Nets (1912)
Starring: Mary Pickford, Charles West, Mabel Normand, Dell Henderson, and W. Chrystie Miller
Director: D.W. Griffith
Rating: Eight of Ten Stars

When a fisherman (West) cheats on his girlfriend (Normand) with the village net-mender (Pickford), the betrayed girl's brother (Henderson) swears vengeance. Will the mender of nets be able to rise to the challenge and become the mender of hearts before blood is spilled? 

 I generally don't enjoy silent dramas, because they are for the most part too,,, well, dramatic. The mostly thin plots, static camera shots, and the over-the-top gesticulating and emoting by the actors combine in waya that just doesn't hold my interest. There's been one director who's works have always captured and held my attention, though: D.W. Griffith.

Griffith's dramas always clip along at a fast pace and there's never a dull moment on screen. Even establishing shots and transition scenes are full of energy and creatively framed. Even a shot of Mary Pickford staring wistfully into the distance and the beginning to smile is more fascinating than the entirety of some other silent dramas I've come across.

"The Mender of Nets" is impressive visually, even holding up nicely when compared to modern films. The outdoor shots and sequences are particularly nice. The story is simple, but Griffith adds suspense and drama through editing techniques and perfectly timed scene changes that were groundbreaking at the time--and which go a long way to making this film watchable today.

This film also remains watchable because of the natural performances by most of featured actors. While there's plenty of silent movie drama emoting, it is tempered and balanced here by a feeling of genuine warmth in Pickford's performance and emotional pain and panic in Normand's performance. Similarly, Dell Henderson seems like a genuinely bloodthirsty lunatic. West gives probably the most "standard" silent movie drama performance, but even he is a little more subdued than what is typical, coming across more in a Shakespearean tragedy way than over-emoting and hyper animated. Griffith once again brought the best out of his cast.

Finally, the film remains impressive because its relatively simple plot occupied by straight-forward characters ends up emerging as multi-layered as it reaches its conclusion. It could have come across as overly sentimental and maudlin, but because Pickford and Normand have such screen presence, and they gave such good performances, it comes across as bitter-sweet and even a little thought-provoking.

The version I watched (and have embedded below) features a modern score that was commissioned specifically for this film. Some viewers dislike it when modern music is applied to silent movies, but when it's well-done--as it is here--I think it helps bring new life to old art.

Take a few minutes to enjoy this classic film, with its new elements (or without... you can simply turn down the volume if you don't want modernity creep into the 100+ year-old short film that you're watching in a digitized format.)

'Widdershins' is a fun steampunk romance

Widdershins (2018)
Starring: Brian Cox and Jam Gray
Director: Simon Biggs

Rating: Seven of Ten Stars

A bored and lonely gentleman (voiced by Cox) living in a perfectly ordered world where humanity has subjugated themselves to clockwork automatons finds excitement when he crosses paths with a rebellious woman (voiced by Gray). 

For a short film set in a steampunk utopia-turned-dytopia, "Widdershins" is amazingly sweet and touching. Every character in it is appealing in its own way (even the robotic butler that occupies a space in the story that swings from comedic sidekick to borderline villain to mildly pitiable pet) and each is provided touches that economically communicate their strengths and weaknesses and desires. In short, even the robot character gets some humanizing touches over the 10-minute span of this film, and it makes it an absolute joy to watch.

The animation is simple--perhaps a little too simple at times--but it's all energetic and well-matched to the fast-moving story. The music is very effective as well. 

If you like steampunk and/or quirky romance tales, I think you'll find the minutes spent in the world of Mr. Widdershins and the Mystery Woman will be enjoyable ones. Click below to start watching!

This film was called to our attention by a reader of the blog. If YOU know of a film you think we need to watch and call attention to--so others can enjoy it--send us a link at stevemillermail@gmail.com!

Musical Monday with Ethel Merman & Betty Boop

Screen Songs: Let Me Call You Sweetheart (1932)
Starring: Ethel Merman, Billy Murray, and Mae Questal
Director: Dave Fleisher and Shamus Culhane
Rating: Seven of Ten Stars

After a nanny (Betty Boop, voiced by Questal) turns down his advances, a police officer (Bimbo, voiced by Murray) proceeds to rape her while putting the baby she's supposed to care for in deadly danger. Meanwhile, Ethel Merman invites viewers to join her in singing "Let Me Call You Sweetheart".

 I watched "Let Me Call You Sweetheart" twice, with four days between viewings, just to make sure I hadn't been in a dark frame of mind when I viewed it the first time. I hadn't been.

The cartoon sequences are among the most disturbing I think I've ever come across... because the sense is that there's nothing wrong with the fact that Bilbo is a police officer who forces is "affection" on a clearly-not-interested Betty Boop. Also, we're clearly supposed to find it hilarious that Bilbo, while setting about to rape Betty,  intentionally kicks the baby carriage she was tending, sending it careening down a hill where it and the baby ultimately plunges and sinks into a pond. Although the baby doesn't die (no one really thought that it would, did they?) and is saved via some visually amusing cartoon antics, the circumstances under which it is placed in danger are so distasteful it was hard for me to enjoy it. Just to make the Betty and Bimbo sequence as repulsive as possible, the animators later show them in a state of blissful embrace--Betty really wanted it all along, see?--where we should have seen her standing over Bimbo's broken and twisted corpse.

For all my irritation at main animated sequence of this Screen Songs installment, I can also see a possibility that it was intended as an ironic juxtaposition of the featured song, "Let Me Call You Sweetheart", because the on-screen lyrics get really crazy type-setting wise toward the end. The animated sequence after the Ethel Merman sing-along section supports this idea, as it features a predator singing "Let me Call You Sweet-heart" while chasing down its prey. (Bimbo and Betty being shown in a loving embrace after he forces himself upon her in a brutal fashion undermines that interpretation though. Unless one assumes they were "roleplaying"...)

Although I had a very hard time enjoying this cartoon, I recognize it's well-animated with some amusing visual, quickly paced, and features a pleasant song, hence the Seven-Star rating. I just can't get past some of the messaging. (Oh... and while I can't think of a way to do rape "right", the creators of this cartoon and this one did present child endangerment in a fashion that was more amusing than troubling.)

But are the flaws of "Let Me Call Me Sweetheart" are severe as I feel they are? Take a look for yourself and let me know!

Musical Monday with Sleaping Dreaming

Sleaping Dreaming is a Brooklyn-based, three-member band that plays shoegazing rock that swings from borderline heavy to gauzily ethereal. Here's a beautiful, thought-provoking video in support of their song "Ring of Fireflies". I hope you find the film and music as fascinating as I did.
 

Ring of Fireflies (2020)
Starring: Claire Davison and Beau Dobson

Director: Xing Xu

Rating: Seven of Ten Stars

--

Claire Davison, the featured actress and dancer in the "Ring of Fireflies" music video, has been with the American Ballet Theatre company as a dancer and choreographer since 2012. She has performed in several other music videos, worked as a choreographer for several ballet companies, and she's one of the many dancers who've been part of Dane Shitagi's Ballerina Project. Here are some of the photos she posted for.

Before Bill & Ted's adventure, there was 'De Düva'

De Düva (aka "The Dove") (1968)

Starring: George Coe, Pamela Durell, Sidney Davis, Madeline Khan, Peter Turgeon, and David Zirlin

Directors: George Coe and Anthony Lover

Rating: Seven of Ten Stars

In the twilight of his life, a brilliant scientist (Coe) returns to region of his youth and remembers the time he met Death (Davis).

"De Düva" is a hilarious 14-minute short film that pokes fun of the more idiosyncratic hallmarks of Ingmar Bergman's films from the 1950s and 1960s, with "The Seventh Seal" and "Wild Strawberries" being the most obvious targets of the spoof. A highlight of the film is one of the one the earliest lampoons on Bergman's famous Death character and his love of games; it's almost as goofy as what would appear in "Bill & Ted's Excellent Adventure" some 20 years later. 

Film students and lovers of "art films" and "foreign films" will get a kick out of every moment of "De Düva". Even the blurry, worn quality of the film is there to make you smile, as it isn't the result of a copy or a copy or a worn copy, but rather originally made to look like that. The film even makes fun of how many older "lesser" films reach us lovers of cinema, even now in the age of digitization.

The cinematography and acting styles are perfect send-ups of Bergman, with the very emphatic deliveries of all lines greatly adding to the comedy. Even the subtitles have jokes, including what appears to be a mistranslation that casts the relationship of the main characters (young lovers played by George Coe and Pamela Durrell) in a very disturbing light. Although, given some of the themes in Bergman films, perhaps I am hoping that's an intended joke...

One of the things I found to be the most hilarious in the film is the language it was made in. Most of Bergman's films were made in Swedish, and, coming to this one not knowing what to expect other than a spoof, I figured it would be in Swedish, given the title. It is NOT in Swedish, however. I don't know whether you have to be a polyglot to find the made-up language spoken by the actors hilarious, but I was laughing out loud at a lot of it. (Spoiler alert: All dialogue in the film is delivered in a made-up language that kinda-sorta sounds like a cross between English and Swedish but is actually neither. It is then subtitled in English, mostly accurately.)

As the title of the embedded video below states, "De Düva" was in the running for a "Best Short Film" Academy award in 1968. That, plus the fact it marks the first film appearance by Madeline Khan and the first leading role by George Coe, makes it worth watching for those with an interest in film history. I think everyone else  will enjoy it as a goofy spoof of what film snobs find entertaining.

 

Stumbling across this little gem in the distant corners of YouTube reminded me that I've had Bergman's "Hour of the Wolf" (1968) in my To Watch pile for several years now. I need to get around to watching and reviewing it!

The answer to 'What came first--Koko or the egg?'

Ko-Ko Gets Egg-Cited (aka "Koko's Barnyard") (1926)
Starring: Max Fleischer
Director: Dave Fleischer
Rating: Eight of Ten Stars

Ko-Ko tries to start an chicken farm that bridges the animated and physical world.

"Ko-Ko Gets Egg-Cited" is one of the most fascinating "Out of the Inkwell" installments, and it turns what passes for reality in this world where the cartoon characters cross back and forth easily between their two-dimension existence and our three-dimensional one completely on its head: Usually, it's the Animator (played by Max Fleischer) who brings Ko-Ko and his environment into existence, but here it's Ko-Ko who uses the ink pen to create the Animator (as well as the incubator which become the center of some stop-motion animation sequences in the film's second half).

The antics of Ko-Ko and his pet dog in the animated world are funny, but fairly standard for the series, but the scene where Ko-Ko woos a chicken to get her to lay eggs, and what eventually comes out of those eggs, is equal parts hilarious and horrifying. It's one of the many touches that makes this a must-see, as well as one of the most creative and wildest entries in the entire series. (I didn't think they'd be able to top destroying the world, but they did so with this one!)

Take a few minutes of your day to watch reality break down completely in this masterfully executed short film that mixes traditional animation with stop-motion animation and live-action footage.

Musical Monday with Tom Waits

Downtown Train (1985)
Starring: Tom Waits and Jake LaMotta
Director: Jean-Baptiste Mondino
Rating: Seven of Ten Stars

When the moon is full, a weirdo (Waits) spends the night singing, bringing entertainment or exasperation to the residents of an inner-city neighborhood during the 1950s. (And he's lucky he doesn't live in the same neighborhood as this guy!)

 The teaser summary above is the set-up and story (such as it is) of the very creative video for "Downtown Train". The song was a single from Tom Waits' 1984 album "Rain Dogs". I can take or leave the song, but I love the video--including the odd tag at the end with Waits on the waterfront.

Fun Fact: There are no trains, downtown-bound or otherwise, in this video.

Musical Monday with My Gal Sal

Are you unhappy because you're working on a Monday? Did you come here, hoping your friends at Shades of Gray would have something to life your spirits? Well, you're in luck, old pal! We have a really fun cartoon that you can sing along with!

At the dawn of the talkies, Max Fleischer produced a series of animated shorts based around popular songs and/or folk tunes. Each would, at some point, put the lyrics to the song up on the screen and would encourage the audience to sing along. And, by all accounts, they did and had a great time doing it!

On this very special Musical Monday, we bring you Fleischer's take on "My Gal Sal", a barbershop quartet standard. This short film contains not just one sequence of funny animal characters singing, but three different ones. These vignettes cross over with one another and get progressively weirder as they go. The cartoon can even be held up as having some social relevance as one of the segments carries a suicide prevention message. And, last but not least, it is also one of the very best the series has to offer.

So... gather coworkers around your computer! Lift your spirits by singing along with a classic cartoon, just like they did in 1930!

My Gal Sal (1930)

Starring: Anonymous Singers

Director: Dave Fleischer

Rating: Eight of Ten Stars

Musical Monday with Coldplay

Magic (2014)
Starring: Ziyi Zhang, Chris Martin, and Peter Fonda
Director: Jonas Aakerlund
Rating: Nine of Ten Stars

The best music videos are those that are narrative short films, be they silent movies where the song they are made promote serves as the score, or mini-musicals. Beautifully shot and skillfully edited performance videos where someone is just standing around singing while the band plays are nice and all, but they are far less interesting and creatively worthwhile than something that tells a story.

And, boy, does this video tell a story.

In "Magic", a female illusionist in a traveling show (Zhang) is married to a vicious, abusive man (Fonda). Her assistant (Martin) is secretly in love with her, and, to not only become closer to her, but to also free her from her situation, he becomes not only a master illusionist but actually masters real magic. 

This is a well-acted little fantasy film (unsurprising, since both Zivi Zhang and Peter Fonda are talented, experienced actors) that blends seamlessly with the song it underscores as the narrative weaves its way around Chris Martin singing and practicing magic. If the plot had unfolded just a tiny bit different (in regards to the fate of the villainous Fonda--there's nothing necessarily wrong with it but I just wanted more) this would have gotten Ten of Ten Stars!

Check it out. I'm fairly certain you won't see anything more magical on this Musical Monday!

Then there's that time the world ended...

Koko's Earth Control (1928)
Starring: Max Fleischer
Director: Dave Fleischer
Rating: Eight of Ten Stars

In 1928, the world was destroyed through the actions a psychopathic cartoon dog that gained that power due to the irresponsible behavior of an animator (Fleischer) and his magic ink. Clearly, some superior being must have stepped in and remade the world, or you wouldn't be reading these words, or be able to click below to watch the video evidence of the horror that unfolded.

Ko-Ko the Clown goes dancing with spooks!

In observance of Friday the 13th, we bring you a haunting cartoon!

Ko-Ko Sees Spooks (aka "Ko-Ko's Haunted Hat") (1925, 1950)

Starring: Max Fleischer
Director: Dave Fleischer
Rating: Seven of Ten Stars

Ko-Ko and his pet dog enter a mysterious house where they alternately fight and party with ghosts.

As with most cartoons starring Ko-Ko the Clown, this is another fun mix of live-action footage and animation--although less than in others and the live action portions aren't central to the going-ons beyond Ko-Ko initially forming from several 13s doodled by Max the Cartoonist. (That opening sequence, plus the head-scratcher, completely random climax are almost entirely disconnected from anything that happens in the main body of the cartoon--except perhaps as a way to logically explain how Ko-Ko at one point is able to make a dozen or more copies of himself.)

The bulk of the cartoon takes place inside a haunted house where Ko-Ko ends up in a number of situations that you'd expect in a place like that. My personal favorite moments is Ko-Ko convincing his dog to go into the haunted house, and then later when Ko-Ko is making time with a female ghost (who is a hottie in his imagination). There really isn't anything here that isn't goofy, nonsensical fun, and I am sure you'll enjoy this spooky little film from beginning to end.

(The version embedded in this post is the 1950 re-release where it was retitled "Ko-Ko's Haunted Hat". It's the best version of this great short film that we could find on YouTube.)

'To Save Her Soul' turns terrible at the end

To Save Her Soul (1909)
Starring: Mary Pickford, Arthur V. Johnson, George Nichols, and William Beaudine

Director: D.W. Griffith

Rating: Seven of Ten Stars

A beautiful young woman with an equally beautiful voice (Pickford) is put onto the path of a successful showbusiness career after a chance encounter with a theatrical producer (Nichols). A young pastor in her hometown (Johnson) is in love (or maybe just in lust) with her, and he follows her to the big city, in hopes of convincing her to return with him.

I generally don't have the patience for silent dramas, because the pacing combined with the overwrought performance styles and melodramatic pantomiming used by the actors to communicate emotions either bore me or make me laugh. 

A notable exception are short films from D.W. Griffith. Every one of them I've seen so far has moved along at a breakneck pace and has been augmented by staging and framing of scenes that are at the same time reminiscent of renaissance paintings and modern-feeling. Griffith was one of the early masters of the cinematic medium, and that's what makes his short films entertaining to this day.

"To Save Her Soul" is no exception. It clips along at a quick pace. While there's plenty of overly dramatic emoting and even some overacting, the two leads--Pickford and Johnson--have enough presence and charisma that their screen presence shines through that. Pickford is, as always, excellent in her part. 

With that said, I'm going to break format and present "To Save Her Soul" for your viewing pleasure here in the middle of this post instead of at the end. This is because the rest of this review reveals the film's ending and thus may spoil it for you.

The story of "To Save Her Soul" is fairly engaging... and it becomes even more so when the handsome lead makes a transition from a concerned would-be suitor to the young singer to a crazed stalker and religious fanatic who is going to murder her, ostensibly to save her soul (as the title implies) but more basically because if he can't possess her completely and wholly, she cannot be allowed to live.

But, ultimately, that character transition is what undoes this movie. Instead of treating the pastor like the vicious monster that he is, the film sets him up as a literal savior: After he literally points a gun at Pickford's character's face and threatens to murder her if she doesn't surrender to his whims and desires (and his whims and desires alone), the young woman surrenders to him completely, leaving behind the life of sinful showbusiness to be his sex slave before the Lord Jesus Christ.

Okay, I probably put a far darker spin on the film's final moments than Griffith intended, but the ending of "To Save Her Soul" is seriously messed up. Even when allowing for more than a century of shifting social standards, the "hero" of this film should have been a villain that one of the show biz folk wrestled with, and ultimately shot with his own gun. That is how this film should have ended, and I would have given it Eight or Nine Stars.