Showing posts with label 1920s. Show all posts
Showing posts with label 1920s. Show all posts

Thursday, July 6, 2023

A fun glimpse of 1920s car culture

Rubber Tires (1927)
Starring: Bessie Love, Harrison Ford, Erwin Connelly, May Robson, Junior Coghlan, and John Patrick
Director: Alan Hale

After their main bread-winner (Bessie Love) loses her job, the Stack family sells all their belongings, buys a car, and heads on a cross-country journey from New York to start a new life in California. There, in the wilds beyond Los Angeles, the family's patriarch (Erwin Connelly) bought a house and land with the family's savings, gambling oil might be found there. Now, it has to be their home... if they can make there! 

Harrison Ford and Bessie Love in "Rubber Tires" (1927)


"Rubber Tires" is a proto road movie full of fun and lighthearted romance. Bessie Love is in top form as an independent young woman with a never-say-die spirit who is determined to see her family successfully to a new home. The comedy and pacing of the film hold up nicely, and the glimpses provided into life in 1920s America--especially for those of a nomadic bent--are interesting.

Two things I found interesting about the look into the past was the apparent complete lack of requirements to have drivers licenses or car insurance of any kind; Love's character Mary Ellen buys a car from a scrapyard, then just drives off in it. Later, characters are shown trading cars with each other with a level casualness that one might do with pens or hats. 

Although motor vehicles as something the masses could own and enjoy were a relatively new thing in 1927, it was amazing how much society's approach to cars has changed over the past century or so. While I realize films aren't accurate reflections of reality, it seems to me that at least the general environment and cultural outlook of the characters has to feel right to viewers, especially when the characters on the screen are living in a world not unlike the real one. The trusting nature that people seemed to have toward each other--even total strangers--was particularly surprising to me, even for a cheerful comedy like this; I can't imagine trading my car to a total stranger for his car without having it checked out by a mechanic! (The one character in the film who is an expert in cars--who amusingly spends about half the movie in a car with no engine and thus being towed along by others as he tries to keep up with the Stacks on their journey--is also the only one who worries about whether the cars being traded for actually run. Everyone else just seems to assume that they will, or that everyone they meet is as honest as they are.)

Perhaps the most remarkable thing about this film is that there is no true antagonist in the story. Any threats toward the Stacks come mostly from the circumstances they encounter. Every character in the film is likeable... even both men seeking to conquer Mary Ellen's heart (played Harrison Ford and John Patrick) are equally upstanding and decent. This is one of those very rare films that is charming and sweet without getting schmaltzy. (The only time when there was an opportunity for truly villainous characters to appear in the story, they are reduced to faceless shadows, basically making them just another circumstance that threatens the Stacks.)

Because the characters are all basically so likeable--due in no small part to each and every major actor in the film having great screen presence--all this film needs is the various threats and hurdles that the Stacks need to overcome to reach their new life in California. The running subplot about the fact they're driving a car worth $10,000 without knowing it also goes a long way to keeping the viewer invested in the outcome.

Click below to watch "Rubber Tires". I hope you enjoy it as much as I did!


Friday, May 26, 2023

We're putting words in Fanny's mouth!

 We've been having a little late-night fun with 'Flapper Fanny Says', with the viewers/side-chatters of my YouTube Channel coming up with the jokes to go with some Ethel Hays and Gladys Parker drawings. Going forward, we'll be sharing the results as an extra post on every other Fanny Friday!



In addition to the post here, you'll be able to vote for your favorite of the jokes on the YouTube Channel's Community Page, here. (And if you like what you see, please subscribe to the channel, and come by and hang out with us some night!)

This is the cartoon (selected for today, because it's almost fitting for Mermay):

Flapper Fanny by Ethel Hays

Here are the five best of the jokes the YouTube viewers came up with:

"There are plenty of other fish in the sea... like blobfish."
"Is that a harpoon in your pocket, or are you just happy to see me?"
"You get we your way, I'll get wet mine."
"Oh, I don't come here to swim. I'm here to show off my suit."
"'Just the tip' of my toes."


Friday, April 21, 2023

Sunday, April 16, 2023

An important reminder from Shades of Gray...

For most filers, U.S. Federal income tax return (and most state income tax return) filings must be submitted by Tuesday, April 18. This is particularly important if you have to pay additional taxes instead of getting a refund. It'd down to the last few hours, folks!

Flapper Fanny by Ethel Hays

Meanwhile, Fanny feels fortunate that they've not yet figured out how to directly tax her good looks.

Tuesday, April 4, 2023

An amusing silent comedy with new music!

The Water Plug (1920)
Starring: Billy Franey, Robert McKenzie, and Silas Wilcox
Director: George Jeske
Rating: Seven of Ten Stars

A hobo (Franey) acquires a fake fire plug and a policeman's badge, and sets out to make some money taking bribes from motorists trying to get out of parking tickets.


 
"The Water Plug" is a swiftly moving comedy that consists of a series of loosely connected gags, first involving water and then the water plug of the title as our hobo hero tries to earn a dishonest buck. 

The strength of this film rests with the fact that it's non-stop action from the very beginning through the final fade. While not every gag is bust-a-gut funny, all will at least invoke a smile... and if you don't laugh during the "gopher" sequence, you may need to look into a sense of humor transplant.

One thing I also appreciated about the version that formed the basis for this post (and which you can watch by clicking below) is the original score--composed and performed by Ben Model. Too many of the silent movies you find uploaded to YouTube or elsewhere are saddled with some random bits of public domain music that rarely fits the mood of the film, and hardly ever matches the action on screen. On a simlar note, I also appreciated the history provided as to how this comedy was "accidentially preserved".

Friday, March 31, 2023

Fanny Friday

Flapper Fanny by Ethel Hays

In 1927--the year this week's Flapper Fanny cartoon was originally published--the U.S. was fully engulfed by the Black Bottom dance craze. For more information, and to see demonstrations, check out this previous Shades of Gray post.

Wednesday, March 29, 2023

It's Women's History Month...



... and Flapper Fanny makes a special appearance (via the pens of trailblazing female cartoonists Ethel Hays and Gladys Parker) with commentary on changing fashion.

In 1928...
Flapper Fanny by Ethel Hays


In 1938... 
Flapper Fanny by Gladys Parker


Then, Now, and In the Future...
Flapper Fanny by Ethel Hays


Wednesday, March 22, 2023

It's Women's History Month...

... so here's one more cartoon about 1920s fashions from illustrator and writer Ethel Hays.

Ethel Hays


Saturday, March 18, 2023

A fun but sloppy entry in the 'Cartoonland' series

Alice Chops the Suey (aka "Alice in Chinatown") (1925)
Starring: Margie Gay
Director: Walt Disney
Rating: Five of Ten Stars

When Alice is kidnapped by cartoon Chinese gangsters, her animated cat friend sets out to save her.
 
Margie Gay in "Alice Chops the Suey" (1925)

 "Alice Chops the Suey" is a so-so entry in the "Alice Comedies" (referred to as "Alice in Cartoonland" in these parts where the strengths are almost cancelled out by the weaknesses. It was an early series animated by Walt Disney himself, and if it tells us anything about Disney, it's that his talent for gathering and managing creative teams was superior to his own creative talents.

Coming during the latter half of the series, and ostensibly starring the fourth and final girl to play the live-action character having adventures in a cartoon world, this short film is literally non-stop action from beginning to end. Like some of the other best moments in the series, the fun it has with cartoon-world physics and the malleability of animated characters are also highlights here, especially if you have a taste for surrealism and the absurd.

On the downside though, there is a lack of attention to detail that felt sloppy and that I found frustrating. The most obvious example of this is the way Alice's shape changed to appear more like one of the natives of the Cartooniverse when she was put in a bag and carried off by the gangsters. I've previously commented on how disappointed I was when the live-action Alice turned into an animated Alice for no reason other than to make the scene easier to execute, but it's never been as badly and sloppily done as it is here. At the very least, Disney could have bothered to make the struggling character in the bag thinner, to match Alice.

I was also annoyed by the way this installment opened, but not for the reasons I understand that has frustrated other reviewers.

I've seen negative comments directed at "Alice Chops the Suey" because its opening moments are a clear and obvious "rip-off" of Fleischer Studios' Out of the Inkwell shorts. I didn't see that as a negative, but more as Disney acknowledging where the inspiration for his series mixing live-action and animation came from... even if Fleischer consistently did it better than Disney ever managed to do.

To my mind, the biggest flaw here is that Disney either forgot the set-up of the series and that the "borrowed" opening from Out of the Inkwell doesn't fit with how he uses it. Alice is NOT a creation of pen and ink, but is instead a flesh-and-blood being who enters Cartoonland. It makes no sense for her to pop out of the ink well, especially not since she isn't a drawn character. I don't know if the target audience for the series would be bothered by this, but it cast a pall over the entire episode for me. And the pat ending didn't help. 

Ultimately, though, the good almost cancels out the bad here, with "Alice Chops the Suey" being fast-paced and goofy enough to entertain.

Wednesday, March 15, 2023

It's Women's History Month...

... so here's another cartoon from the 1920s about women's fashion trends, by author/illustrator Ethel Hays. (Her self-titled cartoon series was syndicated to over 500 newspapers.)

Fashion cartoon by Ethel Hays