Magic Tricks with Georges

The Vanishing Lady (aka "The Conjuring of a Woman at the House of Robert Houdin") (1896)
Starring: Georges Méliès
Director: Georges Méliès
Rating: Seven of Ten Stars

A magician gives a private performance where he makes a lady vanish and then reappear gradually.

Usually, I find the Georges Méliès films where he's just doing standard magician's tricks but using camera trickery to accomplish the illusion to be the most uninteresting of his works. However, "The Vanishing Lady" is one of the most impressive entries in that category, because the film stops are nearly undetectable, and the way he is takes steps to "prove" the magic is real almost appear like they are mistakes and are very well done.

For a bit of film that's some 125 years old is very impressive... and I suggest you take a minute (literally) to check it out right now.

 

Saturday Serial: Jenna of the Jungle

Continuing Don Hudson's "Jenna of the Jungle" (and including a random bonus jungle girl afterwards). Click on the panels for a larger image, and come back next Saturday for Part Three.


Jenna of the Jungle: Part Two
By Don Hudson

To Be Continued...

Girls of the Jungle

By Mike Hoffman

Doing a little recycling...

The art is by Richard Sala. The re-purposing of said art was done by yours truly, Steve Miller.

(The drawing originally appeared in "Peculia" (2002, Fantagrahics). Review coming soon!)

Firearms Friday with Grace McDonald

Born in 1918, Grace McDonald began her show-business career in vaudeville, but transitioned to film as world war was looming in 1940. She was a rising Hollywood star during the World War ii years, with an energetic and cheerful screen presence, as well as talent both as a dancer and an actress, that saw her fit equally well into musicals, comedies, and even dramas.

McDonald had grown to be a B-level star and mainstay at Universal--she received top billing in the 1944 remake of "Secret of the Blue Room", "Murder in the Blue Room"-- when she abruptly traded acting for married life. In 1945, McDonald married Ralph Green. They raised three sons together and remained married until her death in 1999.

(I really hope someone cleaned that gun after McDonald was done posing with it...)

The Swank Quarterly

Hilary Swank is looking outside and wondering--will I get to go anywhere in June?!

'Satan Met a Lady' is ruined by weak script

Satan Met a Lady (1936)
Starring: Warren William, Bette Davis, Marie Wilson, Porter Hall, Arthur Treacher, Maynard Holmes, and Alison Skipworth
Director: William Dieterle
Rating: Five of Ten Stars

A womanizing, crooked private eye (William) re-connects with his ex-partner (Hall) in time to start a new scam. Things quickly turn deadly as a woman as corrupt as he is (Davis) draws him into a murderous struggle over an 8th century artifact that legends hold is full of jewels.

"Satan Met a Lady" is one of three adaptations from Warner Bros. of Dashiell Hammett's "The Maltese Falcon", coming between "The Maltese Falcon" (1931) and "The Maltese Falcon" (1941) and it's both the one that's furthest afield from the source material as well as the weakest. The weaknesses don't arise so much from seemingly arbitrary cosmetic changes (the criminal mastermind is a fat woman instead of a fat man, the treasure-stuff McGuffin is a drinking horn instead of a falcon sculpture, the Sam Spade character is named Ted Shane, and so on), but from the characterizations and even some of the characterizations and the fact that this is either a comedy that's for the most part unfunny, or a mystery that's not terribly engaging..

The biggest problem with "Satan Met a Lady" is its 'hero', Ted Shayne (played by Warren William). Shayne is a man with absolutely no redeeming qualities--he's self-centered, arrogant, lazy, completely untrustworthy, and not half as witty as he thinks he is, and nowhere near as charming and handsome as the script makes all the ladies in the film think he is. Shayne such an unpleasant character that my favorite part of the film is the ending, which I won't comment on, because it'll spoil some of the few truly good minutes of the film.

It's a shame that the script isn't better--with either sharpened comedy or dramatic tension, and with more sensible reactions from most of the female characters, and at least one redeeming quality given to Shayne--because every cast member makes a fine accounting of themselves, given the shoddy material they are working with. William and Bette Davis are especially fun to watch together, since we have two perfectly cast actors, playing two equally vicious characters who recognize each other as the villains they are, and who know that each is just looking for a chance to mess with the other. If the script had been better, I suspect these scenes could have been absolutely brilliant. (William is so good here, in fact, that I am going to add the Perry Mason movies he starred in to my never-dwindling "To Watch" pile. Based on what I see here, he might just be the perfect actor to portray Mason.)

As for "Satan Met a Lady", it's not a terrible film... it's just not very good. It's also not going out of your way for. However, it's included in the three-disc Special Edition of The Maltese Falcon, together with the two good versions. In that case, it's an inoffensive "bonus" feature that you save for that day when you've got nothing else to watch.

Musical Monday with Goapele

Start the final week of May 2020 off right with a beautiful song by Goapele, "Play" from 2011, and the artful, sexy video that was made to sell it!

Saturday Serial: Jenna of the Jungle

In 2011, Don Hudson posted the "Jenna of the Jungle" tale on his blog, one panel at a time. It's a nice story that goes to unexpected places. Over the next many Saturdays, we're going to re-present Don Hudson's "Jenna of the Jungle" series (with a random bonus jungle girl appearing at the end of each installment). Click on the panels for a larger image.



Jenna of the Jungle: Part One
By Don Hudson

To Be Continued...

Girls of the Jungle

By Joe Rubinstein

Happy International Goth Day!

Is that right? Is it appropriate to say happy International Goth Day (or World Goth Day)? Hm... wow. I don't know! If everyone wasn't under house-arrest and hiding from the Coronavirus, I could have just walked outside my front door and asked one of the goths who are usually hanging out around the corner.

Oh well; one must stay home in order to save lives. I hope any Goths out there takes my well-wishes and this small gallery of photos and art celebrating their ways in the friendly spirit is was intended!

Tom and Jerry are cookin' with 'Pots and Pans'

Pots and Pans (1932)
Starring: Unknown Singers
Directors: John Foster and George Rufle
Rating: Seven of Ten Stars

Another day dawns at Tom and Jerry's Diner. Hash is slung and songs are sung.

"Pots and Pans" debuted in movie theaters on May 15, 1932, and it was the tenth installment in the "Tom and Jerry" series. Our heroes are engaged in yet another business venture in this one--they operate a diner inside a converted railroad car. Subsequently, all the gags and zany action revolve around short-order cooking and the odd characters who are demanding to be fed.

Like most "Tom and Jerry" cartoons, this is essentially an animated music video, with the songs being the main attraction. There is almost no spoken dialogue in the film, and there is one scene where it's disposed of with silent movie-style pantomime. Further, this installment is almost entirely plot-free, with the music and the diner setting serving to string together a series of more-or-less self-contained gags. It's a mostly swift-moving film, and if you have enjoyed other "Tom and Jerry" adventures, you'll enjoy this one as well. The animation is a bit more simplistic than the norm, and the pace falters a bit as the climax is building, but overall it's a solid bit of fun.

But don't just take my word for it... I've embedded "Pots and Pans for your viewing pleasure below!