The Sorceress of Zoom is an enigmatic, supremely powerful woman who travels the floating city of Zoom. She is a able to bend any aspect of reality to her will... except the human heart. For all her personal power, for all her vast wealth and collection of magical artifacts, she remains alone and unable to find love (or even a man that can satisfy her lust).
No living being knows her name, nor how she came to be the all-powerful ruler of the flying city; the Sorceress of Zoom keeps her secrets and all who seek to learn them come to horrible ends. She has been featured in two books from NUELOW Games so far ("The Sorceress of Zoom" and "The Sorceress of Zoom: Down to Earth". A third volume has been planned, but since it reveals some of the Sorceress's secrets, the people at NUELOW Games may not dare publish it.
Although several artists have portrayed the Sorceress of Zoom (prime among these being Don Rico and Bradley K. McDevitt, no one has published photos of her.
Until now.
During her visit to our Reality and Earth, the Sorceress commanded a photographer to capture her true appearance and essence. It is unknown if she was happy with the results, as the photographer was never heard from again. We have recently come across some extremely rare prints that came from the photo-session of the Sorceress, and we are proud to bring them to you on this, the first Picture Perfect Wednesday of August 2024!
(In seriousness, those aren't photos of the Sorceress of Zoom. They are publicity stills featuring actress and model Joyzelle Joyner, promoting the 1930 sci-fi comedy "Just Imagine". But if the Sorceress WAS to pose for pictures, we think THAT is exactly how she's look. And we're also serious about hoping to see that third "Sorceress of Zoom" book from NUELOW Games. If you want to see it, too, leave a comment below!)
Bond Street is U.K.-based that performs "vintage" arrangements of popular music from the past 30-40 years. Here they are in 2017, performing an excellent swing version of Coolio's hit "Gangsta's Paradise"!
In as similar vein, here's the ghost of Frank Sinatra also performing an arrangement of "Gangsta's Paradise"! We hope you enjoy this special bonus tune (on this bonus fifth July Musical Monday!)
Nursery Scandal (1932) Starring: Anonymous Singers and Voice Actors Directors: John Foster and Harry Bailey
Rating: Five of Ten Stars
Magic gnomes cause characters from fairy tales and nursery rhymes to emerge from a discarded book, and they all proceed to have a Rave Party 1930s style. Meanwhile, Mother Goose gets romantic with a scarecrow.
"Nursery Scandal" is a innocuous bit of nonsense for all ages. Adults and children alike will find the most entertainment here from identifying all the fairy tales and nursery rhymes that emerge for the big party. The only thing scandalous here might be Mother Goose making time with a scarecrow... but as scandals go, it's a pretty minor one.
There is no plot to get in the way of the story here: Gnomes find the book of rhymes and fairy tales; gnomes cause various characters to come to life; gnomes host a dance party. If Modest Mussorgsky had based "Night on Bald Mountain" on a book of fairy tales instead of folklore about witches and demons, events similar to what we have in "Nursery Scandal" would have formed its storyline.
If you have a few minutes to spare and are in the mood for something strange, then you should click below. I suspect you won't come across anything weirder today.
Atlantic Flight (1937) Starring: Dick Merrill, Paula Stone, Weldon Heyburn, Jack Lambie, Milburn Stone, and Ivan Lebedeff Director: William Nigh Rating: Five of Ten Stars
Real-life, record-breaking pilots Dick Merrill and Jack Lambie star as test-pilots and daredevils who undertake a dangerous cross-Atlantic flight to deliver life-saving medicine to the engineer who designed their latest stunt plane (Heyburn). Before that, though, one them develops a hate/love/hate relationship with a beautiful and wealthy dilletante aviatrix/stunt-pilot groupie (Stone).
"Atlantic Flight" was one of the first productions mounted after Monogram Pictures was reestablished in the wake of a ill-fated merger with Republic Pictures and an ensuing court battle. In 1937, Dick Merrill and Jack Lambie were minor celebrities for having broken some flight records. Monogram's executives hoped that building a film around them is about average for a Monogram Pictures release. In the plus column, it's got a swift moving plot that's mostly logical in the way it unfolds; all the characters we're expected to like are actually likable; and the stock footage from airshows and Merrill and Lambies actual history-making trans-Atlantic flight.
Given that this is a Monogram Pictures production from the 1930s, ones sits down to watch it assuming it's either going to be a lot of fun, or it's going to be a tedious exercise in stagey acting and questionable writing. In the final analysis, "Atlantic Flight" is about average for what the studio offered during this time.
On the plus side, this is a fast-moving film with a mostly sensible plot; the characters we're supposed to like are generally likable and the acting is pretty good all around; and the aviation documentary/stock footage is so well-integrated with the scenes that surround it you can't tell it was not originally part of the film.
On the negative side, the fast-paced script has a number of flaws. The primary among these are that the subplot of the film's villain being wrapped up with aflashing a headline across the screen instead of actual story-content; the supporting character of Pokey (played by Milburn Stone, who would later go onto a 20-year stint as Doc on "Gunsmoke") is more interesting than any of the alleged lead characters; and the event of the title comes so late in the film so as to almost feel like an afterthought... and then it's motivated by such outlandish reasoning that it almost seems silly.
"Atlantic Flight" is an innocuous bit of fluff that tried to latch onto long-forgotten celebrities of its time. It's main appeal for modern audiences is limited to its pleasant and talented cast... although those with an interest in the histor of aviation might find it fascinating for the included real-life footage.
You can watch the film straight from this post by clicking below!
The Good Bad-Man (1916/1923) Starring: Douglas Fairbanks, Bessie Love, Sam de Grasse, and Pomeroy Cannon Director: Allan Dwan Rating: Eight of Ten Stars
"Passin' Through" (Fairbanks), a wandering outlaw with a heart of gold and a soft spot for those who are defenseless and in need, finds himself falling head-over-heels in love with a young woman (Love) he encounters by chance. This is sets in motion a series of events that will reveal "Passin'" mysterious past and change both their lives forever.
As I've mentioned before, I generally don't have the patience for silent dramas, especially if they run past the 15-20 minute mark. "The Good Bad-Man" is one of a growing number of films I've come across that are an exception to that rule. I don't know if my tastes have changed or if I've just had more luck with picking movies to watch in recent years.
Whatever the reason, I found "The Good Bad-Man" to be very entertaining. It's easy to see why Douglas Fairbanks was such a big star in his day, as he is seems equally natural whether his character is being friendly and playful, or whether he's getting ready to kill someone.
In fact, like the other early Fairbanks picture I've watched and reviewed (the subversive Sherlock Holmes parody "The Mystery of the Leaping Fish"), he is the star of the film in very sense: He's the main character, he has all or is a key part of all the film's best moments, and he has a presence that almost leaps off the screen in every scene. Like their previous pairing, Fairbanks and Love also make a great couple on screen, with acting styles and on-screen chemistry that make them seem like a natural couple. Even the "insta-romance" between the characters doesn't bother me that much here, because Fairbanks and Love compliment each other so well.
Speaking of Love, I noticed that she spends most of her scenes either sitting down or leaning against posts or walls after taking just a few steps. I don't know if this is just some weird coincidence or if it was supposed to be a character quirk, but I also found myself wondering if perhaps Love perhaps had hurt one of her legs or perhaps her back. What little research I felt inclined to do didn't reveal anything specific, so if it was anything, it was probably just a sprained ankle.
Another bit I noticed--that is either a coincidence or an intentional sight gag--was a rider having trouble with his horse both times the band of outlaws saddled up and rode out en-masse. I'm hoping it was an intentional ittle background thing. Perhaps there was even something involving a clumsy comic relief character that ended up getting cut when the film was reportedly shortened for its 1923 release... I wish my imagining is true, because a cowboy outlaw who can't stay on a horse would be hilarious. (Unforunately, we will never know, because there are no known surviving copies of the original 1916 cut.)
Aside from excellent performances from the film's stars, Sam de Grasse has a fine turn as a local bandit leader whose secret connection to "Passin' Through" helps turn the plot upside down and accelerate the film toward its dramatic conclusion. Similarly Pomeroy Cannon, who plays a Federal Marshal who remains a question mark for most of the picture as to whether he was going to be a friend to the main characters or their downfall, also gives a fine supporting performance.
"The Good Bad-Man" is one of the films that have been featured in the Screening Room at the YouTube channel that's loosely connected with this blog. If you like westerns and fast-paced silent movies, you're probably going to enjoy this one. Just click below and watch the tale unfold!
In my opinion, Mike Oldfield is one of greatest composers and musicians of the late 20th Century. He has yet to get the full credit and recognition he is due, but that will come some day, I hope.
In the meantime, we can enjoy his highly underrated music, as well as what few interesting covers that have been of it over the years. One of the most interesting ones is from 2000 and was recorded by Italian synthpop/dance outfit Bamble B. It was promoted with a black-and-white video that put me in mind of early Mario Bava films... which makes it a perfect choice for a Musical Monday and the ongoing string of cover tunes.
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