Starring: Jolanta Umecka, Leon Niemczyka, and Zygmunt Malanowicz
Director: Roman Polanski
Rating: Seven of Ten Stars
A businessman (Niemczyka) invites a hitchhiker (Malanowicz) to spend the weekend with himself and his wife (Umecka) on their small yacht. The two men soon begin to compete for the woman's attention and to engage in a rapidly escalating battle to prove who is the most macho.
"Knife in the Water" is in a category of movies that I generally can't bear to watch: It's a story of people in a cramped space who tear each other apart on a psychological level for no reason other to tear each other apart. The better the acting and cinematic craftsmanship, the more uncomfortable the film is for me to watch.
For example, I recognize "Who's Afraid of Virginia Woolf" (1966) and "Boys in the Band" (1970) as some of the very best movies I've seen, but they are not films I would watch again unless I have to for some professional (or blogging) reason. Everything about both pictures is excellent and that's what makes them so hard to watch.
I don't like watching people tear each other apart for no reason other than to tear each other apart, especially when there isn't a character that I can cast as the villain of the piece. I watch movies for the entertainment, not to watch suffering for the sake of suffering. This is the same reason why I couldn't stand those "torture porn" films that were all the rage during the early 2000s.
With all that said, I recognize "Knife in the Water" is well-acted and well-filmed. Polanski (and/or his director of photography) did a brilliant job framing scenes so even when the characters were on the deck of the boat, with an expansive horizon ahead, things felt claustrophobic even though the surroundings were open and airy.
Similarly, the acting is universally excellent--generally restrained and in perfect keeping with the slow burn of the film's story. The calm demeanor of the characters, coupled with the way they are clearly trying to get under each others skin, along with the knowledge that none of them have anywhere to escape to when the inevitable explosion of rage happens.
The pacing of the film is immaculate almost up the very end... and perhaps even at that point. It felt to me like the aftermath of the eventual confrontations, as well as the lead-up to the film's cryptic ending felt like it dragged a bit. I don't know if that sense was just my reaction to the conflicts in the film mostly having been resolved, or if it was my unfulfilled expectation that there would be an additional twist.
"Knife in the Water" was Roman Polanski's first feature-length film, and it shows that he had a great eye for framing scenes from the very beginning, as well as pacing the story for maximum building of tension. As mentioned above, he doesn't quite manage to deliver a solid ending--we can see how much he improved as a storyteller in the similarly-structured "Cul-de-Sac" a couple years later--but this is still a very well-mounted film. It's also a fine example of what a talented filmmaker can do with a limited budget, and it's worth examining by would-be filmmakers to this day.
.jpg)
