Wednesday, February 15, 2012
Friday, February 10, 2012
It's June Collyer vs. a love-crazed superhero!
If it's not obvious from this blog, I love old movies and I love old comic books. I also love writing silly supplements for NUELOW's "ROLF!: The Rollplaying Game of Big Dumb Fighters".
Those three favorite things collide in "Black Kitten vs. June Collyer", a ROLF! Valentine's Day Special where actress June Collyer (star of some 30 films between the years of 1927 and 1936, including "Hangman's House" (1928), "The Drums of Jeopardy" (1931), and "A Face in the Fog" (1936)) becomes the object of a superhero's jealous rage when Black Kitten becomes convinced that June Collyer is standing between her and the object of her love, Black Cobra.
"Black Kitten vs. June Collyer" was written by Steve Miller and L.L. Hundal and features artwork by Darrel Miller. It has game stats for obscure Golden Age comic book heroes Black Cobra and Black Kitten, actress June Collyer, and Communist Zombies; rules that expand upon the material presented in the core ROLF! game; and three battle scenarios.
Click here to get a copy of the NUELOW Games Valentine's Day special for just $0.50! It will be just like spending the holiday with June Collyer, superheroes, and me, your kind host. (And it will also let you understand why I never get any second dates.)
If you've never played ROLF! before, you can use this to get a copy for $1, thanks to a special link for a special discount available only for Shades of Gray readers.
Those three favorite things collide in "Black Kitten vs. June Collyer", a ROLF! Valentine's Day Special where actress June Collyer (star of some 30 films between the years of 1927 and 1936, including "Hangman's House" (1928), "The Drums of Jeopardy" (1931), and "A Face in the Fog" (1936)) becomes the object of a superhero's jealous rage when Black Kitten becomes convinced that June Collyer is standing between her and the object of her love, Black Cobra.
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| June Collyer |
"Black Kitten vs. June Collyer" was written by Steve Miller and L.L. Hundal and features artwork by Darrel Miller. It has game stats for obscure Golden Age comic book heroes Black Cobra and Black Kitten, actress June Collyer, and Communist Zombies; rules that expand upon the material presented in the core ROLF! game; and three battle scenarios.
Click here to get a copy of the NUELOW Games Valentine's Day special for just $0.50! It will be just like spending the holiday with June Collyer, superheroes, and me, your kind host. (And it will also let you understand why I never get any second dates.)
If you've never played ROLF! before, you can use this to get a copy for $1, thanks to a special link for a special discount available only for Shades of Gray readers.
Wednesday, February 8, 2012
More Paul Gulacy: Promo art for 'Sabre'
It's Black History Month, so I am throwing out a couple questions for the assemblage: Was the Don McGregor scripted and Paul Gulacy/Billy Graham illustrated series "Sabre" the first American sci-fi comic book to feature a Black headliner?
And while it wasn't the first series to feature an inter-racial relationship--I believe that honor goes to Marvel's "Iron Fist"--was the first to have an inter-racial couple with children?
And while it wasn't the first series to feature an inter-racial relationship--I believe that honor goes to Marvel's "Iron Fist"--was the first to have an inter-racial couple with children?
Wednesday, February 1, 2012
Picture Perfect Wednesday with Paul Gulacy
Although I think the poor ladies might disagree about this being a perfect day....
Tuesday, January 31, 2012
Cover pic for the next NUELOW Games release
"ROLF!: The Grim Reaper vs. the Fertility Goddess" will be released late today or early tomorrow via my online outlet at RPGNow.com, but in the meantime, here is the cover illo.
Friday, January 27, 2012
Tintin in the Land of the Soviets
Tintin in the Land of the Soviets (Little-Brown 2007)
Writing and Art: Hergé
Rating: Six of Ten Stars
Tintin, a young Belgian reporter, travels to the Soviet Union during the late 1920s to report on the socialist government of Joseph Stalin. He uncovers vast corruption in the "workers' paradise" and becomes marked for death by Stalin's secret police, prompting a string of adventures as he escapes back to Belgium.
"Tintin in the Land of the Soviets" was the first tale of the intrepid "boy reporter" and his dog Snowy that Herge wrote and drew. It is different in tone and style than all works that followed, and it is clearly the product of an artist still mastering his craft, not to mention finding the proper tone for the series that became his most celebrated.
Originally serialized in magazine from in 1929 and 1930, and published in book form shortly after completing its magazine run, Herge later a low opinion of this work. It's the only one of the 23 completed Tintin adventures that Hergé did not subsequently redraw in a color edition and/or update with more modern panels and references as the years went by. In fact, for decades, Herge blocked any efforts to republish "Tintin in the Land of the Soviets," and it wasn't until 1989 that he allowed an English translation of the book.
The style of story-telling "Tintin in the Land of the Soviets" is very different than the later stories that almost all saw some degree of revision by Herge over the years. It's closest in tone to "Tintin in the Congo" and "Tintin in America," which, if you read those three early works back-to-back, you can see the evolution of Tintin, even though Herge revised the two latter ones for later editions.
And, the art here is also far cruder than anything else I've ever read by Herge--it is barely recognizable, in fact. That said, I've never seen the original "Tintin in the Congo" nor "Tintin in America", but only the revised color versions. (And it's been 35 or so years since I read "Tintin in the Congo... and I'm not likely to get my hands on a copy again any time soon, as the hystrionics of the politically correct crowd and over-sensitive cry-babies successfully blocked its paperback re-issue back in 2008.)
The overall style is also more in line with newspaper comic strips of the 1920s and 1930s rather than the action-adventure of later Tintin stories. While there are some serious matters addressed--such as the portrayal of the Soviet government as murderous, corrupt, and predatory toward the people they were supposedly protecting and serving, portrayals which history has shown to be mild when compared to reality--the over-the-top cartoon action is what is most memorable about the book... and which is not found on this level in later works. Scenes where Tintin builds a plane over night or is frozen solid after wet from a river into the cold Russian night are almost without equal in Hergé later Tintin efforts, with the possible exception of the major city being built overnight or some of Tintin's interactions with Indians in "Tintin in America."
Still... if you like Tintin, you're bound to like this book. I don't think Hergé ever told a bad Tintin story.
Writing and Art: Hergé
Rating: Six of Ten Stars
Tintin, a young Belgian reporter, travels to the Soviet Union during the late 1920s to report on the socialist government of Joseph Stalin. He uncovers vast corruption in the "workers' paradise" and becomes marked for death by Stalin's secret police, prompting a string of adventures as he escapes back to Belgium.
"Tintin in the Land of the Soviets" was the first tale of the intrepid "boy reporter" and his dog Snowy that Herge wrote and drew. It is different in tone and style than all works that followed, and it is clearly the product of an artist still mastering his craft, not to mention finding the proper tone for the series that became his most celebrated.
Originally serialized in magazine from in 1929 and 1930, and published in book form shortly after completing its magazine run, Herge later a low opinion of this work. It's the only one of the 23 completed Tintin adventures that Hergé did not subsequently redraw in a color edition and/or update with more modern panels and references as the years went by. In fact, for decades, Herge blocked any efforts to republish "Tintin in the Land of the Soviets," and it wasn't until 1989 that he allowed an English translation of the book.
The style of story-telling "Tintin in the Land of the Soviets" is very different than the later stories that almost all saw some degree of revision by Herge over the years. It's closest in tone to "Tintin in the Congo" and "Tintin in America," which, if you read those three early works back-to-back, you can see the evolution of Tintin, even though Herge revised the two latter ones for later editions.
And, the art here is also far cruder than anything else I've ever read by Herge--it is barely recognizable, in fact. That said, I've never seen the original "Tintin in the Congo" nor "Tintin in America", but only the revised color versions. (And it's been 35 or so years since I read "Tintin in the Congo... and I'm not likely to get my hands on a copy again any time soon, as the hystrionics of the politically correct crowd and over-sensitive cry-babies successfully blocked its paperback re-issue back in 2008.)
The overall style is also more in line with newspaper comic strips of the 1920s and 1930s rather than the action-adventure of later Tintin stories. While there are some serious matters addressed--such as the portrayal of the Soviet government as murderous, corrupt, and predatory toward the people they were supposedly protecting and serving, portrayals which history has shown to be mild when compared to reality--the over-the-top cartoon action is what is most memorable about the book... and which is not found on this level in later works. Scenes where Tintin builds a plane over night or is frozen solid after wet from a river into the cold Russian night are almost without equal in Hergé later Tintin efforts, with the possible exception of the major city being built overnight or some of Tintin's interactions with Indians in "Tintin in America."
Still... if you like Tintin, you're bound to like this book. I don't think Hergé ever told a bad Tintin story.
Tuesday, January 24, 2012
DeStorm & Epic Meal Time:
No fakin'... just bacon!
No fakin'... just bacon!
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| DeStorm, Harley, and Mike Diva (l to r). Keeping it Real. With Bacon. |
(The video was directed and produced by Mike Diva.)
Monday, January 23, 2012
Wednesday, January 18, 2012
Monday, January 16, 2012
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