'What the Doctor Ordered' is okay medicine

What the Doctor Ordered (1912)

Starring: Mack Sennett, Mabel Normand, Edward Dillon, Jack Pickford, Kate Toncray, and J. Jiquel Lanoe

Director: Mack Sennett

Rating: Five of Ten Stars

A wealthy hypochondriac (Sennett) is instructed by his doctor (Lanoe) to go up onto the mountains to benefit from the pure air. The man's wife (Toncray) and teenaged children (Normand and Pickford) come along for the trip. Snowball fights, illicit lovemaking between the daughter and her boyfriend (Dillon) ensue, with it all culminating with members of the family in mortal danger.

That's a long summary for a short movie, but I couldn't figure out a shorter way to put it. Which is odd, because that paragraph also describes almost everything that happens in the film. 

"What the Doctor Ordered" is a fast-moving film where not a second is wasted. In fact, it moves so fast that I wish a little more time had been spent on a few more transition scenes or character interactions to fill in the relationships a bit more. It would have made the film feel less choppy and the story more substantial.

That said, the film is full of raw energy and the actors all give excellent performances. Mabel Normand and Edward Dillon are particularly fun to watch, while Normand's scenes with Jack Pickford have a playfulness in them that will put a smile on your face. Frequent watchers of silent movies may be particularly fascinated to see Mack Sennett in a starring role, since he's usually behind the camera or in very minor parts. 

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'Alice the Jail Bird' is pretty good

Alice the Jail Bird (1925)
Starring: Margie Gay
Director: Walt Disney
Rating: Five of Ten Stars

After stealing a pie and getting caught by the police, Alice and two of her cartoon animal friends are sentenced to prison and hard labor.

"Alice the Jail Bird" is a simple and straight-forward short film that I think will be appreciated even by the modern members of its target audience--six- and seven-year-old kids--more than it will by adults. That said, I think even little kids will be frustrated by the numerous sequences that drag on beyond the point where they are interesting, as well as wonder why one of the three companions is ignored and left behind during the inevitable jailbreak.

Another flaw, although a purely technical one that may bother me more than most viewers, is the poorly executed integration of animation and live action footage. While Alice does interact more with the animated characters than she does in several other entries in the series, the combination of live-action and animation still pales in comparison to the conceptually similar series from the Fleischer Studios, Out of the Inkwell featuring Ko-Ko the Clown. The film also sloppily breaks with its own conceit when live-action Alice is replaced with an animated Alice in the "long shots". Although I doubt it is something that will annoy the target audience--if they even notice--but it annoyed me enough to knock a Star off my rating. The scenes where Live-Action Alice is replaced by Animated Alice also happen to be the ones where there's the greatest degree of action and interaction between Alice and the animated world. It's a shame that Disney didn't have the budget or the technical know-how/equipment to keep the Alice character purely live action, because some of the sequences in this film would have been amazing. As it is, it's just an annoying bit of incompetence that breaks the consistency of the imaginary world of the series.

Despite its flaws, this is still one of the better entries I've seen of this series. The events all tie together to form a fairly coherent story and most of the gags serve action that moves the story forward. Even better, the character of Alice has a role that warrants her name being in the title; she is not central to all the action, but she is a central mover to the plot. 

What I enjoyed the most about "Alice the Jail Bird", though, is the nutty cartoon-world physics that's on display throughout the film. While some of the gags are stretched beyond what's good for them, they remain great examples of the surreal weirdness that makes even these weaker shorts from the 1920s and 1930s still worth watching.
 

And speaking of watching -- you can watch "Alice the Jail Bird" right here in this post. Just click below and sit back.

'A Trap for Santa Claus' is a cute little drama

A Trap for Santa Claus (1909)
Starring: Marion Leonard, Gladys Egan, Henry B. Walthall, John Tansey, William J. Butler, and Mack Sennett
Director: D.W. Griffith
Rating: Six of Ten Stars

After a deadbeat husband and father (Wathall) abandons his wife (Leonard) and children (Egan and Tansey), the woman inherits a mansion and a fortune from her aunt. They are all unexpectedly reunited on Christmas Eve when the man tries to burglarize the home that, unbeknownst to him, his family is now living in.

"A Trap for Santa Claus" is a fast-moving short film from a filmmaker who helped create the visual language of cinema. Although less innovative than works that would follow later, this cute little Christmas film is full of scenes that are framed and performed by actors who are more effectively blocked and directed for film than was typical in films of this vintage. 

As should be expected, there are aspects that have not aged well. Among these are some pantomiming by adult stars Marion Leonard and Henry B. Wathall, as they successfully convey plot points and emotions with gestures. This aspect of their performances will not seem as annoying as it might in some films, because it's balanced out by the effective blocking and more natural gestures and subdued character interactions than was common during this period. The two child actors featured also give performances that feel less overblown than one might expect -- and they even server as effective comic relief as the story moves into its climactic sequence. (John Tansey even does a pratfall with a style that one wouldn't think an 8-year-old would possess!)

I was torn between assigning this film a Six or Seven Star rating. I eventually decided to go with the lower of the two, because, although I appreciate the quick pacing of the film and the universally good performances by the entire cast, the pat happy ending that arises from a Christmas Miracle of coincidences was just a bit much for me. I know this is a Christmas story, so I expected there to be redemption and forgiveness for the deadbeat dad before the film was over, but it felt unearned and too easy. The ending isn't terrible, but I think the century that's passed since this film was released, and the many Christmas movies that have followed, have upped expectations from fare like this. (Of course, with its running time of 15 minutes, there also wasn't a whole lot of time to fit in a proper redemption arc.)

In the final analysis, though, this is a film that's still worth watching, and we've embedded it below for your convenience. Pour yourself a glass of eggnog, sit back, and enjoy!

Alice experiences war in Cartoonland

Alice's Little Parade (1926)
Starring: Margie Gay
Director: Walt Disney
Rating: Five of Ten Stars

War breaks out in Cartoonland, and Alice (Gay) leads her animated friends into battle!

I keep hoping that I'll come across an "Alice" film that will show the spark of genius that will, a few years later, would put Walt Disney on the path to building a entertainment empire. However, all I find is proof that his talent was recognizing talent in others and putting that talent to maximum commerical use... but when Disney was helming his own animation projects, they fall short of what was being produced by other animators and studios.

The problems with "Alice's Little Parade" start with the title. It has almost no connection with what happens in this episode. Sure, she parades her troops before they go into battle, but there was more of a parade in the first Alice cartoon than what's in this one. It would have been far better served by a title that invoked what it was about--a war between factions of cartoon characters. (I do realize that the title is a reference to "The Big Parade" (1926), a movie about WWI, but I don't think it serves the cartoon well.)

A more severe problem is the lazy animation. A couple sequences are looped to the point of tedium--the film opens with one of them--and the backgrounds are so sparse that I think that even the Van Beuren animators would feel bad about cashing the paychecks earned creating them.

Finally, although the integration of the live-action footage of the little girl, Alice, was better than in other installments of this series I've watched, there was still very little of it. Compared to the Max Fleischer series that also mixed live-action footage with animation, "Out of the Inkwell", this is a weak effort. Perhaps Disney was constrained by the fact that his live-action performer was a very young child? That might be a sensible theory, as Margie Gay who appears as Alice in this film had already done more than a dozen of them, so maybe it was possible to get a little more elaborate? I will have to specifically look for a few entries toward the end of her 31-episode run to see if that notion holds up.

With all this negativity, you might be wondering why I awarded this film a Five-Star rating. Well, it's a very low Five, but it's based mostly on the fact that I found the portrayal of war between animated characters in this film fascinating. Although it's half-baked (like almost everything about the "Alice in Cartoonland"), there's enough here to show how surreal a conflict between beings who can reshape themselves and their environment at will, can be. (I also loved the cartoon animal field hospital; I don't know whether Disney was making a fourth-wall joke about how generic all the animated characters are in this series, but that's how it came across to me, and I thought it was spot-on as a bit of self-deprecating humor.

"Alice's Little Parade" is great, but it's not completely without merit either. I recommend checking it out if you like early animation... and I invite you to use the Comments section if you think I'm off-base with this review. (The version I've embedded is interesting in that it features a recently composed score that was recorded and synched before a live audience, and features partial restoration to the point where it looks much better than most of the surviving Cartoonland installments.)

What's more fun than a barrel full of monkeys?

Le Tonneau des Danaïdes (aka "A Barrel of Danaides" and "Eight Girls in a Barrel) (1900)
Starring: Georges Méliès
Director: Georges Méliès
Rating: Six of Ten Stars

What's more fun than a barrel of monkeys? A barrel full of women!

I've said previously that the films from pioneering special effects artist and fantasy filmmaker Georges Méliès that are just stage illusions performed and enhanced with in-camera editing. This one falls into that category, but I find it amusing for its reference to relatively obscure characters from Greek myths.

This is also worth watching, because, like pretty much all of Melies' short films, it's better in some ways than modern SFX-driven films. Check it out--it'll only take a couple minutes of your time!

Take Couple Minutes to See 'Your Time is Up!'

Your Time is Up! (2021)
Starring: Nhan La
Director: Leon Truong
Rating: Six of Ten Stars

A young woman (La) has a fateful encounter with Death.

Our month-long Halloween celebration may have come to an end yesterday, but this tidbit of horror felt like it belonged on the Day of the Dead... so the spookiness continues!

According to notes from writer/director Leon Truong, "Your Time is Up!" was made first and foremost as an exercise in creating a film that captured the look and feel of a silent movie. While he wisely didn't attempt to dress up actress Nahn La as if it was 1919, he did reach the stated goal of this project by using lighting and special effects techniques similar to what filmmakers in the silent era had access to and then manipulating the resulting footage digitally in post-production.

It's Danse Macabre Monday

Danse Macabre (1922)

Starring: Adolph Bolm, Ruth Page, and Olin Howland

Director: Dudley Murphy

Rating: Nine of Ten Stars

Young lovers (Bolm and Page) try to escape Death in what is essentially a music video made in the days when film had no sound.

"Danse Macabre" is a spectacular short film, with excellent special effects and starring professional ballet dancers that was made to be precisely timed to the Camille Saint-Saens composition of the same name. The film was meant to be marketed to high-end theaters with full orchestras, where it did indeed play to critical acclaim. It was also popular in less elaborate venues where pianists or smaller ensembles provided the score.

 
Director/producer Dudley Murphy announced plans for an entire series of these sorts of pictures--he called them Visual Symphonies--but at the time it was impractical. They would only be successful if the music they were made for was performed precisely timed to what was happening on screen, by talented, well-rehearsed musicians. Although some movie theaters would have that capacity, many (most even) would not. 

Big hair of 1982 was nothing compared to big hair of 1922

"Danse Macabre" was, as far as I can determine, the only one completed. By the time synchronized sound arrived (bringing audiences things like the Sing-Along series from the Max Fleischer Studio), Murphy had moved onto other ventures, so one can only imagine what he might have come up with if he hadn't been too far ahead of the technological curve.

This, being Halloween, seemed like a perfect time to share this film with you, synced to a roughly contemporaneous recording of "Danse Macabre". Maybe enjoying this great, mostly forgotten masterpiece of early cinematic horror will awaken the Halloween Spirit within you! (There are going to be more "Danse Macabre"-centric posts here at Shades of Gray today. So please check back again later!)

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Ruth Page (1899 - 1991) was a top ballerina and trailblazing choreographer whose career in American dance spanned almost 40 years, and whose impact on the art is still felt to this day. You'll probably see more of her here, during a future observation of International Dance Day!

Halloween is coming...

... and we're here to get you in the mood with another spooky short film!

Misery (2019)

Starring: Vanit Pela Sung

Director: Daniel De Silva

Rating: Seven of Ten Stars

Take a look inside a mind that's melting down...

 "Misery" is another student film that we discovered in a distant corner of YouTube that we found interesting and that we think you will, too. It's a moody, non-narrative piece with a moody dreamlike quality that is either an abstract view within a breaking mind, or it's a man walking through the ground floor of a building as his psychic powers run out of control.

Both of those interpretations are based on filmmaker's Daniel De Silva's comment about it -- "a depressed guy discovers something within him" -- and no matter which one is correct, this film is a minute of visual creepy fun.

Check out "Misery" by clicking below. We're sure you agree that there's an abundance of Halloween Spirit contained within it. And if you feel so inclined, leave a comment letting everyone know what YOU think is being represented in the film. 

An artsy take on a classic horror story

The Fall of the House of Usher (1928)
Starring: Hildegarde Watson, Herbert Stern, and Melville Webber
Directors: Melville Webber and James Sibley Watson

Rating: Seven of Ten Stars

A traveler (Webber) is drawn into the existential nightmare-made-real shared by a brother and sister (Stern and Watson).

This 13-minute short film was the first screen adaptation of Edgar Allan Poe's short story "The Fall of the House of Usher". Its creators were more concerned with capturing what they saw as the essence and mood of the story than they were with retelling its plot. As such, this film will make little sense if you're not familiar with the story it's adapted from.

That said, while the film's creators assumed viewers would know the story even if you're not familiar with it watching this film will be an interesting and worthwhile experience. This goes double if you have an interest in film history and cinematic techniques.

What's even better? This creeptacular classic is bound to awaken and/or strengthen the Halloween Spirit within you . The version embedded in this post is one of the visually sharpest ones we could find, and it's got a modern, highly effective score that was composed specifically for it.

Musical Monday with Rachmaninoff

In 1927, actor and filmmaker Castleton Knight created a short horror film that drew its inspiration in equal parts from Edgar Allan Poe's "The Premature Burial" and Sergei Rachmaninoff's "Prelude in C-Sharp Minor", which the composer stated was inspired by a nightmare about a premature burial.

       

 

Knight's film, "Prelude", was created to run as Rachmaninoff's "Prelude" was being played, either on a recording or live. As such, Knight ended up creating the first music video in history!

And now, to help you build up the proper Halloween spirit, we present this historic milestone, as it was meant to be seen by its creator! Click below, turn up the volume, and sit back and watch this well-crafted film unfold!

Prelude (1927)

Starring: Castleton Knight

Director: Castleton Knight

Rating: Nine of Ten Stars

October is Domestic Violence Awareness Month

As always, we're spending October gearing up for the spooktacular day that is Halloween, both here and over at our sister blog, Terror Titans. But before we get too deep into the celebration of the creepy and fantastic, we want to pause for a moment to call attention to the fact that October is Domestic Violence Awareness Month.

Being trapped in an abusive relationship is an all-too-real horror that faces too many men, women, and helpless children. We hope that none of our readers and visitors find themselves in such situations, but if you do--or if you suspect you know someone who is--there are resources and information here. Don't suffer in silence.

 

Meanwhile, here's an extremely well-made short film that addresses the subject of domestic abuse with great creativity and effectiveness.

The Mime (aka "El Mimo") (2010)

Starring: Joja Heglez, Teresita Saad, and Ruben Ovideo

Director: Kive Guttman

Rating: Seven of Ten Stars

A titanic struggle for them... fun for us!

The Bench (2014)
Starring: Daniel Rock and Josh Tichauer
Director: Melody Rock
Rating: Seven of Ten Stars

A man's (Rock) relaxing moment on a lake-side bench is interrupted when a stranger (Tichauer) sits down next to him.

"The Bench" is a short silent movie pastiche that is far more effective at capturing the spirit of silent comedies than the vast majority of other efforts out there. The filmmakers didn't so much try to mimic the cliches of silent movie acting as they went for pacing and the physicality of the comedy. As such, they delivered a fun two minutes that should appeal equally to lovers of silent movies and all who appreciate well-crafted comedy.

Even more impressive: "The Bench" delivers a very timely message, and it does so in a gentle way that few filmmakers have the ability to do, or are unwilling to do. The core issue that causes conflict between the two characters in the film--and the simple way it's ultimately resolved--is a reflection of what's causing many social conflicts these days. The fact this film is almost ten years old, and still feels fresh in its message, is either a strong indictment of the state of American culture, or a strong indication of the film's high quality and timelessness. (However you choose to look at it, though, there is no doubt that "The Bench" is a superior piece of filmmaking.)

I invite you to take a couple minutes to check out this fine little film... and please let me know if you think I've steered you wrong with my praise for it. 

A silent movie that Stan Lee would approve of!

Excelsior (aka "The Magician and the Human Pump" and "The Prince of Magicians") (1901)
Starring: Georges Méliès

Director: Georges Méliès

Rating: Nine of Ten Stars

A noble wizard (Méliès) turns his manservant into the main prop in a magic act.

"Excelsior" is one of stage magician-turned-filmmaker many pioneering special effects films that are basically a magic show on film. This is one of the better ones, not only because of the impressive effects, but also because of the impish sense of humor of display throughout. 

Click below and enjoy. It's will only take you a couple of minutes to watch this little film, and I think you'll find that the sense of fun and joy that permeates this film will brighten your spirits for the rest of your day.

From the "Whatzzat?" Department...

... we have a student film that we found in the deep recesses of YouTube. It's interesting visually, if a little underlit/underexposed in many of the shots. But it being too dark for its own good is not why we're scratching our heads by the time it's over.

We THINK we know what's being represented in this short, artsy film, but we're not sure. How about you take a few minutes and let us know what YOU think the film is about/is representing. (Maybe we'll add our thoughts in the comments, but we want to hear what others have to say first. If you have ideas, please share! We know you're out there...)

Antonym (2021)

Starring: Mia and Lillian
Director: Lucas Manuel-Scheibe
Rating: Six of Ten Stars

Felix knows how to spend the weekend!

If your weekend is half as wild as the one Felix the Cat has in "Woos Whoopee", you're doing it right. (Well, you probably want to avoid the hallucinations... but maybe not! The hallucinations are what makes this cartoon so much fun to watch!)

Felix Woos Whoopee (1928)

Starring: A voice actor who doesn't speak any actual lines

Director: Otto Messmer

Rating: Seven of Ten Stars

An excellent drama with confused intertitles?

The Country Doctor (1909)
Starring: Frank Powell, Florence Lawrence, Kate Bruce, Gladys Egan, Rose King, Mary Pickford, and Adele DeGarde
Director: D.W. Griffith
Rating: Seven of Ten Stars

A country doctor (Powell) makes a fateful choice when his daughter (Egan) and another girl (DeGarde) are both struck with the same deadly illness at the same time.

"The Country Doctor" is another early and excellent short film from D.W. Griffith. Once again, he delivers a swiftly moving flick with not a second wasted and where we are treated to all actors giving their best performances. With many dramatic films of this vintage, the difference in film acting styles from what was common in 1909 (which were stagey and overly emotive) and the more natural-seeming approaches today can make them difficult to watch at times. Not so with films from Griffith... yes, there's big gestures and a certain degree of posing and posturing, but it doesn't seem quite as over-the-top as it does elsewhere, and it's almost always balanced with genuine-seeming facial expressions and more subtle body language. I might even go so far to say that if you're among those who avoid silent films because of the acting, you might still want to check this one out. Because it's clear from this film why Florence Lawrence, Frank Powell, and Mary Pickford were big stars in their day.

 

As is often the case, I am giving everyone the opportunity to watch the film I'm reviewing, but I'm dropping it here, in the middle of the review rather than at the end. This is because, while I liked almost everything about this film--from it's bright, airy opening scenes, to the cross-cutting between two locations as the story unfolds, to the excellent performances by the actors--the issues I do have relate to elements that can be considered spoilers.

So... please watch "The Country Doctor". Then, you can continue to read my comments below. (By the way, the version I've embedded has no soundtrack music. I found that the 2010 remaster of Mike Oldfield's "Hergest Ridge Pt. 1" works amazingly well for most of this film, except at the very end where the music becomes a little too upbeat. (Well, maybe. See below. And you can click here to open "Hergest Ridge Pt. 1" in a different window to play while watching the film.)

 

As much as I enjoyed this film, there was one thing I found it to be a head-scratcher that the film announces itself to carry a spiritual message--do the moral thing and you'll be rewarded in the afterlife--but then doesn't quite ever deliver on that promise. While the titular Country Doctor is very much self-sacrificing and obviously the sort of man who puts community above himself and even his family (given he prioritizes treating another patient over own sick daughter), there's no sense that he will be rewarded in the end. In fact, the final intertitle of the film seems to imply the opposite, both for the doctor, his family, and perhaps the entire community. (This strange disconnect between the film's opening and closing moments made a difference between me giving it a rating of Seven instead of Eight.)

With said that... what do you think? Am I putting too much weight on an element that isn't even really part of the film itself? Did I steer you wrong when I praised the pacing and acting of this great little drama? Leave a comment below!

The Mime's Big Day

Attention Plzzz (2015)
Starring: Swetha, Ashul, Maheswar, and Roshan
Director: Arunachalam

Rating: Seven of Ten Stars

A street-performer mime gives up in the face of competition but ends up changing the life of a homeless drug addict.

Reportedly inspired by the films of Charlie Chaplin and Buster Keaton, I think "Attention Plzzz" is far cuter than anything on the very impressive resumes of either of those two gentleman. Another very strong element of this modern silent movie is that doesn't try to replicate the style of films made a century or more ago, nor is it just a film without sound, but the use of mimes gives a perfect in-story explanation for why not a single word is spoken.

I liked everything about this film--the actors all perform well, the pacing is spot-on, and the mime duels are very funny--and I probably would have given it Eight Stars if not for a couple flaws.

First, I think this film could have benefitted from being a little more focused. It almost feel like two films combined into one, with the first one being our Hero squaring off against a competing mime, and the second one where he distracts a homeless drug addict from shooting up. If the competition with the other mime had not been included in the film, I don't think it would have been missed, and we would have gotten to the really excellent part of the film sooner. All we needed in the initial part is the disinterested/confused onlookers to establish the mime's state of mind.
 

Second, a decision was made to include sound effects in the film's best moments, and I think it was a bad decision. They feel entirely out of place and they take away more from the action and mood of the scenes than they add. 

I could also criticize the film for not using enough medium two-shots during the mime's interactions with the homeless woman, but given that it claims to be inspired by old-time silent greats, I don't know that would be a fair criticism.

But why don't you take a few minutes and give your attention to "Attention Plzzz"? I promise it will brighten your day! (And if I steer you wrong, be sure to tell me off in the Comments section.)

It's About the Eye of the Beholder

Today's post features something which is more of a vignette rather than an actual film. I found it fascinating, but it's one those works that I feel need to be watched cold lest its impact be ruined.

With the that said, I encourage you to take 90 seconds out of your day to check out "Camera Obscura". I think you'll find it as interesting an effort as I did.

Camera Obscura (2008)
Starring: Tania Paleologou and Cristos Leriadis
Director: Eirini Steirou

Rating: Eight of Ten Stars

An Out-of-the-Inkwell Origin Tale

The Ouija Board (1920)
Starring: Max Fleischer and Anonymous Fleischer Studio Employees

Director: Max Fleischer

Rating: Six of Ten Stars

While studio staff members play with a Quija Board, the Animator (Fleischer) draws a haunted house from which the ghostly inhabitants emerge and strike fear in the heart of KoKo the Clown.

 "The Ouija Board" is an early entry in the Out of the Inkwell, a series that merged animation and live-action footage to create situations where our world and the cartoonworld collided in more or less surreal (but always chaotic) ways. Fleischer and his team were clearly still finding their footing with the technology, as the interaction between the animated characters and the live-action footage is minimal, and the rotoscoping of an actor (Dave Fleischer, most likely) that forms the foundation for Koko is more obvious and hamfisted than in future installments.

Although this is by no means the best of the Out of the Inkwell series, it's still lots of fun. The variety of ghosts that emerge from the haunted house have got to be the most diverse group of spooks to ever appear together in a single animated film. Despite Koko's terror and aggression toward them, they are also among the nicest--they even cook him breakfast at one point.

I also found this to be a fun installment in the series because it triggered a thought in my head that may or may not have been the intention of the creators: This was the first time that Koko left his two-dimensional world and entered the three-dimensional one... and it was triggered by the magic (or the curse) of the Ouiji Board the staff members were playing with. This may not have been the first in the series by release date, but in my personal Koko Canon, it's the first time the Animator and his staff encountered living cartoon characters. (Watch their surprise when they spot Koko... and compare it to later episodes where it's commonplace for him to run wild in the studio.)

Maybe someday, I'll do a post with a "suggested viewing order" to tell the complete, epic tale of Koko and the Animator. After all, the entire world is destroyed in one of them, so now I have a beginning and end to the saga.

The overall weakness of "The Ouija Board" can be taken as perhaps the clearest example of my repeated assertions that Walt Disney's Alice in Cartoonland (aka The Alice Comedies) series is an inferior and borderline inept attempt at capturing the magic Fleischer created in Out of the Inkwell. I encourage you to watch the cartoon embedded below, and then click on the link in this paragraph and pick any of the Alice cartoons you'll find there. I would be interested in hearing from anyone who agrees or disagrees with my assessment.

D.W. Griffith brings us a fine drama starring two great actresses

The Mender of Nets (1912)
Starring: Mary Pickford, Charles West, Mabel Normand, Dell Henderson, and W. Chrystie Miller
Director: D.W. Griffith
Rating: Eight of Ten Stars

When a fisherman (West) cheats on his girlfriend (Normand) with the village net-mender (Pickford), the betrayed girl's brother (Henderson) swears vengeance. Will the mender of nets be able to rise to the challenge and become the mender of hearts before blood is spilled? 

 I generally don't enjoy silent dramas, because they are for the most part too,,, well, dramatic. The mostly thin plots, static camera shots, and the over-the-top gesticulating and emoting by the actors combine in waya that just doesn't hold my interest. There's been one director who's works have always captured and held my attention, though: D.W. Griffith.

Griffith's dramas always clip along at a fast pace and there's never a dull moment on screen. Even establishing shots and transition scenes are full of energy and creatively framed. Even a shot of Mary Pickford staring wistfully into the distance and the beginning to smile is more fascinating than the entirety of some other silent dramas I've come across.

"The Mender of Nets" is impressive visually, even holding up nicely when compared to modern films. The outdoor shots and sequences are particularly nice. The story is simple, but Griffith adds suspense and drama through editing techniques and perfectly timed scene changes that were groundbreaking at the time--and which go a long way to making this film watchable today.

This film also remains watchable because of the natural performances by most of featured actors. While there's plenty of silent movie drama emoting, it is tempered and balanced here by a feeling of genuine warmth in Pickford's performance and emotional pain and panic in Normand's performance. Similarly, Dell Henderson seems like a genuinely bloodthirsty lunatic. West gives probably the most "standard" silent movie drama performance, but even he is a little more subdued than what is typical, coming across more in a Shakespearean tragedy way than over-emoting and hyper animated. Griffith once again brought the best out of his cast.

Finally, the film remains impressive because its relatively simple plot occupied by straight-forward characters ends up emerging as multi-layered as it reaches its conclusion. It could have come across as overly sentimental and maudlin, but because Pickford and Normand have such screen presence, and they gave such good performances, it comes across as bitter-sweet and even a little thought-provoking.

The version I watched (and have embedded below) features a modern score that was commissioned specifically for this film. Some viewers dislike it when modern music is applied to silent movies, but when it's well-done--as it is here--I think it helps bring new life to old art.

Take a few minutes to enjoy this classic film, with its new elements (or without... you can simply turn down the volume if you don't want modernity creep into the 100+ year-old short film that you're watching in a digitized format.)