On Feb. 26, 1906, Alfred Hitchcock's original icy blonde was born in the English town of West Bromwich. You can click here to read a well-written biography of Caroll at the IMDB, or you can just gaze upon the pictures in this post. (Carroll passed away in 1987, but her films and photos like these are with us forever!)
Showing posts with label Madeleine Carroll. Show all posts
Showing posts with label Madeleine Carroll. Show all posts
Wednesday, February 26, 2020
Happy birthday, Madeleine Carroll!
On Feb. 26, 1906, Alfred Hitchcock's original icy blonde was born in the English town of West Bromwich. You can click here to read a well-written biography of Caroll at the IMDB, or you can just gaze upon the pictures in this post. (Carroll passed away in 1987, but her films and photos like these are with us forever!)
Sunday, February 21, 2010
Man on the run searches for 'The 39 Steps'
The 39 Steps (1935)
Starring: Robert Donat and Madeleine Carroll
Director: Alfred Hitchcock
Rating: Eight of Ten Stars
Richard Hannay (Donat) becomes drawn into a spy ring and is innocently accused of murder after a British counterspy is killed in his apartment. He is now on the run, and he must make it to an isolated part of Scotland so he can discover the secret of the 39 Steps, blow open the spy ring, and prove his innocence. There's just one drawback: He's handcuffed to Pamela (Carroll) who wants to see him captured by the police.
"The 39 Steps" is one of Hitchcock's earliest spy thrillers, and it is very, very good. It's got some expertly staged scenes where great tension arises either from the main character knowing he's about to be discovered any moment, if just the other people in the scene notice what he's seen, or from the viewer being in on secrets that none of the characters know. There are also some great moments of expectation reversals and unexpected plot-twists.
This is one of Hitchcock's best movies, and I highly recommend it to any lover of classic films. (I continue to be amazed at how many film buffs haven't actually seen this one!)
Starring: Robert Donat and Madeleine Carroll
Director: Alfred Hitchcock
Rating: Eight of Ten Stars
Richard Hannay (Donat) becomes drawn into a spy ring and is innocently accused of murder after a British counterspy is killed in his apartment. He is now on the run, and he must make it to an isolated part of Scotland so he can discover the secret of the 39 Steps, blow open the spy ring, and prove his innocence. There's just one drawback: He's handcuffed to Pamela (Carroll) who wants to see him captured by the police.
"The 39 Steps" is one of Hitchcock's earliest spy thrillers, and it is very, very good. It's got some expertly staged scenes where great tension arises either from the main character knowing he's about to be discovered any moment, if just the other people in the scene notice what he's seen, or from the viewer being in on secrets that none of the characters know. There are also some great moments of expectation reversals and unexpected plot-twists.
This is one of Hitchcock's best movies, and I highly recommend it to any lover of classic films. (I continue to be amazed at how many film buffs haven't actually seen this one!)
Wednesday, May 27, 2009
Early spy thriller from Alfred Hitchcock disappoints
Secret Agent (1936)
Starring: John Gielgud, Peter Lorre, Madeleine Carroll and Robert Young
Director: Alfred Hitchcock
Rating: Five of Ten Stars
British Intelligence fakes the death of author Edgar Brodie (Gielgud) so he can be sent to Switzerland on a mission to find and assassinate a German spy at the height of World War I. He is assisted by the coldhearted General (Lorre) and the gung-ho newbie spy Elsa (Carroll), and together they find the rewards of being spies are hardly ever worth the dangers and damage to conscience and morals the work demands.
"Secret Agent" is a mess of a movie. It's got some fine actors performing great characters; it's captures the moral ambiguity of patriotism and duty to country when it is performed in the shadowy world of secret intelligence work; and it has several thrilling and/or incredibly well-staged sequences--with the meeting at the church, the mountain hike, and the chocolate factory chase being foremost among these. What the film doesn't have is a coherent script. Its many great elements never quite come together, we never quite get a sense that anything in the film really matters, much of it doesn't make any sense--starting with Brodie's recruitment by British Intelligence, which means the entire movie is standing on a trembling foundation--and to say the ending feels rushed is a massive understatement.
This is the first Hitchcock film I've seen that actually disappointed me. I'm sure there will be others, but I was surprised at how weak this one is overall, given the relative high regard others seem to hold it in. Out of the Hitchcock films I've seen, this is the first one I feel I should recommend viewers to stay away from.
Starring: John Gielgud, Peter Lorre, Madeleine Carroll and Robert Young
Director: Alfred Hitchcock
Rating: Five of Ten Stars
British Intelligence fakes the death of author Edgar Brodie (Gielgud) so he can be sent to Switzerland on a mission to find and assassinate a German spy at the height of World War I. He is assisted by the coldhearted General (Lorre) and the gung-ho newbie spy Elsa (Carroll), and together they find the rewards of being spies are hardly ever worth the dangers and damage to conscience and morals the work demands.
"Secret Agent" is a mess of a movie. It's got some fine actors performing great characters; it's captures the moral ambiguity of patriotism and duty to country when it is performed in the shadowy world of secret intelligence work; and it has several thrilling and/or incredibly well-staged sequences--with the meeting at the church, the mountain hike, and the chocolate factory chase being foremost among these. What the film doesn't have is a coherent script. Its many great elements never quite come together, we never quite get a sense that anything in the film really matters, much of it doesn't make any sense--starting with Brodie's recruitment by British Intelligence, which means the entire movie is standing on a trembling foundation--and to say the ending feels rushed is a massive understatement.
This is the first Hitchcock film I've seen that actually disappointed me. I'm sure there will be others, but I was surprised at how weak this one is overall, given the relative high regard others seem to hold it in. Out of the Hitchcock films I've seen, this is the first one I feel I should recommend viewers to stay away from.
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