Starring: Dennis King, Stan Laurel, Oliver Hardy, Thelma Todd, James Finlayson, Lucile Browne, and Arthur Pierson,
Directors: Hal Roach and Charley Rogers
Rating: Six of Ten Stars
After his men rob a pair of travelers (Laurel and Hardy) of their life's savings, the notorious bandit Fra Diavolo (King) forces them to help him rob a fabulously wealthy nobleman (Finlayson) and his slutty wife (Todd). Meanwhile a young army officer (Pierson) is on Fra Diavolo's trail, hoping to catch him and earn the reward money so he can marry his beloved (Browne).
Reportedly, "The Devil's Brother" was one of Laurel & Hardy's highest grossing movie. They may have been the names and faces on the poster that drew the crowds, but they were far from the best part of this film.
Since Laurel & Hardy are the clowns in this film adaptation of an operetta, it's to be expected that they are basically supporting characters in a film they're headlining, but Roach and his co-director could at least have made sure that when they do appear on-screen, they are in top form. Instead, almost ever bit they do drags on for too long and even their trademark character touches are overplayed here. The only exception to this are the goofy games/feats that Laurel's character comes up with, and which go viral among other characters who are unable to replicate them
It's a shame that Laurel & Hardy's bits were padded to the degree they were, because everything else about the film is entertaining, and the rest of the cast are good in their roles. Even Laurel & Hardy aren't bad per se... I just think they could have been better.
I had to do a bit of a mental adjustment as the film unfolded, because, when it comes to period pieces like this, I am used to the bandit posing as a nobleman to being of a heroic figure. Fra Diavalo, however, is a villain, through and through. It's somewhat satisfying that his plot ultimately fails due to his own cruelty and coldbloodness, but the ending isn't what I really wanted for the character. It's a testament to Dennis King's acting ability that I so disliked Fra Diavolo; his facial expressions change beautifully from when he's not being watched to when he's pretending to be the Marquis de San Marco. King was first and foremost a stage actor, but his performance here demonstrates that he could probably have been a big movie star, too. He had a strong grasp of the differences between playing to the back rows of a theatre auditorium, and performing for film cameras.
Another standout cast member was James Finlayson. He had more to do in this film than was typical for his Laurel & Hardy appearances, and he's a lot of fun as the super-rich old guy with a slutty trophy wife. The bit where he's trying to catch his wife cheating on him is especially amusing.
Speaking of the slutty wife, she's portrayed by Thelma Todd with the zest she brought to almost every role she played. There's really not much for her to do here but to bat her eyes and respond coyly to the romantic overtures from Fra Diavalo in his guise as a traveling nobleman. (Todd would play the same kind of character again in the 1934 film "Cockeyed Cavaliers", but the part was meatier and she had more of an opportunity to show that she was a talented actress as well as good-looking.)
Since "The Devil's Brother" is an operetta, I should probably comment on the music and songs featured in it. I don't have much to say as only two songs stood out.. and they happen to be the two that were also central to moving the plot along. Even so, I didn't find them all that remarkable... but then I'm a Philistine.
First, there is Fra Diavolo's Theme Song, which he travels the countryside singing and striking terror in the hearts of all who hear it. Dennis King performs it several times during the film, and it's a nice little tune, even if the lyrics are a bit nonsensical. (I admit that a literal Singing Bandit is a bit silly for me to take, even in a comic operetta.)
Second, there's the song performed by Lucile Browne, who, stripped down to her underwear, admires herself in a mirror and sings about what a hottie she is. Although this comes across as just so much 1930s Fan Service, it actually ends up being crucial to the story... even if it's a highly ridiculous moment and the "I can't believe I'm hearing this" look on Ollie's face reflects exactly how I felt watching it.
Finally, Laurel & Hardy's unofficial theme "KuKu" is used to introduce them twice in the film. It seems very out of place, especially the second time it crops up. This may be an even worse choice than letting most of their routines go on for too long, as it's stylistically out of place with the rest of the music in the film.
"The Devil's Brother" is a fun, but flawed movie. Big-time fans of Laurel & Hardy might want to put it on their "To Be Watched" list... but I don't know that anyone else would want to go out of their way for it.
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