'The False Magistrate' is silent end for Fantomas

The False Magistrate (1914)
Starring: René Navarre, Germaine Pelisse, Mesnery, Suzanne Le Bret, Laurent Morleas, Georges Melchior, and Edmond Breon

Director: Louis Feuillade

Rating: Seven of Ten Stars

A scheme concocted by Inspector Juve (Breon) to make sure the evil mastermind Fantomas (Navarre) is executed for his many crimes and murders goes awry, and Fantomas instead escapes the grasp of law enforcement yet again. Through a series of lucky breaks, Fantomas manages to take over the identity of an investigating magistrate and sets about committing more crimes, now under the cover of law. 

"The False Magistrate" was the last entry in the original silent movie "Fantomas" series. Sadly, it survives only in a degraded and fragmented state. Even the best available restoration features several severely damaged sequences and relies on several added intertitles that provide summaries of what happened in sections of the film that don't even exist anymore. Normally, I would not write a review of a film in this state, but there are a couple of reasons why I make an exception here.

First, I'd already declared I was going to review all five films in this series, without knowing the actual state of the final one. It was included in a set of DVDs that held all the films, and I was so impressed with the first entry in the Louis Feuillade that I couldn't imagine a reason why I wouldn't want to cover all of them.

Secondly, and far more importantly, "The False Magistrate" may actually end up as a better film for its missing pieces. Clearly, some of the elements would have been nice to have--such as the summarized scenes that establish Rose the Maid (Suzanne Le Bret) as being connected with Fantomas's gang, and just more of the gang members in general--but I am almost 100 percent certain that we're better off not having anything but highlights remaining from the plot-threads involving Juve and Fandor, because what we're left with is some of the dumbest stuff in the entire series.

While I complained about the absolutely mind-numbingly silly ending to "Fantomas vs. Fantomas" (1914), this opens with Juve embarking on something even dumber. And it isn't even silly--just dumb--and a prime example of bad writing every way you look at.

Basically, Juve lets Fantomas escape from prison by taking his place. The scheme is clever and even more cleverly executed (through the return of the fat suit used in "Juve vs. Fantomas" (1913)), but what isn't so clever is that no one notices that the party of visiting dignitaries that Juve snuck in with has one less member leaving than when they arrived; nor does any of the guards notice for weeks that someone else is in Fantomas' cell. It gets even worse, because by letting Fantomas back out into the world, Juve should be held accountable for the three murders he commits and the numerous lives he ruins during the course of this film. The less we see of Juve and Fandor in this film, the better off we probably are--although Fandor is the focus of one of the better scenes when he works with a pair of police detectives to trick and capture members of Fantomas' gang.

Setting aside the fact that the only reason there even is a story in this film beyond Fantomas's escape from prison is a series of tremendous coincidences, the fact that we get to see Fantomas engaging in a scheme that is both utterly evil and that also seems realistic. The way he uses his stolen identity as a powerful member of law enforcement to both extort the wealthy and bring renegade members of his gang firmly under his control is very fitting of is supposed criminal genius (unlike some of his activities in previous films). The gruesome way in which he punishes a disloyal gang member, and, for that matter, every murder he commits during the course of the film, also chillingly shows what a psychopath he is. 

Another strong part of "The False Magistrate" is the ending, both how Fantomas is captured and how he escapes (and, no, I don't consider it a spoiler to say that Fantomas escapes yet again... it's part of the genre). Unlike the previous three films, the ending here is nearly perfect.  

This post marks the end of "Fantomas Fridays" at Shades of Gray. But, since we have the DVD collection of Louis Feuillade's other legendary thriller series, "Les Vampires", in the To Be Watched pile, you can expect them to be replaced with "Feuillade Fridays" in the new year. We hope you'll be back!