June Collyer is trying to seduce summer to get over here and stick around!
Wednesday, May 15, 2013
Wednesday, May 8, 2013
The Art of Dan Adkins
It is with a touch sadness that I make this post, as I have had word that another of the great comic book artists, Dan Adkins, has just passed away at the age of 76.
Adkins was a skilled and talented penciler and inker, and I don't think there's a major comic book character created before 1980 that his pencil or brush didn't bring to life. There also isn't a penciler over whom his inks didn't look great--and he did finishes over some 70 different artists during his career. In addition to his comic book work, Adkins drew illustrations for sci-fi and horror magazines such as "Amazing Stories" and "Famous Monsters of Filmland".
Artist Jerry Bingham wrote an excellent piece about how Adkins helped him along at the very beginning of Bingham's own career. I am reposting it here with Jerry's permission. A gallery of Dan Adkins's art follows.
It's easier to comment on the passing of distant relationships than on people I cared about. Such is the case with Dan.
In 1977, I had been out of the Air Force for a year, and I had been turned down at all my attempts to get work drawing comics. After my third trip to the Marvel offices with new samples, kindly art director, Marie Severin, told me of a guy she knew who had helped a number of young artists break into the business. He lived just across the river in New Jersey. She gave me his number.
He was a quirky little guy with an exceptionally sweet wife and young boy, who set me up with a drawing board in his living room, invited me to sleep on his couch for a week, then proceeded to do everything in his power to discourage me from a life in comics.
But he critiqued as I drew. Then he took me into NYC, introduced me to Archie Goodwin, who gave me my first job. And he introduced me to Joe Orlando at DC. He even took me up to Neal Adams's office (who critiqued me harshly and shooed us on our way).
Then Dan told me of his plans to move to Reading, PA, and asked if I wanted to come with. What else did I have going for me? He introduced me to Steranko. My wife and I moved into the apartment downstairs from the Adkins family and we became very close for a short time. He had a story for every occasion and, no matter how outrageous, he could entertain and appall at the same time. I moved out a few years later. We lost touch. Life happened.
I sent flowers when his wife Jeanette passed a few years ago, and I remember remarking in private that I wondered how he would survive without her. His family was his whole world. I am extremely saddened today with the news of Dan's death.
Dan Adkins will always be "That Guy" for me, the guy who was there when I really needed someone just like him to nudge me to the next rung on the artist's evolutionary ladder. Point me down the right hall. He introduced me to many other things I needed: other artists I was unaware of, famous NY bookstores, and he let me glimpse snippets of possible futures for myself, and let me understand what I didn't want to be, as well as what my possibilities were.
Life is full of regrets. I will always regret that I did not maintain our friendship over the years. He was there for a short time, and then he was not. But he was enormously influential. And I will always care for him in my heart.
Miss you Danny.
Adkins was a skilled and talented penciler and inker, and I don't think there's a major comic book character created before 1980 that his pencil or brush didn't bring to life. There also isn't a penciler over whom his inks didn't look great--and he did finishes over some 70 different artists during his career. In addition to his comic book work, Adkins drew illustrations for sci-fi and horror magazines such as "Amazing Stories" and "Famous Monsters of Filmland".
Artist Jerry Bingham wrote an excellent piece about how Adkins helped him along at the very beginning of Bingham's own career. I am reposting it here with Jerry's permission. A gallery of Dan Adkins's art follows.
MEMORIES OF DAN ADKINS
It's easier to comment on the passing of distant relationships than on people I cared about. Such is the case with Dan.
In 1977, I had been out of the Air Force for a year, and I had been turned down at all my attempts to get work drawing comics. After my third trip to the Marvel offices with new samples, kindly art director, Marie Severin, told me of a guy she knew who had helped a number of young artists break into the business. He lived just across the river in New Jersey. She gave me his number.
He was a quirky little guy with an exceptionally sweet wife and young boy, who set me up with a drawing board in his living room, invited me to sleep on his couch for a week, then proceeded to do everything in his power to discourage me from a life in comics.
But he critiqued as I drew. Then he took me into NYC, introduced me to Archie Goodwin, who gave me my first job. And he introduced me to Joe Orlando at DC. He even took me up to Neal Adams's office (who critiqued me harshly and shooed us on our way).
Then Dan told me of his plans to move to Reading, PA, and asked if I wanted to come with. What else did I have going for me? He introduced me to Steranko. My wife and I moved into the apartment downstairs from the Adkins family and we became very close for a short time. He had a story for every occasion and, no matter how outrageous, he could entertain and appall at the same time. I moved out a few years later. We lost touch. Life happened.
I sent flowers when his wife Jeanette passed a few years ago, and I remember remarking in private that I wondered how he would survive without her. His family was his whole world. I am extremely saddened today with the news of Dan's death.
Dan Adkins will always be "That Guy" for me, the guy who was there when I really needed someone just like him to nudge me to the next rung on the artist's evolutionary ladder. Point me down the right hall. He introduced me to many other things I needed: other artists I was unaware of, famous NY bookstores, and he let me glimpse snippets of possible futures for myself, and let me understand what I didn't want to be, as well as what my possibilities were.
Life is full of regrets. I will always regret that I did not maintain our friendship over the years. He was there for a short time, and then he was not. But he was enormously influential. And I will always care for him in my heart.
Miss you Danny.
Wednesday, May 1, 2013
Picture Perfect Wednesday:
Theda Bara, the Original Goth Chick
Theda Bara, the Original Goth Chick
During the late 1910s and early 1920s, Theda Bara emerged as a hugely popular movie star, specializing in playing evil and creepy women. Her film career began when she was 30, around the age when actresses were considered "too old" for anything but matronly parts, and she went onto star in numerous mega-hits that helped make Fox Studios into a Hollywood power-house. She retired from acting at the age of 41, after marrying director Charles Brabin. Her final film, "Madame Mystery" (1926), was co-directed by Stan Laurel.
Bara, with her dark, entirely fabricated public image and her heavy, almost panda-like eye make-up, also has the distinction of being history's first Goth Chick.
Only two of Bara's films survive to present day--strangely enough her career bookends of "A Fool There Was" and "Madame Mystery." The original prints for the rest, including her celebrated starring turns in the smash-hit costume dramas "Cleopatra" and "Salome" were destroyed in a fire at Fox Studios in 1937. Bara's personal copies of her films all fell victim to her lack of knowledge regarding proper storage of nitrate-based film stock; she discovered to her sorrow in the 1940s when she checked her library that the passage of time had literally reduced her films to dust..
Theda Bara passed away at the age of 69, Although she has sunken into obscurity, she remains a source of inspiration for Goth Chicks, and was almost certainly the point of origin for the silent movie star turned evil undead cult leader in "The Dead Want Women."
Although I can't help but wonder if she wouldn't prefer to be remembered like this:
Wednesday, April 24, 2013
The Milla Jovovich Quarterly
Last quarter, we featured a young Milla with hair out of the 1980s. This time around, we feature an adult Milla with hair out of... well, with hair of some sort.
Thursday, April 18, 2013
Classic Cinema: The Royal Bed
Classic Cinema (also known as Movie Monday at various times) returns with "The Royal Bed," an obscure classic political comedy starring greats such as Lowell Sherman and Mary Astor. You can read my review by clicking here... and then watch this undeservedly obscure film.
Wednesday, April 3, 2013
Picture Perfect Wednesday:
Gwyneth Paltrow
Gwyneth Paltrow
Today. Gwyneth Paltrow demonstrates the unifying theme of the blog.
Sunday, March 31, 2013
Wednesday, March 13, 2013
The Louise Brooks Quarterly
Silent movie star Louise Brooks had such a unique and special look that she started fashion trends in her day, inspired the creation of a major comic book character after she had passed, and continues to inspire fashion designers and artists to this day. And now she joins our rotating line-up of quarterly lovelies. Click here to see all posts featuring Brooks that have been featuring previously on Shades of Gray.
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