Showing posts with label John Ireland. Show all posts
Showing posts with label John Ireland. Show all posts

Friday, March 26, 2010

'Day of the Nightmare' is full of twists

Day of the Nightmare (1965)
Starring: Beverly Bain, Cliff Fields, John Ireland and John Hart
Director: John A. Bushelman
Rating: Four of Ten Stars

As her artist husband (Fields) grows more aloof, Barbara (Bain) starts to grow concerned for the health of her marriage. She soon has bigger things to worry about, as he first becomes a murder suspect... and then she immediately thereafter almost is stabbed to death by his supposed victim.

"Day of the Nightmare" features the foundation of a decent thriller, with a story constructed with enough intelligence to know not to bother concealing something which is obvious to alert audience members almost immediately (Barbara's husband is a Norman Bates-style maniac and the "murder victim" is actually his second personality), but it's done in by languid pacing and terribly undramatic camerawork and lighting. The film called for deep shadows and quirky camera angles, but instead we get cinematography that would have been better suited for an industrial educational film.


The acting is also mostly mediocre, with John Ireland (as a homicide detective looking for a murder victim that doesn't exist) seeming tired and bored and Cliff Fields (as the hubby leading more than just one double life) seeming like he needed to take a few more acting lessons.

The one exception is Beverly Bain. Whether she is portraying Barbara as the perfect early 1960s American housewife, as trying to come grips with the possibility her husband has killed his mistress, or fleeing an insane, knife-wielding cross-dressing phantom, she gives a performance far better than anything else in the film. This is her only film credit, which is a shame. There is quite a bit of talent on display here. (But no flesh; she is the only attractive female in the movie who doesn't appear topless.)

But Bain's performance alone is not enough to save this film. She, combined with the well executed story, will carry you through it, but the weak acting and inappropriate tone of the cinematography, put this movie firmly in the category of Bad.


Sunday, December 13, 2009

'The Glass Tomb' isn't worth visiting

The Glass Tomb (1955)
Starring: John Ireland, Eric Pohlman, Geoffrey Keen, Sidney Taffler, Lian Redmond, Honor Blackman and Sid James
Director: Montgomery Tulley
Rating: Four of Ten Stars

A sideshow promoter (Ireland) comes under suspicion of being a killer-for-hire when the lover of a backer of his latest show is murdered. He is eventually cleared... but only because other murders occurr.


"The Glass Tomb" is a movie that feels like its script was the product of the writer combining material cut from other projects and then spending an afternoon or two doing some half-assed rewrites in an attempt to make a coherent whole.

It swings back and forth between being a thriller and a murder mystery. Is it a thriller about an innocent man caught in a love triangle he's not even aware of? Is it a thriller/mystery about an innocent man being set up by his best friend to take the fall for a murder he's planned? Is it a murder mystery about why third-rate British carnies and dance hall performers are being whacked?

Although the murderer's identity is revealed to the audience about halfway through the movie, some of the scenes proceed as if the murderer's ID is still supposed to be a surprise to us. (And even if we HADN'T known the killer's ID, the characters should have figured it well before we did, because it's not that hard if anyone in the film had been immune from Stupid Character Syndrome.)

"The Glass Tomb" has the further problem that none of the characters are well-developed enough for the viewer to feel particularly attached to anyone, nor even fully understand what role they play in the story. This causes the film to completely fail as a thriller and to fizzle as even a Columbo-esque mystery. This underdevelopment of characters is perhaps the film's greatest flaw, particularly when it comes to the central character and his family. He seems very interested in keeping them separate from his showbusiness and circus life, yet we never fully understand why. A little more insight in this area in particular could have helped up the tension when his wife comes under threat.

There are actually plenty of good story ideas in "The Glass Tomb". If only the writer, producers and directors had picked one or two of them to focus on and left the rest for other projects, this might have been a decent film. As it is, it's a film that even the most ardent genre fan can ignore.