Showing posts with label Best of Abbott & Costello Vol. 3. Show all posts
Showing posts with label Best of Abbott & Costello Vol. 3. Show all posts

Saturday, January 26, 2019

'Abbott & Costello Meet the Invisible Man' is a flawed film but still lots of fun

Abbott & Costello Meet the Invisible Man (1951)
Starring: Lou Costello, Bud Abbott, Arthur Franz, William Frawley, Nancy Guild, Gavin Muir, Adele Jurgens, Sheldon Leonard, Paul Maxey, John Day, and Syd Saylor
Director: Charles Lamont
Rating: Six of Ten Stars

Tommy (Franz), a professional boxer framed for murder by a mobster (Leonard), hides from the police by using an invisibility serum. He teams up with a pair of rookie private detectives (Abbott and Costello) in a desperate gambit to prove his innocence.


In the late 1940s and early 1950s, Abbott & Costello made a series of comedies that incorporated Universal's classic monsters from the 1930s, like Dracula, the Mummy, Frankenstein's Monster, and, the Invisible Man. Universal had revived the properties in a series of mostly serious sequels, several of which were crossovers with the Larry Talbot, the Wolfman, who encountered Dracula and Frankenstein's Monster while searching for a cure to his condition. (Larry Talbot's character was itself a revival of a 1930s horror character, the Wolfman of London, but it been the success of the other Universal horror films, so it was "rebooted" rather than being subject to sequels.)

Unlike some of their monster comedies, "Abbott & Costello Meet the Invisible Man" is established as a true sequel to previous films in the series with references to the origins of the invisibility serum. For viewers familiar with "The Invisible Man" (1930) or its sequels ("The Invisible Man Returns" and "The Invisible Agent"), this tie-in lends a sense of urgency as the longer a person has the invisibility serum in their bloodstream, the more likely it is that he or she will be driven insane by it.

Unfortunately, that sense of urgency never becomes what it should be, because Tommy, our invisible man wanting to prove his innocence comes across as a total jerk and more than just a little crazy from the moment he is first introduced. There is literally not a moment where he isn't rude and abrasive to everyone he interacts with. Even in scenes where he is interacting with his girlfriend and the scientist who are risking imprisonment themselves to help him--scenes where there was an opportunity to make him more sympathetic--he is so obnoxious and paranoid that one wonders why the girlfriend even wants to be around him. (There are also a couple of plotting issues--big, gaping holes in the story that leads one to wonder if a scene or two were cut... because it's hard to imagine that any script could be so sloppily written and no one noticed as the film was being made.)

Of course the drama of whether the wrongfully accused man gets cleared of murder before the serum drives him insane or not is basically just an excuse to get us from comedy bit to comedy bit. Most of the routines in the film revolve around characters reacting to seeing--or rather NOT seeing--the invisible man, or boxing gags. The former gets a little old, with the callbacks later in the film being more tiresome than funny (although the spin-off gag involving hypnotism and half the officers and support staff at a police precinct is one of the film's comedic highlights). The latter, however, keeps getting funnier and more involved as the film unfolds, with Costello cartoonishly throwing punches that are actually being landed by the invisible pro-boxer--in a bar fight, in a boxing gym, and ultimately in a the boxing ring. Costello gets to to the physical comedy and pratfalls that he so excelled at, and he does it brilliantly. Meanwhile, Abbott is also very funny as a fundamentally self-centered and greedy huckster who wold probably sell out his own mother for a buck... but he is a charming rogue and you can't help but like him even while thinking he's being a bastard.

While this isn't the strongest of Abbott & Costello's efforts, it has enough going for it that I am giving it a very high Six rating. It might have been a low Seven if the filmmakers hadn't decided to end it on gag that's nonsensical and completely illogical and out-of-step with the rest of the movie. While the supposedly romantic lead being an unlikely jerk hurt the film, it's final 30 or so seconds nearly torpedoed it the material is so bad.


Thursday, September 2, 2010

City Slickers Get Caught in a Hillbilly Feud

Comin' Round the Mountain (1951)
Starring: Bud Abbott, Lou Costello, Dorothy Shay, and Margaret Hamilton
Director: Charles Lamont
Rating: Four of Ten Stars

When small-time talent agent Al Stewart (Abbott) book up-and-coming nightclub singer Dorothy McCoy (Shay) and talentless magician Wilbur the Magnificent (Costello) on the same bill, the two performers realize that not only are they cousins, but that Wilbur holds the key to locating a long-lost family treasure. So, the trio leave the big city for hillbilly country and riches... only to become embroiled in a reawakened backwoods feude between the McCoys and the Winfields.


"Comin' Round the Mountain" is definately one of Abbott & Costello's lesser films. This is partly because it that is also intended as a vehicle for singer Dorothy Shay. She has entirely too many musical numbers in the film (one would have been plenty), and her talent as an actress leaves something to be desired. I also think the hillbilly humor also hasn't aged well... well, or maybe the jokes just aren't that funny. (Although, paradoxically, part of me feels that if the film had spent a little more time on hillybillies fueding and shooting at each other, and gotten rid of some of the romance stuff, the film might have been funnier.)

Leave this one be, unless you're a tremendous A&C fan who must see all their films before your life is complete.


Friday, August 20, 2010

Karloff slays 'em dead when
meeting Abbott and Costello

Abbott and Costello Meet the Killer (aka "Bud Abbott & Lou Costello Meet the Killer, Boris Karloff") (1949)
Starring: Bud Abbott, Lou Costello, Boris Karloff and LĂ©nore Aubert
Director: Charles Barton
Rating: Seven of Ten Stars

When Freddy (Costello), a dim-witted but harmless bellhop, is suspected of murdering a high-powered attorney, the arrogant hotel detective at the Lost Cavern Hotel, Casey (Abbott) decides to help him clear his name by prove that one of the other guests--many of whom were about to be ruined by the tell-all memoirs the attorney was about to publish. As evidence against Freddy starts to plie up (along with more bodies), a mysterious masked figure targets him for death as well... and wacky hi-jinx ensue.


"Abbott and Costello Meet the Killer" is a fast-paced, hilarious comedy that mixes the Bud and Lou's fast patter with a who-dunnit spoof. There are plenty of sinister suspects (with Boris Karloff leading the pack as a murderous swami), but the mystery isn't truly over until the final punchline (which is, literally, a punch line in this film).

Although the mystery elements of the script are weakened by virtue of having too many red-herring suspects, so virtually none of them are given any real development or screentime (with Karloff and Aubert being the only exeptions), the comedy aspects of the film are grand. The sequence where it's proven that some people truly are too dumb to die, and Freddy whiling away the time while waiting for the killer to arrive in the caverns from which the hotel draws its name, are priceless.


Wednesday, July 21, 2010

Abbott and Costello vs the Alien Amazons!

Abbott and Costello Go to Mars (aka "Rocket and Roll") (1953)
Starring: Bud Abbott, Lou Costello, Mari Blanchard, Robert Paige, Horace McMohan, and Anita Ekberg
Director: Charles Lamont
Rating: Six of Ten Stars

When two workmen (Abbott and Costello) accidentally launch with an experimental space rocket, they think they end up on Mars. The truth is, they end up places far stranger than Mars... New Orleans during Mardi Gras and then Venus, a planet governed by immortal Amazons.


As my summary above states, Abbott and Costello never get to Mars in this film, despite the intentions of the builders of the top secret rocket and the movie's title. Instead, they move through a thin plot that is stretched to the breaking point to fill the movie's 77-minute running time, and every joke is beaten to death, particularly during the New Orleans segment. Things pick up a bit when the action moves to Venus (where Costello is made King), but it's only a slight improvement. I'm not even sure if it's the distraction of all the scantily clad beauty queens that tricked me into thinking the film got better.

This is one of the weakest Abbott & Costello pictures, and everyone but truly hardcore fans of their work should probably not bother with it.

Friday, May 14, 2010

Abbott and Costello vs Bedouins and
Cheese-eatin' Surrender Monkeys!

Abbott and Costello in the Foreign Legion (1950)
Starring: Bud Abbott, Lou Costello, Patricia Medina, Walter Slezak, Douglas Dumbrille and Wee Willie Davis
Director: Charles Lamont
Rating: Seven of Ten Stars

While in North Africa on business, a couple of American wrestling promoters (Abbott and Costello) become drawn into local intrigues by a beautiful French intelligence agent (Medina) and agents of a villainous Arab Bedouin sheik (Dumbrille) and are tricked into joining the French Foreign Legion.



"Abbott and Costello in the Foreign Legion" is one of the funniest, fastest-paced films the duo made. The film barrels from comedy setpiece to comedy set piece and and nonsense verbal routine to nonsense verbal routine with barely an establishing shot to separate them.

As funny as the film is, it's not perfect. A couple of the extended comedy routines don't quite work--like the chase scene involving a jeep and Arab bad guys on horseback--and the ending feels a little rushed and badly constructed. However, the good far outweighs the bad here, and it's definitely worth checking out if you've enjoyed other Abbott and Costello films, or if you're just a lover of wild crazy comedies.

Or if you're a lover of films that probably couldn't even be made today. This film features villainous Arabs who are sexist, violent and duplicitous in all things--oh noes! Never mind that the real world contains plenty of real people who are far worse than the character portrayed by Douglass Dumbrille in this film.


Wednesday, May 5, 2010

Happy Cinco de Mayo (or sumthin')

Mexican Hayride (1948)
Starring: Bud Abbott, Lou Costello, Luba Malina, Tim Powers, Pat Costello, Virginia Grey and John Hubbard
Director: Charles Barton
Rating: Three of Ten Stars

After being framed for a swindle by a greasy conman (Abbott), Joe Bascombe (Costello) follows the scoundrel to Mexico to clear his name. Unfortunately, Joe is tricked into being the fall guy for another scheme.


"Mexican Hayride" is the first truly bad Abbott & Costello picture I've seen. Not only is the storyline illogical (even by Abbott & Costello standards), but the best gags in here will evoke mild chuckles at best. Even if it was included in a DVD multipack titled "The Best of Abbott & Costello Vol. 3", this is one of their worst.

Biggest sign this is a bad movie? The bullfighting sequence is the funniest part in here. Yes, something as repulsive as bullfighting serves as the foundation for the best jokes and routines in the film.

One very strange thing about this film is that it was based on a successful musical from the early 1940s. However, there is only one song in the film and it isn't even by Cole Porter, who wrote the music for the original stage production.